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B-List Heroes and More: Marvel Contest of Champions, The Atomic Knights, and Hulk Annual #13

B-List Heroes and More: Marvel Contest of Champions, The Atomic Knights, and Hulk Annual #13

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Marvel Super Hero Contest of Champions, 3-issue limited series (Marvel Comics, June,
July & August 1982). Written by Mark Gruenwald, art by John Romita Jr. and Bob Layton

Marvel Super Hero Contest of Champions! Long before the more famous Secret Wars, in 1982, Marvel released a mini series that pitted hero against hero!

Similarly, they were whisked away by omnipotent aliens to combat one another. The story was created by Mark Gruenwald, Bill Mantlo, and Steven Grant. It was illustrated by John Romita Jr. and inked by Pablo Marcos.

Forever a fan of the B-list heroes, I loved seeing characters like Sunfire, Dr. Druid, Hellstorm, Machine Man, Doc Samson, Quasar, and Brother Voodoo.

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The Convincing Villain

The Convincing Villain

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Image by Gerd Altmann from Pixabay

Good afterevenmorn, Readers!

Side note, autocorrect keeps trying to fix my nonsensical greeting and it’s quite annoying. Back to the post!

I’ve been doing a lot of thinking. It’s dangerous. I do not recommend it. But I’ve been doing a lot of thinking on the nature of fictional villains and morally grey heroes, and how to write them convincingly. While it’s sometimes fun to read a simple story where good and evil are very evident, and we’re all firmly on the side of the heroes here. The fight (and eventual victory) against Evil™ can sometimes be exactly the hopeful escape we need. Please note, I’m not looking down my nose at those kinds of stories. I enjoy them myself.

My favorite reads, however, are stories where good and evil is not so simple. It’s not all cut and dried. This isn’t just about creating complex characters to counter your protagonists, but also about creating a safe space to explore all the nuance that we find in real life. It’s a good, safe place to grapple with ideas of heroism, morality and villainy. What makes a hero? Or a villain, for that matter? If the end result is good, are morally questionable actions justifiable? What are we willing to sacrifice for the greater good? Is it acceptable if the answer to the previous question is, “Everything”?

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G.W. Thomas on Science Fiction of the 30s by Damon Knight

G.W. Thomas on Science Fiction of the 30s by Damon Knight

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Conan the Barbarian: Archie Style! From Everything Archie
#111 (May 1984). Art by Stan Goldberg and Larry Lapick.

G.W. Thomas has gradually become my favorite genre blogger. Not just because of his constant stream of content — he posts every two days at Dark Worlds Quarterly, and has been doing so for nearly a decade — but because of his endlessly zany topics. In the past few months he’s covered Haunted Houses in 50s comics, the Top Ten Ghostbreakers from Weird Tales, Werewolves of EC Comics, Space Heroes of the Golden Age, Fearless Vampire Killers of the pulps, Top Ten Fantasy Fight Scenes from 1980-1985 sword & sorcery flicks, Plant Monsters, Conan in Archie Comics, and so, so much more. For pulp and comic enthusiasts of a Certain Age, G.W. has tapped a nostalgic mother lode.

He also delves pretty deep into more serious topics of real interest, like that time he wrote a one-sentence review of every story in Damon Knight’s classic anthology Science Fiction of the 30s, complete with the original pulp illustrations.

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EC Comics is back

EC Comics is back

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Cruel Universe #1 and Epitaphs from the Abyss #1. Covers by Greg Smallwood and Andrea Sorrentino

EC Comics is back. In cooperation with Oni Press, the classic imprint that brought us Tales from the Crypt, The Haunt of Fear, Weird Science, Weird Fantasy, and other titles is back. The two new titles are called Cruel Universe and Epitaphs from the Abyss.

Cruel Universe #1 features four stories, “The Champion,” “Solid Shift,” “Drink Up,” and “Priceless.” The stories are each written and illustrated by a different team, and each has something exciting and different to offer.

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Everyone Knows This is Nowhere: The Book of Elsewhere by Keanu Reeves and China Miéville

Everyone Knows This is Nowhere: The Book of Elsewhere by Keanu Reeves and China Miéville

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The Book of Elsewhere (Del Rey, July 23, 2024). Jacket design by Drusilla Adeline

Can someone who has been alive for 80,000 years find wonder and meaning in every day life? Would such an immortal still be capable of surprise, still uncertain about his own motivations, still unable to come to grips with the meaning of it all? After experiencing centuries upon centuries of the death of others, and frequently inflicting those deaths, do you become oblivious to the fate of mortal souls as just so many anthill denizens?

Is there anyone else out there like you? And why are you the way you are? Would the wish for mortality indicate a Freudian death wish, or instead a yearning to experience the existential perils and the perplexities of being that paradoxically imbue significance?

These are the intertwined questions posed by The Book of Elsewhere, a tie-in novel by Keanu Reeves and China Miéville based on BRZRKR, a 12-issue comic book (graphic novel?) co-written by Reeves. The title refers to when the protagonist suffers episodes of uncontrollable violence and goes “berserk” (get it?), although “suffer” is perhaps better applied to those in the line of fire of his rage.

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A Surreal World: St Trinian’s: The Entire Appalling Business by Ronald Searle

A Surreal World: St Trinian’s: The Entire Appalling Business by Ronald Searle

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St. Trinian’s: The Entire Appalling Business (Overlook/Rookery, March 13, 2008). Cover by Ronald Searle

St Trinian’s was first created in a series of magazine cartoons in the 1940s and 1950s. Ronald Searle began drawing them in 1941, with a long hiatus while he was a prisoner of war in Southeast Asia. Most of them were set at an English boarding school for girls, and the rest showed characters who attended it. The Entire Appalling Business collects all of them in a single volume.

Boarding schools are a long established subject for English storytellers, from Tom Brown’s School Days, an autobiographical novel by Thomas Hughes set at Rugby, to the Harry Potter novels. Most portrayals take them fairly straight, staying within the traditional strictures of boys’ books — or girls’ books, as in this case. But there’s also a more subversive tradition, as in the Kipling stories that were collected as Stalky and Co. Searle’s cartoons are very subversive; that’s the whole point of the joke.

Most of the St Trinian’s girls are children rather than adolescents (some later cartoons show sixth form girls who are visibly more mature, particularly the recurring character Angela Menace). However, many scenes show them smoking — usually cigarettes, but occasionally cigars, and one panel refers to pot — or drinking beer, wine, or spirits. There are also references to gambling, particularly betting on horses or on school athletic events.

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A (Black) Gat in the Hand: 7 Upcoming Attractions

A (Black) Gat in the Hand: 7 Upcoming Attractions

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

My life gets crazy busy in July, and stays busy to Christmas, when I get a break. It’s a task to get my planned weekly column done. Which can shift the ‘current one’ into ‘in progress’ status. Which is the case this week. So, here’s a look at some of the stuff I hope to cover in the current incarnation of A (Black) Gat in the Hand.

DAY KEENE

Last week I posted (finally) the Jo Gar essay which I started in 2018. Nice to check that off the list. The current ‘in progress’ essay is on a Day Keene story from the September, 1949 issue of New Detective. I’ve already written one post on Keene here. I think he is an under-appreciated hard boiled writer. That issue also has a story by Frederic Brown. And one by my all-time favorite writer, John D. MacDonald. So, maybe I’ll mine that one for more material. The fact you’re reading this post right now, means I still haven’t finished my Keene essay.

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Goth Chick News: Crypt-Keeper Fans Rejoice for a New Generation of Horror Comics

Goth Chick News: Crypt-Keeper Fans Rejoice for a New Generation of Horror Comics

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Epitaphs From the Abyss #1 (Oni Press, July 24th)

In past articles I talked about acquiring contraband horror comics from my older male cousins and reading them by flashlight. Though my dad deemed the black and white monster movies from Universal as “classic,” and therefore approved for my consumption, comics like House of Mystery or Strange Tales were verboten, meaning I worked all the harder to get my hands on them. Because of this, horror comics have always held a special place in my heart. From the trailblazing originals to modern tales like Twisted Dark and Nightmare World,, there’s no better way to spend a Sunday afternoon than flipping through the horror section of my local comic vendor Graham Crackers Comics.

Tuesday morning this week, entertainment site The Wrap dropped exclusive info that brought joy to the hearts of horror comic fans worldwide. EC Comics is making a highly anticipated return with a horror anthology series Epitaphs From the Abyss.

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Hither Came Scott Oden: The Shadow of Vengeance, a Sequel Robert E. Howard SHOULD have Written

Hither Came Scott Oden: The Shadow of Vengeance, a Sequel Robert E. Howard SHOULD have Written

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Conan: The Shadow of Vengeance (Titan Books, January 30, 2024)

Octavia tore her gaze from the grisly noose. Hope fluttered in her breast, for through the guttering smoke from scores of torches she saw the Cimmerian astride his mighty stallion. He stood motionless, a statue hewn from whalebone and gristle — save for his eyes. Even with the breadth of the Red Brotherhood between them, Octavia recognized the death fires kindled in those cold blue orbs.

There is a magic to some writer’s prose; it pulses and pounds, like Robert E. Howard writing about Conan, or has a clever, articulate subliminity in which a bright man finds himself feeling the fool in a genius’s shadow (Doyle’s Watson writing about Holmes), that infuses a character and their canon.

This is part of what makes pastiche such a tricky business to evaluate and review. Some hate the idea of pastiche, in which case, any review is pointless. On the other hand, pastiche — the continuation of an author’s characters in new adventures is a long-established tradition that reaches back to the tales of the pre-Classical world and continues on the reams of unlicensed fan-fic. So, let’s leave that debate for elsewhere, and just assume that you are this far because you love Robert E. Howard, you love Conan, and you want that pulse-pounding, blood-and-thunder sense of adventure you experienced long ago.

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Brutal, Evocative, & Sad: Michael Moorcock’s Elric the Dreaming City by Julien Blondel, Jean-Luc Cano, and Julien Telo

Brutal, Evocative, & Sad: Michael Moorcock’s Elric the Dreaming City by Julien Blondel, Jean-Luc Cano, and Julien Telo

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Michael Moorcock’s Elric Vol. 4: The Dreaming City
(Titan Comics, April 5, 2022). Art by Julien Telo

Elric of Melniboné, the White Wolf, is exiled from his home and cursed to walk the land under the influence of Arioch, the Lord of Chaos. With his soul-eating sword, Stormbringer, Elric must find his way to the Dreaming City – the mysterious ancient birthplace of his ancestors. Hoping to unlock the secrets of his destiny, Elric is unaware he is being hunted by his long-lost love, Cymoril, who has only one sinister agenda: vengeance.

I must admit, when I first saw Titan Comics advertising this hardcover graphic novel, Elric: The Dreaming City, I was skeptical.

How could this be worth my shelf space when I already have the same Michael Moorcock story adapted in 1982 by the great Roy Thomas, with art by the legendary P. Craig Russell? That is what I asked myself. The bar was set rather high.

But after picking this up and more recently perusing it, I’ve concluded that this adaptation by Blondel and Cano, with art by Telo, is indeed a worthy addition to any Elric fan’s collection. It is brutal, evocative, sad, and violent – all the hallmarks of a tragically epic Elric story.

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