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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Black Colossus”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Black Colossus”

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Weird Tales Black Colossus-smallLate last week, while Howard Andrew Jones and I were discussing how hard it is to write great fight scenes, Howard gave me a piece of advice. “Read “Black Colossus,”” he said. “That will show you how it should be done.” So I pulled out my copy of the Del Rey’s The Coming of Conan, and started in… but not before reading the story that chronologically precedes it, “Queen of the Black Coast,” featuring the lovely and fatal pirate queen Bêlit. This Robert E. Howard fellow… his stories are a graduate school class in action writing, and no mistake. Not coincidentally, Howard and Bill Ward continued their fascinating Conan re-read with “Black Colossus” last month, originally published in the June 1933 issue of Weird Tales. Here’s Bill:

It’s wonderful stuff, as is the resultant exchange between Conan and his former mercenary commander, Amalric, who remarks that Thespides’ hot-headed charge is the sort of thing that Conan used to get up to. Conan agrees, but says that was when he was only worried about his own hide, now he’s responsible for others. Here Conan’s essential decency and honor feeds right into his maturation — this battle is his first command, and it’s really a freak of fortune that Conan is even in this position. But he’s smart, and he respects his fellow soldiers, having emerged just days before from their ranks himself, and all of that factors into him growing into a position of responsibility. Earlier, there is also reference to how kingly he looks all decked out in his new armor, something Conan would retain in the back of his mind for years.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Queen of the Black Coast”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Queen of the Black Coast”

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Art by Brom for "Queen of the Black Coast"
Art by Brom for “Queen of the Black Coast”

Howard Andrew Jones and Bill Ward continue their insightful re-read of the first Del Rey Conan volume, The Coming of Conan, with the classic “Queen of the Black Coast,” featuring the beautiful pirate queen Bêlit, originally published in the May 1934 issue of Weird Tales.

Here’s Bill:

There’s a wonderfully vivid moment of stillness at the heart of “Queen of the Black Coast;” Conan sits high on the ruined pyramid of a vanished race as night falls over a scene of slaughter, the “black colossus” (which becomes the title of the next story) of the jungle a vast sea of darkness that enfolds him. He is as far away from any aid or comfort as we’ve ever seen him and far beyond the bounds of civilization, his lover lies dead on the ship they shared for years while the corpses of her pirate crew are scattered among the ruins, and a malignant evil that Conan has only glimpsed in a vision bides its time, waiting just as the Cimmerian, too, waits. Here is the man of “gigantic melancholies,” the man whose mind does not break, and, when the moon finally rises and the beasts rush upon him, the man of action.

Read the complete exchange here.

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Discovering Robert E. Howard: James Reasoner on He Pointed Them North: Trail Towns in the Traditional Westerns of REH

Discovering Robert E. Howard: James Reasoner on He Pointed Them North: Trail Towns in the Traditional Westerns of REH

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REHWesterns_Cover
Intro by James Reasoner…

After Paul Bishop’s excellent post on REH’s boxing stories turned my initial post on hard boiled private eyes into the start of a series, the next topic I knew I wanted to cover was westerns. And James Reasoner was the only person I considered to write it. Historical fiction, noir and westerns: he’s excellent in all of those areas. 1914’s Robert E. Howard Days 2014 Featured Attendee is one of the best western writers alive. Let’s hit the trail!

When Robert E. Howard was growing up in Cross Plains in the 1920s, it was entirely possible that some of the older men in town might have gone on cattle drives in their youth, as the great trails from Texas to the railheads in Kansas opened up after the Civil War and changed the focus of the Lone Star State’s economy. Whether a young Bob Howard ever listened to these old cowboys spin yarns about those days, we don’t know, but he certainly might have.

J. Marvin Hunter’s classic book Trail Drivers of Texas appeared in 1927, and this volume might well have caught Howard’s interest, too, although we have no record of him ever reading it.

What we do know, however, is that Howard wrote several Western stories in which the trail towns which served as destination points for those great herds of Longhorns play an important part, beginning with “Gunman’s Debt”, which went unpublished during Howard’s lifetime but is one of his best Westerns. It’s set in the small Kansas settlement of San Juan, and although Howard tells us that the rails and the trail herds haven’t reached it yet, it’s clear that they’re on the way. San Juan is new and raw and more than a little squalid:

Three saloons, one of which included a dance hall and another a gambling dive, stables, a jail, a store or so, a double row of unpainted board houses, a livery stable, corrals, that made up the village men now called San Juan.

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Discovering Robert E. Howard: Rob Roehm – Tragic Things

Discovering Robert E. Howard: Rob Roehm – Tragic Things

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REHTragic_HowardPlaqueWe’ve had over a dozen posts in our ‘Discovering Robert E. Howard’ series here at Black Gate, but we haven’t had a single post yet about Howard himself. Oops. Rob Roehm, Featured Attendee at the 2014 REH Days and Director of Publications for the REH Foundation, fixes that hole for us. As you can see from the first paragraph, the story of Robert E. Howard’s aunts and uncles is a sad one. Take it away, Rob!

In his February 27, 1944 letter to E. Hoffmann Price, Dr. Isaac M. Howard briefly describes the state of the Howard family: “Mr. Price, the most tragic things have come to me: 2 bros., 3 sisters all dead, one sister was burned to death, one bro. killed, his body mangled beyond description by a railroad train. My wife died after a terrible lingering sickness, my only child going at the same time, leaving me alone of my father’s family.”

While fans of the doctor’s son, Robert E. Howard, are aware of the June 1936 events that deprived Dr. Howard of his immediate family, the fate of his brothers and sisters is also interesting, and is indeed full of “tragic things.”

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Tower of the Elephant”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Tower of the Elephant”

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Art for "Tower of the Elephant" by Mark Schultz
Art for “Tower of the Elephant” by Mark Schultz

Over at Howard Andrew Jones’ blog, Bill Ward and Howard Andrew Jones continue their re-read of the first Del Rey Conan volume, The Coming of Conan, with the classic “The Tower of the Elephant,” originally published in the March 1933 issue of Weird Tales.

Howard: THIS is Robert E. Howard at his absolute best, in complete control of his narrative, knowing his character better than his closest friend. His Hyborian history article was written just prior to his penning of “The Tower of the Elephant,” which makes sense, because he knows the history and societies so well that he casually mentions cultures in such a way we can usually intuit what he’s talking about…

Bill: Here Conan is a “gray wolf among gutter rats,” to paraphrase just one of the great lines in the opener. From the first paragraph of this section that paints a vivid picture of The Maul, the thieves district of Zamora where the guards have been bribed with “stained coins” to leave the criminals alone, all the way to the conclusion… I think this opener, and this story in general, is one of the best introductions to Conan, and probably the one I would hand a novice that was interested in seeing what all the fuss is about…

Howard: And damn, there are giant spider fights, and then there’s the fight with the thing in the top room of the tower. The only giant spider fight I’ve read that’s on the same level is the one from the first Bard book by Keith Taylor. You can see this monster and its dripping venom, so virulent that it scars Conan for life… It’s just incredibly well written, so much so that even after reading this story multiple times I still find it thrilling. And unsettling.

Read the complete exchange here.

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Discovering Robert E. Howard: David Hardy on El Borak – The First and Last REH Hero

Discovering Robert E. Howard: David Hardy on El Borak – The First and Last REH Hero

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ElBorak_EarlyToday, our ‘Discovering Robert E. Howard’ series talks about my favorite REH stories: those featuring El Borak. David Hardy wrote the introduction to the Robert E. Howard Foundation’s The Early Adventures of El Borak and he also contributed what is essentially the afterward to Del Rey’s El Borak and Other Desert Adventures.  There’s no one better suited to expound on Francis Xavier Gordon, so enough blathering from me. Let’s check out ‘The Swift.’

Francis Xavier Gordon, known from Stamboul to the China Sea as “El Borak”-the Swift-is perhaps the first of Robert E. Howard’s characters, and the last. El Borak is one of those distinctive characters that could only come from the fertile imagination of REH. He is a Texas gunslinger from El Paso, an adventurer, who has cast his lot in the deserts and mountains of Arabia and Afghanistan. There’s a little bit of John Wesley Hardin in his makeup, a bit of Lawrence of Arabia, and just a touch of Genghis Khan.

Howard described the origin of Gordon and other characters to Alvin Earl Perry: “The first character I ever created was Francis Xavier Gordon, El Borak, the hero of “The Daughter of Erlik Khan” (Top Notch), etc. I don’t remember his genesis. He came to life in my mind when I was about ten years old.”

That would put El Borak’s origins about 1915, the year Rafael Sabatini’s pirate novel The Sea Hawk appeared. The titular Sea Hawk is an Englishman who joins the corsairs of the Barbary Coast. There is also a supporting character named El Borak. Howard also noted that Bran Mak Morn, hero of “Worms of the Earth,” bore a resemblance to El Borak.

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Discovering Robert E. Howard: Pigeons From Hell From Lovecraft by Don Herron

Discovering Robert E. Howard: Pigeons From Hell From Lovecraft by Don Herron

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Herron_DarkBarbarianBefore the Cumberbunnies took over and flooded the internet with “I heart Sherlock” memes, the term ‘Sherlockian’ referred to those who studied (and often wrote about) Arthur Conan Doyle’s sixty stories of Sherlock Holmes. Some  of it was dead serious, some was tongue in cheek and much was in between. Monsignor Ronald Knox’s 1921 “Studies in the Literature of Sherlock Holmes” is the cornerstone of Holmes studies.

With that, I tell you that that Don Herron is THE Ronald Knox of Robert E. Howard. “Conan vs. Conantics” and the ensuing “The Dark Barbarian” showed that Howard could be analyzed and treated as literature. As well as something to stir up debate! If you haven’t read the over-600 page essay collection, “The Dark Barbarian That Towers Over All,” you need to pony up $4.99 and get the kindle version now.

And with that, Herron, who is also a noted expert on Dashiell Hammett (this man knows good writing) is going to treat you to a little Howardiana regarding REH’s most chilling horror story, “Pigeons From Hell.”

Recently I did a reread on H. P. Lovecraft’s Fungi from Yuggoth sonnet cycle and had a Hey, Wait a Minute moment. . .

Deep into his follow-up book to A Look Behind the Derleth Mythos, John D. Haefele had asked me to look the poems over. Haefele is surveying Lovecraft’s Great Tales — not just the top achievements, but how the fiction developed as it went along, leading to the break-out stories — not just Lovecraft’s own writing, but how his discoveries of authors such as Robert W. Chambers and Arthur Machen and the ongoing cross-influences of his fellow pulpsters such as Frank Belknap Long, Clark Ashton Smith, and Robert E. Howard display in the ongoing saga that would become known as the Cthulhu Mythos.

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The Public Life of Sherlock Holmes: Ramblings on REH

The Public Life of Sherlock Holmes: Ramblings on REH

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Ramblings_KullAxeIn a way, Robert E. Howard’s career is similar to that of Dashiell Hammett. Both men had huge impacts on their genres (Howard wrote many styles, but he’s best known for his sword and sorcery tales). Both were early practitioners in said genres. Both men wrote excellent stories for about a decade. And both men ended their careers on their own.

Hammett, who seemed more interested in a dissolute lifestyle than in writing, effectively walked away from his typewriter. He wrote his last novel in 1934 (The Thin Man) but produced literally nothing for the remaining twenty-five years of his life. He could have gone back to writing the hard-boiled stories that made his career, but he voluntarily ended his writing life.

In 1936, Howard’s mother was failing in a coma. He walked outside to his car, pulled out a gun and killed himself. His writing career was more effectively finished than Hammett’s would be.

Both were supremely skilled writers who chose to deprive the world of their talent and left decades of stories unwritten. But there was a key difference between the two. From the beginning, Hammett was acclaimed and recognized as the leader in his field. Though Carroll John Daly came first (barely), there is no comparison between the two in critical view.

Howard was not critically lauded. His first Conan tale, “The Phoenix on the Sword” (a rewriting of the Kull story, “By This Axe I Rule!”), appeared in Weird Tales in December of 1932. The next two Conan tales were outright rejected!

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Phoenix on the Sword”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Phoenix on the Sword”

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The Phoenix on the Sword Weird Tales-smallOver at Howard Andrew Jones’ blog, Bill Ward and Howard Andrew Jones continue their re-read of the first Del Rey Conan volume, The Coming of Conan, with the very first Conan story, “The Phoenix on the Sword,” originally published in the December 1932 issue of Weird Tales magazine. Here’s Howard:

Look at the story’s opening quote. That’s practically the gold standard of quotes from imaginary historical sources. That fabulous “Know, O Prince” and all that follows has been imitated but rarely, if ever, equalled. This, fellow fantasy fans, is the way it’s done. Admittedly, there are a few phrases in the middle of the paragraph that are less inspired. I’m looking at “Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem.” Most of the rest of the quote paints lovely word pictures, but those phrases don’t remotely approach the poetic majesty of the rest — what does Zingara look like? What does Koth look like? But the rest is lovely, and the quality picks right back up with “dreaming west” and powers on to that fantastic finish, “Hither came Conan…”

Look at the opening line of the story: “Over shadowy spires and gleaming towers lay the ghostly darkness and silence that runs before dawn.” Damn. Why doesn’t anyone write like that any more? Howard sets the scene with sharp, sensory laden description. He’s a film director guiding the camera with a fantastic establishing shot.

Their first post on this topic discussed Howard’s “The Hyborian Age.” Read the complete exchange here.

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Discovering Robert E. Howard: Jeffrey Shanks on The Worldbuilding of REH

Discovering Robert E. Howard: Jeffrey Shanks on The Worldbuilding of REH

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Conan_WBHyboriaWe are trying to look at as broad a range of topics related to Robert E. Howard as we can in this series. Characters, genres, events, themes: Black Gate really wants to showcase the many facets of the man and his works.

Today’s guest post is such an example. Jeff Shanks wrote the introduction to the just published facsimile edition of Howard’s essay, The Hyborian Age and is the REH consultant on Modiphius’ upcoming Conan RPG  (we’re gonna have a post for that, too!). I can’t think of anyone better to write about one of my favorite subjects,  world-building.

While Robert E. Howard is known as the creator of a number of memorable heroic protagonists, such as Kull of Atlantis, Solomon Kane, Bran Mak Morn, and, of course, Conan the Cimmerian, his efforts as a pioneer in fantasy world-building are often overlooked. When it is remarked upon at all, Howard’s creation of the Hyborian Age of Conan is generally described as a fairly impromptu effort — a hodge-podge of fictitious kingdoms based on thinly-disguised real world historical analogues, thrown together hastily in early 1932 after the first Conan story was accepted by Weird Tales.

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