Browsed by
Category: Convention Report

New Treasures: Dream Castles: The Early Jack Vance, Volume Two

New Treasures: Dream Castles: The Early Jack Vance, Volume Two

Comments 19 comments

Dream Castles-smallI spent this past weekend at Capricon 33, a local Chicago science fiction convention. The panels and readings were excellent, and perhaps the highlight was a Saturday night panel titled “Judging a Book by Page 119.” Steven Silver, Rich Horton, Kelly Strait, and Helen Montgomery read page 119 of some of their favorite novels, and the audience was left to guess the book. Someone in the back row correctly identified Poul Anderson’s The High Crusade, and I was pretty close with Robert Holdstock’s Mythago Wood trilogy (although I got the exact book wrong), but the panelists  managed to stump us on Iain M. Banks Consider Phlebas, Patrick Rothfuss’s The Name of the Wind, Saladin Ahmed’s The Throne of the Crescent Moon, Range of Ghosts by Elizabeth Bear, The Little Country by Charles de Lint, and many others.

I can’t spend more than an hour or two at a good convention without realizing I’m not reading enough good books. I scurried to the Dealer’s room first chance I got and spent a few bucks in an attempt to rectify the situation. I found plenty of great treasures, but the real gem of the lot was the sole copy of the out-of-print Dream Castles: The Early Jack Vance, Volume Two, which I stumbled on at Larry Smith’s table.

I’ve been looking for a copy of Dream Castles for nearly a year — ever since I bought the first volume, Hard Luck Diggings. Both were published by Subterranean Press, and both gather early pulp fiction from one of the greatest 20th Century science fiction and fantasy writers.

Dream Castles collects short stories and novellas from Astounding Science Fiction (“I’ll Build Your Dream Castle,” Sept. 1947), Marvel Science Stories (“Golden Girl,” May 1951), and many other pulps — including Fantastic Science Fiction Fantasy, Space Science Fiction, and Orbit Science Fiction. The short novel, “Son of the Tree,” originally appeared in the June 1951 issue of Thrilling Wonder Stories.

…

Read More Read More

Arisia 2013

Arisia 2013

Comments 4 comments
Our stalwart audience. The Puffin is named Edgar, apparently. "A very good listener," says his buddy, Justine Graykin.
Our stalwart audience. The Puffin is named Edgar, apparently. “A very good listener,” says his buddy, Justine Graykin.

SATURDAY: 11:48 AM

This morning in the Green Room, as I nibbled at my pastry or bagel or whatever, mourning my lack of PG Tips with the bleary lamentations of a woman who has experienced the Awfulness of Dawn to commute in for an 8:30 AM panel about Discworld, I overheard one fellow say to another over the cream cheese, “In my world, I run the Federation.”

Ah.

I must be at a Science Fiction convention.

…

Read More Read More

Goth Chick News: Jerry Dandridge, Vampire Santa and the Best of Days of the Dead

Goth Chick News: Jerry Dandridge, Vampire Santa and the Best of Days of the Dead

Comments 1 comment

days-of-the-deadBeing fully aware that my genre of choice tends to attract a rabid following that in some cases is actually rabid, I nonetheless underestimated what I would encounter when I was invited to a horror convention held in a very pedestrian suburb of Chicago.

I readily admit that Chicago isn’t Los Angeles or even New Orleans when it comes to sub-cultures, though the elements that do exist are certainly worth wading into — if you know where to look.

But the suburbs… seriously?

Two weeks ago, Schaumburg, IL was the launch city for the Days of the Dead convention tour. Schaumburg, whose primary claim to fame is being the home to the second largest quantity of retail square footage under one roof.

True, the walking dead can often be observed there dragging their ragged-flannel-wearing selves between Aeropostale and Abercrombie, but that hardly seemed reason enough to situate a horror convention a couple of blocks away – in a Marriot Hotel, no less.

Days of the Dead is in its second year; a self-termed “by the fans, for the fans,” convention which had its inaugural show in Indianapolis in July, 2011 and will be headed to Atlanta and LA, then ending in Indy in the coming months. The press kit explained:

Chock full of special events tailored just for the fans, an active after hours scene of horror themed parties, and a massive guest list of the hottest celebrity guests, artists, and up and coming independent film makers, Days of the Dead has already began rewriting the script and setting the bar for what a true horror convention weekend should look like.

And in this case, all located within walking distance of the USA’s second largest monument to consumerism. This could be fun.

And it certainly was…

…

Read More Read More

World Fantasy 2012: Neither Hurricane, SuperStorm, Sleet, nor Hail Can Daunt Our Heroine If She Wears Enough Chain Mail…

World Fantasy 2012: Neither Hurricane, SuperStorm, Sleet, nor Hail Can Daunt Our Heroine If She Wears Enough Chain Mail…

Comments 11 comments
bgruby-slippers
My ruby slippers by hurricane candlelight. Sigh.

Well, as Rabbie Burns would say, “The best-laid schemes o’ mice an’ men gang aft agley.”

I had all these wonderful, these glorious, these SUPREME plans to fly from Rhode Island to Chicago on Monday, October 29th, 2012 and spend a few days there among folks I hadn’t seen since I moved last November.

But a little storm named Sandy had other ideas. Oh, I won’t go into the details. They’re not gory enough; besides, it would sound like I’m complaining.

And really, I spent a very pleasant Monday in my attic apartment — which trembled — looking out the windows at sideways trees, contemplating putting on my ruby slippers in case the house fell on me, writing romantic letters by candlelight and reading Diana Wynne Jones’s Enchanted Glass. So that was all right.

bgromantic-desk1
My desk. Where I wrote romantic hurricane letters.

But fly to Chicago? See family? Spend Halloween among friends, with soup and bonfire and creepy literature? Drive in caravan to Toronto(ish area) where the World Fantasy Convention was located?

CAPTAIN, IT’S A NO-GO. Halloween has been canceled, repeat, Halloween has been canceled.

However, my story does not end with the storm. No, it is just beginning.

…

Read More Read More

Meeting Your Heroes: David Kyle

Meeting Your Heroes: David Kyle

Comments 10 comments

a-pictorial-history-of-science-fictionThere are a handful of people whom I credit with introducing me to science fiction.

The first was my classmate John MacMaster, who brought me two science fiction novels when I was bedridden for a few days in the seventh grade. The second was Jacques Sadoul, whose 2000 A.D.: Illustrations From the Golden Age of Science Fiction Pulps turned my early curiosity into a full-fledged obsession with early SF and fantasy magazines. The third was Isaac Asimov, whose pulp anthology Before the Golden Age and Foundation Trilogy thoroughly captured my young imagination.

The man who cemented that early interest, and who brought all my young obsessions together — monster movies, pulps, magazines, comics, Star Wars, and even Isaac Asimov — and showed me that they were all aspects of the rich branch of art and literature known as Science Fiction, was David Kyle.

He did this through two magnificent books that I read over and over again as I lay in bed much too late on school nights: A Pictorial History of Science Fiction (Hamlyn Publishing Group, 1977) and The Illustrated Book of Science Fiction Ideas & Dreams (Hamlyn, 1977).

Both books were very popular in the 70s, especially following the release of Star Wars and the surge of interest in all things science fiction. Deluxe oversize hardcovers copiously illustrated with pictures of early SF writers, pulp art, and numerous books cover and movie stills, they were immaculately designed and gorgeous to look at. But it was Kyle’s text that really drew me in. Here was a man who had been a part of science fiction since its earliest days — a Futurian who attended the first Worldcon in 1939 and a founder of Gnome Press in 1948 with Martin Greenberg — and who still spoke of it with wonder and deep appreciation.

It’s through Gnome Press that David made perhaps his most significant contribution to science fiction, publishing nearly a hundred of the most important books in the genre — including first editions of Robert A. Heinlein’s Sixth Column and Methuselah’s Children, The Coming of Conan and Conan the Conqueror by Robert E. Howard, I, Robot and Foundation by Isaac Asimov, Clifford D. Simak’s City, C.L. Moore’s Judgment Night and Shambleau and Others, Two Sought Adventure by Fritz Leiber, plus Arthur C. Clarke, Edward E. Smith, L. Ron Hubbard, Leigh Brackett, Murray Leinster, A. E. van Vogt, and many others. He kept the most important writers in the field in print at a time when they appeared only in magazines, and is directly responsible for introducing them to a whole new generation.

I first met David Kyle at the World Fantasy convention in 1984, in my home town of Ottawa, where I was able to shake his hand and say a few words of appreciation. But it was at Worldcon three weeks ago that I had a chance to talk with him at length, and really get to know one of the most important early writers and publishers in the industry. It was one of the highlights of the con for me.

…

Read More Read More

New Treasures: Cult Magazines: A to Z

New Treasures: Cult Magazines: A to Z

Comments 4 comments

cult-magazine-atozYou get to meet a lot of great people at science fiction conventions. For some, the draw is the Featured Guests, and it’s certainly cool to meet Neil Gaimen, Pat Rothfuss, John Scalzi, Connie Willis, and other top-selling authors.

For me though, the true delights are in meeting exciting writers and artists I’m not always familiar with. A few years ago, as we were setting up our booth at Dragon*Con, author Rob Thurman, who had the booth next to us, wandered over and introduced herself. She turned out to be extremely cool and delightfully entertaining, and when I finally staggered home, bone weary from five days in Atlanta, I dropped into my big green chair with one of her Cal Leandros novels. If it hadn’t been for lucky booth placement, I might never have discovered what an entertaining writer she was.

The same thing happened at Worldcon in Chicago two weeks ago. During the rare slow moments in the Dealers’ Room, I was able to wander a bit and check out the nearby booths. I discovered to my surprise that we were next to Nonstop Press — publishers of Science Fiction: The 101 Best Novels 1985-2010, The Collected Stories of Carol Emshwiller, and Cult Magazines: A to Z.

Nonstop’s Emshwiller: Infinity x Two: The Art & Life of Ed & Carol Emshwiller, by Luis Ortiz, is one of my favorite art books. The distinguished Mr. Ortiz was in the booth, and I was able to introduce myself. He had several intriguing new titles on display and — keeping a wary eye on the empty Black Gate booth — I was able to peek at them.

My eye was drawn immediately to Outermost: Life + Art of Jack Gaughan, a beautiful 176-page hardcover packed with over 500 images, many familiar from countless Ace and DAW paperback covers of the 60s and 70s. Over lunch, Rich Horton had talked about Robert Silverberg’s captivating memoir of writing SF in the 50s, Other Spaces, Other Times: A Life Spent in the Future, and there it was. I couldn’t resist Damien Broderick & Paul Di Filippo’s entertaining Science Fiction: The 101 Best Novels – 1985-2010 either.

But the most fascinating book on the table, by a considerable margin, was Cult Magazines: A to Z, edited by Earl Kemp and Luis Ortiz, a gorgeous oversized softcover jam packed with articles and full-color pictures of hundreds of pulp, horror, science fiction, fantasy, comic, monster mags and men’s magazines published between 1925 and 1990.

…

Read More Read More

Goth Chick News: The Creature Had Good Taste and So Does Tim Burton

Goth Chick News: The Creature Had Good Taste and So Does Tim Burton

Comments 10 comments

image0021As it may have been with you, for me it all started with the original Universal Studios’ monster movies.

By “it,” I mean a lifelong fandom of the black and white, the subliminal scare, the camera angles and the long shadows; the classics created not because they were drenched in buckets of gore and nauseating realism, but because, as Bela Lugosi said in Ed Wood:

They were mythic. They had a poetry to them

Sigh.

Naturally, meeting someone associated with one of these films is the Goth Chick equivalent to winning the lottery; especially as those individuals who still are around to meet often do not venture far from the sunny and warm climates where they have retired.

Last weekend, Christmas came early when two of my all-time favorites from vintage Hollywood horror found their way to Chicago to attend The Hollywood Show.

Ms. Julie Adams, whose very presence and bearing makes you want to call her ma’am, is best known to many for her portrayal of bathing beauty Kay Lawrence in Universal’s 1954 classic The Creature from the Black Lagoon. Admittedly, my knowledge of Ms. Adams’ fifty-seven year career was extremely limited which she teasingly pointed out.

I wasn’t just the bit of cheesecake in the Creature movie you know. I actually worked with Elvis too!

Correct on both counts.

…

Read More Read More

It’s A Small World After All

It’s A Small World After All

Comments 4 comments

the-mindwarpersI sold a copy of Eric Frank Russell’s The Mindwarpers at Worldcon last week, for three bucks. This usually isn’t a big deal. I buy a lot of vintage SF and fantasy collections, and I end up with a lot of duplicates. A lot of duplicates — thousands of ’em, packed in dozens of boxes in my bedroom, garage, and basement. Years ago, I hit on the bright idea of bringing some with me when I get a booth at science fiction conventions. Beside all the bright, shiny Black Gate issues for sale, I spread out a few hundred paperbacks from the 60s and 70s, and let nostalgia do the rest. (Howard published some snapshots of our booth, including the paperbacks, in his Worldcon Wrap-up last week.)

Sometimes I’ll get compliments from folks who stop by the booth. “You have a terrific collection,” they say with admiration, fingering a 50-year old Ace paperback. It’s a little awkward to admit that this isn’t my collection. It’s a small portion of the duplicates from my collection. But admitting that is akin to confessing to a compulsive mental disorder, so I usually just smile and say, “Thanks. I hate to part with them, but I need the space.”

But the woman I sold The Mindwarpers to thought it was a big deal. She was evidently a big Eric Frank Russell fan, and she had no idea the book existed. It was originally published by Lancer in 1965 with a Richard Powers cover and a cover price of 50 cents, and she was thrilled to find it. She practically did a happy dance right there in the booth. I took her three bucks and told her I was glad it had found a good home.

…

Read More Read More

Genevieve Valentine Comments on Readercon Harassment in “Things You Should Know About the Fallout”

Genevieve Valentine Comments on Readercon Harassment in “Things You Should Know About the Fallout”

Comments 11 comments
Genevieve Valentine. Photo by Ellen Datlow.
Genevieve Valentine. Photo by Ellen Datlow

Author Genevieve Valentine, who was the victim of a sexual harassment incident at Readercon 23 that resulted in the resignation of the entire convention board, has posted a lengthy and thoughtful essay on the continued repercussions of the event, titled “Things You Should Know About the Fallout”:

Nearly two months ago, I went public about harassment I experienced at Readercon. Things happened. The outcome was positive….

However, for those thinking of going public with their own experiences with con harassment, I want to talk about how it looks nearly two months on. Because it’s still going, two months on.

In particular, she addresses the naked hostility she has faced from individuals who were not present at Readercon:

The fallout may not be, but will certainly seem like, a Kafka novel.

There will be creeps in comments. (I’ve opted not to publish some anonymous ones, including the person who informed me, “You have absolutely no right to deny someone looking at you or in your eyes.”)

There will be threats. (I won’t link to the worst of these, but it’s not hard to find if you search Readercon and “they take people like you and kill them with rocks” together. Trigger warning for pretty much everything. It’s not a fun read.)

The responses by self-proclaimed rational people questioning your veracity, or the necessity of the discussion, will be somehow worse. In discussing the idea of actively discouraging harassment at conventions, they will use phrases like “thought police” and “mob mentality” and “lynching.”

It’s a fascinating and insightful read. You can read the entire post here.

Worldcon Wrap-up

Worldcon Wrap-up

Comments 15 comments
black-gate-booth
The Black Gate booth. From left to right: John O’Neill, Howard Andrew Jones, James Enge, and part of Donald Crankshaw’s head. Also, the back of Peadar Ó Guilín. Click for bigger version.

I was almost to Chicago last Thursday when I realized I’d gotten so wrapped up in the audio book of The Name of the Wind that I’d missed my turn. Fortunately, I found another way to Interstate 90 and the Hyatt Regency. And when I finally reached the dealer’s room, I was able to lodge a personal complaint with Patrick Rothfuss himself for writing so well that I got distracted.

It wasn’t long ago that I’d arrive at a convention and be surrounded by strangers or literary luminaries I was too nervous to approach. When I turn up these days, there are still a lot of strangers, but there are plenty of familiar faces as well. Before I’d even checked in, I bumped into Tom Doyle, and shortly after registering my complaint with Patrick Rothfuss, I was welcomed by Arin Komins and Rich Warren  to their used books booth, Starfarer’s Dispatch.

Rich showed me a rare Harold Lamb book, then, as I noticed it contained an insert about Lamb I had no knowledge of, he handed me a CD with scans of the material. That was incredibly kind of him. I then signed a complete set of the Harold Lamb books I’d edited and personalized Arin’s copy of The Desert of Souls, which she had liked so much that I gifted her with an ARC of The Bones of the Old Ones.

Purely by chance, I kept down the aisle to the left and came instantly to the Black Gate booth where John O’Neill, (now with beard) occupied a booth surrounded by old but well-cared for paperbacks and stacks of Black Gate magazines. The booth remained a gathering spot for friends, acquaintances, and staff members throughout the convention, which is why the talented Peadar Ó Guilín and Donald Crankshaw were manning the booth with O’Neill. I’d never had the chance to meet Peadar before, but his gentle humor put me immediately at ease. We chatted for a while and then James Enge wandered up with his brother Patrick. While the Mighty Enge was settling into the room we shared, I retrieved a box of The Desert of Souls hardbacks to sell at the Black Gate booth. (We sold ’em all before the end of the convention!)

…

Read More Read More