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GenCon Update: Day 1, Part 2 – Gaming Sequels and Expansions

GenCon Update: Day 1, Part 2 – Gaming Sequels and Expansions

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ImplodingKittensThe Best Four Days of Gaming have passed. I began my 2016 GenCon coverage with an earlier discussion of a handful of new and upcoming games. There will be more of those to come, as there was no shortage of new games worthy of attention, but a lot of great games at GenCon this year weren’t entirely new, they were either expansions to existing games, or sequels or variants.

Not all of these games are quite available to the public yet. For example, the wildly popular card game Exploding Kittens (Amazon) had copies of its first expansion, Imploding Kittens, available. The expansion featured only 20 new cards to the game, including several new game mechanics and allowing for a 5-player game. The size of the expansion package is because it also included a human-sized “cone of shame,” to be used on the first person who forgets that the “Reverse” card has been played. It is unclear whether this highly-amusing feature will be part of the public release of the expansion.

And yes, some potty-humor aside, this expansion falls in the “Safe for Work” category. (The core game of Exploding Kittens has a NSFW edition.)

So I’ll cover a mix of games and, when possible, link you to information on how to acquire those that are available.

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GenCon Update: Day 1, Part 1 – New Games

GenCon Update: Day 1, Part 1 – New Games

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Pikachu shows up at GenCon 2016
Pikachu shows up at GenCon 2016

The Best Four Days in Gaming has come to Indianapolis, and again I’ve made my way into the dragon’s den to seek out new and interesting games. The scope of GenCon has definitely expanded over the decade or so that I have been attending and covering it, largely swallowing up downtown Indianapolis. This year, the Lucas Oil Stadium used by the Indianapolis Pacers has become the newest participant, becoming home to the popular “True Dungeon” live dungeon crawl adventure (which, one of these years, I will actually participate in). Even the types of games have expanded. Though in the past, Pokemon has had an incredibly sparse presence at GenCon, two giant inflatable Pikachu’s dangling from the ceiling have indicated a change in that trend.

In addition to the convention expanding in size, the number of games has become truly dizzying. The game company iEllo, best known for their breakaway hit, the monster-ravages-city game King of Tokyo (and its sequel King of New York), hosted a party on Thursday evening that I was fortunate enough to be invited to, and I ended up sitting next to Eric Summerer of The Dice Tower podcast. He discussed just the sheer difficulty generated by the volume of games being produced, and how it affects not just individual game consumers, but also those of us who spend some portion of our time trying to make sense of which games to discuss. What is the best way to present information about quality games, when the general quality across the industry has become so high and there are so many publishers seeking to get the word out on their new products?

One overwhelming trend in the gaming industry is expansions and sequel games, and that’s going to be the focus of my “part 2” review. For now, I’m going to focus on brand new games, as I think they deserve a bit more attention. And by “new games” I mean brand new games. There are some fantastic new games in the Legendary series from Upper Deck, for example, but since they largely apply an existing game mechanic, I’m counting them among the sequels. Definitely watch for that.

Now, on to some of the new and upcoming games …

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On SF Conventions and Brexit

On SF Conventions and Brexit

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Brexit vote“Brilliant!” I thought — this was three and a half years ago, you understand. These days I’m more likely to use the word “awesome.” But I digress…

I had received an invite to a Science Fiction convention in Luxembourg. I was expecting a relaxing weekend, sitting in an empty room. You see, everybody knows Luxembourg is tiny, and since they never had a convention before this, the organisers were doomed to struggle for numbers. They might get twenty people, I thought. Thirty tops…

I’ve never been so wrong in my life. The place was swarming with people. In fact, it was the largest Con I had ever attended outside North America. But where the hell did they all come from?

Europe, of course.

My mistake was to think of Luxembourg as a country. Well, it is, but that’s not what’s important here. What’s important, is that it no longer possesses any borders. People arrived from Paris and Brussels by trains that never even slowed down when they passed from one state to another. They drove by car from Germany and only realised they had crossed over from their own country when they started spotting road signs in French.

Then, they reached the Con — thousands of them, overwhelmingly young, buying wonderful Belgian frites with the same currency they already had in their pockets.

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Total Pulp Victory: A Report on Windy City Pulp & Paper 2016, Part I

Total Pulp Victory: A Report on Windy City Pulp & Paper 2016, Part I

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Pulp vendors at Windy City Pulp 2016-small

Pulp and book vendors at Windy City Pulp 2016

My favorite Chicagoland convention, by a pretty wide margin, is Windy City Pulp and Paper. It’s organized by Doug Ellis and a team of volunteers, and this year it took place from April 22-24 in Lombard, Illinois, its home for the last decade or so.

It’s a little strange that Windy City has bubbled to the top of my list. I entertain myself in numerous ways at conventions, but I especially enjoy a robust reading program, lively programming and panels, and late-night conversations at parties. Windy City has none of that. Sure, they have their Sunday New Pulp reading series, and the Friday night auction, and those are fun. But at heart, Windy City is mostly just a giant Dealer’s Room.

But what a Dealer’s Room! Dozens and dozens of dealers from all over the country packed into the ballroom of the Westin Hotel, selling pulps, vintage paperbacks, DVDs, artwork, comics, rare books, new books, small press publications, posters, and so much more. It’s the kind of Dealer’s Room you can get lost in for days, and for a lifetime pulp and book collector like me, it’s paradise.

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How Does Story Happen? An Interview with Jane S. Fancher

How Does Story Happen? An Interview with Jane S. Fancher

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Ring of Lightning Jane S Fancher-small Ring of Intrigue Jane S Fancher-small Ring of Destiny Jane S Fancher-small

In my report on the 2016 Nebula Awards weekend, I talked about my two-part interview with SF and fantasy writer Jane S. Fancher, author of the Groundties trilogy and the Dance of the Rings novels. (It turned into a two-part interview because the memory on my new iPhone maxed out while recording CJ Cherryh’s epic Grand Master talk, and my first attempt at an interview lasted all of three minutes. Fortunately, Jane was understanding enough to pick up our interview 24 hours later.)

The Dance of the Rings novels were some of the first review copies I ever received, back in the late 90s when we were first getting the review site SF Site off the ground, so they meant a lot to me personally, and it was a delight to finally meet Jane in person. Turns out we had a lot in common, not the least of which was fond memories of the 90s comic scene (especially WaRP Graphics, publishers of ElfQuest, where Jane got her start in the industry), and a fascination with SF publishing. She was kind enough to share her stories of breaking into the industry, the tumultuous ups and downs of starting with short-lived Warner Questar, publisher of her first three novels, and switching to DAW for her first fantasy series.

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Things Your Writing Teacher Never Told You: The Nebulas and the College 7

Things Your Writing Teacher Never Told You: The Nebulas and the College 7

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2016 Nebula Awards College Seven Tina Jens-small

Six of the College 7 with their instructor. From left to right, back row first: C. T. Booth,
Lexi Baisden, T. Daniel Frost, Sara King. Front: Rissa Martin, Tina Jens (instructor), Kali Rose.
(Not pictured, because she does not do pictures, Tazmania Hayward)

The fact that the Nebulas were held at the Palmer House this year, which is just a handful of blocks from Columbia College, meant that a select group of students and I could finish the last week of classes, deal with graduation, and still take part in the SFWA festivities.

Thanks to the kindness of event coordinator Steven Silver, and the SFWA Powers That Be, they agreed to allow seven students, mostly seniors, to do volunteer work before, during, and after the Nebulas, in exchange for memberships to the weekend of panels, signings, and awards galas.

I taught two classes at Columbia this semester, meeting on Thursday and Friday afternoons. On Thursday, I was able to twist the arm of Laura Anne Gilman, a former high-powered SF/F acquisitions editor and now full-time novelist and editorial freelancer, to come speak to my Fantasy Writing Workshop class for the first hour. (As she told one of my students, it’s not like she could say no, she was sleeping on my library futon for the weekend.)

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A Weekend With the Greatest Talents in Science Fiction: Report on the 2016 Nebula Awards

A Weekend With the Greatest Talents in Science Fiction: Report on the 2016 Nebula Awards

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Carlos Hernandez CSE Cooney Alyx Dellamonica and Kelly Robson at the 2016 Nebula Awards banquet-small

Carlos Hernandez, CSE Cooney, Alyx Dellamonica, and Kelly Robson at the 2016 Nebula Awards banquet

I spent last weekend at the 2016 SFWA Nebula Conference in downtown Chicago. The Conference is the big annual gala for the Science Fiction Writers of America, and it culminated in the Nebula Awards ceremony Saturday night. It was a very special weekend for a lot of reasons, not least of which was the nomination for one of our own — C.S.E. Cooney, Black Gate‘s Website Editor emeritus, whose “The Bone Swans of Amandale,” from her breakout collection Bone Swans, was nominated for Best Novella of the year.

I started a new job in downtown Chicago last month, and was able to walk over to the Palmer House hotel after work on Thursday. I met up with Steven Silver, chair of the Conference (and author of the marvelous “The Cremator’s Tale,” published right here at Black Gate), and caught the last half of Mary Robinette Kowal and K. Tempest Bradford’s panel on How to Fail Gracefully, a thoughtful discussion on how to handle online criticism (hint: stay calm, learn to listen dispassionately, and avoid a kneejerk response.)

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The 2015 Nebula Award Winners

The 2015 Nebula Award Winners

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Henry Lien and the Eunuchs of the Forbidden City perform the brilliant Radio SFWA at the 2016 Nebula Awards 2-small

Henry Lien and the Eunuchs of the Forbidden City
perform the brilliant “Radio SFWA” at the 2016 Nebula Awards

I attended the 2016 Nebula Awards banquet here in Chicago on Saturday night, and I thought that meant I’d be able to announce the winners in a timely fashion. Instead, I wasted my time hobnobbing with winners, nominees, and just all around cool people until very late in the evening, got home at 2:15 am, and fell asleep for roughly 24 hours. So I’ve been scooped by every website in the industry (and even some periodicals that only publish monthly).

Ah, that’s okay. For those loyal readers who steadfastly looked away when other sites reported the winners, and waited with confidence for the Black Gate report, thank you (both of you.)

The highlight of the weekend was the awards ceremony, hosted by the genuinely hilarious John Hodgman (from The Daily Show). And the surprise highlight of the ceremony was the opening number by Henry Lien and the Eunuchs of the Forbidden City, “Radio SFWA,” which I’ve been humming non-stop for the past two days. You don’t attend an SF conference expecting to hear live pop music, much less an 80s New Wave/Space Disco anthem that doubles as a recruitment tool for the Science Fiction and Fantasy Writers of America, but that’s exactly what it was. I’m a 52 year-old guy who can’t dance, but at the end I was on my feet, pounding my hands together and ready to jump into the mosh pit.

Songwriter, lead singer and front man Henry Lien is some kind of genius. Listen to the whole thing here (be sure to read the hilariously brilliant lyrics by clicking “Show More”), and read the background here.

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We Are a Romance of the Machine: An Hour With CJ Cherryh, SF’s Newest Grandmaster

We Are a Romance of the Machine: An Hour With CJ Cherryh, SF’s Newest Grandmaster

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This weekend I attended the 2016 Nebula Conference here in Chicago, where CJ Cherryh received the SFWA Damon Knight Grand Master Award, the highest honor bestowed by the Science Fiction Writers of America. Part of the Friday afternoon programming included “An Hour With CJ Cherryh, SF’s Newest Grandmaster.” I sat in the front row, with Nebula nominees Ann Leckie and Lawrence M. Schoen, and captured the first part of the speech, in which Cherryh entertained the audience with recollections of her childhood ambition to be a writer, discovering science fiction, her early career, selling her first novel to Donald Wollheim at DAW Books, and her recent marriage to fellow novelist Jane Fancher. She spoke of the core of optimism in her work, calling it “The attitude behind my writing.” About science fiction writers, she said:

That’s our job… to make people face the future with confidence. With a notion that there is something they can do, and they should be doing it. Because, remember that [we’re] one generation removed from barbarism. People have to believe there’s a reason to keep on keeping on, and this is what we are. We are a romance of the machine. In the time when people declared Romance was dead, we were the despised literature that kept going, and kept inventing, and saying, ‘There’s a way out of this.’

The clip above includes the entirety of her prepared remarks (about 13.5 minutes), and her responses to the first few questions, including why she choose to write under “CJ Cherryh” rather than her full name.

Things Your Writing Teacher Never Told You: Going to the Nebulas

Things Your Writing Teacher Never Told You: Going to the Nebulas

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Nebula Awards Weekend 2016-smallSo I’ve been falling down on my blogging duties the last few weeks, but as the title of my blog maybe tells you, I’m a teacher before I’m a blogger. It’s the end of the semester and I’ve been teaching two classes, a directed studies (think independent study but with weekly meetings), and advising Myth-Ink, the Columbia College – Chicago student science fiction, fantasy, and horror writing club.

I require the students in the more advanced course, the Fantasy Writing Workshop, to complete at least one story and submit it to a semi-pro or pro market. But the course aimed at writing majors and non-writing majors alike, Exploring Fantasy Genre Writing, has more than half the students ready to submit a poem or short story for publication, as well. There’s always a few, each semester, but more this semester, I think.

So we’ve been doing a lot of copy-editing and proofing exercises, reviewing manuscript submission format, learning how to find appropriate markets, reviewing market guidelines, learning what and what not to put into a cover letter, walking them through writing their first author bio, and talking about what scares them about submitting. I’ve gotten the feeling that the last one is maybe the most important one of all. I’m going to have to think on that.

As part of the last week of classes, for both my courses, I’m having a representative from our department’s Publishing Lab (run by students, for students, to help them submit their poetry, fiction, and creative nonfiction) come in. They help read proposed cover letters, find markets, and provide emotional support. The drill is this, with their laptops open and everyone tapped in to the school wi-fi, when a student author says they’re ready to submit, their finger hovering over the send button, the group does a mission-control countdown from five.

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