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Black Gate at the 2010 World Fantasy Convention

Black Gate at the 2010 World Fantasy Convention

Only a few years ago I looked on attending a convention as a useless expenditure, an indulgence I didn’t think I had time for — probably because the unfamiliarity of it made me uncomfortable.

wfclogo1Fortunately, my friend Eric Knight shook up my composure, insisting it would be good for me to go. So I went, and my first convention ever was The World Fantasy Convention in Madison, Wisconsin, 2005, and I can still recall how nervous I was and how astonishing it was to be standing in the same room or even rubbing shoulders with writers I had respected and admired for long years. Luckily, Eric took me under his wing and showed me around. Before long we’d found our way to the dealer’s room — which didn’t seem too different from a cave of wonders — and I was soon talking for the first time with Black Gate‘s publisher and editor, John O’Neill.

A few months ago I wrote a brief primer about why conventions are worth attending, and rather than covering that again, I’ll point you there. If you’ve gone to other conventions you’ll be surprised by WFC. Only about 1,000 attendees are allowed, which promotes a greater intimacy than you’ll find at many other conventions. There are no costumes, and the many panels and readings and workshops are focused fairly specifically on writing and editing and working in the industry. Professional editors, publishers, writers, artists, and agents are everywhere, because this is the serious industry convention, although serious in this instance shouldn’t be confused with dull.

This year the 36th World Fantasy Convention is being held in Columbus, Ohio, from October 28-31, and Black Gate will be there in force. It’ll be pretty easy to find our booth in the dealer’s room, but one or more of us will be visiting panels, participating in panels, attending readings and signings, or wandering from one late night party to another, so if you want to meet us it should be pretty easy to accomplish. If you’re planning to be there we hope that you’ll drop by the booth, and that you’ll make sure to come to the Black Gate reading Saturday night, where you’ll be able to hear several dozen Black Gate authors reading from their own works.

WisCon 35 Withdraws Elizabeth Moon’s Guest of Honor Invitation

WisCon 35 Withdraws Elizabeth Moon’s Guest of Honor Invitation

wisconSF3, the Society for the Furtherance & Study of Science Fiction and Fantasy, the parent organization of Wiscon, has withdrawn Elizabeth Moon’s Guest of Honor Invitation for WisCon 35.

This follows several weeks of intense controversy after Moon made some surprising (and to me, frankly dumb) comments about Muslims on her blog on Sept. 11:

I do not dispute that there are moderate, even liberal, Muslims, that many Muslims have all the virtues of civilized persons and are admirable in all those ways…  But Muslims fail to recognize how much forbearance they’ve had…. I feel that I personally (and many others) lean over backwards to put up with these things, to let Muslims believe stuff that unfits them for citizenship, on the grounds of their personal freedom.  It would be helpful to have them understand what they’re demanding of me and others – how much more they’re asking than giving.

As you’ve probably guessed, both events have generated the kind of blog outrage that glues you to your screen and makes you twenty minutes late for the marketing meeting. (Highlights at the World SF Blog and Wiscon News blog, among many others).

Black Gate attended its first WisCon this year and I was extremely impressed with the convention, although I think the “World’s Leading Feminist SF Convention” tag is a little misleading. WisCon seems to have evolved into something much broader, and still crucially important: a friendly and informed gathering not just for feminists, but for women, POC (people of color), and LGBT (lesbian, gay, bisexual, and transgender) fans and their friends to discuss science fiction and — more importantly, I think — amplify their voice sufficiently to make the rest of us aware of just how diverse and rich the field truly is.

After just one trip to WisCon I’m hardly an expert, but even I was keenly aware that a key part of that formula is “friendly and informed.” Folks on all sides of this debate are welcomed at WisCon — indeed, welcoming all sides of a debate is something the convention is exceptionally good at — but having their Guest of Honor make so many guests feel uncomfortable must have been very awkward for the convention organizers.  This had to be a tough and extremely painful decision, but ultimately I think they made the right one.

Dragon*Con Report Part 2

Dragon*Con Report Part 2

dragonconlogoI said a few words about Dragon*Con itself in Part 1 of my con report.  In this one, I’d like to share our experiences at the largest science fiction and fantasy convention in North America.

After a long  journey,  Black Gate publisher John O’Neill and I reached  Atlanta late Thursday afternoon. Reviews Editor Bill Ward acted as our elite scout, and was not only waiting with con badges, but had scoped out the route we’d need to follow to unload our boxes and boxes of Black Gate magazines and vintage science fiction paperbacks. While John and I have been corresponding with Bill Ward for several years, we’d never before met him in person, and it was a pleasure to be able to do so. Bill proved to be just as indispensable, organized, and articulate as he is online, and possessed a dry, quick wit as well.

Jason Waltz, owner of Rogue Blades Entertainment, shared a quarter of the booth with us, and although he and his friend John Whitman had driven down from Milwaukee and we had driven down from Illinois and Indiana, we somehow arrived within a few minutes of each other without coordination. I doubt it would have worked out as well if we’d actually planned it. Between the five of us we managed to get all the Black Gate gear and RBE gear unloaded within an hour. Unpacking it and putting it on display took a bit longer, and required additional time the following morning.

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Sword & Sorcery is Alive and Well at Pyr

Sword & Sorcery is Alive and Well at Pyr

shadows-sonWell, I’m back from Dragon*Con, and my head is still spinning. It would take me weeks to jot down even a partial record of all the events we attended and the great people we met (not to mention the jaw-dropping costumes I was constantly gawking at) — so I think I’ll leave that to Howard, who’s already posted Part I of a splendid con report.

Instead, I’m going to hit the highlights.  The best event we attended at the convention, bar none, was the Pyr Books, a New Voice in Publishing panel, hosted by publisher Lou Anders and attended by Pyr authors Clay & Susan Griffith, Erin Hoffman, Andrew Mayer, Ari Marmell, Mike Resnick, Jon Sprunk, Sam Sykes, and the amazingly cool James Enge.

Why was it so great? Lou highlighted the terrific titles Pyr will be publishing over the next six months in a fast-paced and entertaining slide show, and each of the authors chimed in at appropriate moments to tell us a little more about their books. It was a great way to get introduced to an entire line in under an hour.

And what a line. I haven’t been this intrigued by so many books from a single publisher in a long time.

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Dragon*Con Report Part 1

Dragon*Con Report Part 1

john-and-the-hobbits
John O'Neill mingling with celebrities.

Those of you who’ve never attended a convention, let alone Dragon*Con, might wonder what the purpose of one is, and what they are like. I used to wonder what all the fuss was over myself, so I thought I’d provide a quick primer for the uninitiated. Attending a fantasy or science fiction convention is an excellent opportunity to mingle with other people who enjoy the same things you do, to interact with the creators of the kinds of work you love, and to meet with the people who edit and publish that work. Sometimes it’s a chance to obtain reproductions of that work, or images from it, or objects based on props from said work. Conventions are also a fabulous chance to network with peers and publishers who might or might not know your own work, although I never advise cornering an editor for twenty minutes of unbroken narrative to pitch any novel, especially one that you haven’t written yet.

But as to what a convention is like, they’re all different. World Fantasy Con, which Black Gate will be attending in force near the end of October, tends to be somewhat intimate, and fairly sober – at least during the day. Dragon*Con, well… I think Lou Anders of Pyr described it quite well in a post earlier today when he said it was like Mardi Gras on Middle-Earth. There are so many different lines of programming that Dragon*Con requires five immense hotels to provide space for them all, and so many attendees that they can’t fit into even those – there are at least five overflow hotels in addition to those with events. There seem to have been something in the area of 68,000 people attending this year. You could field a whole lot of Roman legions with all of those people, though you probably wouldn’t want to.

When I say “Lines of Programming” I mean different kinds of panels and events. There are so many special guests and panels to attend you can go to Dragon*Con with ten of your friends and each have entirely different, and interesting, experiences. If you want, you can go to nothing but writing panels and learn publishing secrets. You can go to media panels where movie, TV, or comic stars discuss what it was/is like working on their show. You can go to the art show and peruse the graphic arts, or maybe buy some, or go on the gaming track, or see a huge selection of independent films. There were two halls of exhibitors and one dealer room and even though I toured through all three I’m sure I didn’t see every product. Strolling through all of it are folk in costume. Some of those costumes are simple affairs, or store bought. Some are hand-crafted works of exquisite art. Some of them will sear your mind in wonder, although not always the good kind.

Into this we of Black Gate wandered, and I’ll provide a detailed account of what we saw and who we met before the end of the week.

Black Gate Zeppelin to Dragon*Con Update 5: It’s too Hideous

Black Gate Zeppelin to Dragon*Con Update 5: It’s too Hideous

The Harold Lamb approaches Caracas to ask for directions
The Harold Lamb approaches Caracas to ask for directions.

Oh God. Oh, God.   Lovecraft was right.  Things that are seen, cannot be unseen.

So I thought I’d have a private cabin on this flying death-trap Howard Andrew Jones has poetically named The Harold Lamb, but no.  That’s reserved for important bloggers, like Sue “Goth Chick” Granquist, and our fancy pilot, Bill Ward.  During our trip to Atlanta, I’m stuck down here in engineering, sharing a tiny cabin with Jason Waltz and John Woolley.  They’re good guys, but for the past two days they’ve been laughing about some private joke.  This morning, when I was finally done shoveling coal into the engines, I asked them to let me in on it.

They share a glance, and then Woolley moves a little closer, his voice lowered.  “Okay,” he says. “You know how naive editor John O’Neill is, right?”

Well, yeah.  He’s a Canadian, he trusts everyone.  I nod, and Woolley continues: “He’s never been to Dragon*Con before.  Yesterday he asks me and Jason about it.  What he should expect, stuff like that.  So I tell him, it’s tradition to dress up as Princess Leia — that wins everyone over. And he totally falls for it.”

I chuckle.  That sounds like John.  Right now he’s probably in the stores, cutting up sheets to make a white princess dress.  But before I can comment, Jason adds: “That’s not the worst part. Yesterday I heard him asking Howard about those illegal genetic samples we picked up when we raided Dr. Zarius’ polar labs.  He took two back to his room.”

“Wait,” I say, with mounting horror. “O’Neill’s not crazy enough to experiment with those…. is he? They can change you, in ways you’d never imagine.” I can see in John’s and Jason’s faces that they’ve suddenly come to the same dread conclusion I have.  In moments, the three of us are pounding on the door to O’Neill’s cabin.

“Go away!” he shouts from inside.  But his voice…. it’s changed.  Changed in indescribable ways.

“We’ve got to break down this door,” Woolley says fervently, grabbing a crow bar.  Jason helps him, but I start to back away.  I know, with absolute mounting horror, what we’ll find when we open that door.  It can’t be… it can’t be… but I know that it will be.  And I can feel my very sanity slipping away… just as I hear the door crash open, and the screaming begins, as John and Jason look upon the horror within…

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Black Gate Zeppelin to Dragon*Con Update Episode 4: Boys Smell

Black Gate Zeppelin to Dragon*Con Update Episode 4: Boys Smell

zeppelin-girl1On the whole, I’m not opposed to traveling with boys. Generally speaking they are amusing companions particularly when refusing to ask directions, thereby winding you through mildly interesting places while attempting to locate the desired destination sans MapQuest. Along the route, in an effort to distract their hapless passengers from all the pointless meandering, they can generally be counted on for lively and revealing conversation about former girlfriends, prior arrests and entirely icky things done in frat houses; all of which become prime blackmail fodder for later use.

Therefore, I did not immediately dismiss Howard’s idea of coming along on a road-trip to the Atlanta Dragon*Con in the Black Gate zeppelin via the Canadian Rockies, Baja and Rhode Island. Frankly by the normal standards, it’s about as much planning as I’ve ever know these boys to do. Besides, just seeing the look on John’s face when he heard the whole plan would have been more than enough incentive in and of itself, but when I learned the zeppelin had enough cargo space to house the new batch of interns plus my blender, I was in.

Now several days into the trip we are, of course, hopelessly astray of the original brilliantly planned route, E.E. Knight keeps going on and on about the steaks at Le Cheveux Club Pour Les Hommes and how big his Mauser is, and in an attempt to get cell coverage John insists on going topside in spite of the turbulence, then throwing up over what I hope is Cleveland but at this point could just as easily be New Mexico.

And the overall conditions in this zeppelin are starting to deteriorate.

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Black Gate Zeppelin to Dragon*Con Update Episode 3: the Salad is Tossed

Black Gate Zeppelin to Dragon*Con Update Episode 3: the Salad is Tossed

All hands repel boarders!
All hands repel boarders!

Gentlemen!

I can indeed verify that Howard von Steppenwolf-Jones’s fearful presentiment about the revelation of our route is correct. We are compromised and our mission imperiled. While returning home from a convivial evening of cards and tawny Port at my club (Le Cheveux Club Pour Les Hommes — best steak au poivre in Chicago, I might add) I noticed my door had been  jimmied with a crude textural analysis and took the precaution of drawing my trusty life preserver. Senses, pistol, and wits half-cocked, I entered. From my library, I heard a whispered chant:

Mene, mene, Derrida upchuckin’
Dulce et decorum est, pro postmodernism scribtum

I’d heard those black words before, in the nightmarish 2006 free-for-all at the Iowa Summer Writing Festival.  A claven of MFA candidates, driven mad by Midwestern Chardonnay and a few passed-around copies of Rosebud, had very nearly cost me my life.

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Black Gate Zeppelin to Dragon*Con Update

Black Gate Zeppelin to Dragon*Con Update

zepplein-brochure2bThere’s a temporary lull in operations and the skies are clear over Oklahoma, so I thought I’d take the time to set the record straight about our expedition to Dragon*Con via the Black Gate zeppelin, the Harold Lamb. John described the start of our journey just after we departed the Black Gate rooftop headquarters Thursday.

Those of you who know publisher John O’Neill are aware that he has a tendency to exaggerate. For instance, he stated that the zeppelin is capable of Mach 2, but it usually maxes out around 1.5. He’d probably report that we were attacked by a flock of cybernetic pterodactyls, but in truth it was really only a half dozen, and Bill Ward and I took out most of them with the electric railguns. John was only blown back a few feet when the aft railgun exploded, too, so just nod politely if he tells you he was smashed into the hull and stunned.

I really wish John hadn’t broadcast our route, because I’m afraid it’s attracted unwanted attention. I’m fairly certain Dr. Zaius sent the cybernetic pterodactyls after us, but John Fultz tells me he sent mocking letters to both Aquaman AND the Legion of Doom on Black Gate letterhead, so there’s just no telling. Still, we’re prepared for pretty much anything on our journey, and we’ve decided to stick with the plan.

Now I thought I’d take a few moments to respond to some questions that have come in during our trip.

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Black Gate Zeppelin Pointed Towards Dragon*Con

Black Gate Zeppelin Pointed Towards Dragon*Con

zepplin2I arrived at our building this morning to find people milling around in the street, pointing into the air. A fat, smoke-shrouded zeppelin was moored to the Black Gate rooftop headquarters.

“Oh God, no,” I thought. “I was sure Howard was joking. That thing is a death trap.”

Howard wasn’t joking. I took the elevator to the roof, punched in the secret code, and stepped out into chaos. Minions were scurrying everywhere, loading cargo into the airship. John Woolley, our graphic designer, was stuffing our brand new 12-foot banners into a well-worn travel case from the 1920s. I caught him just as a strong gust of wind damn near took him over the edge, and we got it stowed into the cargo hold.

I found Howard commanding operations. “Are you crazy?” I shouted at him. “That thing will never make it to Atlanta. It can barely do five knots!”

Howard did look slightly crazy, dressed in jungle fatigues and standing on a desk. He was clutching a worn parchment. “Isn’t she beautiful? Jason Waltz completely re-built the engines. She hit Mach 2 just after midnight last night during our test run!”

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