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Discovering Robert E. Howard: David C. Smith on Bran Mak Morn

Discovering Robert E. Howard: David C. Smith on Bran Mak Morn

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BranMak_MistsI discovered Oron before I first read a Conan tale. It was pretty much my introduction to barbarians in the world of fantasy. Author David C. Smith co-wrote the Red Sonja and Bran Mak Morn books with Richard Tierney. It’s safe to say that he knows his Howard. And about barbarians. So it’s natural that our ‘Discovering Robert E. Howard’ series turned to Dave to talk about Bran Mak Morn. “Worms of the Earth” was one of the first non-Conan stories I read from REH. Wow. Read on for Dave’s take on yet another topic for the series.

I was around 14 or 15 years old when I discovered the Hyborian. So now what will become of us, without barbarians. Those men were one sort of resolution.

— “Waiting for the Barbarians” (1897-1908) Constantine Cavafy

Howard knew the truth of these lines by Cavafy, just as South African author J. M. Coetzee did in his acclaimed novel of the same title. What do the barbarians bring to societies that are past their glory, that are overripe, living softly, in decline? What do the barbarians bring to societies whose citizens exist with each day the same as the day before, overripe citizens living softly?

These citizens have become soft while standing on the backs of those they kept down, slaves and serfs, and those they have conquered or coerced — the barbarians. When at last the barbarians turn on the overripe soft ones who keep them down, it is indeed one sort of resolution.

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Of Necromancers & Frog Gods – Part One (The Public Life of Sherlock Holmes)

Of Necromancers & Frog Gods – Part One (The Public Life of Sherlock Holmes)

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NECROMANCER GAMES

OGL and D20

Necro_LogoWhen Wizards of the Coast rolled out the Open Game License for 3rd Edition Dungeons and Dragons, a plethora of third party companies would produce products, leaving players with a seemingly unlimited number of options available for purchase. A few were great, more were terrible and most were in between.

That period was known as the d20 boom, which inevitably led to a d20 bust and is explained in depth in Shannon Appelcline’s tremendous, four-volume RPG history, Designers and Dragons. If you have any interest in role playing history, you will love those books (they are broken up into decades: The Seventies, Eighties, Nineties and Two Thousands).

Along the way, many new and existing companies entered the official Dungeons and Dragons world. One of the most popular and successful was Necromancer Games, founded by Clark Peterson and Bill Webb. Under a different name, Necromancer’s offspring is a major player in the RPG scene today.

The Open Gaming License (OGL) made the 3rd Edition Dungeons and Dragons mechanics permanently “open use” and the basis of a System Reference Document (SRD). The OGL was accompanied by the d20 license, which verified that third party products were compatible with 3rd Edition.

The OGL and d20 licenses had distinguishing characteristics and somebody more versed than I in the intricacies should write a post on that whole shebang. Suffice to say here, companies began rolling out d20 products from day one.

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Discovering Robert E Howard: Morten Braten on The Road To Xoth: World-building in the Footsteps of Robert E. Howard

Discovering Robert E Howard: Morten Braten on The Road To Xoth: World-building in the Footsteps of Robert E. Howard

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The Spider-God’s Bride and Other Tales of Sword and Sorcery-small Song of the Beast Gods-small Citadel Beyond the North Wind-small

XothMapBGDue mostly to time constraints, I don’t play RPGs these days, but I still read RPG books pretty regularly – primarily Pathfinder and 3rd Edition Dungeons and Dragons. The pulpiest, most Robert E. Howard-ish stuff I have found is Morten Braten’s World of Xoth. Morten, who wrote the quasi-historical Ancient Kingdoms: Mesopotamia for Necromancer Games, clearly draws heavily on Robert E. Howard in his RPG design. If you haven’t discovered Xoth, you should give it a look. You can start by downloading the new, free, Player’s Guide! Here’s Morten…

I was around 14 or 15 years old when I discovered the Hyborian Age. Hanging out at a friend’s house, waiting for my turn to play some late 80s computer game, I noticed some black and white Conan comics on a bookshelf. The inside cover of each comic had a map of Conan’s world, apparently our own earth as it looked 10,000 years ago.

Even before I had read a single Conan story, the evocative names on that map filled my mind with colorful visions of long-lost lands: Hyperborea, Stygia and Zembabwei; and mysterious places such as Shadizar, Kutchemes, Kheshatta and Xuchotl.

I immediately knew that I wanted to run a role-playing game set in that world. Just around the same time, I had been introduced to Dungeons and Dragons (AD&D 2nd Edition, to be more specific), but at the time I was just learning the system as a player and was not yet ready to take on game mastering duties. In fact, my Hyborian Age campaign did not become a reality until a decade later. By then I had been game mastering several traditional fantasy campaigns, and I had learned a lot about world building from the Greyhawk boxed set.

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The Public Life of Sherlock Holmes: Haining’s The Final Adventures of SH

The Public Life of Sherlock Holmes: Haining’s The Final Adventures of SH

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FinalAdventures_CoverThere are a LOT of books, fiction and non, about Sherlock Holmes and Arthur Conan Doyle that are worthy of standing alongside the sixty-story Canon of original Holmes tales. Today, we’re going to look at one I particularly like.

Barnes and Noble has been reproducing classic works for years and selling them at affordable prices. Their editions are a great way to get folks introduced to the classics.

But their output ranges father afield, and my Sherlockian bookshelf includes several of their titles, such as The Sherlock Holmes Companion, The Lost Adventures of Sherlock Holmes and The Final Adventures of Sherlock Holmes.

This last book is similar to the out of print and often difficult to find Sherlock Holmes: The Published Apocrypha by Jack Tracy. Both books include the “almost Sherlock Holmes” stories and plays that don’t fit in the Canon, but are certainly in the neighborhood. Back before you could find everything you ever wanted to look for on the Internet, The Final Adventures was quite the resource.

The introduction discusses the pieces that make up the book and you will find some interesting tidbits (much of which was previously in Tracy’s book).

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The Charge of the Light Brigade at the Battle of Balaklava, October 25, 1854, Part II of II

The Charge of the Light Brigade at the Battle of Balaklava, October 25, 1854, Part II of II

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British Hussars attack Russian guns at Balaklava

Read Part I here.

The Charge of the Light Brigade

There were four speeds for the cavalry:

Walk: not to exceed four miles per hour
Trot: not to exceed eight and a half miles per hour
Gallop: eleven miles per hour
Charge: not to exceed the utmost speed of the slowest horse

The Light Brigade started at a walk because the horses could not maintain the charge speed for over a mile. When the first line was well clear of the second, Cardigan ordered “Trot.” The more experienced men knew at that speed it would take them about seven minutes to reach the battery. As they trotted down the valley, ten Russian guns could reach them.

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The Charge of the Light Brigade at the Battle of Balaklava, October 25, 1854, Part I of II

The Charge of the Light Brigade at the Battle of Balaklava, October 25, 1854, Part I of II

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Hell Riders-smallIntroduction

At 11:10 a.m., on October 25, 1854, one hundred sixty-one years ago, the almost seven hundred men of the Light Brigade stood waiting. The Brigade moved forward when the officer’s trumpeter sounded the “Walk.” It was immediately taken up by the regimental trumpeters to the right and left, so that it could be heard by the whole body of cavalry. When the first line was clear of the second, the order came to “Trot.” The bugles sounded again and the regiment increased its pace to about eight miles an hour. The more experienced cavalry men were adept at judging distances and knew at this pace, it would take them at least seven minutes to reach the enemy.

Hundreds, perhaps thousands, of volumes have been written about the events during and leading up to that seven minutes. An in-depth analysis of the battle is beyond the scope of this article. The story for this anniversary is told as much as possible in the voices of the men who rode down that valley. Unless otherwise noted, all quotes and facts are from Hell Riders The True Story of the Charge of the Light Brigade by Terry Brighton (2004). This is possible because the author, Terry Brighton, a British military history, using his unique access to regimental archives, draws on twenty years of research to tell the story of the survivors, in their own words. Only a small portion of their stories can be told here. This fascinating book is available online and is highly recommended.

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That Churl Death, and the Cat That Stands at One’s Back

That Churl Death, and the Cat That Stands at One’s Back

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"houses of the dead" Illustration by Pauline Baynes
“Houses of the dead” Illustration by Pauline Baynes

“When that churl Death my bones with dust shall cover” — Shakespeare, Sonnet 5

I was in the middle of writing up a review of Goosebumps, which I wanted to finish this week while it is timely — it is the number one film at the box office. But I find myself sidetracked by a real encounter with fear, and so today I shall not write about a fun, sanitized entertainment but instead about the terror I felt last night.

Beneath all fears — the greatest fear of all, as Lovecraft so eloquently informed us — is fear of the unknown. The most primal fear for any of us creatures both blessed and cursed with the ability to think is the thought of our own annihilation. Running deep below the fear of how we might be taken out — running like the impenetrably black, charnel waters of the River Styx — is the fear of the fact that we will be taken out.

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NaNoWriMo is coming!

NaNoWriMo is coming!

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Storyteller-Tools-New-Cover 255
I wrote a book on all this…

Like Winter, NaNoWriMo is coming and aspiring writers are even now planning to do a Frazetta on the whole business of writing a novel. This is great — momentum is all — but it’s way too easy to grind to a halt or lose time going round in circles trying to reinvent the wheel.

I wrote a book on all this, but some of my previous blog entries might also help you avoid dead ends and rampage through your novel to the very end — I promise you both an affirming and life changing experience.

So, here they are in digest form:

Some Writing Advice That’s Mostly Useless (And Why): The following writing advice is mostly useless — “Work on your motivation,” “Revise, revise, revise,” “Have a chaotic life,” “Just write,” “Know grammar and critical terms,” “Practice skills in isolation.”

World Building Historical Fiction using Military Thinking: Don’t fall down the rabbit hole of research or worldbuilding. Instead use a layered approach, focussing your world building  as you descend from Strategic (villas exist and can be raided for supplies), through Operational (this villa sits on this ground amidst these fields), to Tactical (here is the ground plan of the villa and here are the people guarding it) level.

NaNoWriMo: How to “Pants” Through Your Novel like a Rampaging Panzer Division in 1940 France (and Why You Should): If you subscribe to the “Just Write” approach, then — seriously — just write. Switch off your spell checker, don’t edit or tinker, and if you need to add something to the story, just make a note and move on. You can mop up later.

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The Public Life of Sherlock Holmes: Tying in the BBC Sherlock Special

The Public Life of Sherlock Holmes: Tying in the BBC Sherlock Special

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Special_VictorianCostumeBack in July, what seems to be the most popular ‘The Public Life of Sherlock Holmes’ post appeared here at Black Gate. I looked at what I think went wrong with season three of the BBC’s Sherlock. I included the just-released ninety-second, ‘first look’ video for the upcoming Special, to be aired around Christmas. And I pointed out it seemed to be full of the “Look how clever we are” bits that I lamented in my post.

Now, just about everyone, including myself, loves that the Special is set in Victorian times; unlike the episodes in the first three seasons. Cumberbatch and Freeman would be given their first (and quite likely, only) opportunities to play Holmes and Watson in the Doyle mold. I view it as a chance for the show to get back on track and reclaim the multitude of fans it lost during season three.

That trailer was a fun little look at the Special and a second trailer came out earlier this month. “Fun” is not a word I would use. This is clearly not going to be a cute little Christmas episode, or a hunt for the owner of a goose and a hat (not a goose with a hat). In fact, it’s not about the yuletide at all. As you can see, it’s going to be some very serious business.

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The Public Life of Sherlock Holmes: Frederic Dorr Steele

The Public Life of Sherlock Holmes: Frederic Dorr Steele

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Colliers Black PeterBack in July, in a post on Sidney Paget, I wrote “Along with Frederic Dorr Steele, Paget is certainly one of the two most significant illustrators of the great detective.” Having covered Paget, now we look at Dorr Steele.

In 1893, Doyle, feeling that writing Holmes stories was holding him back from more important works, did the unthinkable: he killed the world’s most popular detective. In 1902, he revived Holmes for one adventure in his most famous story, The Hound of the Baskervilles, with good old Sidney Paget illustrating again. Doyle made it clear this was an earlier case of Holmes’ and that the great detective was, in fact, still dead.

The stories from The Adventures of Sherlock Holmes and The Memoirs of Sherlock Holmes had been illustrated by various artists in America, where they appeared in different magazines and newspapers. There was no sole source for the stories, as there was in England with The Strand. For the most part, the drawings were rather uninspired

Some of Paget’s were also used, but often just a few, not the full set for each story. Thus, a common image of Holmes had not evolved from the drawings. There was no Sidney Paget in the United States. But there was about to be!

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