Black Gate

Adam Roberts is a prolific British science fiction writer. His novels include Swiftly, Stone, and The Dragon with the Girl Tattoo. Three of his novels, Salt, Gradisil and Yellow Blue Tibia, were nominated for the Arthur C. Clarke Award; and By Light Alone was nominated for the 2012 British Science Fiction Association Award.

Sadly, not many of his books have made it across the pond. But next month his publisher Gollancz will release the digital version of his latest novel, The Thing Itself, simultaneously in the US and the UK. The Thing Itself is a very intriguing riff on one of my favorite horror films, the classic SF/horror tale The Thing. Sounds like a great time for American readers to try Roberts.

Adam Roberts turns his attention to answering the Fermi Paradox with a taut and claustrophobic tale that echoes John Carpenters’ The Thing.

Two men while away the days in an Antarctic research station. Tensions between them build as they argue over a love-letter one of them has received. One is practical and open. The other surly, superior and obsessed with reading one book — by the philosopher Kant.

As a storm brews and they lose contact with the outside world they debate Kant, reality and the emptiness of the universe. They come to hate each other, and they learn that they are not alone.

The Thing Itself will be published by Gollancz/Hachette Book Group on December 17, 2015. It is 352 pages, priced at $10.99 in digital format. If you prefer the print edition, you can order that from Gollancz in the UK for £8.99.

Lawrence M. Schoen has been nominated for the Nebula Award three times, and the Hugo Award once, and anticipation is high for his next novel: Barsk: The Elephants’ Graveyard, a far-future SF tale in which humans are long gone but anthropomorphic elephants, exiled to the ghetto world of Barsk, speak with the dead. I met Lawrence at the Nebula Awards banquet earlier this year, and he was kind enough to give me an advance copy. The early reviews contains some of the most effusive praise I’ve seen for a novel this year, with Karl Schroeder calling it “A compulsive page-turner and immensely enjoyable,” Robert J. Sawyer describing it as “Weird, wise, and worldly… a triumph,” and James L. Cambias proclaiming it “Captivating… [a] heartwarming story in a unique and fantastic world… as rich and mysterious as Dune.” Do yourself a favor and grab a copy when it arrives next month.

An historian who speaks with the dead is ensnared by the past. A child who feels no pain and who should not exist sees the future. Between them are truths that will shake worlds.

In a distant future, no remnants of human beings remain, but their successors thrive throughout the galaxy. These are the offspring of humanity’s genius-animals uplifted into walking, talking, sentient beings. The Fant are one such species: anthropomorphic elephants ostracized by other races, and long ago exiled to the rainy ghetto world of Barsk. There, they develop medicines upon which all species now depend. The most coveted of these drugs is koph, which allows a small number of users to interact with the recently deceased and learn their secrets.

To break the Fant’s control of koph, an offworld shadow group attempts to force the Fant to surrender their knowledge. Jorl, a Fant Speaker with the dead, is compelled to question his deceased best friend, who years ago mysteriously committed suicide. In so doing, Jorl unearths a secret the powers that be would prefer to keep buried forever. Meanwhile, his dead friend’s son, a physically challenged young Fant named Pizlo, is driven by disturbing visions to take his first unsteady steps toward an uncertain future.

Barsk: The Elephants’ Graveyard will be published by Tor Books on December 29, 2015. It is 384 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The marvelous cover is by Victo Ngai.

The annual Nebula Awards Showcase volumes, which have been published every year since 1966, gather the most acclaimed short fiction our industry produces each year — including all the Nebula Award winners, and many of the runners-up — as well as author appreciations, yearly wrap-ups, novel excerpts, and other fascinating articles. The 2015 volume contains some of the most talked-about fiction of the past several years, including Rachel Swirsky’s “If You Were a Dinosaur, My Love,” Sophia Samatar’s “Selkie Stories Are For Losers,” Aliette de Bodard’s “The Waiting Stars,” and many others. Here’s the description.

The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories of the Nebula Awards, voted on by the members of the Science Fiction and Fantasy Writers of America (SFWA). The editor, selected by SFWA’s anthology Committee (chaired by Mike Resnick), is American science fiction and fantasy writer Greg Bear, author of over thirty novels, including the Nebula Award-winning Darwin’s Radio and Moving Mars. This year’s volume includes the winners of the Andre Norton, Damon Knight Memorial Grand Master, Rhysling, and Dwarf Stars Awards, as well as the Nebula Award winners, and features Ann Leckie, Nalo Hopkinson, Rachel Swirsky, Aliette de Bodard, and Vylar Kaftan, with additional articles and poems by authors such as Robin Wayne Bailey, Samuel R. Delany, Terry A. Garey, Deborah P Kolodji, and Andrew Robert Sutton.

We covered the previous volume, Nebula Awards Showcase 2014, edited by Kij Johnson, last May (and the TOCs for the now-classic first three volumes are here). Read all about this year’s Nebula winners here.

Nebula Awards Showcase 2015 will be published by Pyr Books December 8, 2015. It is 347 pages, priced at $18 in trade paperback and $11.99 for the digital edition.

I’ve been very impressed with Jonathan Strahan’s Infinity anthology series. There have been four so far: Engineering Infinity (2010), Edge of Infinity (2012), Reach For Infinity, and now Meeting Infinity, due December 1st. Publisher Solaris has abandoned the mass market format, which makes me sad, but the new trade paperback is still reasonably priced, especially for the digital version.

The world we are living in is changing every day. We surf future shock every morning when we get out of bed. And with every passing day we are increasingly asked: how do we have to change to live in the future we are faced with?

Whether it’s climate change, inundated coastlines and drowned cities; the cramped confines of a tin can hurtling through space to the outer reaches of our Solar System; or the rush of being uploaded into some cyberspace, our minds and bodies are going to have to change and change a lot. Meeting Infinity will be one hundred thousand words of SF filled with action and adventure that attempts to answer the question: how much do we need to change to meet tomorrow and live in the future? The incredible authors contributing tho this collection are: Gregory Benford, James S.A. Corey, Aliette de Bodard, Kameron Hurley, Simon Ings, Madeline Ashby, John Barnes, Gwyneth Jones, Nancy Kress, Yoon Ha Lee, Ian McDonald, Ramez Naam, An Owomoyela, Benjanun Sriduangkaew, Bruce Sterling and Sean Williams

The books of the “Infinity Project” trace an arc: from the present day into the far future, and now from the broad canvas of interstellar space to the most intimate space of all — ourselves.

Meeting Infinity will be published by Solaris on December 1, 2015. It is 272 pages, priced at $14.99 in trade paperback, and $8.99 for the digital edition.

Saga has released over two dozen books in 2015 — pretty darn good for a brand spanking new imprint — and their 2016 line up promises to be even more stellar, with titles from Kat Howard, A. Lee Martinez, Genevieve Valentine, and Black Gate author Frederic S. Durbin. Last week we gave you a peek at Mike Brooks’ debut novel Dark Run, a space opera SFFWorld calls “a Firefly-like tale.”

This week we take a look at Zor Zieja’s Mechanical Failure, the tale of a smooth-talking ex-sergeant and smuggler forced back into military service just as rumors of war begin to escalate, on sale from Saga Press June 7, 2016.

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