GenCon 2014 – Part 1: Boosting the Signal
This year marks my sixth year of attending GenCon to represent Black Gate, and one thing that I always enjoy is finding some more esoteric, outside-the-mainstream games to suggest to people.
I definitely have some solid booths I attend every year — Paizo, Wizards of the Coast, Privateer Press, Cryptozoic, and so on — but those are generally games that people will hear of through normal advertising and marketing channels. If I can shed some light on a game that’s being overlooked or is just starting up, well, that’s the sort of thing that Black Gate was really built to do.
With that in mind, I’m going to start my GenCon coverage by discussing some of the less well-known games and publishers that I came across this year, but which have new and upcoming games that might be of interest. I’ll cover the big guys over the next few days, but I definitely want to get the word out on these as soon as possible.
A lot of these games are so new they aren’t even available for purchase online yet, but I’ll provide information as they become available.
In 1962, Peter S. Beagle began writing a fantasy novel he called The Last Unicorn. Published in 1968, the book was both serious and whimsical, a kind of extended fable about a unicorn who found she was the last of her kind and adventured through a medieval fantasyland, possibly Irish and possibly not, in search of the wicked king holding all other unicorns captive. The tone embraced both the comic (one of the major characters is an incompetent magician named Schmendrick) and the dreamlike (as in the terrifying Red Bull who emerges as a crucial antagonist). The book’s a tremendous accomplishment, a vivid working-out of classic fantasy themes.
