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Category: Editor’s Blog

The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

Closing Out 2018 with Interzone Magazine

Closing Out 2018 with Interzone Magazine

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I don’t get to pick up British SF magazine Interzone as often as I like, though I buy it whenever I see it. I was lucky enough to find three issues recently on the magazine rack at Barnes & Noble, and they’ve help remind me what a terrific magazine it is. If you’re at all interested in what’s going on in modern SF, I urge you to check it out.

Interzone is published and edited by Andy Cox, who has assembled a top-notched team of writers, artists, and columnists. It is one of the sharpest-looking magazines on the market, with full color interiors and gorgeous art. The most recent three issues of the bi-monthly magazine (#276, 277, and 278, cover dated July-December 2018) include fiction from Bonnie Jo Stufflebeam, Aliya Whiteley, Natalia Theodoridou, Fiona Moore, Rachael Cupp, James Warner, and many others. They also include some of the best columns and non-fiction in the business, including the long-running Ansible Link by David Langford (news and obits); my favorite film review column, Mutant Popcorn by Nick Lowe; the excellent Book Zone (book reviews); Andy Hedgecock’s Future Interrupted (column); Nina Allan’s Time Pieces (column); interviews, and guest editorials.

Here’s a few samples of that gorgeous interior art I was talking about.

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New Treasures: Clarkesworld Year Nine, Volumes One & Two, edited by Neil Clarke and Sean Wallace

New Treasures: Clarkesworld Year Nine, Volumes One & Two, edited by Neil Clarke and Sean Wallace

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It’s hard to believe Clarkesworld magazine launched over a decade ago (in October 2006, believe it or not). I remember when Neil Clarke announced it, as sort of a side project/marketing scheme for his online Clarkesworld bookstore. I was already a regular customer — Clarkesworld was far and away the best source for small press magazines, and they sold a lot of the print edition of Black Gate — and I was curious to see what he could do with it.

The rest, as they say, is history. The bookstore shut down a few years later, but the magazine exploded. Last time I counted it had a World Fantasy Award, three Hugo Awards, a British Fantasy Award, and in 2013 it received more Hugo nominations for short fiction than all the leading print magazines combined. Clarkesworld keeps getting bigger and more ambitious every year… although, in one way at least, things haven’t changed much since 2006: I’m still intensely curious to see where Neil and Sean will take it next.

I don’t have time to read every issue, so I greatly appreciate their tradition of producing an annual print volume every year collecting a complete year of fiction under a single cover. Last year’s Year Eight was a huge 448 pages and, given how much the magazine has grown in the past year, I was looking forward to seeing just how big Year Nine would be. When I finally set eyes on it (at the Clarkesworld booth at the World Fantasy convention) I wasn’t disappointed. For the first time it’s been broken into two books, both over 300 pages.

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Guilds, Glasses, and Galaxies: Joshua Palmatier’s 2018 Kickstarter Anthologies

Guilds, Glasses, and Galaxies: Joshua Palmatier’s 2018 Kickstarter Anthologies

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Guilds and Glaives-small Second Round A Return to the Ur-Bar-small The Razor's Edge Joshua Palmatier-small

There’s a lot of different ways to have a career in SF and fantasy. Don’t believe me? Just look at the fascinating case of Joshua Palmatier.

Over the last decade Joshua has built a formidable reputation as an author, producing both an acclaimed fantasy trilogy (The Throne of Amenkor) and a popular science fiction trilogy (Erenthrall) with DAW books. Not content with merely being an author, he partnered with Patricia Bray to co-edit a pair of DAW anthologies, After Hours: Tales from the Ur-Bar (2011), and The Modern Fae’s Guide to Surviving Humanity (2012). Shortly after that DAW ended their monthly anthology program. Undaunted, Joshua launched his own small press, Zombies Need Brains, and over the next three years produced half a dozen additional anthologies with editors Bray and S.C. Butler. As author, editor, and now publisher, Joshua has moved steadily from success to success.

2018 was perhaps his most ambitious and successful year yet. He delivered three complete anthologies funded with a simultaneous Kickstarter campaign, and successfully funded three more in October. I’m not much of a Kickstarter nut, but I backed the first project. Not simply due to my admiration for Joshua (which was considerable), but because one of the books, Guilds & Glaives, contained stories from no less than four Black Gate authors: David B. Coe, James Enge, Howard Andrew Jones, and Violette Malan. The others, Second Round: A Return to the Ur-Bar and The Razor’s Edge, were almost as appealing for different reasons, and I consider the set to be one of the best-kept secrets of genre publishing in 2018. Here’s a closer look at all three.

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James Davis Nicoll asks Who Are the Forgotten Greats of Science Fiction?

James Davis Nicoll asks Who Are the Forgotten Greats of Science Fiction?

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As we close out 2018, I’m proud to look back at the last twelve months and all the new authors we’ve championed and celebrated. Dozens of debut novels, and hundreds of new short stories, from a lively graduating class of SF and fantasy writers. Of course, Black Gate isn’t just about the new — we try to spend just as many pixels illuminating the neglected writers of the Twentieth Century, who become more forgotten with each passing year.

We published hundreds of reviews, retrospectives, and Vintage Treasures posts about the forgotten greats of the genre here at Black Gate in 2018. But some of my favorite articles appeared at other venues, including Unbound Worlds, the B&N Sci-Fi & Fantasy Blog, and The Verge. One of the better writers showcasing classics this year was James Davis Nicoll, who in a September article at Tor.com asked Who Are the Forgotten Greats of Science Fiction?

To answer the question he looked at the Cordwainer Smith Rediscovery Award, which he rightly laments as underappreciated (“I wish the award were more widely known, that it had, perhaps, its own anthology. If it did, it might look a bit like this.“) James did his part to promote the award by showcasing the winners, including masters such as R.A. Lafferty, William Hope Hodgson, Edgar Pangborn, Stanley G. Weinbaum, Leigh Brackett, Fredric Brown, Mildred Clingerman, and others. Here’s James on three of my favorites.

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The B&N Sci-Fi & Fantasy Blog on Their Favorite Science Fiction & Fantasy Books of 2018

The B&N Sci-Fi & Fantasy Blog on Their Favorite Science Fiction & Fantasy Books of 2018

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Tomorrow is New Year’s Eve and, if you’ve been paying attention at all, you’re doubtless stumbled on a few Best Books of the Year lists. I’ve seen over two dozen, and they are not all created equal. One of the best for true SF & fantasy fans is The B&N Sci-Fi & Fantasy Blog list of their Favorite Science Fiction & Fantasy Books of 2018, which includes 25 novels, 12 “Alternate Universe” Picks, and 13 of The Year’s Best Collections & Anthologies. It was compiled by Joel Cunningham; here’s a few of his selections.

Senlin Ascends, by Josiah Bancroft (Orbit, 448 pages, $15.99 trade paperback/$4.99 digital, January 16, 2018)

Bancroft’s buzzy debut was already a self-published sensation in ebook when Orbit acquired the rights to publish in print, with three sequels to follow in short order. It’s set in a steampunk universe whose main feature is the Tower of Babel, a legendary tourist attraction that soars endlessly into the sky, shrouded in clouds. No one knows how high the tower goes, and it seems to contain an infinite number of rooms, all of them unique. Thomas, a small town schoolteacher, and his beloved wife Marya take their honeymoon at the Tower, but Thomas loses his new bride in the immense crowd milling about the base. Desperate to find her, he begins to climb the Tower in hopes of finding her. Every room he enters is a world unto itself, as detailed and deeply imagined as any described in entire novels. Thomas finds himself in a mental and physical battle with various factions and personalities as he slowly ascends the tower and learns its secrets — well, some of them, at least. Deeply strange and instantly addictive, it’s one of the most original fantasy novels in years — and book two, Arm of the Sphinx (released in May) might be even better. Read our review.

The third book in Bancroft’s The Books of Babel series, The Hod King, is scheduled to be published on January 22, 2019.

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Mark Finn on the Future of Skelos Magazine

Mark Finn on the Future of Skelos Magazine

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Skelos magazine

Skelos magazine, launched as a result of a terrifically successful Kickstarter in 2016, is one of the best new magazines of weird fantasy on the market. Editors Mark Finn, Chris Gruber, and Jeffrey Shanks produced three of the first four promised issues — all of which look fabulous, and were well reviewed. But the fourth, originally cover-dated Summer 2017, has yet to appear, and after a year of delays and virtually no communication from the editors, there’s been a lot of open speculation around the fate of Skelos. Late yesterday Mark Finn posted a lengthy update with good new for dark fantasy fans.

Starting in 2019, we will resume publishing Skelos at a rate of two issues per year, during the Summer and Winter seasons… We will also pursue a more leisurely publishing schedule with regards to collections and original anthologies. Right now, there are two books in our hopper; a collection of Mythos Fiction by Don Webb, and a collection of Elak of Atlantis stories by Adrian Cole. We are very excited to bring those books out in 2019. Other original volumes and collections will follow and be announced, one at a time, as we can, and still keep our scheduled commitments.

As for the rest of this year: there’s not much left, but we are keen to finish and publish Skelos #4. Also, we are keen to fix/re-organize all of the ebook files so that they are standard and uniform and most important, all available. Once Skelos #4 is out, and the four issues have been secured and locked down in a digital format, we will turn our attention to publishing Skelos #5 and Skelos #6 in 2019, and Skelos #7 and Skelos #8 in 2020. Don’s book, Building Strange Temples, will be available in 2019, along with Adrian’s Elak collection. We will announce their on-sale dates in a timely manner… There are not enough places to read the things we like to read. Skelos was formed to address that, and we’d like to see it flourish.

We thank you for your patience. We will fix this, and try to do better going forward.

Speaking as a fan of the magazine, and one who’s been following the personal difficulties of Mark and his team with considerable sympathy, I’m relieved and impressed at the dedication of the entire team, and very much looking forward to the new issues. Read Mark’s complete Open Letter on Facebook here.

Fantastical Crime Noir for the New Year: Crazy Town edited by Jason M. Waltz

Fantastical Crime Noir for the New Year: Crazy Town edited by Jason M. Waltz

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Jason M. Waltz may be our favorite independent publisher. His publishing house Rogue Blades Entertainment, newly relocated to Texas, is celebrating its first 2018 release: Crazy Town: A Dark Anthology of Fantastical Crime Noir, and it looks very good indeed.

Jason earned his rep with top-notch titles such as Return of the Sword (2008), Rage of the Behemoth (2009), Demons (2010), and Writing Fantasy Heroes (2013), with original contributions from Brandon Sanderson, Howard Andrew Jones, James Enge, E.E. Knight, Glen Cook, Orson Scott Card, Steven Erikson, Bill Ward, Mary Rosenblum, C.L. Werner, Brian Ruckley, Andrew Offutt, Richard K. Lyon, Cat Rambo, Janet and Chris Morris, and many others.

His latest book is a dark anthology of fantastical crime noir, with a forward by Peter McLean (Drake, Priest of Bones) and new and reprint tales from Jay Caselberg, Michael Ehart, Milo James Fowler, Julie Frost, Matthew Chabin, and many others. Jason has scoured far and wide for the best tales of dark urban adventure, and Crazy Town includes stories from Bards & Sages Quarterly, Dark Wisdom, Damnation and Dames, Liquid Imagination, David M. Donachie’s collection The Night Alphabet, and other fine publications, plus half a dozen pieces original to this book.

Here’s the back cover text and full TOC.

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Vintage Treasures: Strange Dreams by Stephen R. Donaldson

Vintage Treasures: Strange Dreams by Stephen R. Donaldson

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Bantam Spectra cover by Gervase Gallardo

Twenty-five years ago oversized trade paperbacks fantasy anthologies were few and far between. Today they’re the default, but in the early 90s, when original anthologies routinely appeared as mass markets paperbacks, you had to be something special to warrant the deluxe trade paper format. (Nowadays, of course, the mass market anthology is long dead, but that’s a subject for a different post.)

Strange Dreams was something special. In the early 90s Stephen Donaldson was one of top-selling fantasy writers on the planet, with the bestelling Mordant’s Need and Chronicles of Thomas Covenant to his credit. In his introduction he relates how the book came about as a result of a conversation with master anthologist Martin H. Greenberg.

We were discussing the basis on which I might be willing — or indeed able — to pull together a collection, and I quickly dismissed the traditional anthological fundaments: Historical Development (where fantasy came from and how it grew); Defense of Genre (why fantasy is written); Technical Display (how fantasy can be written); and Thematic Modulation (what fantasy has to say about X and Y)… once all these bases have been diminished, why bother to do a collection at all?

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Merry Christmas from Black Gate

Merry Christmas from Black Gate

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Black Gate Christmas tree

It’s been about as perfect a Christmas as you could wish for here at Black Gate — with the possible exception of the weather. After a ferocious November, and a whole lot of snow shoveling, December came in like a lamb and the snow melted weeks ago. I can’t remember the last time we missed out on a White Christmas in Chicago (and it’s forecast to hit the 50s by Thursday).

Weather aside, this has been a truly marvelous year for Black Gate. I look back at the last twelve months, and I know there’s a lot to be thankful for. But the thing I find myself most grateful for are those faithful readers who return every day, helping improve the site with comments and thoughtful feedback. We cherish all our readers, but it’s our regulars who have come to mean the most. Folks like Thomas Parker, smitty59, Major Wootton, Rich Horton, Eugene R, Glenn, R.K. Robinson, Aonghus Fallon, Joe H, silentdante, Charles_Martel, CMR, GusG, Jeff Stehman, Barsoomia, kelleyg, Allard, SELindberg, and many, many others, make the effort we put in every day worthwhile. Thank you.

It’s been an incredible run the last few years — an Alfie Award, a World Fantasy Award, and many other honors. We’re very well aware that the source of all that recent fame has been you, the fans, who work hard to spread the word and bring new traffic to our humble site.

So thank you once again, from the bottom of our hearts. On behalf of the vast and unruly collective that is Black Gate, I would like to wish you all Merry Christmas and Happy Holidays. Continue being excellent — it’s what you’re good at.

A Year of Weirdbook

A Year of Weirdbook

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Not all that long ago, Douglass Draa was the Online Editor for Weird Tales, maintaining a lively Facebook presence and posting numerous highly readable articles on the website (which, sadly, have now been removed.) Although the magazine has essentially been dead since 2014, Doug kept the Weird Tales name alive as best he could, and I frequently found myself wondering what someone with that much energy could do with more editorial control.

We found out in 2015 when the much-loved magazine Weirdbook returned to print with Doug at the helm. The first issue, #31, was a generous 160 pages of brand new weird fiction and sword & sorcery from many familiar names, packaged between gorgeous covers by Dusan Kostic and Stephen E. Fabian. Over the next three years Doug has produced no less than 10 issues — a staggering 2,000+ pages of new content — plus the very first Weirdbook Annual in 2017. Issues arrive like clockwork, and the magazine only seems to get better and better.

2018 was a great year for Weirdbook, with three huge issues. It seems to have settled into a comfortable 256-pages, and readers of this blog will be pleased, as I was, to see several Black Gate writers among the contributors — including John C. Hocking, John R. Fultz, and the prolific Darrell Schweitzer, with no less than three stories. I was especially pleased to see Doug’s use of quality interior art, which I think greatly enhances the look of the magazine. The latest issue, which just arrived last week, includes moody and effective spot art by the great Allen Koszowski, who also graced the pages of Black Gate back in the day.

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