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“When things fall apart, they are going to fall apart in L.A. first”: LOSCON 37

“When things fall apart, they are going to fall apart in L.A. first”: LOSCON 37

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loscon-banner-photoOnly a few months ago, I would never have believed that I would end up writing two convention reports within the space of a month. Yet here I am bringing you news of LOSCON 37, the 2010 installment of the long-running Los Angeles-based science-fiction, fantasy, and horror convention.

This year’s World Fantasy Convention was an almost overwhelming experience—not only was it my first convention and my first time meeting some of the core Black Gate mavens, but WFC is one of the most professional cons on the planet, bringing together top writers, publishers, and editors for a long weekend of uninterrupted speculative-fiction intensity. And nobody wears costumes. As I planned going to my next convention, I knew that I would be at something less lavish and more fan-centered, with a looser feel. And with costumes. Lots of costumes. But there would also be no Black Gate. Going to LOSCON was a test for me: could I have fun at an event where I wouldn’t be part of large contingent?

Oh yeah. LOSCON was a different kind of thrill than World Fantasy, but it was still a thrill.

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“Hey Look, It’s Joe Haldeman!”: A First-Time Convention-Goer Looks at World Fantasy 2010

“Hey Look, It’s Joe Haldeman!”: A First-Time Convention-Goer Looks at World Fantasy 2010

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black-gate-booth
Howard A. Jones, John O'Neill, et Ego

I had never attended a major speculative fiction convention until this year. And the World Fantasy Convention is a huge one for a first-timer to go diving into. It’s an especially scary dive if you’re someone like me, who is only starting to emerge from the years of amateur writing into some level of the professional. I’ve won a major writing award, have some stories that will soon be published, and even have an agent and a novel making the rounds at publishing houses, but I felt like a Lilliputian among Brobdingnagians when I entered the Hyatt Regency Hotel in Columbus, OH on 29 October 2010 with the Thirty-Sixth World Fantasy Convention already in motion. There I was, lugging my heavy suitcases from the taxi from the airport, and already around me was a throng of people with their convention badges swinging from their necks and deep in the business of “convening.”

The main reason I had never gone to conventions before (aside from some swing dancing confabs — a different world entirely) was because I didn’t have any people to go with or meet there; most of my close Los Angeles friends are not involved in SF fandom to any degree. I didn’t want to go solo and feel lost in the huge ocean of a major convention. I know my personality — I’d likely leave the convention in a few hours in a sort of junior-high-school-dance-wallflower fear.

But this time, I had the best network and support team possible, the Black Gate folks. This was not only a chance to go to a huge convention, but a chance to meet the people who had formed an important part of life during the past four years, and who until then were known to me as emails and voices on the phone. I finally got to meet John O’Neill, Bill Ward, John Fultz, Jason M. Waltz, and the man responsible for getting me involved in all this in the first place, Howard Andrew Jones, but for whom . . . well, you know the rest. Without Howard’s encouragement, I don’t think I would have pushed myself to be a better writer the way I have over the last few years.

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Black Gate at World Fantasy Convention 2010

Black Gate at World Fantasy Convention 2010

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Well, I’ve finally returned to the Black Gate rooftop headquarters here in St. Charles, Illinois, after a weary week of travel. We had the largest team gathering in the magazine’s history at the World Fantasy Convention in Columbus, Ohio last weekend — including several Contributing Editors, half a dozen bloggers, and over two dozen writers and contributors. I started the magazine ten years ago and have been attending conventions for decades, and there were several long-term staff members I met for the first time, including the distinguished Ryan Harvey and John R. Fultz.

Team Black Gate
Team Black Gate: editor John ONeill, contributing editor Bill Ward, author and blogger James Enge, Jason Waltz (Rogue Blades), managing editor Howard Andrew Jones, author and blogger John R. Fultz, and author and blogger Ryan Harvey.

All of us were invited to take part in a podcast on Sword & Sorcery organized by the charming Jaym Gates — stay tuned for the broadcast location and date.  Our Saturday night reading was a rollicking success, as nearly two dozen Black Gate authors read from work sold to the magazine over the past ten years, including James Enge, Frederic Durbin, E.E. Knight, Nina Kiriki Hoffman, L.E. Modesitt Jr, Darrell Schweitzer, Donald S. Crankshaw, Howard Andrew Jones, Martha Wells, Ryan Harvey, Robert J. Howe, John R. Fultz, Myke Cole, Renee Stern, Steven Silver, Michael Shea, S. Hutson Blount, Janet Stirling, F. Brett Cox, and Frederick Tor.

I also got the chance to meet with other contributors including Mike Resnick, Jeffrey Ford, David B. Coe, Ellen Klages (and her charming sister), and Charles Coleman Finlay.  It was a delight to finally meet artist Jim Pavelec in the Dealer’s room, as well as fellow editors Adrian Simmons (Heroic Fantasy Quarterly) and Mike Allen (Mythic Delirium), and make several new friends, including long-term reader Matthew Wuertz. I made the trip with Jason Waltz, publisher of Rogue Blades Entertainment, who shared our table and turned out to be a stalwart traveling companion.

Due to the sheer size of the convention there were also BG writers wandering the halls I somehow managed to miss completely, including Jeremiah Tolbert and Rick Bowes. Ah well, maybe next year. There’s a reason it’s called the World Fantasy Convention. No matter how much you try, life is too short to see it all.

World Fantasy Convention Story: How David Drake Helped Me Write My First Novel

World Fantasy Convention Story: How David Drake Helped Me Write My First Novel

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david-drake-dragon-lordAs I write this, I am just now sitting down at my computer in my apartment after coming back home from the World Fantasy Convention in Columbus, OH. I’ve literally tossed down my suitcases on the bed moments ago. My lips are chapped. I am tired.

I will have a lot to say about the con in my post next week, where I’ll give my impressions as a first-time convention goer. There’s no way I could get anything coherent out now with the experience so close to me—there’s a lot to sort through. But I do have one story from World Fantasy that contains a good piece of writing advice. I had mentioned this story to John O’Neill while we were sitting at the Black Gate booth in the Vendor Room (yes, I got to meet the Black Gate fellows for the first time in the flesh!), and he told me I should write a blog about it. He’s right, and it’s a good enough convention story to hold you and me over until next Tuesday.

This is the story about the best piece of writing advice that I ever received. It came from science-fiction and fantasy author David Drake, and because of it I was able to complete my first novel ten years ago. This weekend, I got to meet Mr. Drake in person and tell him what that means to me. He signed a copy of the book that I like to use as “evidence” of my learning curve. It was a great moment for me, and David Drake was about the coolest, nicest guy I could have imagined, and I think he was flattered that I felt so indebted to him.

What was this piece of advice? Well, appropriately enough, it involves Robert E. Howard. It also involves Drake’s first novel, The Dragon Lord (1979).

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Black Gate at the 2010 World Fantasy Convention

Black Gate at the 2010 World Fantasy Convention

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Only a few years ago I looked on attending a convention as a useless expenditure, an indulgence I didn’t think I had time for — probably because the unfamiliarity of it made me uncomfortable.

wfclogo1Fortunately, my friend Eric Knight shook up my composure, insisting it would be good for me to go. So I went, and my first convention ever was The World Fantasy Convention in Madison, Wisconsin, 2005, and I can still recall how nervous I was and how astonishing it was to be standing in the same room or even rubbing shoulders with writers I had respected and admired for long years. Luckily, Eric took me under his wing and showed me around. Before long we’d found our way to the dealer’s room — which didn’t seem too different from a cave of wonders — and I was soon talking for the first time with Black Gate‘s publisher and editor, John O’Neill.

A few months ago I wrote a brief primer about why conventions are worth attending, and rather than covering that again, I’ll point you there. If you’ve gone to other conventions you’ll be surprised by WFC. Only about 1,000 attendees are allowed, which promotes a greater intimacy than you’ll find at many other conventions. There are no costumes, and the many panels and readings and workshops are focused fairly specifically on writing and editing and working in the industry. Professional editors, publishers, writers, artists, and agents are everywhere, because this is the serious industry convention, although serious in this instance shouldn’t be confused with dull.

This year the 36th World Fantasy Convention is being held in Columbus, Ohio, from October 28-31, and Black Gate will be there in force. It’ll be pretty easy to find our booth in the dealer’s room, but one or more of us will be visiting panels, participating in panels, attending readings and signings, or wandering from one late night party to another, so if you want to meet us it should be pretty easy to accomplish. If you’re planning to be there we hope that you’ll drop by the booth, and that you’ll make sure to come to the Black Gate reading Saturday night, where you’ll be able to hear several dozen Black Gate authors reading from their own works.

WisCon 35 Withdraws Elizabeth Moon’s Guest of Honor Invitation

WisCon 35 Withdraws Elizabeth Moon’s Guest of Honor Invitation

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wisconSF3, the Society for the Furtherance & Study of Science Fiction and Fantasy, the parent organization of Wiscon, has withdrawn Elizabeth Moon’s Guest of Honor Invitation for WisCon 35.

This follows several weeks of intense controversy after Moon made some surprising (and to me, frankly dumb) comments about Muslims on her blog on Sept. 11:

I do not dispute that there are moderate, even liberal, Muslims, that many Muslims have all the virtues of civilized persons and are admirable in all those ways…  But Muslims fail to recognize how much forbearance they’ve had…. I feel that I personally (and many others) lean over backwards to put up with these things, to let Muslims believe stuff that unfits them for citizenship, on the grounds of their personal freedom.  It would be helpful to have them understand what they’re demanding of me and others – how much more they’re asking than giving.

As you’ve probably guessed, both events have generated the kind of blog outrage that glues you to your screen and makes you twenty minutes late for the marketing meeting. (Highlights at the World SF Blog and Wiscon News blog, among many others).

Black Gate attended its first WisCon this year and I was extremely impressed with the convention, although I think the “World’s Leading Feminist SF Convention” tag is a little misleading. WisCon seems to have evolved into something much broader, and still crucially important: a friendly and informed gathering not just for feminists, but for women, POC (people of color), and LGBT (lesbian, gay, bisexual, and transgender) fans and their friends to discuss science fiction and — more importantly, I think — amplify their voice sufficiently to make the rest of us aware of just how diverse and rich the field truly is.

After just one trip to WisCon I’m hardly an expert, but even I was keenly aware that a key part of that formula is “friendly and informed.” Folks on all sides of this debate are welcomed at WisCon — indeed, welcoming all sides of a debate is something the convention is exceptionally good at — but having their Guest of Honor make so many guests feel uncomfortable must have been very awkward for the convention organizers.  This had to be a tough and extremely painful decision, but ultimately I think they made the right one.

Dragon*Con Report Part 2

Dragon*Con Report Part 2

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dragonconlogoI said a few words about Dragon*Con itself in Part 1 of my con report.  In this one, I’d like to share our experiences at the largest science fiction and fantasy convention in North America.

After a long  journey,  Black Gate publisher John O’Neill and I reached  Atlanta late Thursday afternoon. Reviews Editor Bill Ward acted as our elite scout, and was not only waiting with con badges, but had scoped out the route we’d need to follow to unload our boxes and boxes of Black Gate magazines and vintage science fiction paperbacks. While John and I have been corresponding with Bill Ward for several years, we’d never before met him in person, and it was a pleasure to be able to do so. Bill proved to be just as indispensable, organized, and articulate as he is online, and possessed a dry, quick wit as well.

Jason Waltz, owner of Rogue Blades Entertainment, shared a quarter of the booth with us, and although he and his friend John Whitman had driven down from Milwaukee and we had driven down from Illinois and Indiana, we somehow arrived within a few minutes of each other without coordination. I doubt it would have worked out as well if we’d actually planned it. Between the five of us we managed to get all the Black Gate gear and RBE gear unloaded within an hour. Unpacking it and putting it on display took a bit longer, and required additional time the following morning.

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Sword & Sorcery is Alive and Well at Pyr

Sword & Sorcery is Alive and Well at Pyr

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shadows-sonWell, I’m back from Dragon*Con, and my head is still spinning. It would take me weeks to jot down even a partial record of all the events we attended and the great people we met (not to mention the jaw-dropping costumes I was constantly gawking at) — so I think I’ll leave that to Howard, who’s already posted Part I of a splendid con report.

Instead, I’m going to hit the highlights.  The best event we attended at the convention, bar none, was the Pyr Books, a New Voice in Publishing panel, hosted by publisher Lou Anders and attended by Pyr authors Clay & Susan Griffith, Erin Hoffman, Andrew Mayer, Ari Marmell, Mike Resnick, Jon Sprunk, Sam Sykes, and the amazingly cool James Enge.

Why was it so great? Lou highlighted the terrific titles Pyr will be publishing over the next six months in a fast-paced and entertaining slide show, and each of the authors chimed in at appropriate moments to tell us a little more about their books. It was a great way to get introduced to an entire line in under an hour.

And what a line. I haven’t been this intrigued by so many books from a single publisher in a long time.

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Dragon*Con Report Part 1

Dragon*Con Report Part 1

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John O'Neill mingling with celebrities.

Those of you who’ve never attended a convention, let alone Dragon*Con, might wonder what the purpose of one is, and what they are like. I used to wonder what all the fuss was over myself, so I thought I’d provide a quick primer for the uninitiated. Attending a fantasy or science fiction convention is an excellent opportunity to mingle with other people who enjoy the same things you do, to interact with the creators of the kinds of work you love, and to meet with the people who edit and publish that work. Sometimes it’s a chance to obtain reproductions of that work, or images from it, or objects based on props from said work. Conventions are also a fabulous chance to network with peers and publishers who might or might not know your own work, although I never advise cornering an editor for twenty minutes of unbroken narrative to pitch any novel, especially one that you haven’t written yet.

But as to what a convention is like, they’re all different. World Fantasy Con, which Black Gate will be attending in force near the end of October, tends to be somewhat intimate, and fairly sober – at least during the day. Dragon*Con, well… I think Lou Anders of Pyr described it quite well in a post earlier today when he said it was like Mardi Gras on Middle-Earth. There are so many different lines of programming that Dragon*Con requires five immense hotels to provide space for them all, and so many attendees that they can’t fit into even those – there are at least five overflow hotels in addition to those with events. There seem to have been something in the area of 68,000 people attending this year. You could field a whole lot of Roman legions with all of those people, though you probably wouldn’t want to.

When I say “Lines of Programming” I mean different kinds of panels and events. There are so many special guests and panels to attend you can go to Dragon*Con with ten of your friends and each have entirely different, and interesting, experiences. If you want, you can go to nothing but writing panels and learn publishing secrets. You can go to media panels where movie, TV, or comic stars discuss what it was/is like working on their show. You can go to the art show and peruse the graphic arts, or maybe buy some, or go on the gaming track, or see a huge selection of independent films. There were two halls of exhibitors and one dealer room and even though I toured through all three I’m sure I didn’t see every product. Strolling through all of it are folk in costume. Some of those costumes are simple affairs, or store bought. Some are hand-crafted works of exquisite art. Some of them will sear your mind in wonder, although not always the good kind.

Into this we of Black Gate wandered, and I’ll provide a detailed account of what we saw and who we met before the end of the week.

Black Gate Zeppelin to Dragon*Con Update 5: It’s too Hideous

Black Gate Zeppelin to Dragon*Con Update 5: It’s too Hideous

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The Harold Lamb approaches Caracas to ask for directions
The Harold Lamb approaches Caracas to ask for directions.

Oh God. Oh, God.   Lovecraft was right.  Things that are seen, cannot be unseen.

So I thought I’d have a private cabin on this flying death-trap Howard Andrew Jones has poetically named The Harold Lamb, but no.  That’s reserved for important bloggers, like Sue “Goth Chick” Granquist, and our fancy pilot, Bill Ward.  During our trip to Atlanta, I’m stuck down here in engineering, sharing a tiny cabin with Jason Waltz and John Woolley.  They’re good guys, but for the past two days they’ve been laughing about some private joke.  This morning, when I was finally done shoveling coal into the engines, I asked them to let me in on it.

They share a glance, and then Woolley moves a little closer, his voice lowered.  “Okay,” he says. “You know how naive editor John O’Neill is, right?”

Well, yeah.  He’s a Canadian, he trusts everyone.  I nod, and Woolley continues: “He’s never been to Dragon*Con before.  Yesterday he asks me and Jason about it.  What he should expect, stuff like that.  So I tell him, it’s tradition to dress up as Princess Leia — that wins everyone over. And he totally falls for it.”

I chuckle.  That sounds like John.  Right now he’s probably in the stores, cutting up sheets to make a white princess dress.  But before I can comment, Jason adds: “That’s not the worst part. Yesterday I heard him asking Howard about those illegal genetic samples we picked up when we raided Dr. Zarius’ polar labs.  He took two back to his room.”

“Wait,” I say, with mounting horror. “O’Neill’s not crazy enough to experiment with those…. is he? They can change you, in ways you’d never imagine.” I can see in John’s and Jason’s faces that they’ve suddenly come to the same dread conclusion I have.  In moments, the three of us are pounding on the door to O’Neill’s cabin.

“Go away!” he shouts from inside.  But his voice…. it’s changed.  Changed in indescribable ways.

“We’ve got to break down this door,” Woolley says fervently, grabbing a crow bar.  Jason helps him, but I start to back away.  I know, with absolute mounting horror, what we’ll find when we open that door.  It can’t be… it can’t be… but I know that it will be.  And I can feel my very sanity slipping away… just as I hear the door crash open, and the screaming begins, as John and Jason look upon the horror within…

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