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The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

The Top 50 Black Gate Posts in November

The Top 50 Black Gate Posts in November

CityWatch_GuardsCoverThe most popular article at Black Gate last month was M. Harold Page’s “An Adventurer’s Guide to the Middle Ages: Town Watch? Where?”, a look at the much-loved concept of a citizen’s militia in fantasy. It’s not hard to see why it was popular:

The first thing that Conan — or Locke Lamora, or Grey Mouser, or Vimes, or a D&D party  — would notice about a real medieval city would be the almost total absence of an Ankh Morpork-style town watch.

It’s a stock trope: here come a dozen Keystone Cops town watch in their funny armour, to arrest the drunken barbarian or catch the thief. Only it’s not like that in reality, or at least not quite like that in Later Medieval and Early Modern England, France, and Germany.

That’s not a criticism. Fantasy writers must write what they will. Dickensian thief takers are plausible, and raise themes to do with policing and justice. However, if, like me, you write Historical Adventure Fiction , then you need to know how policing worked because integrity, and because somebody else will know and will gleefully correct you in reviews. (It’s funny when your research is better than theirs though — and the one time I ever answered a review.)

Back in March, Thomas Parker’s asked our readers to “Tell Me Why,” demanding to know why fantasy fans embrace “ambitious, multivolume phone book series.” Sarah Avery’s long-gestating response, “Why Do We Do This To Ourselves? I Can Explain!”, the latest installment in her Series Series, clocked in at #2 for the month.

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Vintage Treasures: Rudy Gutierrez Does Nalo Hopkinson

Vintage Treasures: Rudy Gutierrez Does Nalo Hopkinson

Brown Girl in the Ring-small The Midnight Robber-small Sister Mine-small

About fifteen years ago, I received an unsolicited fantasy story from a young author in Canada. I rejected it, and the author didn’t take the rejection well. She wrote me a pretty grumpy letter.

You sometimes get grumpy letters when you reject stories. Usually the best thing to do is ignore them. But I didn’t in this case, because the author had a point. It was an excellent story, and she knew it. The author’s name was Nalo Hopkinson, and I had rejected her story because of its frankly adult tone and content.

Well, she took me to task for that. Black Gate was brand new at the time, and Nalo challenged me for rejecting a story purely on the grounds of sexual content. She found it cowardly, and I didn’t blame her. That’s no way to build a reputation for a new magazine, she said. In my response, I told her I would have loved to publish her story — but not in Black Gate, which we had worked very hard to make suitable for readers 12 and up. I thought there was a clear market niche for a family-friendly fantasy magazine, and had set out to create one. Her story was very strong, but no so strong that I was willing to go back on the promises I’d made to our investors, distributors and advertisers. Nalo got that immediately, wrote me a warm and thoughtful response, and we hit it off. I’ve followed her career with great interest ever since — and what a stellar career it’s been.

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io9 Founder Annalee Newitz Departs as Site Joins Gizmodo

io9 Founder Annalee Newitz Departs as Site Joins Gizmodo

Annalee Newitz-smallThe changes at io9 have begun, as the site begins restructuring in preparation for its upcoming merger with design and technology blog Gizmodo. Perhaps the biggest change occured yesterday with the departure of founder Annalee Newitz. In her public goodbye, Newitz wrote:

Today is my last day at io9 and Gizmodo. It’s been a long, astounding road, to say the least. I founded io9 back in 2008, and I watched it journey from the farthest reaches of space to its current home under this atmosphere bubble on Ceres… In January of this year, I took on the role of editor at Gizmodo, and since then, Charlie Jane and I have been integrating the world of io9 into Gizmodo. It’s kind of like we joined the United Federation of Planets….

And this is where my path diverges from io9 and Gizmodo. This past year managing both sites taught me that I’m not actually interested in being a manager. I want to write.

Annalee Newitz was one of io9‘s most talented writers, and we certainly understand her desire to pursue a writing career. Katie Drummond will take over from Newitz, and Charlie Jane Anders (whose own first novel, All the Birds in the Sky, will be released by Tor on January 26) will continue as Editor-in-Chief.

io9, one of the most popular locations for SF fans on the web, was launched in 2008 by Newitz and Anders. It covers science fiction, fantasy, comic books, science and technology. The site is owned by Gawker Media, which is restructuring its many holdings to focus more on politics (Gawker’s other holdings, including celebrity gossip site Defamer and Valleywag, which covers Silicon Valley, will be closed down). The merger with Gizmodo has apparently been in the works for months; when completed, io9 will become a section of Gizmodo, and io9.com will redirect to Gizmodo. All existing content will be preserved.

John DeNardo on Why I Love Retro Science Fiction

John DeNardo on Why I Love Retro Science Fiction

Thrilling Wonder Stories-smallOur bud John DeNardo, editor of the fabulous SF Signal, writes on a topic near and dear to our crusty little hearts, “Why I Love Retro Science Fiction,” over at Kirkus Reviews.

More than anything, retro-futurism is a flavor… It’s the way writers wrote science fiction in the past. Generally speaking, writers today are much more rigorous in their writing than the writers who were trying to meet the demand of weekly pulp publication serials. The resulting science fiction from that past era was plot-driven and didn’t spend pages discussing, say, some planet’s terrain. That made the stories shorter as well. Books from decades ago were 150 pages long and that was just fine.

Retro-futures are also kitschy. There’s a nostalgic quality to it. This is a little harder to describe. I tend to like the kind of science fiction that was written before I was born. Perhaps it’s because when I started reading science fiction, I often read older books that crossed my path. In the 1970s, I was weaned on sci-fi from the Golden Age and that mode of science fiction still appeals to me….

Today’s retro sci-fi is written by today’s writers, and while modern writers may try to emulate the science fiction of yesteryear, what they rarely, if ever, do is reflect the outdated thinking of those times. In today’s retro sci-fi, you will find more discussions of multiple viewpoints and philosophies, you’ll see diverse cultures portrayed on a galaxy-wide scale — and you’ll see it through the derring-do of space adventurers zipping around in the foreground.

Read the complete article here.

Collecting Philip K. Dick

Collecting Philip K. Dick

Philip K Dick paperback collection-medium

Recently I wrote here about a handsome collection of 35 books by Isaac Asimov I bought on eBay for $82.17 — a lofty price for vintage paperbacks, but I wasn’t the only one who noticed what great shape they were in. Last week I also reported on the set of 32 paperback of the same vintage by Arthur C. Clarke I purchased at the same time. Clarke is still highly regarded these days, but not in the same category as Asimov. I expected to pay much less for them, and I was right — I won the auction for $27.

The same seller was also offering the striking set of Philp K. Dick books above (click for bigger version). While not virtually brand new like the Clarke and Asimov collections, they were nonetheless in terrific shape, especially for 40-year old paperbacks. I bravely took part in the auction, but bowed out before it hit $100. I expected it to go a lot higher, and it did.

The set sold for $536 and change, about $9.50 per book — a bargain, considering what Dick paperbacks in that kind of condition sell for individually.

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Joel Cunningham on Why There’s Never Been a Better Time to Be a Sci-Fi & Fantasy Reader

Joel Cunningham on Why There’s Never Been a Better Time to Be a Sci-Fi & Fantasy Reader

New Science Fiction-smallI’ve lived through enough boom-and-bust cycles in this industry to have read plenty of “science fiction is doomed’ prophecies over the decades. It usually happens at the start of a bust cycle, as the publishing industry contracts and readers see steep cutbacks. Funny enough, I almost never see the opposite  — astute readers pointing out the signs of a boom. Joel Cunningham at Barnes & Noble seems to be the exception. Have a look as he catalogs many of the signs of an ongoing explosion in SF & Fantasy publishing.

Hachette Book Group today announced an ambitious expansion of its sci-fi/fantasy imprint Orbit… Beginning in the fall of 2016, Orbit will grow its list by 50 percent, publishing approximately 90 titles a year—and they’re hiring new editors, marketers, and book packagers to do it.

Nothing proves belief in a market like investment, and across the board, publishers are investing in SF/F. Just this year, we’ve welcomed to the fold Saga Press, the dedicated genre imprint from Simon & Schuster that has developed a roster of launch titles unparalleled in the industry (the debut novel from award-winning short story author Ken Liu, anyone?).

Tor.com Publishing has emerged out of Tor Books, the largest player in the genre space, with a new business model that focuses on digital-first novellas, allowing for a faster-moving, more innovative strategy that brings you, the reader, the kinds of books you might never have been able to read before…

Why is this happening? It’s because of all of us. We readers are a passionate bunch, and we’ve voted with our time, attention, and most of all, our dollars, propelling big-money, book-first franchises like Game of Thrones and the Marvel and DC superhero universes to the forefront of the cultural conversation. There’s no stigma about being a genre reader these days, because genre touches everyone — just try getting through December without hearing about Star Wars on the regular (spoiler alert: it isn’t going to happen).

We covered the news of the Orbit expansion here, the launch of Saga Press here, and Tor.com‘s ambitious publishing venture here. Read Joel’s complete article here.

The Late November Fantasy Magazine Rack

The Late November Fantasy Magazine Rack

Cemetery-Dance-73-rack Beneath-Ceaseless-Skies-185-rack Clarkesworld-110-rack Lightspeed-Magazine-November-2015-rack
Interfictions-Online-rack Beneath-Ceaseless-Skies-186-rack The-Dark-Issue-10-rack Nightmare-Magazine-November-rack

We’ve got lots of great magazine coverage to point you towards the best new short fiction this month. We started our coverage of Interfictions with issue #6, and reported on the arrival of the massive Best Of Heroic Fantasy Quarterly, Volume 1. In our reviews section, Learned Foote took a look at Nike Salway’s “The Karen Joy Fowler Book Club” in the October Lightspeed, and Fletcher Vredenburgh highlighted the best in Beneath Ceaseless Skies, Heroic Fantasy Quarterly, and Swords and Sorcery Magazine in his October Round-Up. For vintage fiction fans, Matthew Wuertz journeys back over 60 years to look at a magazine from January 1953, with fiction by Philip K. Dick and Clifford D. Simak, in the latest installment of his issue-by-issue read of Galaxy.

Check out all the details on the magazines above by clicking on the each of the images. Our November Fantasy Magazine Rack is here.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $12.95/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

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Collecting Arthur C. Clarke

Collecting Arthur C. Clarke

Arthur C. Clarke paperback lot-small

A couple weeks ago I reported here on a pristine collection of 35 Isaac Asimov books I purchased on eBay. Coincidentally, I also happened to stumble across blogger Mark R. Kelly’s Asimov Re-read. I found many of his comments right on the money, and Mark’s insights became the core of my article.

Eclipsed by all that discussion was the fact that the same day I also purchased a lot of virtually new paperbacks by Arthur C. Clarke (above). Although it was roughly the same size (32 titles) and same vintage (30+ years), and the books were in similar gorgeous shape, I expected to pay much less for them. And that’s exactly what happened: I took the lot home with a single bid for $27, less than a third of what I paid for the Asimov collection.

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Breathtaking and Truly Epic: Barnes & Noble on Michael Livingston’s The Shards of Heaven

Breathtaking and Truly Epic: Barnes & Noble on Michael Livingston’s The Shards of Heaven

The Shards of Heaven-smallMichael Livingston’s stories for Black Gate were widely acclaimed by our readers. So I’m looking forward to seeing how the wider world reacts to his first novel, on sale this month from Tor. I got my first taste when I saw this rave review from Sam Reader at Barnes & Noble:

The Shards of Heaven is breathtaking in scope. With the first volume of a planned series intertwining Roman history and myth with Judeo-Christian mythology, Michael Livingston has created something truly epic… He uses real events and characters as the backbone for a truly inventive epic fantasy like novel, a massive undertaking that launches a tremendously ambitious series.

With Julius Caesar dead, a civil war threatens to destroy Rome. On one side is Octavian, Caesar’a ruthless successor, who will resort to any means to assert his power over the Empire. On the other are Caesar’s former ally Marc Antony and his lover Cleopatra… But then history twists, and Octavian’s half-brother Juba, a Numidian prince and thrall of Rome, uncovers something that will upend the conflict completely: the Trident of Poseidon, which gives the wielder the ability to control any fluid with an extension of will. The discovery comes with the knowledge that the trident is but one of the legendary Shards of Heaven, artifacts whose immense power hints at the existence of a strength greater than man’s…

The action here is big and bloody… Livingston uses violence in sudden, sparing bursts, each fight given a sense of purpose and consequence — until he doesn’t: the book’s centerpiece is the Battle of Actium, a massive naval conflict both grand in scope and enormously complex in its intricacies. Livingston keeps tight control over both.

The Shards of Heaven will be published by Tor Books on November 24, 2015. It is 414 pages. priced at $25.99 in hardcover and $12.99 for the digital version. It is the opening volume in an epic new historical fantasy series set against the rise of the Roman Empire. See our previous coverage here.