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Beasts of Burden Omnibus by Evan Dorkin, Jill Thompson, and Benjamin Dewey

Beasts of Burden Omnibus by Evan Dorkin, Jill Thompson, and Benjamin Dewey

I wanted to write a haunted house story, but not along traditional lines. After a few false starts I hit on the idea of a haunted doghouse, which became my pitch for “Stray.”

Evan Dorkin

The Beasts of Burden Omnibus (2025) brings together all the stories of the supernatural investigators of the town of Burden Hill as written by Evan Dorkin and illustrated by Jill Thompson and Brian Dewey. What separates the protectors of Burden Hill from others in their field like John Silence or Carl Kolchak is that they are animals. Dogs, in fact, mostly, with a few cats enlisted along the way.

Let me start by providing several warnings for this review. First, I love psychic investigator stories. I watched the Kolchak tv show with my mom when it premiered and I was 8, and Manly Wade Wellman’s John the Balladeer is one of my absolute favorite series of stories. Second, I’m very fond of talking animals, from Wind in the Willows to Rita Mae Brown’s Mrs. Murphy books (well, at least the first half-dozen or so). Third, and finally, I’m friends with Evan Dorkin. We’ve known each other for, well, a very long time. Nonetheless, before I go any further, let me say, while I might have been predisposed to enjoy Beasts of Burden, there was no guarantee I’d like it as much as I do. It also means I got to ask him a couple of questions about the his stories and the series’ evolution.

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So Much Potential: Lords of the Ultra-Realm by Doug Moench and Pat Broderick

So Much Potential: Lords of the Ultra-Realm by Doug Moench and Pat Broderick

Lords of the Ultra-Realm by Doug Moench and Pat Broderick (DC Comics six-issue mini-series, 1986)

I started scouting for sword and sorcery in the spring of 1974, after stumbling upon Marvel Comics’ Conan the Barbarian #39 (March 1974). At the time, Robert E. Howard’s most famous creation was known to few beyond the then-small and -deviant subcultures of comics and fantasy.

How obscure, in my adolescence, was the Cimmerian? I mistook the cover’s loincloth-clad, axe-swinging character for a Tarzan knock-off. How wrong — how delightfully wrong — I was. More like this, please!

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Short, Strange Trip: Stalker #1 – 4, by Paul Levitz, Steve Ditko, and Wally Wood

Short, Strange Trip: Stalker #1 – 4, by Paul Levitz, Steve Ditko, and Wally Wood

Stalker, issue 1 (DC Comics, June 4, 1975). Cover by Wally Wood and Steve Ditko

It must have looked like a can’t-lose comic: An original sword and sorcery title with art by two legends. One was Steve Ditko — the co-creator of Marvel’s biggest solo superhero, Spider-Man, and creator of Marvel’s psychedelic occult investigator, Dr. Stephen Vincent Strange. The other was Wally Wood, the storied veteran of EC Comics’ infamous horror and crime titles.

With scripts by future DC Comics President/Publisher Paul Levitz, DC’s new S&S series (launching in July 1975) would be bizarre and amazing and creepy, filled with the touches that made the mid-Twentieth-Century Dr. Strange comic such a trip, and it would be set within the Weird and horrific and sometimes-cosmic environs of a fantasy subgenre still fresh to comics.

And Stalker was all of these things, except a hit. The bimonthly title was unfortunately cancelled in January 1976, after four issues.

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Richard Stark’s Parker, Part 9: The Score

Richard Stark’s Parker, Part 9: The Score

The Score by Richard Stark (Pocket Books, 1964), reprinted as Killtown by Berkley Books in 1973

What is it?

Volume 5 of Richard Stark’s Parker series of crime novels. This volume arguably features the greatest single heist Parker ever gets involved with. He and an unusually large team of accomplices robs an entire town, all in one night.

It’s also the first time in the series s a heist is not just a side story but the main point of the entire book, from the planning and the execution to the complication and the aftermath. We see a bit of that with the armored car robbery in The Man with the Getaway Face, but that’s the plot of only the first half of that book, and it’s nothing quite like the scale on display here.

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What I’ve Been Reading: October, 2026

What I’ve Been Reading: October, 2026

I listen to a dozen audiobooks a month, easy. Often, a re-listen. I fall asleep with an audiobook timer set, every night. Having bought my bungalow in June, I try to spend a little time reading on the front porch, most days. Now that Fall weather has (FINALLY) settled in here in Columbus, I’m trying to be more intentional about it. Plus, the spare bedroom is actually the reading room.

So, I’ve gotten in some reading the past month.

SAVAGE SWORD OF CONAN – CHUCK DIXON

I’ve blogged about Marvel’s Conan the Barbarian a couple times. I only began reading that one during COVID, and I now have five of the Marvel Omnibuses, as well as Roy Thomas’ terrific three-volume memoirs about the first 100 issues.

And just a year or two ago, I expanded my reading to include the black-and-white Savage Sword of Conan, also helmed by Thomas. Originally I preferred CtB. But the art style, and the depth of the stories, have really made me a SSoC fan. I read the first several Marvel volumes, which were by Thomas. But I’m currently reading Volume X, with Chuck Dixon doing the writing. Gary Kwapisz seems to have done most of the artwork (inked by Ernie Chan) and I’ve adapted to his style pretty quickly.

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Cimmerian September: Five Things I Think I Think – REH Edition

Cimmerian September: Five Things I Think I Think – REH Edition

Welcome back to the final week of Cimmerian September. I realized that I’ve never done a Ten Things I Think I Think for REH. Now THAT seems remiss of me. So, we’ll ease into that with Five Things.

1) CONAN IS A ROGUE

Of course, “Rogues in the House” (which I wrote about for Hither Came Conan) is a favorite story among fans. It’s right there in the name. I’ve been re-reading some Solomon Kane lately, and I revisited El Borak last month. Those two are honorable men, fighting for justice, or nation, or to vanquish evil. Conan has his barbarian’s sense of honor. But he’s after wine, women, and money. He does ‘noble’ things, but that’s not what’s driving him. He’s a lusty sword swinger out for an adventurous life.

Sometimes I see the makings of a Conan story while I’m reading Kane and El Borak. But the character motivation is usually different. Doesn’t make it better or worse, but it does make the heroes different.

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Feminist Icon in a Chain Mail Bikini: Red Sonja: Queen of Plagues by Gail Simone and Walter Geovanni

Feminist Icon in a Chain Mail Bikini: Red Sonja: Queen of Plagues by Gail Simone and Walter Geovanni


Red Sonja: Volume 1: Queen of Plagues (Dynamite Entertainment, March 4, 2014). Cover by Jenny Frison

If you saw the cover of Red Sonja: Volume 1: Queen of Plagues which accompanies this review before you started reading, your eyes probably popped with shock or narrowed with anger. The odds of either reaction went up if you were unhappy because it sported a cover controversially featuring a chick in a chain mail bikini.

Your reaction to the cover of Red Sonja: Volume 1: Queen of Plagues might not be entirely negative if you grew up reading the 1970s comics which featured the original chick in a chain mail bikini: the indomitable swords and sorcery character Red Sonja, the She-Devil with a Sword. In those years, I thought her chain mail bikini was the stupidest-looking costume ever to appear in a comic book (where there’s never a shortage of competition). Yet I was also inspired. I wanted to learn fencing, and she was supreme with a sword. And, even when an artist sexed her up, Red Sonja was the strongest female character I encountered with any regularity in my teen years.

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Richard Stark’s Parker, Part 7: The Outfit

Richard Stark’s Parker, Part 7: The Outfit


The third Parker novel: The Outfit (Pocket Books, 1967)

What is it?

Volume 3 of Richard Stark’s Parker series of crime novels. It is also the third part of the unofficial Outfit Trilogy, the first three books in the series, in which Parker goes up against an organized crime syndicate.

Quick and Dirty Summary

After surviving an assassination attempt by a killer hired by the Outfit, Parker decides it’s time to settle matters with organized crime once and for all.

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By Crom, It’s Cimmerian September: Marvel Does King Conan

By Crom, It’s Cimmerian September: Marvel Does King Conan

Even as another Summer of A (Black) Gat in the Hand ran in my Monday morning slot (nine years now!), I’ve been spending a lot of time in Nero Wolfe’s Brownstone on West 35th Street, in Manhattan. But I didn’t feel like I could miss out on Cimmerian September. A few of you may recall that last year I joined in the month-long celebration of Robert E. Howard’s mighty-thewed sword slinger.

Later this month I will be on the third and final Solomon Kane Youtube panel by the Robert E. Howard Foundation (here’s the first one). So, getting my REH on this month.

I’ve said that I came late to REH. I was in my forties and my young son would play with the wooden train sets in the kids playroom at Barnes and Noble. One day I picked up the first Del Rey Conan and read it for a bit. I ended up getting it later. And Robert E. Howard would ascend the ranks to surpass all my other favorite writers, with the exception of John D. MacDonald.

My buddy Howard Andrew Jones would stick a verbal elbow in my ribs that I was a rookie sword and sorcery fan, and never changed that opinion, as I still hadn’t shown any interest in C.L. Moore’s Jirel of Joiry (hey – I’m interested in what I’m interested in). But I made up a lot of Conan ground (I had read Moorcock and Leiber by junior high), and I can hold my own in the REH room now.

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It’s Got Its Ups and Downs: Hercules Unbound #1-#12

It’s Got Its Ups and Downs: Hercules Unbound #1-#12

Hercules Unbound #1, by Gerry Conway, José Luis García-López, and Wally Wood (DC Comics, November 1975). Cover by José Luis García-López

Live long enough, it seems, and you will revisit the pleasures of your youth. You wonder if they still hold up, or perhaps you’re looking to learn if (or how) they shaped the person you’ve become. Which is why — for the first time since the mid-1970s — I recently reread Hercules Unbound #1-#12 (1975—1977), the complete run of a cancelled DC Comics series aimed at the 1970s’ booming sword & sorcery market.

DC’s Hercules is the demi-god of Greco-Roman myth, transposed to a post-apocalyptic then-future. The published issues of this solo series feature scripts by Gerry Conway, Cary Bates, and David Michelinie, and art by José Luis García-López, Wally Wood, Walt Simonson, and Bob Layton.

If the sheer number of creators on such a short run makes your spidey sense tingle, well, yeah. It’s not a great sign. But on this, more anon.

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