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New Treasures: The Best of Walter Jon Williams

New Treasures: The Best of Walter Jon Williams

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The Best of Walter Jon Williams (Subterranean Press, February 28, 2021). Cover by Lee Moyer

Walter Jon Williams began his writing career in the early 80s designing games for Fantasy Games Unlimited, most notably the Age of Fighting Sail role playing game Privateers and Gentlemen (1983). He had more success with science fiction in the following years, and his work — especially his novellas, which he’s justly famous for — have been nominated for numerous awards. With The Best of Walter Jon Williams, Subterranean Press has produced one of the most important collections of the year, gathering the most vital work of one of the most successful short fiction writers in the field. Here’s the jacket copy.

With the publication of his debut novel, The Privateer, in 1981, Walter Jon Williams began one of the most varied and prolific careers in contemporary popular fiction. His work encompasses cyberpunk (Hardwired), military SF (The Dread Empire’s Fall series), humor (The Crown Jewels), even disaster fiction (The Rift). But much of Williams’s best work takes place in the shorter forms, as this generous volume, filled to overflowing with award-winning and award-nominated stories, clearly proves.

With one exception, The Best of Walter Jon Williams reflects its author’s affection for — and mastery of — the novella form. That exception is “The Millennium Party,” a brief, brilliant account of a virtual anniversary celebration unlike any you have ever imagined. Elsewhere in the collection, Williams offers us one brilliantly sustained creation after another. The Nebula Award-winning “Daddy’s World” takes us into a young boy’s private universe, a world of seeming miracles that conceals a tragic secret. “Dinosaurs” is the far future account of the incredibly destructive relationship between the star-faring human race and the less evolved inhabitants of the planet Shar.

“Diamonds from Tequila” is a lovingly crafted example of SF Noir in which a former child actor attempts a comeback that proves unexpectedly dangerous. “Surfacing” is a tale of alienation featuring a research scientist more at home with the foreign and unfamiliar than with the members of his own species. Finally, the magisterial “Wall, Stone, Craft” offers a brilliantly realized alternate take on a young Mary Godwin, future creator of Frankenstein, and her relationships with the poets Percy Bysshe Shelley and Lord Byron, culminating in the creation of a monster who would “stalk through the hearts of all the world.”

These stories, together with half a dozen equally substantial tales, are the clear product of a master craftsman with a seemingly limitless imagination.

The Best of Walter Jon Williams contains eleven novellas and one short story, plus an introduction by Daniel Abraham (one half of the joint-pseudonym James S.A. Corey), and Williams’ extensive Story Notes (13 pages). Here’s the complete Table of Contents.

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Vintage Treasures: Legacy by James H. Schmitz

Vintage Treasures: Legacy by James H. Schmitz

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Legacy by James H. Schmitz (Ace Books, 1979). Cover by Bob Adragna

Although I purchased several of his paperbacks in my teens, I didn’t really learn to appreciate the work of James H. Schmitz until I read and reviewed Gardner Dozois’ terrific 1998 anthology The Good Old Stuff: Adventure SF in the Grand Tradition, which contained Schmitz’s story “The Second Night of Summer.” In his intro for that tale Gardner wrote:

Although he lacked van Vogt’s paranoid tension and ornately Byzantine plots, the late James H. Schmitz was considerably better at people than van Vogt was, crafting even his villains as complicated, psychologically complex, and non-stereotypical characters, full of surprising quirks and behaviors that you didn’t see in a lot of other Space Adventure stuff… And his universes, although they come with their own share of monsters and sinister menaces, seem as if they would be more pleasant places to live than most Space Opera universes, places where you could have a viable, ordinary, and decent life once the plot was through requiring you to battle for existence against some Dread Implacable Monster; Schmitz even has sympathy for the monsters, who are often seen in the end not to be monsters at all, but rather creatures with agendas and priorities and points-of-view of their own, from which perspectives their actions are justified and sometimes admirable — a tolerant attitude almost unique amidst the Space Adventure tales of the day, most of which were frothingly xenophobic.

“The Second Night of Summer” is a superb tale of an attack on the planet Noorhut by mysterious and deadly inter-dimensional invaders — an attack thwarted single-handedly by the coolly competent Granny Wannattel and her friendly alien companion. That single story sparked an enduring interest in Schmitz, and I’ve read and enjoyed a lot of his short fiction in the past few decades.

That in turn stirred an interest in those 70s novels that have been gathering dust on my shelves. I recently picked up the 1979 Ace Books edition of Legacy, set in Schmitz’s richly-imagined galactic federation of The Hub, and find myself much more interested in reading it than any of this month’s new SF releases.

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Future Treasures: Voyagers: Twelve Journeys through Space and Time by Robert Silverberg

Future Treasures: Voyagers: Twelve Journeys through Space and Time by Robert Silverberg

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Robert Silverberg is a Science Fiction Grand Master, a living legend of SF, and one of the most prolific and widely respected genre writers of the 20th Century. And here he is, 21 years into the 21st Century, still producing important books that command our attention.

Is Voyagers: Twelve Journeys through Space and Time an important book? Sure looks like it to me. It is, according to my count, his 50th collection, appearing almost exactly 60 years after his first, Next Stop the Stars, was published in 1962. It contains a dozen of his most celebrated stories, including tales of Spanish conquistadores who find the Fountain of Youth, a tourist in Mexico who makes a startling discovery, and spacefarers who find a nightmare world.

If you’re not familiar with Silverberg, this may be one of the most important and rewarding purchases you make this year. And if you are, you already know it’s an essential buy. It arrives in trade paperback from Three Rooms Press in two weeks. Here’s an excerpt from the enthusiastic Publisher’s Weekly review.

SFWA Grand Master Silverberg brings together 12 tension-filled speculative stories from throughout his long career in this impressive collection. Silverberg’s adventurous and melancholy tales are united in taking characters to vividly detailed settings, including a grisly ancient Egyptian embalming market in “Thebes of the Hundred Gates”; a “nightmare world” of “gaudy monsters” called Sidri Akrak in “Travelers”; and even the microscopic space between electrons in “Chip Runner.” Exploring themes of death and identity, the stories range from the bittersweet to the truly tragic, yet the collection never feels grim. These timeless topics also mean that even the decades-old stories still resonate… Readers will be won over by the immersive worldbuilding and clever plot twists of these thought-provoking stories.

Voyagers: Twelve Journeys through Space and Time will be published by Three Rooms Press on April 20, 2021. It is 448 pages, priced at $16 in trade paperback and $9.81 in digital formats. Get all the details at the publisher’s website.

See all our recent coverage of the best upcoming SF and fantasy here.

“Is There Anybody There?”: James Gunn’s The Listeners

“Is There Anybody There?”: James Gunn’s The Listeners

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The Listeners by James Gunn
First Edition: Scribner’s, October 1972, Jacket design Jerry Thorp
(Book Club edition shown)

The Listeners
by James Gunn
Scribner’s (275 pages, $6.95, Hardcover, October 1972)
Jacket design Jerry Thorp

The late James Gunn, who died just last year, became an SFWA Grand Master in 2007 and was inducted into the SF Hall of Fame in 2015, both recognizing his achievements in science fiction. His individual awards include an Eaton Award for lifetime achievement as a critic (1982), a Pilgrim Award for lifetime contribution to SF and fantasy scholarship (1976), and a Clareson Award from the Science Fiction Research Association (1997).

So while Gunn wrote a good amount of fiction, some fifteen novels and a similar number of story collections, it’s fair to say his profile was higher as a nonfiction writer and critic than for his fiction. His critical work includes Alternate Worlds: The Illustrated History of Science Fiction (1976), which presumably triggered the Pilgrim Award (but predated the Hugo category for nonfiction or related book), and Isaac Asimov: The Foundations of Science Fiction (1982, which did win a Hugo Award). He also edited the prominent series of anthologies The Road to Science Fiction (1977 to 1998), and was closely associated with the Campbell and Sturgeon awards organized at the Center for the Study of Science Fiction in Lawrence, Kansas, where spent most of his life in academia.

The closest he got to major awards recognition for his fiction was the novel considered here, The Listeners, from 1972. It came in second for the John W. Campbell Memorial Award, in that award’s first year, to Barry Malzberg’s Beyond Apollo, though it was not nominated for a Hugo or Nebula award. (Neither was the Malzberg.)
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New Treasures: Glow by Tim Jordan

New Treasures: Glow by Tim Jordan

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Glow by Tim Jordan (Angry Robot, February 23, 2021). Cover by Glen Wilkins

I always enjoy finding a reliable new reviewer. Even more than that, I enjoy a reviewer who’s concise — one who can package a synopsis and recommendation in a single punchy, well written paragraph. John the Librarian, one of my recent discoveries, definitely has the knack. Here’s his review of Glow, Tim Jordan’s debut novel from Angry Robot, released in February, which features a young man on the run from drug liches and an unstoppable assassin in a near-future dystopia….

Just as humankind was on the brink of reaching the stars, fueled by new biotechnology that conveys near-immortality, the Earth was almost destroyed by a nuclear holocaust. Now, a once-great corporation is clinging to power from its orbiting stations, an Earth-side alliance seeks to overthrow it, and a new kind of artificial life lurks in the dark, where nothing is as it seems. Rex is an addict of Glow — a nanotech drug — who can’t remember who he is. When he’s taken in by a sect of nuns who promise salvation, he finds himself in a conflict that could destroy all he holds dear, hunted by something not of this world… In Jordan’s impressive fiction debut, the action and pacing are taut, the characters well drawn, the conflict compelling, and the world he creates is fascinating and immersive in its detail. His world building is reminiscent of the best space opera mixed with the gritty, violent dystopia of cyberpunk.

Glow was published by Angry Robot on February 23, 2021. It is 400 pages, priced at $14.99 in trade paperback, and $6.99 in digital formats. The cover is by Glen Wilkins. Read the first three chapters (22 pages) at Issuu.com.

See all our recent New Treasures here.

The Art of Things to Come, Part 3: 1961-1963

The Art of Things to Come, Part 3: 1961-1963

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Science Fiction Book Club brochure (1961)

As I related in the first two installments of this series (Part One: 1953-1957, and Part Two: 1958-1960), like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976, shortly after I’d discovered their ads in the SF digests.

The bulletin of the SFBC, Things to Come – which announced the featured selections available and alternates – sometimes just reproduced the dust jacket art for the books in question. During the first couple of decades of Things to Come, however, those occasions were rare. In most cases during that period, the art was created solely for the bulletin, and was not used in the book or anywhere else.

Since nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, it hasn’t been seen by many SF fans. In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while the second installment covered 1958-1960. In this third installment I’ll look at the years 1961-1963, presented chronologically.

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Vintage Treasures: Year’s Finest Fantasy edited by Terry Carr

Vintage Treasures: Year’s Finest Fantasy edited by Terry Carr

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Year’s Finest Fantasy (Berkley Books, 1978). Cover by Carl Lundgren

The first Year Best volume I ever read was Terry Carr’s The Best Science Fiction of the Year #6, published in paperback by Del Rey in 1977 and filled with stories that blew my 13-year old mind, including the fascinating gadget tale “I See You” by Damon Knight,  John Varley’s futuristic murder mystery “The Phantom of Kansas,” the raunchy and bizarre “Meathouse Man” by George R. R. Martin, and Isaac Asimov’s classic “The Bicentennial Man.”

I kept an eye out for Terry Carr’s anthologies after that. The next one I spotted was Year’s Finest Fantasy, published by Berkley in July 1987. It was a fine demonstration of Carr’s far-ranging and discerning eye, for it included names both expected — Avram Davidson, Stephen King, a Dying Earth tale by Jack Vance, and Harlan Ellison with one of his finest stories, “Jeffty Is Five” — and unexpected, including T. Coraghessan Boyle, Woody Allen, and a horror novella by Robert Aickmanm. It also contained Steven Utley and Howard Waldrop’s Frankenstein story, “Black as the Pit, from Pole to Pole,” and an long novella from a virtual unknown, Julian Reid, his only known fantasy work, originally published in Universe 7.

Year’s Finest Fantasy was successful enough to kick off a series that lasted for five volumes, changing name to Fantasy Annual with #3. Terry Carr, a fine writer in his own right, provided a thoughtful introduction to the first volume, arguing convincingly that “contemporary fantasy tells us more truly of the nature of humanity than any collection of “realistic” stories could.” 43 years after I first read them, I find Carr’s words still resonate strongly.

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A Book Most Extraordinary: Once on a Time by A.A. Milne

A Book Most Extraordinary: Once on a Time by A.A. Milne

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King Merriwig of Euralia sat at breakfast on his castle walls. He lifted the gold cover from the gold dish in front of him, selected a trout and conveyed it carefully to his gold plate. He was a man of simple tastes, but when you have an aunt with the newly acquired gift of turning anything she touches to gold, you must let her practise sometimes. In another age it might have been fretwork.

So begins Once on a Time (1917), A. A. Milne‘s charming and funny fairy tale sendup. In it, a war is started over one king leaping over another king’s land in his seven-league boots, a bad wish is wished (as well as a good one), lovers meet, and a slightly wicked countess plots to steal the kingdom’s wealth. It is a book that had me laughing aloud one minute and forcing my wife to listen to me read pages aloud the next.

Next to the gargantuan, multi-billion-dollar legacy that is Winnie-the-Pooh, it is quite easy to miss that Milne was an author of several adult novels, among them The Red House Mystery, a classic of Golden Age detective fiction. A graduate of Trinity College, Cambridge, he became a columnist for the satirical magazine, Punch, played cricket on teams with P.G. Wodehouse, J.M. Barrie, and Arthur Conan Doyle, and served in the army during WW I. He was wounded at the Somme and spent the last two years of the war writing propaganda. After the war, his son Christopher Robin was born, acquired some stuffed animals, and inspired Milne to write the two books that would be his greatest legacy: Winnie-the-Pooh (1926), and The House at Pooh Corner (1928).

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So, I Accidentally Wrote a Novella

So, I Accidentally Wrote a Novella

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The Woman in the Coffin by Nathan Long (Oolong Books, February 18 2021)

So, I accidentally wrote a novella.

When I told him about it, John O’Neill congratulated me on my sagacity for following the current trend in novellas, but that was never my intention. I’m so out of the loop I didn’t even know there was such a trend. What I had set out to do was to entertain my friend Elizabeth Watasin by writing a serial adventure set in her Dark Victorian world and sending her a chapter every week. It just so happened when I put all the chapters together they turned out to be novella length and not too terrible, so there you go. And, yes, as you have already deduced, not only is it a novella, it’s a fan-fic novella. I so fell in love with the swooniness of Elizabeth’s world and characters that I was inspired to write a Watasin-adjacent story of my own. And, to add to its other sins, it’s very possible I won’t write a follow up.

Given all that (fan-fic, runtish length, no ‘long tail’) what the hell am I doing making The Woman in the Coffin the first thing I self-publish? Honestly, I don’t know. I have two finished full length novels in the trunk that would only require a copy-edit and a cover to put up on Amazon, but did I publish those? No. I picked the thing that requires half a page of mea culpa to explain, and which I had to ask Elizabeth’s permission to publish.

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Neverwhens, Where History and Fantasy Collide: Brilliance Gleams Beneath a Black Sun

Neverwhens, Where History and Fantasy Collide: Brilliance Gleams Beneath a Black Sun

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Black Sun-small Black Sun-back-small

Black Sun by Rebecca Roanhorse (Saga Press, October 2020). Cover by John Picacio.

In the 14 months I have had this column, I’ve looked at “historicity and fantasy” from a variety of angles, one of which has been looking at current — and lauded — works by known authors, and assessing how well they weave the two together. Thus far, I haven’t been very kind. While I loved G. Willow Wilson’s The Bird King as a kind of modern fable, it creates its view of dying Al-Andalus by promoting a series of stereotypes about Christian Spain and the Inquisition that would be excoriated where the same treatment applied to the tale’s Muslim world. Conversely, Guy Gavriel Kay is the master of historical fiction masquerading at fantasy, essentially reinventing the earliest form of “Romantic fiction” with his post-Tigana work. Sadly, in Children of Earth and Sky rather than “jumping the shark,” Kay never gets up to speed, creating a tale that is so faithful to the history it is a thinly-veiled variant of, that nothing much ever happens.

So I thought it was time I praised something in this column — because I generally do like far more than I hate. And wow, what a gem I have to talk about with you today.

Over the winter holidays I read Rebecca Roanhorse’s debut entry into the world of epic fantasy: Black Sun. Billed as Volume 1 of Between Earth and Sky, this is clearly the start of an epic, yet just about works as a standalone tale in its own right.

Published last year, this is a departure for Roanhorse, whose work has mostly been contemporary fantasy, though again drawing on native themes. So what’s it about? Well, our official blurb actually does a pretty good job of teasing the plot. Here it is.

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