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Neverwhens: Ancient Civilizations Topple and the Age of Heroes ends in the Blades of Bronze Trilogy by Mark Knowles

Neverwhens: Ancient Civilizations Topple and the Age of Heroes ends in the Blades of Bronze Trilogy by Mark Knowles

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Seriously, how many D&D encounters did this one scene inspire? (Jason and the Argonauts, 1963)

I sincerely doubt any Black Gate reader needs an education in who Ray Harryhausen was or why his films, despite the sea-change in special effects technology, remain seminal classics (I’ve been making my way through a bunch of his swashbuckling adventures with my Zoomer son, who notes, time and again, how ‘cheesy and awesome’ the stop motion is, but also calls out how perfect at times the strange movements are at making monsters seem, well…strange and *monstrous* in a way that smooth CGI does not).

I myself am young enough that the only Harryhausen film I saw in theaters was his grand finale, Clash of the Titans (1981), though thanks to Saturday matinee TV I had a steady diet of all that came before.

Clash itself is interesting, because, written by Beverley Cross, while ostensibly the story of Perseus — one of the few *likable* Greek heroes, and one of the few with a reasonably “happy” ending to his tale — the film is to large extent a reworking of an early film Cross had done with Harryhausen, Jason and the Argonauts (1963).

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An Essential Purchase: The Weird Tales Boys by Stephen Jones

An Essential Purchase: The Weird Tales Boys by Stephen Jones

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The Weird Tales Boys (PS Publishing, September 2023). Cover by Les Edwards

How could I not purchase The Weird Tales Boys, by Stephen Jones? It focuses on the three authors whose work has most inspired me for decades: Robert E. Howard, H.P. Lovecraft, and Clark Ashton Smith.

In fact, I created a small business whose core product, the Hyperborea RPG, is inspired by the works of these three iconic giants of weird fiction, horror, fantasy, and sci-fi.

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A (Black) Gat in the Hand: Richard Deming’s Manville Moon

A (Black) Gat in the Hand: Richard Deming’s Manville Moon

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Richard Deming’s career flourished during the end of the Pulps and the birth of the digests. He published short stories in five different decades. After serving in World War II, he was working for the Red Cross when he sold his first story, “The Juarez Knife,” to Popular Detective. He would write a total of sixteen more stories, as well as four novels, featuring his one-legged war veteran, Manville (‘Manny,’ ‘Mister’) Moon, mostly appearing in Black Mask, and Dime Detective.

He wrote three police procedural novels starring Matt Rudd, a vice cop in Southern California. Deming appeared in the final issue of Dime Detective, but had already transitioned to Manhhunt, the digest magazine that was the successor to the hardboiled Pulps.

Deming also wrote for television – an experience he did not speak of fondly.

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It’s Only a Matter of Time

It’s Only a Matter of Time

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The human mind daydreams its way around certain specific topics with exceptional regularity. We fret about personal security, we hope for love (in its innumerable forms), and to round out the likely top three, we focus on death. This last in particular invites a speculative element: we can hardly help fantasizing about an extended or perhaps immortal life span.

But not far down the list comes the earnest desire to travel in time. Backward, forward, sidelong –– “over, under, sideways, down” –– any shift in our current path will do. We want to zip back in time to visit places now impossible to see, or connect with loved ones we’ve lost. We want to zoom forward to get a preview of what is to come.

The urge is powerful, atavistic. It’s as if our very cells, so prone to decay (a driving force of time as we experience it), insist that here lies a field that demands investigation.

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Conan Well Captured: Conan: City of the Dead by John C. Hocking

Conan Well Captured: Conan: City of the Dead by John C. Hocking

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Conan: City of the Dead (Titan Books, June 18, 2024). Cover by Jeffrey Alan Love

John C. Hocking’s (1960 -) Conan and the Emerald Lotus came along in 1995, near the end of the Tor Conan pastiche series of books. I’d read a lot of pastiches early but by ’95 was burned out on them and stopped picking up the new ones. So I never read Hocking’s entry. Until now.

In 2024, Titan Books published Conan City of the Dead, by Hocking. It contained Conan and the Emerald Lotus, and a second pastiche called Conan and the Living Plague. Hocking had written Living Plague under contract with Conan Properties, but when the ownership changed hands, the book fell into a limbo that lasted some 25 years.

The wait must have been agonizing for Hocking, but the result was a very nice hardcover printing of both his books together, with some neat interior illustrations by Richard Pace. The cover art is uncredited.

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A (Black) Gat in the Hand: Hammett & ‘The Girl with the Silver Eyes’ (My intro)

A (Black) Gat in the Hand: Hammett & ‘The Girl with the Silver Eyes’ (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Pulp Fest took place last week in Pittsburgh. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the second year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. This is my sixth intro for Steeger, and getting to write about Dashiell Hammett is a definite thrill. It’s about four times as long as my Fast One Intro. I could dig into Hammett for months. Check out my intro to that Volume Two, and then check out the book itself. Hammett is regarded as the Master, for good reason.

The Complete Black Mask Cases of the Continental Op, Volume One: Zigzags of Treachery, ended with “The House in Turk Street.” That was the tenth Op story, and as I wrote in the introduction to that volume:

‘For me, it’s in “The House in Turk Street” (which was adapted for the 2002 Samuel L. Jackson movie, No Good Deed) where we really see the classic Hammett for the first time. The characters, the pace, the tension, the plot elements: he was moving from learning, to improving, to the verge of mastering.’

Hammett had been honing his craft, and “The House on Turk Street” really saw things come together. While that was the first Hammett story to appear under Phil Cody’s editorship, it was surely accepted by George Sutton.

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Goth Chick News Reviews: We Can All Relate to Murder Your Employer

Goth Chick News Reviews: We Can All Relate to Murder Your Employer

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Murder Your Employer: The McMasters Guide to Homicide (Avid Reader Press, February 21, 2023)

First and foremost, this review is in no way a reference to our Black Gate big cheese John O. Speaking for BG Photog Chris Z and I, we can say unequivocally that we have never even thought of doing anything diabolical to John O. True that he forbid us to expense any more Hummer rentals or bottles of Fireball for our frequent road trips; forgetting of course, the former was for our safety and the latter for everyone else’s. Also true that he insists we fly Spirit Airlines and bring carry-on’s only to avoid baggage charges, resulting in Chris Z often going light on changes of socks in order to make room for his Ziplock bag of minibar bottles. But even with all this and more, we did not consider this delightful publication a potential “How To” manual.

With that information in mind, I can tell you that Murder Your Employer: The McMasters Guide to Homicide Volume 1 by Rupert Holmes is only the third book in my personal history which made me laugh out loud; with the first two being Good Omens (2006) by Neil Gaiman and Terry Pratchett and The Hitchhiker’s Guide to the Galaxy (1979) by Douglas Adams.

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A Book Worth Reading Every Year: Charlotte’s Web by E.B. White

A Book Worth Reading Every Year: Charlotte’s Web by E.B. White

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In a few days I’ll begin my twenty-first year of teaching fourth grade; as I tell my new families every intro night, I’m going to keep doing it until I get it right.

As always, the year ahead is largely unknown territory; even so, there are some things that I know will happen. For instance, there will be days when it seems like the kids are utterly clueless, and there will be days when it seems like I’m utterly clueless; students will be stricken by strange stomach maladies that come out of nowhere (usually right after a hasty lunch followed by twenty minutes of running around on the playground) and disappear just as quickly. There will be computer troubles and copier failures at the most inopportune times, and chairs or even desks will mysteriously tip over, spilling their contents (human or otherwise) on the floor — inevitably, just as we’re beginning to dig into the mysteries of long division or at some other equally problematic moment. I could go on, but why bother? If you’ve ever been in a classroom, you already know it all.

And I love it; there’s nothing that I would rather be doing, and one reason is because there’s another thing that I know will happen — I’ll read aloud to my students, and it’s the thing that I look forward to most; it’s always the high point of our day.

Every year we get through several books. Some are old favorites that I often return to (The BFG, The Cricket in Times Square, Pippi Longstocking) and some are “new” books that I try out in hopes of adding to my stock of old reliables (The Enormous Egg made the rotation, but after reading The Phantom Tollbooth last year, I know I won’t be revisiting it — it’s not a bad book; it’s just not great for reading aloud). There’s one book, however, that there’s never any question about; every year I treat my kids — and myself — to E.B. White’s masterpiece, Charlotte’s Web.

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A (Black) Gat in the Hand: Paul Cain’s ‘Fast One’ (My intro)

A (Black) Gat in the Hand: Paul Cain’s ‘Fast One’ (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last year, Steeger Books put out its first deluxe edition hardback, containing all of Paul Cain’s short stories, as well as his lone novel, Fast One. I wrote the intro for Fast One, which is on every list of the greatest hardboiled Pulp novel (it battles The Maltese Falcon for my top spot). That was my sixth intro for Steeger, and it’s this week’s column. Clearly, I recommend reading this slim, recklessly-paced Pulp masterpiece.

Paul Cain’s Fast One is a relentless roller coaster ride, which never lets the reader catch their breath before the next heart-stopping drop. The hero, Gerry Kells, plays a never-ending chess game, in which new pieces are constantly added to the board. He maneuvers a constantly shifting labyrinth of players, alliances, and plots, like a Machievellian chess master. He doesn’t just respond to developments: He consistently moves to turn matters to his advantage. He is a hard guy, but he has a heart – which prevents him from being ruthless. A little more ruthlessness would have served him well.

Kells continually responds to the situations (which are often backed by a gat) thrown at him, by turning up the heat. Police, a newspaper, other gangsters – he’ll use, or take on, anything in the mix. It’s a continual sense of “What’s gonna happen next?” as you turn the pages. And when Kells gets an upper hand, a new wrench gums up the works.

Power, politics, and money: Kells continues to navigate this trilogy of shark-infested waters, right up to the final scene. If Kells had been willing to put a bad guy out of the story – or at least put a bullet in a knee or two, he would have had an easier time, moving forward. He leaves players on the board. And they’re not allies. He’s a tough guy, but he’s more honorable than his enemies.

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Vintage Treasures: The Doom That Came to Sarnath by H.P. Lovecraft

Vintage Treasures: The Doom That Came to Sarnath by H.P. Lovecraft

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The Doom That Came to Sarnath (Ballantine Books, November 1976). Cover by Murray Tinkelman

H.P. Lovecraft, creator of the Cthulhu Mythos, was one of the greatest horror writers of the 20th Century. But horror wasn’t all he produced, as editor Lin Carter adroitly pointed out in the introduction to The Doom That Came to Sarnath.

Those readers who know only the Cthulhu Mythos stories, know only a single side of Lovecraft… the Cthulhu Mythos, while completely his own invention, was constructed along the guidelines established by earlier writers whom he greatly admired… But far beyond his borrowing of basic techniques from Machen and Chambers, Lovecraft is more deeply indebted to the great Anglo-Irish fantasist, Lord Dunsany… not content to make up his own geography, Dunsany invented the religion to which his imaginary worlds paid worship. An extremely clever, even brilliant, idea, and one which has been used by many writers after him. Lovecraft used this theme as the basis for his own Cthulhu Mythos.

As a young reader, Lovecraft was enthralled by Dunsany’s superb fiction. Many of his earliest tales… are Dunsanian in texture and color… Last year I edited a volume of the most Dunsanian of these tales, The Dream-Quest of Unknown Kadath… I would have liked to have included all the fiction from Lovecraft’s “Dunsanian period” in that single book, but the size of the volume would have been impractical. Hence, this second collection.

The Doom That Came to Sarnath contains 14 stories and poems from early in Lovecraft’s career (1919-1925), plus half a dozen later tales, including his famous collaboration with Harry Houdini, “Imprisoned With the Pharaohs.” Although many of the tales — including the title story — are deliciously macabre, there’s very little horror here. It is, as Lin Carter promised, a surprise and delight for those who know Lovecraft only as a horror writer.
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