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Robert E. Howard: The Sword Collector’s Sword Collection

Robert E. Howard: The Sword Collector’s Sword Collection

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From Damon Sasser’s twogunraconteur.com website 3/5/2012
From Damon Sasser’s twogunraconteur.com website 3/5/2012

When I wrote “Robert E. Howard: The Sword Collector and His Poetry” in August 2010, it was to highlight REH’s interest in swords. The article listed each type of sword mentioned in his poems along with a definition, a photo and a snippet showing REH’s usage of it in verse.

At that time, the photograph at right was not available. In fact, it is one of three that were discovered earlier this year by Howard scholar Patrice Louinet, showing Robert E. Howard (r) and his two neighbors, Leroy Butler and Leroy’s sister, Faustine, dressed as pirates.

According to Patrice, this photo was taken sometime between 1923 and 1925. That would make Howard between 17 and 19 years old. It was during this period, in November 1924, that REH received a letter from Farnsworth Wright that Weird Tales was accepting his story “Spear and Fang,” which was eventually published in July 1925.

Whether the story had been written, sold, and published by the time this photo was taken is unknown. But REH’s love of swords and the adventure they brought were definitely a part of his life even at an early age.

The other piece of information not available in August 2010 regarded the sword collection itself. The article “Robert E. Howard: The Sword Collector and His Poetry” began with a quote from a letter REH wrote to HPL:

…Long ago I started collecting them [swords], but found it a taste far too expensive for my means. I still have the things I did manage to get hold of—a few sabers, swords, bayonets and the like.

While REH mentions collecting swords, at that time there was no further information regarding its contents. That has changed. Recently I received an email from Howard sleuth Patrice that sheds more light on what swords REH owned. Patrice’s sources are the notes that L. Sprague de Camp took to document his telephone conversations with Earl Baker. Earl was one of REH’s early Cross Cut friends and someone REH kept in touch with throughout the years.

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Under the Hood with Robert E. Howard

Under the Hood with Robert E. Howard

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best-of-robert-e-howard-grim-lands2When I tell people what a great writer Robert E. Howard was, a lot of them don’t seem to believe me. If they only know him through depictions of Conan or, worse, rip-offs, then they think Howard’s writing is all about a dull guy in a loin cloth fighting monsters and lots of straining bosoms. It’s not that Robert E. Howard thought himself above describing a lithesome waist or a wilting beauty, especially if he needed to make a quick buck, it’s just that there’s a lot more going on in a Conan story than his imitators took away.

It’s easy to pull some samples of great action writing from Robert E. Howard. I’ve done it before, and I could easily do it again here. Only a handful of writers can approach him in that field, and almost none are his equal.

He was also a master of headlong, driving pace. That can be hard to showcase without insisting you read an entire story, so today I want to show readers who seem unaware of his work (or those who are uninterested) a few more reasons why those of us in the know revere him so highly.

Here in one of his historical stories, ”Lord of Samarcand,” is the Scotsman, or Frank, as the easterners call any from Europe, Donald MacDeesa, riding to the court of Tamarlane the Great. See how swiftly, how easily, Howard conjures the scene in all its splendor with just a few well-chosen words, as though he’s panning a camera as MacDeesa rides.

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How I Met Your Cimmerian (and other Barbarian Swordsmen)

How I Met Your Cimmerian (and other Barbarian Swordsmen)

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the-tritonian-ring2It was the summer of 1969. Very much like the one described in the song by Bryan Adams.

I quit the rock and roll band I’d been playing with since high school, went to work with my Dad, and had just finished reading The Lord of the Rings; a year earlier, while still in high school, I’d read The Hobbit. Now, after completing my magical journey through Middle-earth, I was totally hooked. I had found a liking — no, a craving for Heroic and Epic Fantasy.

Not long after that I discovered the Ballantine Books Adult Fantasy Series, wonderfully edited and championed by Lin Carter. Novels by Mervyn Peake, Lord Dunsany, E.R. Eddison, David Lindsay, William Morris, James Branch Cabell, Poul Anderson, and others fanned the flames of my passion.

To say I was addicted would be a gross understatement. No, I had found novels that had changed my life and would continue to do so for the next 40-plus years!

Then one day, while browsing through a used book store on State Street and Congress in downtown Chicago, I came across three more novels that would further alter my life. The Tritonian Ring by L. Sprague de Camp, The Swords of Lankhmar by Fritz Leiber, and an anthology of short-stories by Lin Carter, Beyond the Gates of Dream.

What was this new and exciting genre of fantasy fiction I had discovered? Sword and sorcery, of course! I was not only caught like an unwary Hyrkanian soldier, I was taken captive — axe, mace, and broadsword.

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Drinking Atlantis, No Chaser: Conan the Barbarian (2011) Blow-by-Blow & Play-by-Play

Drinking Atlantis, No Chaser: Conan the Barbarian (2011) Blow-by-Blow & Play-by-Play

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conan-poster-1I have a week-long break between summer movie reviews, the gap between Prometheus and Brave, so I have chosen to return to Ghosts of Summer Pasts. Not long past. Just last year. Ladies and gentlemen, Hyborians and Hyrkanians, the 2011 Conan the Barbarian! [Insert tepid Monty Python and the Holy Grail “yeah!” here.]

Many movie websites do play-by-play reviews, essentially a one-post blog-thru of a film, providing comments along with time stamps. I’ve wanted to try my hand at this for years, and this short summer break opened up the opportunity to exercise this review format on an awful film that sword-and-sorcery fans don’t want to talk about. But if I can find a way to wrench some entertainment from the Blu-ray of this movie (yes, I bought it — but used at a bargain price), then let it be so.

It was August of ’11 that saw the release and immediate flop of the Marcus Nispel-directed Conan the Barbarian. Critics savaged the movie, but most fans of Robert E. Howard saw the dire writing in the ancient language of Acheron on the wall long before the release. I gave up hope for the movie when I heard that Nispel was attached to it. Nothing I had seen of the man’s previous work indicated he had any notion of theme or subtlety — or even how to stitch together a comprehensible action scene. The guy came across as a refugee from an awful ’80s metal band who decided to get into directing so he could show “awesome!” stuff on screen. In other words, he was picked for the job because of a superficial resemblance to sword-and-sorcery, not because the man has any affinity for filmmaking or Robert E. Howard.

The casting of Jason Momoa met skepticism when first announced, but among all else that went awry with Conan the Barbarian, Momoa was one thing that went right. More about that on the play-by-play.

I enjoyed the movie more this second time viewing it, but that isn’t because I found any new appreciation for it. Conan ’11 works simply better on home video, where its limited scope and poor VFX feel more appropriate. Also, watching at home meant I could take breaks to go get a drink or read Shakespeare or call my sister in Munich. I could live my life around the film, and the film benefits from my ability to ignore it whenever I want to. The only downside to home video is that the 3D in the theater, terrible as it was, did hide some of visual flaws and clunky special effects.

Okay, queue up your disc or streaming or whatever, and let’s drink Atlantis….

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New Treasures: The Sword & Sorcery Anthology

New Treasures: The Sword & Sorcery Anthology

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the-sword-sorcery-anthology2We announced The Sword & Sorcery Anthology was shipping last week, but I’m glad to report that I now have it in my hot little hands.

And it looks gorgeous. It’s 480 pages in thick, oversize paperback, and sits nicely in my lap as I recline in my big green chair. Where it will remain for much of the rest of the weekend, I think.

In fact, I have two copies, courtesy of co-editor and publisher Jacob Weisman. I was going to add it to the list of titles that go out regularly to our dedicated team of freelance reviewers, but maybe I’ll just give it to the first one that asks for it. Or maybe I’ll encase it in plastic and carefully bury it in a time capsule in my back yard. Future generations with thank me (assuming they can figure out what a book is).

David Drake’s introduction notes that while two stories in this book originated in Weird Tales — the magazine that gave birth to Sword & Sorcery — three come from the legendary small press magazine Whispers, edited by Stuart David Schiff from 1973 to 1987. Drake was the assistant editor for Whispers starting with the second issue; his musings on the authors and fiction included in this volume are fascinating.

Other sources include Swords Against Darkness, Science Fantasy, Fantastic and Asimov’s SF magazines, Marion Zimmer Bradley’s Sword & Sorceress anthologies, Orbit 2, and such recent books as Eclipse Three (2009), edited by Jonathan Strahan, and Strahan and Lou Anders 2010 anthology Swords & Dark Magic.

Two pieces — Michael Shea’s new Nift the Lean story “Epistle from Lebanoi,” and Michael Swanwick’s “The Year of the the Three Monarchs” — are original to this volume.

The Sword & Sorcery Anthology was edited by David G. Hartwell and Jacob Weisman. The cover is is by Jean Sebastien Rossbach. It is published by Tachyon Publications, and priced at $15.95 for the print version and $10.95 in digital format. More complete details are here, and the complete Tables of Contents is here.

The Sword & Sorcery Anthology Now on Sale

The Sword & Sorcery Anthology Now on Sale

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sword-and-sorcery-anthologyOne of the year’s most anticipated books has arrived — a few days ahead of its official June 1 publication date.

The Sword & Sorcery Anthology, edited by David G. Hartwell and Jacob Weisman, is now on sale. This massive 480-page tome contains classic S&S tales from the writers who created the genre — including C. L. Moore, Fritz Leiber, Robert E. Howard, Poul Anderson, Karl Edward Wagner and Michael Moorcock — as well as modern masters such as Charles R. Saunders, Glen Cook, George R. R. Martin, Jeffrey Ford, and Caitlín R. Kiernan.

It also includes “Epistle from Lebanoi,” an original tale by Michael Shea, author of the classic Nifft the Lean, and “The Year of the Three Monarchs,” a new story by Michael Swanwick.

The early reviews have already been filled with praise, including this one from Publishers Weekly:

Hartwell and Weisman have selected some of the best short-form work in the genre… This is an unbeatable selection from classic to modern, and each story brings its A game.

With an introduction by David Drake, “Storytellers: A Guided Ramble into Sword and Sorcery Fiction” and a tantalizing assortment of stories I’m unfamiliar with — including “Gimmile’s Song” by Charles R. Saunders, “Soldier of an Empire Unacquainted with Defeat” by Glen Cook, “Six from Atlantis” by Gene Wolfe, and “Path of the Dragon” by George R. R. Martin — this ones leaps right to the top of my want list.

The Sword & Sorcery Anthology is published by Tachyon Publications, and priced at $15.95 for the print version and $10.95 in digital format. More complete details are here, and the complete Tables of Contents is here.

An Ode to the Berkley Medallion Conans

An Ode to the Berkley Medallion Conans

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... in all their tattered glory
... in all their tattered glory

Karl Edward Wagner was and remains the most qualified individual to weigh in on the issue of Conan stories penned by someone other than Robert E. Howard, given that he wrote arguably the best pastiche of them all (The Road of Kings). So it behooves us to listen to what he had to say in the foreward to the Berkley Medallion Edition of Conan: The Hour of the Dragon (August 1977):

I have written Howard pastiches myself, so I can speak both as a reader and an author: Every author leaves his personal mark on whatever he writes; the only man who could write a Robert E. Howard story was Robert E. Howard. Read Howard pastiches as you will — but don’t let anyone kid you that you’re reading Robert E. Howard. It is far more than a matter of imitating adjective usage or analyzing comma-splices. It is a matter of spirit.

While Howard fans these days are spoiled by the Del Reys, prior to 1977 you could not buy a collection of the Conan stories without editorial emendations or the presence of pastiches. Both the widely printed Lancer/Ace collections of the 1960s and 70s and the rarer Gnome Press editions from the 1950s were marred by editorial changes and additional non-Howard material. That all changed with the Berkley Medallion Editions, published by the arrangement of the late, great, Glenn Lord (1931-2011), and edited by legendary horror and swords and sorcery author Karl Edward Wagner (1945-1994). These consist of three books in an aborted series that was supposed to run longer and include all 21 of Howard’s original stories. They include The Hour of the Dragon, The People of the Black Circle, and Red Nails. To prepare the Berkley Medallion Edition manuscript Wagner made photocopies directly from the pages of Weird Tales, correcting only obvious typographical errors.

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The Big Barbarian Theory

The Big Barbarian Theory

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the-sorcerers-shadowConan, King Kull, Cormac, Bran Mak Morn — characters often imitated, never duplicated. These creations of Robert E. Howard started the sword-and-sorcery boom of the 1960s and early 1970s.

Then there are the barbarian warriors inspired by Howard — Clonans, as one writer recently referred to these sword-slinging, muscle-bound characters.

A fair observation, but in some cases, not so true.

We prefer to think of these tales of wandering barbarian heroes as “Solo Sword and Sorcery” because the majority of these characters are lone wolves, without sidekicks or even recurring companions. This is a big part of their appeal, in fact.

We’ve read many, if not most, of the Conan pastiches, including the novels based on Howard’s other creations. Karl Edward Wagner’s, Poul Anderson’s, and Andy Offutt’s portrayals of the Cimmerian come within a sword’s stroke of Howard’s vision.

L. Sprague de Camp and Lin Carter, in commodifying the character, arranged the long, informal saga of Conan in chronological order and, by extenuating these adventures with dozens more, made of Howard’s original vision a long-form series similar to the episodic success of a television show on a prolonged run of diminishing returns.

For some readers, however, the advantage of this development is that it provided a sort of character arc as Conan grows from a youth to an older man.

That said, however, it is better to read the Conan tales in the order in which Howard wrote them.

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The Sword & Sorcery Panel Podcast

The Sword & Sorcery Panel Podcast

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Team Black Gate: Editor John O'Neill, Contributing Editor Editor Bill Ward, James Enge, Rouge Blades editor Jason Waltz, Managing Editor Howard Andrew Jones, John R. Fultz, and Ryan Harvey
Team Black Gate at WFC 2010: Editor John O'Neill, Contributing Editor Bill Ward, blogger James Enge, Rogue Blades editor Jason Waltz, Managing Editor Howard Andrew Jones, blogger John R. Fultz, and blogger Ryan Harvey.

At the 2010 World Fantasy Convention in Columbus, Ohio, author and publicist Jaym Gates assembled the world’s greatest literary minds together to discuss Sword & Sorcery. Meaning me, plus some other guys.

In a moment of foresight for which future generations will doubtless be profoundly gratefully, Jaym and SF Signal‘s Patrick Hester recorded all the brilliant insights (plus what those other guys said) on state of the art podcast equipment. SF Signal has now published the entire podcast in three parts.

Participants included moderator Jaym Gates, Howard Andrew Jones (author of The Desert of Souls), Black Gate blogger and Writers of the Future winner Ryan Harvey, BG Contributing Editor Bill Ward, World Fantasy Award nominee James Enge, Rogue Blades publisher and editor Jason M. Waltz, Tome of the Undergates author Sam Sykes, Seven Princes author and BG blogger John R. Fultz, The Sword-Edged Blonde author Alex Bledsoe, fan Matthew Wuertz, and literary genius and future leader of the free world John O’Neill.

The far-ranging panel covered the roots of sword & sorcery, the classic canon, what makes a story S&S, and much more. It runs for roughly 90 minutes, ’cause all those other guys wouldn’t shut up. SF Signal has thoughtfully broken it into three podcasts, so the concentrated literary brilliance won’t make your head explode.

They are here: Part I, Part II, and Part III.  Caution: professional authors on a closed course. Do not attempt conversation like this at home.

Robert E. Howard: The Poet and the Girl with the Golden Hair and Eyes like the Deep Grey Sea

Robert E. Howard: The Poet and the Girl with the Golden Hair and Eyes like the Deep Grey Sea

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andtheirmemoryHistory, reincarnation, bloody battles, a fierce and barbaric people, and great acts of courage! Robert E. Howard’s poem “An Echo From the Iron Harp” has all that and more.

It is a tale that echoes across centuries as the ghosts of the Cimbri and their battles with the Roman legions haunt a poet who dreams of a love from ages lost in time:

Shadows and echoes haunt my dreams
with dim and subtle pain,
With the faded fire of a lost desire,
like a ghost on a moonlit plain.
In the pallid mist of death-like sleep
she comes again to me:
I see the gleam of her golden hair
and her eyes like the deep grey sea.

But she’s more than this description. Howard has created many strong female characters, among them: Dark Agnes in Sword Woman; the “Queen of the Black Coast,” Bêlit; Valeria in “Red Nails”; and Red Sonya, the heroine of “Shadow of the Vulture.”

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