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Future Treasures: Planetside by Michael Mammay

Future Treasures: Planetside by Michael Mammay

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Planetside Michael Mammay-smallIn their list of the most interesting new sci-fi of July, io9 includes Michael Mammay’s debut novel Planetside, summing it up by saying,

A semi-retired war hero takes on a mission at the behest of an old friend, searching for an important officer’s MIA son. But what seems like a simple search-and-rescue gig soon gets a lot more complicated when he arrives on the far side of the galaxy and discovers a strange, ravaged planet teeming with secrets.

Deep space, battle-ravaged planets, mysterious aliens…  I like what I hear. Marko Kloos (the Frontline series) calls it “a smart and fast-paced blend of mystery and boots-in-the-dirt military SF,” and that’s not a combo I come across every day. Here’s the description.

A seasoned military officer uncovers a deadly conspiracy on a distant, war-torn planet…

War heroes aren’t usually called out of semi-retirement and sent to the far reaches of the galaxy for a routine investigation. So when Colonel Carl Butler answers the call from an old and powerful friend, he knows it’s something big — and he’s not being told the whole story. A high councilor’s son has gone MIA out of Cappa Base, the space station orbiting a battle-ravaged planet. The young lieutenant had been wounded and evacuated — but there’s no record of him having ever arrived at hospital command.

The colonel quickly finds Cappa Base to be a labyrinth of dead ends and sabotage: the hospital commander stonewalls him, the Special Ops leader won’t come off the planet, witnesses go missing, radar data disappears, and that’s before he encounters the alien enemy. Butler has no choice but to drop down onto a hostile planet—because someone is using the war zone as a cover. The answers are there — Butler just has to make it back alive…

The book has a stellar, near-perfect 4.8 record at Goodreads (based on 47 ratings), which is not something you see every day, especially for military SF. Check it out.

Planetside will be published by Harper Voyager on July 31, 2018. It is 384 pages, priced at $7.99 in paperback and $6.99 for the digital version. The cover is by Sébastien Hue.

3 New Titles at Once: Rogue Blades Entertainment’s Ambitious New Agenda

3 New Titles at Once: Rogue Blades Entertainment’s Ambitious New Agenda

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Crazy Town RBE Crossbows and Crosses

A few days back, Black Gate guru John O’Neill wrote perhaps one of the best articles to appear here during 2018. Then he invited me to comment further in my own post on behalf of Rogue Blades Entertainment’s latest titles. So let’s get to it!

One point I wish to make from the onset — all three of 2018’s open calls for submissions are for first-ofs for RBE. We have always intended to be the publisher of everything heroic action adventure (fiction and nonfiction), and we began with our first love — fantasy. Since we started up our presses with extreme, sword- and sorcery-slinging short story heroics, we often are considered a Sword-and-Sorcery publisher.

I love that, and utterly embrace the genre, but RBE is more than that, so I don’t want anyone confused as to our identity or aim. We publish heroics and deliver intense action adventure. Our byline “Putting the HERO back into HEROICS” isn’t just a cool soundbite — it’s what we do.

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Future Treasures: Annex by Rich Larson

Future Treasures: Annex by Rich Larson

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Annex Rich Larson-smallIf you’ve been paying attention at all to short fiction recently you’ve likely come across Ottawa author Rich Larson. He burst onto the scene in late 2012, and over the past six years he’s sold over 100 stories — that’s more than one per month. He’s appeared virtually everywhere, including Interzone, Asimov’s SF, Clarkesworld, Beneath Ceaseless Skies, Daily Science Fiction, Tor.com, Apex, Analog, F&SF, Lightspeed, OMNI, and anthologies like Infinity Wars, Upgraded, The Book of Swords, and Clockwork Phoenix 5.

In 2016 Jonathan Strahan proclaimed “this year seems to belong to Rich Larson and Dominica Phetteplace, both of whom have had fine stories in a range of publications,” and Gardner Dozois called him “one of the best new writers to enter science fiction in more than a decade.” His work has appeared in numerous Year’s Best anthologies, including five different 2018 volumes from Rich Horton, Neil Clarke, Jonathan Strahan, David Afsharirad, and Gardner Dozois. Anticipation for his debut novel Annex has been extremely high, and it arrives this month from Orbit.

In Rich Larson’s astonishing debut Annex, only outsiders can fight off the true aliens.

At first it is a nightmare. When the invaders arrive, the world as they know it is destroyed. Their friends are kidnapped. Their families are changed.

Then it is a dream. With no adults left to run things, Violet and the others who have escaped capture are truly free for the first time. They can do whatever they want to do. They can be whoever they want to be.

But the invaders won’t leave them alone for long…

This thrilling debut by one of the most acclaimed short form writers in science fiction tells the story of two young outsiders who must find a way to fight back against the aliens who have taken over her city.

Rich’s first collection, Tomorrow Factory, will also be released in October from Talos Press. Get more details here.

Annex, the opening book in The Violet Wars, will be published by Orbit Books. It is 368 pages, priced at $15.99 in trade paperback and $4.99 for the digital edition. The cover is by Greg Manchess. Check out the intriguing cover reveal at the Barnes & Noble Sci-Fi & Fantasy Blog.

How Science Fiction Was Saved by Solaris and Jonathan Strahan

How Science Fiction Was Saved by Solaris and Jonathan Strahan

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Infinity's End edited by Jonathan Strahan-smallA few years ago Black Gate asked “Is the Original SF and Fantasy Paperback Anthology Series Dead?” Those were dark, dark days, and I don’t like to think of them.

They’re over now. Science fiction was rescued from a barren wasteland of paperback sameness by the one publisher who had a decent shot: Solaris. They did it by taking a chance on a paperback anthology series that has become one of the most acclaimed and celebrated of the past few decades: Jonathan Strahan’s Infinity Project, which comes to a triumphant end this month with Infinity’s End, certain to be one of the most talked-about books of the year.

You see, years ago original anthology series like Damon Knight’s Orbit, Terry Carr’s Universe and Robert Silverberg’s New Dimensions were the very centre of science fiction, providing a prestigious and high-paying market for short fiction. They showcased the top names as well as up-and-coming talent. I could plunk down my three bucks at W.H. Smith in Halifax, Nova Scotia, knowing that the slender paperbacks I excitedly carried home would introduce me to half a dozen new writers.

Those books sold well, but publishers were savvy enough to know that it wasn’t just about the bottom line. When I read stories like Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas” (from New Dimensions 3, 1974), Howard Waldrop’s “The Ugly Chickens” (Universe 10, 1981), or Isaac Asimov’s “The Bicentennial Man” (Stellar 2, 1977), I immediately began haunting book store stacks for books by Le Guin, Waldrop, and Asimov. There’s no reader as observant or loyal as a science fiction fan, and paperback anthologies, cheap and plentiful, were the perfect way to get authors in front of hungry new readers.

The economics of publishing gradually changed over the decades, of course, and those changes eventually wiped out the original paperback series. DAW’s long-running “paperback magazine,” the monthly anthology edited by Martin Greenberg and his associates at Tekno Books, was the last of them, and when Marty passed away in 2011, DAW killed it, too. Old timers like me shook their heads, muttering “No one reads short stories any more.” True or false, that grumpy sentiment became conventional wisdom in American publishing. No one would take a chance on something as provably dead as anthologies. That meant fewer readers finding new writers, and fewer sales for those writers. The field slowly withered without a prestige anthology series, and it looked like it would do so forever.

Until Solaris, and Strahan.

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Experience an Alternate History Space Program with Mary Robinette Kowal’s Lady Astronaut Series

Experience an Alternate History Space Program with Mary Robinette Kowal’s Lady Astronaut Series

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The Calculating Stars and The Fated Sky

Mary Robinette Kowal’s “The Lady Astronaut of Mars” won the Hugo Award for Best Novelette in 2014 (after some shenanigans that caused it to be weirdly disqualified in 2013). All that — not to mention her other accolades, including multiple Nebula nominations for her popular Glamourist Histories fantasy series — helped make it one of the most talked-about SF stories of the last decade. Read the complete text at Tor.com.

“The Lady Astronaut of Mars” is the tale of Elma York, who led the expedition that paved the way to life on Mars, and the impossible decision she faces when she’s given the opportunity to return to space years later. Mary returns to the world of “Lady Astronaut” with her debut science fiction novel The Calculating Stars, available tomorrow from Tor Books. Fast on its heels is the sequel The Fated Sky, shipping in August. Tor.com offered us the following teaser back in September.

The novels will be prequels, greatly expanding upon the world that was first revealed in “Lady Astronaut.” The first novel, The Calculating Stars will present one perspective of the prequel story, followed closely by the second novel The Fated Sky, which will present an opposite perspective — one tightly woven into the first novel. Kowal elaborates: “The first novel begins on March 3, 1952 about five minutes before a meteorite slams into the Chesapeake Bay and wipes out D.C. I’ve been doing historical fantasy and I keep saying that this is historical science fiction, even though I know full well that ‘alternate history’ is already a genre. It’s so much fun to play in.”

Omnivoracious selected The Calculating Stars as one of 15 Highly Anticipated SFF Reads for Summer 2018, and just today the B&N Sci-Fi and Fantasy Blog picked it as one of the Best Science Fiction & Fantasy Books of July

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Can a Trilogy Have Six Books? The Legends of the First Empire by Michael J. Sullivan

Can a Trilogy Have Six Books? The Legends of the First Empire by Michael J. Sullivan

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Age of Myth-small Age of Swords-small Age of War-small

Every time an author wraps up a trilogy, we bake a cake at the Black Gate rooftop headquarters.

Of course, this sometimes leads to anxiety. Is the series really wrapped up? Are there going to be more books? It’s not like the publisher slaps a sticker on the book saying Finito!, exactly. What if we bake a cake, and it turns out there’s four more books? Won’t we look stupid.

Ah, the hell with it. It’s cake! We’ll be forgiven. Probably. In that spirit, we were all dressed up to celebrate the arrival of Age of War, the third and (final? maybe?) book in Michael J. Sullivan’s The Legends of the First Empire series, when one of Goth Chick’s interns did some actual research (i.e. spent five minutes on Sullivan’s website). Turns out there’s a whopping six books planned for the series. Who knew?

Fortunately for those of us on staff who love cake (meaning, like, everybody), the first three books in the series will be the only ones published by Del Rey, so Age of War is an ending, of sorts. Good enough for us. Cake for everyone!

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Future Treasures: Empire of Silence by Christopher Ruocchio

Future Treasures: Empire of Silence by Christopher Ruocchio

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Empire of Silence-smallI’m definitely in the mood for an immersive, baroque space opera, with aliens, mystery, epic space battles, and even space gladiators. Wait, space gladiators?

Well, I’m not inclined to be picky right now so, sure, bring on the space gladiators. They’re a major part of Christopher Ruocchio’s debut novel Empire of Silence, the opening volume of The Sun Eater, which Eric Flint calls “epic-scale space opera in the tradition of Dune.” It arrives in hardcover from DAW next month.

Hadrian Marlowe, a man revered as a hero and despised as a murderer, chronicles his tale in th galaxy-spanning debut of the Sun Eater series, merging the best of space opera and epic fantasy.

It was not his war.

The galaxy remembers him as a hero: the man who burned every last alien Cielcin from the sky. They remember him as a monster: the devil who destroyed a sun, casually annihilating four billion human lives — even the Emperor himself — against Imperial orders.

But Hadrian was not a hero. He was not a monster. He was not even a soldier.

On the wrong planet, at the right time, for the best reasons, Hadrian Marlowe starts down a path that can only end in fire. He flees his father and a future as a torturer only to be left stranded on a strange, backwater world.

Forced to fight as a gladiator and navigate the intrigues of a foreign planetary court, Hadrian must fight a war he did not start, for an Empire he does not love, against an enemy he will never understand.

Christopher Ruocchio is the co-editor (with Tony Daniel) of the new Baen anthology Star Destroyers, and (with Hank Davis) the upcoming Space Pioneers.

Empire of Silence will be published by DAW Books on July 3, 2018. It is 624 pages, priced at $26 in hardcover and $12.99 for the digital edition. The cover is by Sam Weber, who also painted the cover to Medusa Uploaded and Ken Liu’s The Wall of Storms.

The End of an Era: The Year’s Best Science Fiction: Thirty-Fifth Annual Collection, edited by Gardner Dozois

The End of an Era: The Year’s Best Science Fiction: Thirty-Fifth Annual Collection, edited by Gardner Dozois

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The Year’s Best Science Fiction Thirty-Fifth Annual Collection-small The Year’s Best Science Fiction Thirty-Fifth Annual Collection-back-small

We lost Gardner Dozois last month. It was a terrible blow to the field. I’ve seen plenty of somber discussion among fans about whether or not Gardner was the finest editor science fiction has ever seen, and there’s no doubt in my mind he’s in the running.

Gardner devoted his entire career to science fiction, and his accomplishments were extraordinary. He won the Hugo Award for Best Professional Editor 15 times during his 19-year tenure at Isaac Asimov’s Science Fiction Magazine. Nineteen years is an amazing run, but it’s barely half the 35 years he spent as editor of The Year’s Best Science Fiction, the de facto SF yearbook. I read the sixth volume in 1989 and I’ve looked forward to every one ever since.

The last volume will be published in less than two week, and its publication is bittersweet. It’s not the final book we’ll have from Gardner. His huge fantasy anthology The Book of Magic — with brand new stories by George R.R. Martin, John Crowley, Tim Powers, Scott Lynch, Eleanor Arnason, Garth Nix, Ysabeau Wilce, Liz Williams, Kate Elliott, and many others — is coming in October, and The Very Best of the Best: 35 Years of The Year’s Best Science Fiction is scheduled to be published in February. But the arrival of the final Dozois Year’s Best is very definitely the end of an era.

There will never be another editor like him. Cherish this book while you can.

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Explore the Vast and Mysterious Universe in The Final Frontier, edited by Neil Clarke

Explore the Vast and Mysterious Universe in The Final Frontier, edited by Neil Clarke

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The Final Frontier Neil Clarke-smallNeil Clarke is the editor of the acclaimed Clarkesworld magazine, as well as the Best Science Fiction of the Year series from Night Shade Books, now in its third year. He also dabbles in themed anthologies, and they have been excellent. They include Galactic Empires and a splendid collection of robot stories, More Human Than Human.

His anthologies pretty rigorously exclude any classic SF, and in fact tend to focus almost exclusively on stories published after 2002 (which I assume is when he began reading the magazines regularly). This laser focus on modern writers makes him almost unique among modern genre anthologists and — for me at least — means that his books have been an invaluable tool for discovering great new writers. If, like me, your exposure to science fiction skews pretty heavily towards the 20th Century, Neil’s fine books may be just the antidote you need to bring you up to date on where SF is headed today.

So I was very excited to see Night Shade announce a brand new reprint anthology from Neil. The Final Frontier arrives in three weeks and includes tales from Nancy Kress, Ken Liu, James Patrick Kelly, Carrie Vaughn, Peter Watts, Greg Egan, Vandana Singh, Michael Swanwick, Tobias S. Buckell, and many others. Here’s the description.

The vast and mysterious universe is explored in this reprint anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).

The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.

Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe.

The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.

Here’s the complete Table of Contents.

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Future Treasures: Gate Crashers by Patrick S Tomlinson

Future Treasures: Gate Crashers by Patrick S Tomlinson

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Gate Crashers Patrick S Tomlinson-smallPatrick S. Tomlinson’s debut novel was The Ark, a murder mystery set on a generation ship just before it arrived at its destination. Publishers Weekly called it “Impressive,” saying “Tomlinson’s pacing is beyond reproach, as he deftly crafts an ever more elaborate web of intrigue within the self-contained setting.” The Ark was published by Angry Robot, and it became the opening book in the Children of a Dead Earth trilogy, which wrapped up last year.

Tomlinson’s newest book arrives next week, and it looks like a standalone novel — an easier bite to chew if your reading time is as precious as mine this month. Joel Cunningham at the Barnes & Noble Sci-Fi & Fantasy Blog says “Gate Crashers is a story of space exploration and humanity’s first contact with aliens, plus a healthy dose of irreverent humor.”

The only thing as infinite and expansive as the universe is humanity’s unquestionable ability to make bad decisions.

Humankind ventures further into the galaxy than ever before… and immediately causes an intergalactic incident. In their infinite wisdom, the crew of the exploration vessel Magellan, or as she prefers “Maggie,” decides to bring the alien structure they just found back to Earth. The only problem? The aliens are awfully fond of that structure.

A planet full of bumbling, highly evolved primates has just put itself on a collision course with a far wider, and more hostile, galaxy that is stranger than anyone can possibly imagine.

Gate Crashers will be published by Tor Books on June 26, 2018. It is 416 pages, priced at $18.99 in trade paperback and $9.99 for the digital edition. The cover art is uncredited. Read Chapter One here.

See all our recent coverage of the best upcoming SF & fantasy here.