A Nostalgic Space Opera: The Psi-Tech Novels by Jacey Bedford
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God bless DAW for being willing to experiment. They published Jacey Bedford’s debut space opera novel Empire of Dust in paperback in 2014, and it has done well enough to spawn two additional volumes: Crossways (2015) and the upcoming Nimbus. [Bedford has also launched the Rowankind fantasy series that currently stands at two novels: Winterwood (2016) and Silverwolf (2017).] I hope all their experiments work out so well for them.
Empire of Dust seems tailor-made to appeal to old-school SF fans. Liz Bourke at Tor.com called it Nostalgic Space Opera, saying:
When I consider how to describe it, the first word that comes to mind is “old-fashioned”: there is little to say this space opera novel could not have been published two decades ago, or even three… Bedford is not writing innovative space opera, but rather the space opera of nostalgia. There is, here, something that reminds me vaguely of James H. Schmitz: not just the psionics but a certain briskness of writing style and the appeal of the protagonists, and the way in which Bedford’s vision of the societies of a human future feels at least two steps behind where we are today. This is a vision of a very Western future, and one where it’s unremarkable for a married woman to bear her husband’s name; where the ecological ethics of colonising “empty” planets don’t rate a paragraph, and religious separatists can set out to found a colony on the tools of 19th century settlers: oxen and wagons, historic crafts and manly men whose wives will follow them on the next boat.
Read Liz’s complete review here.