Black Gate

As you know, I’ve been beyond irritated at the trend of changing vampires from life-sucking creatures of the night, into angsty, emotionally tortured emo kids. It started with the Twilight book series of course, which then became excruciating films. But it didn’t stop there. Instead, we were treated to Twilight spawn such as The Vampire Diaries, The Vampire Academy and Fallen, to name but a very few. Vampires lost interest in Victorian costuming, or even leather-clad rock star chic, and instead started looking like L.L Bean models. They agonized over their attachments to their food source rather than eating with erotic abandon like the blood-thirsty creatures of the night that they were.

They went to high school.

wtf.

So, this week’s news could not have come at a better time.

Thanks to Stunlock Studios, we can all finally put this right by becoming the undead bad-asses they were meant to be. The talent behind Battlerite have just announced a new role-playing game entitled V Rising, which allows players to be vampires out to build an empire.

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I’m not sure how I feel about this.

Normally there are always mixed feelings when a beloved sitcom heads to the big screen. Will a movie with high production values ruin the original charm? Will what seemed incredibly entertaining on the small screen, come off as cheesy on the big one? And maybe most importantly, what actors could possibly do justice to the characters we grew up with?

And honestly, the results here are extremely mixed. On the positive end of the spectrum, you have the 1964 show The Addams Family, whose movie iterations (1991 & 1995) were very artfully translated, charm intact, from the source material. In the middle you have shows like Lost in Space (1965) and Star Trek (1966) whose big screen iterations were fun, if a bit uneven. But then you have the complete “OMG why???” examples such as Dark Shadows (1966), whose 2012 remake was a hot mess, at least in my opinion.

But this week we learned about a new film adaptation of The Munsters (1964) that comes with a whole lot of mixed emotions. On the one hand, this does seem long overdue. There was a Munsters movie back in 1966 starring the original cast, which was released directly following the cancellation of the TV show. And though there have been three other revivals of the characters, with the last one being in 1996, all were made for television. So, it seems like the time had come to see The Munsters get the Hollywood treatment.

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All the wonderful film fests in the US and Canada have been forced to go virtual over the last year, but that hasn’t stopped them from showcasing a very creative run of new films; and this one might be my favorite.

Fantastic Fest, which normally takes place in Austin, TX, is the largest genre film festival in the US. Specializing in horror, fantasy, sci-fi and action movies from around the globe, the festival is dedicated to showcasing challenging and though-provoking cinema from new voices in the industry. Like other film fests, the best of the movies which premier here, get picked up for wider distribution.

The virtual version of Fantastic Fest 2020 was home to a new werewolf movie, written by Wendy Hill-Tout along with her daughter, Elizabeth Lowell Boland, known by stage name Lowell, a Canadian singer, songwriter and producer. Admittedly, I had never heard of Lowell until now, though she has released two full-length albums, and her song Palm Trees featured as soundtrack in EA Sports game, FIFA 15. I wish I could say differently about her Mom, Hill-Tout, but alas, I cannot. She has primarily been a producer throughout her career, according to IMDB. But as a writing team, Hill-Tout and Lowell seem to have created cinematic magic in the form of the film Bloodthirsty.

Newbie director Amelia Moses of course gets credit here, as does the acting of star Lauren Beatty (Jigsaw), but to me, all really great monster movies start with a great script. And this one is a doozy.

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As we well know, Disney is currently focusing a lot of energy on “live action” versions of its animated films, as well as family-friendly live action movies. We’ve seen the likes of Cinderella, Mulan, Beauty and the Beast and Sleeping Beauty (aka Malficent), along with Pirates of the Caribbean and the upcoming Jungle Cruise. But what you might not know, is that Disney has visited this strategy before. In the late 70’s and early 80’s, in an attempt to attract a young-adult audience, Disney also produced several live-action movies, though not ones based on previous stories. The Black Hole, Tron and my personal favorite, Something Wicked This Way Comes all harken back to this era in the Walt Disney Productions timeline.

It’s not that Disney had never done live-action movies before. In fact, from its inception in 1937 through the end of 1979, Walt Disney Productions delivered no less than 106 films with real actors. However, these stories pretty much defined the term “family friendly,” with titles such as Twenty-Thousand Leagues Under the Sea, Pollyanna, The Parent Trap, and The Shaggy D.A. Which is why Disney’s departure in 1979 caused such a kerfuffle.

In that year, British film and television director John Hough, who had already worked with Disney directing Escape to Witch Mountain and its sequel, was tapped to lead an idea first pitched by Disney producer Ron Miller. He proposed turning a 1979 novel by Florence Engel Randall, entitled The Watcher in the Woods, into one of Disney’s live-action films.

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An illustration of the fire at the LaLaurie mansion

As you all know, I fancy myself somewhat of a connoisseur of the paranormal. Over the years I’ve told you about some personal experiences (both real and imagined), some that others have experienced, and a few that are little more than unsubstantiated folk tales. But every once in a while, there comes a time and place where something so disturbing has occurred that the stories of hauntings associated with it morph into anecdotes that even a hardened skeptic could make room for.

Such is the LaLaurie Mansion located in New Orleans’ French Quarter which ranks near the very top of the “give me nightmares” scale.

If you haven’t heard of Marie Delphine LaLaurie, she was a New Orleans socialite who built a two-story mansion at 1140 Royal Street upon the event of her third marriage in 1825, to physician Leonard Louis Nicolas LaLaurie. Long before this, NOLA was a unique place, not the least of which due to its Code Noir, or laws governing the treatment of slaves. Unlike the rest of the south there was at least the expectation in NOLA, that slave owners would treat their slaves well, and NOLA had the largest population of free people of color of any major southern city.

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