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Category: Essays

Half a Century of Reading Tolkien: Part One

Half a Century of Reading Tolkien: Part One

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I’ve been trying to remember when I first read The Lord of the Rings and it must’ve been when I was ten or so, meaning in 1976 or early 1977. I say this because my dad bought me The Silmarillion for Christmas and it was published in September 1977. That means I read The Hobbit when I was nine or so. Coming up on 59 next year, it means I’ve been reading Prof. Tolkien’s work for nearly fifty years.

Rankin & Bass Bilbo and Gollum

I assume I came across The Hobbit on my dad’s shelf next to his living room chair. It’s where he kept the various books he was reading at any given time. His habit was to stay downstairs till midnight or one, reading and listening to WQXR, the New York Times’ old classical station. I’d definitely read it before November 1977 when the Rankin & Bass The Hobbit premiered. As a side note, my dad tried to get our first color TV before it aired, but he wasn’t able to.

I didn’t read LotR right away, but when I did, I found myself in competition with my dad to finish them. With only the single set of books in the house, we read them in tandem. I remember rushing home from church to see if I could grab The Fellowship of the Ring before my dad had finished reading The New York Times that morning. Even though some days I got the book before him, he read faster and more often and finished several days before me. Hey, I was only ten.

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Frankly Frankenstein

Frankly Frankenstein

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My guess is that even people who’ve never read the novel or seen the Boris Karloff version likely recognize that “Frankenstein” signifies a human-made scientific creation that bites back. (Though they probably do confuse which is the creator and which is the actual monster.)

Here in the 21st century, what Mary Shelley depicted way back at the start of the 19th is embedded in our cultural collective consciousness, even for those people who don’t pay attention to the culture unless it involves Taylor Swift, because of how often it actually occurs throughout history. Take your pick of technological disasters, the latest perhaps being AI.

Of course the reason why Shelley’s Frankenstein: or, The Modern Prometheus  is a canonical work even before SF gained some legitimacy in academia is that this isn’t just a gothic horror story (though it is of course that).

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Interview with an AI: High Fantasy

Interview with an AI: High Fantasy

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In the first of an occasional series, I interview the Bing AI about high fantasy.  The AI’s responses have not been edited.

What is high fantasy?

The Hobbit and
The Lord of the Rings

High fantasy, also known as epic fantasy, is a subgenre of fantasy defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot. High fantasy is set in an alternative, fictional (“secondary”) world, rather than the “real” or “primary” world. This secondary world is usually internally consistent, but its rules differ from those of the primary world. By contrast, low fantasy is characterized by being set on Earth, the primary or real world, or a rational and familiar fictional world with the inclusion of magical elements.

High fantasy stories often feature world-threatening forces, fantastic creatures, historic or unusual technologies, magical elements, and other unearthly elements. The story might also include characters from royalty and be seen through the viewpoint of one hero, an underdog.

Some examples of high fantasy literature include J. R. R. Tolkien’s The Lord of the Rings, Ursula K. Le Guin’s Earthsea, and George R. R. Martin’s A Song of Ice and Fire.

How does high fantasy differ from sword and sorcery?

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Science Fiction History Considered As a Series of Images of Newsstand Displays

Science Fiction History Considered As a Series of Images of Newsstand Displays

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Science Fiction magazines likely displayed on the stands at ten year intervals, 1933 to 2013

Many readers here no doubt lack the experience of having personally cruised news stands, tobacco shops and underground hole-in-the-wall used book stores, through no fault of their own. Unless you can fault someone for not having been born in a particular year, which I think would be a silly thing to do.

I, on the other hand, managed to arrive on this planet at a time conducive to such things. Following a brief orientation period lasting a handful of years, during which I learned how to navigate within a 1G gravitational field and picked up a few useful tips, such as becoming proficient in one of the native languages and where food came from, not to mention the necessity of wearing clothing when out and about, I was introduced to a small, yet extremely powerful concept called “Science Fiction”.

In short order I became enraptured and the rest, as they say, is personal history.

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Thomas M. Disch: Love and Nonexistence

Thomas M. Disch: Love and Nonexistence

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334 by Thomas M. Disch (Avon, October 1974). Cover artist unknown

In the last page of Thomas M. Disch’s novel 334, the family matriarch, Mrs. Hansen, has finished explaining why she should have the right to die. “I’ve made sense, haven’t I? I’ve been rational?” she asks her unseen auditor, a civil servant taking an application. “They’re all good reasons, every one of them. I checked them in your little book.” She has indeed given reasons why her life is no longer worth living, with disconcerting thoroughness, and makes clear that if her application is turned down, she will appeal. “I dream about it. And I think about it. And it’s what I want.”

What is remarkable about this scene is not the defense of suicide (which does not take place in the text — the book ends with Mrs. Hansen’s summation), but an articulated yearning for nonexistence. The three elements of this nexus — the voiced eloquence, the fiercely focused desire, and the prospect of nothingness — constitute three compass points of Disch’s art. There is a fourth, always present but harder to see, which we will come to in a moment. For now, let us consider these elements, vividly present throughout Disch’s fiction and widely remarked upon, but also widely misunderstood, especially in the SF genre, where he began his career and which he never fully left.

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The Fantastic Novels of Harlan Ellison

The Fantastic Novels of Harlan Ellison

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Harlan Ellison speaking to the audience at the Los Angeles
Science Fantasy Society, May 1982. Photo by Pip R. Lagenta

Harlan Ellison published three novels early in his career, and spent the rest of his life trying to complete another1. Despite a large and successful body of work, and the willingness of publishers to pay large advances for a novel, he never succeeded.

Returning to the novel form was important for Ellison; he announced the titles of works in progress as “forthcoming” in the front matter of his short story collections, ghost titles that would appear in successive volumes, sometimes for years, then vanish to be replaced by new ones. In 2010, when he was 76 and announced he was dying, Ellison said that he was working on a new novel, The Man Who Looked for Sweetness;2 and in 2014, shortly before he suffered the stroke that ended his writing, he returned to an earlier project.3 Completing another novel was a dream he never relinquished.

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May I Read You This Book?

May I Read You This Book?

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I would rather read a book, but I listen to a LOT of audiobooks. I listen to them in the car (fewer work commutes with the Pandemic); and often during my work day. My mind is wired so I can listen to an audibook/radio play and still concentrate on something else. I’ve had friends and coworkers tell me they can’t do that at all, so I feel fortunate. It lets me ‘read/re-read’ a lot of things I otherwise wouldn’t have time to get to. I use the Overdrive App to get them out of the library, and I do Audible.

Many a night, I fall asleep to an audiobook (not a problem when you sleep alone. Sigh…). Usually something I’ve read or listened to before and know reasonably well. Like Max Latin (Norbert Davis), Philip Marlowe (Raymond Chandler), or Hercule Poirot (Agatha Christie). That way it doesn’t matter if I doze off.

Of course, If I REALLY like the book, or author, I tend to favor the narrator more (unless they are screwing up my book!). But I’m pretty objective in determining whether or not I’m glad this person is doing the narration. Today I’m gonna talk about some who I really like – and plugging some authors I like as well!

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Talking Terry Pratchett

Talking Terry Pratchett

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It’s always a good time to talk about Terry Pratchett! He was, simply, brilliant. Pratchett, who passed away in 2015 from Alzheimer’s, wrote the terrific fantasy series, Discworld. He gets my vote as one of the great satirists of our time. And he used classical fantasy tropes to do it! Did I mention, ‘brilliant’?

I re-read (and listen to) Pratchett books throughout the year. I got in the mood again recently, and did a mini-binge. Discworld is fantasy world, with the entertainingly horrible city of Ankh-Morpork at its center. Parody, homage, satire – they are fantastic books. Pratchett pokes fun at our world (especially, society) though these books. If you Google search, ‘Terry Pratchett quotes.’ you will get some absolutely terrific ones. Most are from his books, but real-life ones can be pretty hilarious, too. The man was just incredibly funny. Add in being very observant, and a good writer, and you have the ingredients of a great author.

JINGO

It started when I decided to listen to a Pratchett audio book during the work day last week. I’ve read the series a couple times, and I can miss a bit here and there as I work. Jingo is one of the City Watch books. There are several ‘sub-series’ in the Discworld series, involving central characters. My favorite is the one with Sam Vimes and the City Watch. They are essentially very entertaining police procedurals, in a fantasy world. They’re a blast.

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B is for Bradbury

B is for Bradbury

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R is for Rocket (Bantam, 1965, cover by Paul Lehr), The Golden Apples of the Sun
(Bantam, 1970, cover by Dean Ellis), Long After Midnight (Bantam, 1978, cover by Ian Miller)

June 5, 2022 marks the 10th anniversary of the death of Ray Bradbury, one of the greatest speculative fiction writers of all time. It’s fair to say that no author has positively affected my path into reading, and subsequently writing, to the extent that he did. Through this four-part series, I hope to convey some of the joy and wonder that Bradbury instilled in me and so many others, by revisiting a selection of his short stories that have continued to resonate with me throughout the years. Disclaimer: I don’t profess that my selection are his greatest tales, no matter what your definition of the term, but they hold a special place in my pantheon of stories, and I hope they will be worthy of your time.

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