Browsed by
Category: Essays

A New Copy of Dhalgren: Caution, BookCrossing

A New Copy of Dhalgren: Caution, BookCrossing

dhalgrenI bought my first copy of Dhalgren in the late 70s. If memory serves, I accidently dropped it in the sink shortly thereafter.  It swelled up and got sorta lumpy, even after it dried.

A few years ago I decided it was time to get a replacement. Now, I received a review copy of the imposing new trade paperback edition from Vintage Press a while back, with a big blurry red skyscraper on the cover, but what I wanted was the original 1975  Bantam edition (at left), which captured my imagination 35 years ago. Before it sank beneath the suds in our kitchen sink while I was supposed to be washing dishes, anyway.

It takes a while to find a pristine, unread copy of a 35-year old paperback, even on eBay. But before too long I had one, tucked snugly away with my other Samuel R. Delany, and I packed the old one away in the basement.

Except, now I want to read it. No point looking for the one I’d buried in the basement months ago (you’d understand if you saw my basement) — and anyway, who wants to read a book that’s all lumpy? I could read the new one… but man, I paid handsomely to have a pristine copy. Dhalgren is 890 pages — not exactly easy to read when you’re trying not to bend the spine.

So I did what any rational person would do. Back to eBay to find another copy.

This is the kinda thing that drives Alice crazy (Miss “Explain to me why you need a fourth copy??”), but I was very happy when it arrived today. And then I found this hand-written note on the inside cover:

BCID: 361-4144887

Dear Stranger,

If you read this book, please visit bookcrossing.com and say so. This book is traveling from hand to hand – better to be read by many people than to gather dust on a shelf. BookCrossing tracks it so that we readers know where it goes and what others think of it. Just go to the website, enter the BCID above, and leave a brief journal entry (anonymous, if you prefer). Then leave it somewhere to be read again.

Thank you!

Apparently, this thing is legit. The website checks out and everything. I entered my BCID and discovered my new copy of Dhalgren had been read by someone named Vasha and then “released into the wild” in a cafe in Ithaca, New York on August 2, 2006.

It’s hard to describe the delight in Alice’s eyes when she saw this. “You should pass it along!” she exclaimed. “Put it on a park bench or something.”  Get it out of her house, she means. My wife’s sanity depends on defending as much square footage as she can from the encroaching book madness. In her fondest dreams, this process involves a flamethrower.

Read More Read More

Howard and his truths

Howard and his truths

one_who_walked_aloneIt’s hard to add much about RE Howard to what’s been said here, but I’ll try.

Howard is easy to compliment on his prose style, his ringing battles so evocative that the blood almost sticks to your hands as you turn the pages. His characters were primal archetypes, quick to take to and want more from. His worldbuilding allowed you to smell the exotic spices in the market street air and hear the shadowy footpads in the alleys — his masterwork Hyborea teemed with life and detail. His sense of rhythm in the telling of Conan’s latest exploit or explosive westerns leavened with physical humor prove him a master yarn-spinner.

But there’s more to him than just technique.

I get writing from amateurs every now and then that about lives up to Howard, even if it’s just aping his style. The stories just seem strangely lifeless for all the careful detail, cacophonous action, and pulpish word-choice. I usually tell these writers to “tell me one of your truths.”

Howard put what he knew to be true in his stories. He was an opinionated man, read Novalyne Price Ellis’s memoir One Who Walked Alone for plenty of examples. He knew the power of entropy, he’d seen it growing up in Texas as the oil men came and went. Cross Plains experienced it in the bust of the Great Depression. Howard’s stories are filled with the frailty of civilization, yet even when all that is dross falls away and the hollow gongs go silent there’s still the rough code of someone like Conan to protect a defenseless woman or Solomon Kane’s relentless resolve to avenge a murder even unto the lawless coasts of the New World. The whole world may have fallen or been left behind, but these characters will still see justice prevail.

Howard was a great reader of history and spoke endlessly of corruption. The rotten old order gives way to the new, not always easily, then the new eventually goes sclerotic and itself is preyed on by another generation of barbarians. The same truth applied to Rome applied to Howard’s Aquilonia and fallen Stygia.

Yes, by all means give R.E. Howard his hard-earned props as a technical master. But he also wrote from his brain, his heart, and his guts about what was important about life, as he saw it. Conan’s broadsword spoke many of Howard’s truths.

Encountering Howard

Encountering Howard

sowers-thunderTo write something on the occasion of Robert E. Howard’s birthday is a bit, well, intimidating. As imposing a presence as the Texan was in life, his reputation a century on has approached the status of myth. Not only that, but his work is the subject of formidable scholarship of the sort seen over at The Cimmerian and at the Robert E. Howard forums — and I’ll admit that the breadth of knowledge and insight displayed in even the most casual thread or post at either of those sites leaves me in the dust. Then too there are my fellow BGers who plan to post something today, many of whom have a deep and abiding passion for Howard and a long familiarity with his work. But in my case, on the subject of Howard, I’m a rank amateur.

But I’m an enthusiastic amateur, and if I can’t write from a position of deep learning, than I can at least offer my own personal appreciation for his work, which I was a long time in coming to. I met him first through Conan, naturally, a character more famous than his creator. It was as a wee lad sitting in front of the television and watching a behind-the-scenes special on an R-rated movie that I was not yet allowed to watch that I first encountered the iron-thewed Cimmerian . . . and a future governor of California. When I finally did get to see Conan the Barbarian, it immediately became one of my favorite films, cementing nicely with the melange of fantasy loves such as Dragonslayer and the old Robin Hood BBC series,  The Lord of the Rings, The Chronicles of Thomas Covenant, and Dragonlance, and, of course, Dungeons & Dragons.

Read More Read More

“The Fire of Asshurbanipal”: The First Time I Met Robert E. Howard

“The Fire of Asshurbanipal”: The First Time I Met Robert E. Howard

Today’s is Robert E. Howard’s birthday—I’ve always felt pleased that it lies so close to mine, as January is a lonely month in which to have your birthday—and for my gesture to commemorate the Great Lord of Blood, Thunder, and Thick Mountain Accents, I’m going to take a short glance back at my first encounter with him, in the story “The Fire of Asshurbanipal.”

Okay, I lied. It’s not short . . .

Read More Read More

Bloody Brilliance: Why I Love Robert E. Howard

Bloody Brilliance: Why I Love Robert E. Howard

Why do I love the works of Robert E. Howard?kull

Emerald jungles filled with scalp-hungry picts. The primordial perfection of axe and spear. The clang of steel on steel beneath tattered banners, and the dying howls of winged terrors. Lost temples and fantastic jewels, mounds of gold steeped in the glow of eldritch flames…

The thunderous cadence of tribal drums and clouds rushing grey as death. Ruby-eyed witches and bloody claws trailing torn flesh. The primal rush of muscle and bone…battle cries like phantom bats above the field of honor. The stench of Stygian darkness where serpents gleam and glide, as terrible gods demand red sacrifices…

 The sorcerer who peers beyond and calls up fiends from Hell…the clash of iron and the defiance of tyranny. The triumph of the noble savage against the cruelty of opulent empires. Colossal spiders and spitting vipers. The turn of a supple leg, the heaving of breasts and swirling of gossamer veils. The crushing embrace of bronze arms, the blazing passion of life against the black gloom of death…

The galloping hosts of antique nations, the cry of a night-beast wailing at the moon. The precarious dance of flesh and metal, the arcs of flying crimson. Spilling viscera. The brutal grace of prehistoric combat, the strength of arm and gnashing of teeth. The sparkling visions of a misted age, the mysteries of old worlds heavy as dreams…

The Cimmerian snow and glaciers, the breath of northern myth…the sweltering desert where vultures stalk parched prey…the rise of Slave to King…the simplicity of might making right in a world tossed on seas of blood. The damsels in distress and the avenging hero…the lantern jaws and sapphire eyes. The glittering towers collapsing in shards…

fraz501

The ancient world transmogrified, embroidered with the brilliants of legend, steeped in the wine of epic storms. The blood and thunder. The broad-shouldered lug and the skull-faced horror…the sting of a whisper in darkness. The dripping dagger and the broken blade…

Crumbling continents and rushing seas, the cataclysm of evolution…Atlantis and the descendents of Valusia. Tiger totems. Solemn kings brooding on golden thrones…the serpents that walk on two legs…the wizards haunting graveyards and the bones that rattle and walk in moonlight…the Valley of the Worm.

The mystic spell of language…the well-turned phrase and the phantasm of imagery. The tales of obsession, the obsession with tales. The poetry of doom and the marching specters…the man, the legend, the visionary…

The spectacular stories, the gripping yarns, the wonderfully weird tales…

Immortality wrought in ink and parchment.

All this and more…that’s why I love REH.

Happy Birthday, Bob.

— John R. Fultz

A Look at the Blackwyrm Novella Series

A Look at the Blackwyrm Novella Series

blackwyrmIn the age of fat fantasy series, doorstop thrillers, and historical epics it’s often impossible to find a short, satisfying read. Gone are the days of the 60,000 word science fiction novel, or even the novella doubles series Ace once put out. Long a standard of genre fiction — both the worlds of SF and of fantasy having a host of renowned novellas and short novels considered classics in their respective fields — these short, sharp stories are increasingly ignored for multi-book works of massive length. But, sometimes, it’s nice to get a book done in a day or two, it’s nice to explore an idea, premise, or setting without committing to dozens or hundreds of hours with it.

Which is  why I was very interested to see indie game company Blackwyrm’s new fiction line of novellas and short novel chapbooks. With an ambitious schedule of a book a month last year, Blackwyrm produced books ranging up and down the genre spectrum — from military fantasy to psychic thriller, from slipstream SF to  crossgenre mashup. In fact, all of the Blackwyrm titles I’ve seen do something a little bit different with genre tropes, and indeed they’ve billed their line as ‘Experimental Fiction.’

Read More Read More

Specialist and Generalist Readers

Specialist and Generalist Readers

stack-of-booksWhen people ask me what I like to read I usually answer with a simple ‘everything,’ but of course that’s not strictly true. I don’t read trigonometry textbooks or Romance novels, celebrity memoirs or cookbooks, monographs on the evolution of sheep shearing or anything by Dan Brown (in fact, just give me that thing on sheep first). But when I say ‘everything’ I’m being figuratively if not literally honest, because my tastes — especially when compared to the average reader — are very broad. I don’t read only one kind of thing. I’m a generalist.

There are plenty of people — possibly even the majority of people — that have a wholly different approach to reading. They are the specialists, and they only like one kind of thing and that is what they read to the exclusion of all else. It is tempting for me to regard this alien species as outside the category of ‘reader’ as I understand it — you know, the sort of person that, as a kid, spent all his lunch money on books, who’s tempted to get rid of his furniture to make room for his library, and who would rather read than watch TV, play jai-alai, or attend model home open house events in the hopes of a buffet spread. To me, a real reader is a voracious omnivore; metaphorically a gaunt, hollow-eyed ghoul with ink-stained fingers and sharpened teeth who knows an insatiable hunger so keenly painful it has in fact become a pleasure of sublime proportions. Our ghoul/reader will eat and eat and eat to the point of dieing, and ask for more with his last breath. Real readers are all a little bit insane — and they hope that no one ever finds the cure for their condition.

Read More Read More

Win a Copy of This Crooked Way!

Win a Copy of This Crooked Way!

thiscrookedway_mechJames Enge’s Morlock stories have been some of the most popular fiction we’ve published in Black Gate.  His first Morlock novel, Blood of Ambrose, published by Pyr in April, was very warmly received, and described as “A future classic… this novel succeeds beautifully” (The Great Geek Manual) and “Like Conan as written by Raymond Chandler” (Paul Cornell).

The second volume, This Crooked Way, went on sale October 6th.  More than just a collection of previously published Morlock fiction, This Crooked Way has 15 chapters, only 5 of which have previously appeared.  We’ve received a small number of advance copies, and we want to give them to you.

We’ve asked James Enge to compile a list of questions, the answers to which lie in the five Morlock stories that have appeared in Black Gate.  The first five readers to fill out and submit the quiz below with the correct answers will receive a copy of This Crooked Way, compliments of Black Gate, James Enge, and Pyr.

The usual legal disclaimers apply: Offer void where prohibited.  No purchase necessary.  Must be 18 to enter.  Judges decisions are final.  Postage costs outside the US are the responsibility of the winner.  Additional disclaimers apply as we think of them.  Eat your vegetables.

Read More Read More

Fifty Years in the Zone: The Twilight Zone’s 50th Anniversary

Fifty Years in the Zone: The Twilight Zone’s 50th Anniversary

tz-title-card2serlingThe place is here, the time is now, and the journey into the shadows that we’re about to watch could be our journey.

With those words, spoken exactly fifty years ago by a respected television dramatist over an image of a man walking down a lonesome dirt road toward an empty town, started a journey into the imagination that continues to this day.

Last Friday was the fiftieth anniversary of The Twilight Zone. The speculative-fiction show created by Rod Serling broadcast its first episode, “Where Is Everybody?”, on 2 October 1959 on CBS. The world has never been the same since we crossed over into another dimension, not of sight or sound, but of mind. Brilliant writing, endless imagination, and the inspiration for countless authors, filmmakers, and other assorted dreamers resulted from this landmark along the roadway to the metaphorical Zone.

Read More Read More

The Real d’Artagnan

The Real d’Artagnan

The portrait Dumas paints of d’Artagnan in The Three Musketeers is iconic: a penniless young Gascon who sets off for Paris on a horse that has seen better days, armed with his father’s sword, an ointment his mother made that “miraculously heals any wound that doesn’t reach the heart”, and a letter of recommendation to M. de Trèville, captain of the King’s Musketeers.  From such humble beginnings are heroes made.  But, how accurate a portrait is it?

For The Three Musketeers (1843-44) and its sequels, Dumas drew upon the work – some call it scurrilous – of Gatien de Courtilz de Sandras (1644-c.1712), a pamphleteer and man of letters who may have personally known the historical d’Artagnan, Charles de Batz-Castelmore.  Courtilz’s Mèmoires de Monsieur d’Artagnan first saw publication in Cologne, in about 1700; it was a bestseller in its day, running into three editions.  Amid its rumor and gossip, under its skin of story-teller’s tricks, was a skeleton of fact – much of which one can easily verify through the records of the day, and by letters and dispatches archived in places such as the Bibliothèque Nationale.

Read More Read More