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The Public Life of Sherlock Holmes: RPGing with a board — Runebound

The Public Life of Sherlock Holmes: RPGing with a board — Runebound

RUnebound_BoardIt is very difficult to build a good RPG board game. The constraints of the medium make it hard to compare favorably with the actual pen and paper or PC/video game role playing experience.

By far, the best board/card game I’ve found that emulates the role-playing experience is the Pathfinder Rise of the Runelords Adventure Card Game. The adventures get more difficult, you level up and the gear gets better. You maintain your items, spells, and levels from scenario to scenario through an entire Adventure Path, rather than start over each game play session. I’m sure I’ll post on that excellent game in the future.

Another game that I enjoy (though not as much) is Runebound (2nd Edition) from Fantasy Flight Games. It’s not as slick as Wizards of the Coast’s Wrath of Ashardalon, and not as complex as Fantasy Flight’s Rune Wars. But it’s got an appeal for RPGers.

The large board is of thick stock and divided into hexes like old school D&D maps. You travel through different terrain to either enter towns or land on hexes with colored adventure counters. The four different colors represent difficulty levels, from easiest (green) on up through yellow, purple, and red, granting from one to four experience points per color category.

When a player lands on a counter, they select an adventure card of the appropriate color. It can be a challenge, an event, or an encounter. Usually, there’s a fight: sometimes with a skill test involved. You gain experience (and usually gold) from successfully meeting the adventure card.

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Taking Five Worlds Before Breakfast: The Pleasures of EVE Conquests

Taking Five Worlds Before Breakfast: The Pleasures of EVE Conquests

Eve Conquests-smallI have a real weakness for board games, and especially large-scale space strategy games. It’s one thing to punch that Pop-O-Matic bubble and move your little green marker around a Trouble board; it’s something else entirely to stealthily assemble an unstoppable fleet and launch them en masse towards the unsuspecting alien armada in orbit around Sirius. Ah, I get a thrill just thinking about it.

Sometimes a great space game will sneak up on me. It’s not my fault — I can barely keep up with all the fantasy books that show up at Barnes & Noble every week. I’ve totally given up on keeping track of new sci-fi board games.

This one snuck up on me at the Games Plus Spring Auction back in March. I’m sitting there in the front row, minding my own business, when the auctioneer suddenly hefts this big heavy box unto his shoulder, says something like “EVE Conquests, a strategy game set in the world of EVE Online. Opening bid: one dollar,” and starts the bidding.

So I blink a couple of times, and think, what the heck is this thing? I thought EVE Online was an online game? Oooooo, it looks cool, whatever it is. And heavy. Like it’s packed with beautiful starship miniatures and mounted boards and strange artifacts of alien civilizations… I want it. I shall bid on it.

Well, not for long I won’t. Twenty seconds after the bidding started, it moved well out of my price range and remained there for some time. Screw this, I thought. I can find a cheaper copy online. Famous last words.

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A Look at the Latest Incarnation: Dungeons & Dragons 5.0

A Look at the Latest Incarnation: Dungeons & Dragons 5.0

D&D Monster Manual Fifth Edition-smallWith Wizards of the Coast gearing up to release their latest incarnation of Dungeons and Dragons, it took me back to 1978, when I first encountered the game.

I was eight years old, browsing a hobby shop in Ohio with my family, when I saw this blue box with a picture of a dragon sitting on a pile of gold and jewels on the front cover. A warrior and a wizard were preparing to attack. What was this???

I took a better look and then promptly asked my father to buy it for me. His first reaction was a bit negative, telling my brother (who now wanted the game, too) and me that Dungeons and Dragons was for college students and we wouldn’t understand it. But the more he explained the concept, the more I wanted to play. Finally, he agreed, and we went home with it.

Shortly afterward, we ran our very first D&D session. My brother and I were the players, and Dad was our first dungeon master. I remember I played a fighter named Brandon the Bold, and my brother played a magic-user. (No fancy titles like Wizard or Mage for us!)

Together, we delved into the crumbling catacombs under a sorcerer’s tower, where we encountered goblins, animated skeletons, and a clan of pirates operating out of the ruins. Much evil was conquered and a bit of treasure won, and finally we emerged from the catacombs victorious.

We were hooked.

It wasn’t long before I had recruited my friends and was DMing games for them. Over the next few years, I created new worlds, original dungeons, and complete campaign storylines with which to entertain my victims…. er, players. And it’s continued for more than thirty years to today.

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Game Changers

Game Changers

book4In previous posts, I may have mentioned that, as a kid, there were three roleplaying games that I liked – and played – above all others: Dungeons & Dragons, Traveller, and Call of Cthulhu. I played lots of other games, too, but these were the ones that most strongly captured my imagination. Because I played these three so much, I was also a voracious consumer of supplementary materials produced for them. Of course, being a young person, my funds were limited; I had to be judicious in what I purchased. Consequently, I tended to put a priority on items I deemed to have the most overall utility. This meant, in the case of AD&D for example, that I placed greater value on hardcover rulebooks than on adventure modules (though I still bought plenty of adventures over the years).

My appetite for such broadly “useful” supplements was practical, since my friends and I played RPGs a lot. We were young and well nigh addicted to this weird new form of game. During the summer months, we quite literally played all day long, from the time we got up until the time the sun set, taking brief breaks only to scarf down some food before returning to the table. I’d conservatively reckon that, in terms of raw hours of play, my friends and I had probably played more than had many of our elders who’d started roleplaying years before us. That’s the nature of youth, as we had the free time to indulge our boundless enthusiasm in a way that most people do not.

I hesitate to say that, because we played so much, we more quickly became jaded than did many of our peers, but it’s probably true nonetheless. We were constantly on the lookout for ways to take our campaigns in new directions, to stoke the flame of our RPG ardor. The first supplement that I remember achieving this was Book 4: Mercenary for GDW’s Traveller. My friends and I started playing Traveller with The Traveller Book, which was released in 1982. That book alone was enough to keep us busy for many, many months of science fiction adventure in the far future. However, we did eventually want more out Traveller and Mercenary fit the bill, providing us with new skills, equipment, and – most importantly – expanded rules for generating Army and Marine characters.

Mercenary changed the way we played Traveller forever. Previously, Merchants, Scouts, and Navy personnel were favored, because these careers were all space-based and thus what we considered to be the stuff of sci-fi. But Mercenary-generated characters were so much better than those generated using the original system. They had more (and better) skills, as well as lots of fun perks like advanced training and commendations. Our campaigns quickly shifted gears to focus on ground-pounding mercenaries involved in interstellar brush fire wars (which, as it turned out, was how nearly everyone else we knew played the game). Mercenary had a profound impact on us and extended the life of our ongoing Traveller campaign considerably.

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The New York Times on How Dungeons & Dragons Influenced a Generation of Writers

The New York Times on How Dungeons & Dragons Influenced a Generation of Writers

AD&D Monster Manual-smallEthan Gilsdorf, a contributor for Gygax Magazine, wrote an intriguing feature for the Sunday New York Times last weekend. Interviewing several popular writers, Gilsdorf shows how profoundly Dungeons and Dragons, which turned 40 this year, has influenced the current generation of fantasy authors.

For certain writers, especially those raised in the 1970s and ’80s, all that time spent in basements has paid off. D&D helped jump-start their creative lives. As [Junot] Díaz said, “It’s been a formative narrative media for all sorts of writers.”

The league of ex-gamer writers also includes the “weird fiction” author China Miéville (The City & the City); Brent Hartinger (author of Geography Club, a novel about gay and bisexual teenagers); the sci-fi and young adult author Cory Doctorow; the poet and fiction writer Sherman Alexie; the comedian Stephen Colbert; George R. R. Martin, author of the A Song of Ice and Fire series (who still enjoys role-playing games)…

Mr. Díaz, who teaches writing at the Massachusetts Institute of Technology, said his first novel, the Pulitzer Prize-winning The Brief Wondrous Life of Oscar Wao, was written “in honor of my gaming years.” Oscar, its protagonist, is “a role-playing-game fanatic…” Though Mr. Díaz never became a fantasy writer, he attributes his literary success, in part, to his “early years profoundly embedded and invested in fantastic narratives.” From D&D, he said, he “learned a lot of important essentials about storytelling, about giving the reader enough room to play.”

Read the complete article here.

Games Well Used

Games Well Used

dmgWhen I was growing up, at the height of the Dungeons & Dragons craze, the county public library system regularly held “game days.” These events, which occurred every few months (probably more often in the summertime), took place in the meeting rooms of various libraries, allowing aficionados of roleplaying games to meet and play together. I found these events truly wonderful, as they introduced me not just to new players, but to new RPGs, some of which I’d only ever seen in advertisements in the pages of Dragon. They were wonderful, too, because I got the chance to play, something I rarely did with my neighborhood group of friends, since I was invariably the referee.

On one occasion, the library opened up its board room, which had a very long table surrounded by a dozen or more high-backed and padded chairs. One of the older referees – a middle-aged bearded guy with glasses – set up shop there and, before long, every single one of those comfy chairs was filled with a player, many of them under the age of 14, like myself. I had great fun playing in that adventure, in no small part because the referee was excellent. He knew the rules of D&D very well, but, more importantly, he knew how to manage such a large gathering of players, holding all of our attentions during the course of three or four hours. Even now, that games day is one of my fondest memories from my early days in the hobby.

I don’t know that referee’s name (assuming I ever knew it), but I do remember a lot about him. One detail that has stuck with me after more than three decades is how beaten up his Advanced D&D Dungeon Masters Guide was. That thing was positively battered, its cover illustration marred by white marks, the spine coming apart at the tops and bottoms, the corners bent, and the whole thing covered in scuffs. At the time, I was positively horrified by what I saw. My AD&D hardcovers were the crown jewels of my growing RPG collection and I tried very hard to keep them pristine. Seeing the poor condition of this referee’s book was shocking.

What had this referee done with his book that it was in such a frightful condition?

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Original Fantasy? In a Video Game? It’s About Time

Original Fantasy? In a Video Game? It’s About Time

Dark Souls-smallThere he was; a sliver of midnight set against the deeper black of the room behind him. The Black Knight. When he moved, he moved with the easy lope of the master, the practised ease of the warrior. There was silence in the moonlit hall, silence save for the cold metallic chink of his armor and the hammering of my own heart.

He was twice my height, broad of shoulder and clad entirely in black armor. A sword, five feet in length, gleamed in his right hand. He didn’t seem to have a face; no flesh peeked from the slits of his face plate, there was nothing quite so fragile, instead a sulphurous yellow gas twisted and swirled, burning through the thick shadow of the hall. My hand tightened around the hilt of my sword, tightened so that my knuckles went white, so that my skin went taut.

Then, before I knew it that great black blade was arcing through the air towards me, splitting the thin rays of moonlight as it raced towards my heart. I only just parried it with my shield, then it was coming back again, this time from left to right, and I threw myself to the floor, rolling back out of reach and sprang back up again, already deflecting perfectly timed blows, expertly aimed thrusts.

Already I was being forced backwards, driven back into the darkness, back into the cold. Every strike sent pain rippling up my arm; every blow brought me closer to death, to defeat; I could already see that sword diving through my flesh, already feel its kiss on my skin. Desperate now, I struck back, and felt his armor give way, felt my sword hew through bone, felt his ghostly flesh shudder and saw black, oily, blood crawl from his chest. No sound escaped the Knight’s lips, but its sulphurous yellow eyes seemed to burn that bit brighter, all before his sword came crashing against my shield once more.

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The Family That Slays Dragons Together, Stays Together: Fantasy MMOs

The Family That Slays Dragons Together, Stays Together: Fantasy MMOs

Ultima_OnlineIf you’re a gamer, you probably already know about MMOs (or Massive Multiplayer Online games). These video games feature huge worlds where thousands of people can play together at the same time. I’ve been playing MMOs for almost twenty years now and I think they’ve added a new wrinkle to the fantasy universe, an experience unlike anything else.

My history with MMOs began in 1997 with a little game called Ultima Online. I first heard about it in a gaming magazine and was blown away by the concept. I had already been a huge fan of tabletop roleplaying games like Dungeons and Dragons and Warhammer Fantasy Roleplay, so the idea of playing a fantasy-based video game with all my friends was thrilling.

The reality was even better than I imagined. I could create an original new persona (called an avatar) and use that character to enter an open-ended game world filled with monsters, dungeons, cities, magic, and (best of all) lots and lots of real people playing their own avatars all around me.

Sure, I loved exploring the lands of Ultima Online, delving into creepy cave systems, fighting other players in the forests, and doing the usual adventure-type stuff, but two elements of UO really grabbed my attention.

The first was the crafting system. Instead of slaying monsters (and other players) for loot, you could also gather natural resources and use them to create new items, and then sell them to other players. I spent so many hours happily mining pixelated ore and selling it off to blacksmiths. Yes, you heard me correctly. I spent my leisure time in an artificial world performing manual labor. It sounds crazy, but I was in love with the idea of a game economy based on player participation.

But I didn’t spend all my time digging holes in fake mountains, because I’d also discovered guilds. A guild is like a club — a social organization of players who (usually) share the same interests. Much of my enjoyment in UO came from forming and maintaining a guild, and by doing so I met a lot of new friends. We adventured together, saved up funds to buy a “guild hall” (a glorified clubhouse), and generally hung out.

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New Editions Past

New Editions Past

phb2eA new edition of Dungeons & Dragons has been released, as Andrew Zimmerman Jones discussed the other day.

This is the third new edition released since Wizards of the Coast took over publication of the world’s first fantasy roleplaying game in 1997. If you’re the sort of roleplayer who spends any time online, visiting forums, blogs, and social media, you’ll know that this latest edition has already generated a lot of discussion, both pro and con, much of it enthusiastic and some of it, quite frankly, deranged. In that respect, it’s not much different than the last several new editions, whose advents were simultaneously hailed as the dawn of a new age of gaming and decried as the twilight of the gods.

I played the new edition a couple of times last year when it was being playtested and found it something I’d be willing to play again if someone else were refereeing it, which is the only standard by which any game (RPG or otherwise) should be judged. That said, I’m not planning on buying a copy for myself, since I’ve already got my own heavily housed-ruled and Holmesified version of Labyrinth Lord and need nothing more. That’s not a knock against WotC’s latest effort – or any roleplaying game – just a statement of fact. I’ve been at this RPG thing for thirty-five years now and, in that time, have pretty well determined what games I like to use at my table. It’s rare that I buy new RPGs anymore, let alone play them, which is why a scan of my shelves would reveal very few games first published after 1984, but then I’m a notoriously unimaginative stick in the mud, so that’s to be expected.

What truly fascinates me about the arrival of a new edition of Dungeons & Dragons is its seeming importance, for good or for ill, among its legions of fans. This is in stark contrast to my own early days in the hobby, when talk of “editions” was well nigh non-existent, never mind a subject of import. Granted, I entered the hobby in late 1979, several months after the release of the Advanced Dungeons & Dragons Dungeon Masters Guide, the third and final volume of Gary Gygax’s magnum opus. AD&D was, in many ways, the first “new edition” in that it was marketed as an “improvement” over its predecessor and, for that reason alone, worthy of purchase and use. I thus never witnessed any of the tumult that no doubt occurred in the lead up to its release. For me and my friends, AD&D was simply a fact of life.

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Dungeons & Dragons Starter Set: A Forensic Analysis

Dungeons & Dragons Starter Set: A Forensic Analysis

dungeons and dragons logo2For the last two years, Wizards of the Coast has been getting feedback on their new “5th edition” set of rules from playtesters all across the world. July 15 marks the official release of the Dungeons & Dragons Starter Set, giving the world the first glimpse of the final version of these rules. Unfortunately, the D&D Starter Set provides only pregenerated characters with some advancement rules through level 5, and some basic mechanics, so it doesn’t consist of a full set of game mechanics or character creation rules.

In other words, it’s not enough to give us a full idea of what the final rules for 5th edition will look like … but it does provide enough information to get some hints about how the upcoming edition of the game will be structured. In general, the goal seems to be to streamline the system, making it very accessible to new gamers, but still providing enough substance and versatility that more experienced gamers will find the system desirable. It’s a tough balancing act, but looking over the D&D Starter Set, I feel a growing sense of confidence that the new system will achieve these objectives.

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