Black Gate

I feel that a sense of humor, however dark, is an essential coping mechanism. Not having one would require we avoid the Web as well as news of any kind, leaving us in social isolation, streaming nothing but MeTV.

Thankfully that is not the case for me, though the term “graveyard humor” seems to get floated a lot in my presence. It is true that I have been known to laugh at inappropriate times or find humor in things that utterly mortify my parents. And if this describes you as well, then I can only assume you have, like me, been counting down the days to the next season of What We Do in the Shadows.

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We here at Goth Chick News never fail to be impressed by indie filmmakers. It takes an incredible amount of patience and tenacity to bring a story to life on screen without the backing (and funding) of a major production house. That’s why whenever we have a chance to give you a view behind the scenes of an indie film, we’re all too excited to do so.

Back in December we had the pleasure of meeting Louis Weinberger whose story Into the Devil’s Reach made the impressive jump from novel to indie film. Weinberger is a local Chicago-area writer whose primary focus is scripts. However, when two of his ideas were just too good to wait on the right film project, he combined them into a novel which was published by RedRob in 2014.

We had to know more and here to explain it all is Louis Weinberger.

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When I first received notification of this project, I thought it was a joke.

I’ll assume here, that you’re all familiar with the pop-up Halloween stores which begin appearing in unused retail locations round about August. There’s Halloween City, and Halloween Express, but by far the most prolific of these is Spirit Halloween.

Founded by entrepreneur Joe Marver in 1983, Spirit Halloween made $100k in the first 30 days its first location was open. Over the next 16 years, Marver built Spirit into 60+ locations that were only open in the months leading up to Halloween; August, September, October. In 1999 Spencer’s Gifts acquired Spirit and today there are 1.4k pop-up stores across Canada and the US during “the season.”

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Hollywood rediscovering an old story and reimagining it for a modern audience is always a reason to get excited, at least at first. Not all of these ventures turn out well, but I especially like when the source material hasn’t been explored previously in film. Such is the case with a play written by J. M. Barrie, author of Peter Pan.

Barrie penned Mary Rose between August 1919 and April 1920, and it was performed at the Haymarket Theater in London, opening on April 22, 1920. A year later Mary Rose was included in London’s “Best Plays” list. It then moved on to Broadway where it has since been revived several times, as well as in London, and always to rave reviews. A New York Times reviewer called the 2007 revival of Mary Rose an “elegantly plotted ghost story,” which is why I’m exceptionally excited to learn that Hollywood is finally taking up the tale.

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