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The Sword & Planet of Edmond Hamilton, Part I

The Sword & Planet of Edmond Hamilton, Part I

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Crashing Suns by Edmond Hamilton (Ace Books, 1965). Cover by Ed Valigursky

Edmond Hamilton, who I’ve mentioned here before as Leigh Brackett’s husband, wrote mostly Science fiction and I consider him one of the first generation of Space Opera writers. And one of the best of the bunch. You might wonder what Space Opera is and how it differs from Sword & Planet fiction, as well as from more mainstream SF. Well, let me explain.

Space Opera was coined to be used pejoratively, to denigrate a certain type of SF in which action and drama were king. This type of story supposedly only used the trappings of SF to tell an adventure tale rather than engaging with futuristic ideas. And the trappings included such things as ray guns, faster-than-light travel, and space battles.

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Space Opera vs Sword & Planet: Flash Gordon

Space Opera vs Sword & Planet: Flash Gordon

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Flash Gordon is sometimes labeled Sword & Planet fiction. It meets quite a few of the characteristics. It has an Earthman, Flash, ending up on a strange world where he engages in battles with strange monsters and weird humanoid aliens, including winged men, bird riders, lion men, and others. However, it fails the S&P test on one major feature, the primary weapon used. When Flash is first challenged, if at all possible, he reaches for a ray gun rather than a sword.

John Carter, Dray Prescot, Jandar of Callisto, and Ruenn Maclang of Talera reach for a sword. For this reason, since “sword” is the very first word in Sword & Planet, I tend to classify the Flash Gordon stories as Space Opera and put them in a category of S&P adjacent. It’s a matter of taste, of course. I tend to be a splitter rather than a lumper, which means I tend to separate genres along narrower lines than some other folks. The images I’ve posted today, downloaded as public domain or as stills from the movie, illustrate this feature of the Flash stories.

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A Bloody Good Time for Young and Old: Nathan Hale’s Hazardous Tales

A Bloody Good Time for Young and Old: Nathan Hale’s Hazardous Tales

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These days, deciding what to get depressed about is like visiting a fabulous smorgasbord where the presentation is first-class and every delicious dish is cooked to perfection. Hmmm… what shall I have today? Let’s see… a generous spoonful of climate-change anxiety is guaranteed to make a good appetizer. Now let’s have some sides… umm… a little state of the economy worry is always tasty, and… where are they hiding it? Oh! There it is — it’s just not a meal without a steaming portion of AI apocalypticism. And now for the main course. Well, we all know that there’s nothing as filling as… er, let’s just stop there, shall we?

For myself, I tend to go in for the more exotic entrees. For instance, one of my favorites is a heaping plateful of “dammit, kids just don’t read comic books as much as they did when I was their age!” Though it might not be enough for a whole meal, it is something that I frequently find myself chewing on.

It’s true, too — in my role as a fourth-grade teacher, I spend every day in the company of elementary-age children, and I can attest that actual comic books play almost no role in their lives, certainly compared with the space those gaudy booklets took up in my life — and my bedroom closet — when I was a child.

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The Sword & Planet of Leigh Brackett

The Sword & Planet of Leigh Brackett

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The Secret of Sinharat and People of the Talisman (Ace Double M-101, 1964). Covers by Ed Emshwiller

Leigh Brackett (1915 – 1978) is my favorite from among the second generation of Sword & Planet writers (S&P). Many people I meet recognize her name from her association with Star Wars: The Empire Strikes Back, for which she wrote the initial script. Or for the script to The Big Sleep, which she also wrote. Or, for several western movies she wrote the scripts for.

Those don’t mean anything to me, though. I know her from her Space Opera and S&P books, particularly the series featuring Eric John Stark.

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Ahoy, Matey! Plunge the Depths of The Great Eastern by Howard A. Rodman

Ahoy, Matey! Plunge the Depths of The Great Eastern by Howard A. Rodman

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The Great Eastern by Howard A. Rodman (Melville House, June 4, 2019). Cover artist unknown

Pop quiz. What do Captain Ahab, Captain Nemo, and Isambard Kingdom Brunel share in common? Okay, if you don’t know the first two, you have no business reading anything here at Black Gate. But you are forgiven if you haven’t a clue as to Brunel. I know I didn’t until I read Howard A. Rodman’s wonderfully inventive novel,  The Great Eastern.

Let’s look first at the main difference. Captain Ahab and Nemo are fictional. Brunel was a real person, and not just any person, but a renowned 19th century engineer who not only worked on Britain’s the Great Western Railway and Clifton Suspension Bridge, but also designed a series of of steamships called the Great Britain, the Great Western, and the Great Eastern.

So you can start to see where this is going.

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Sword & Planet from DMR Books: Henry Kuttner and Howie K. Bentley

Sword & Planet from DMR Books: Henry Kuttner and Howie K. Bentley

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Startling Stories, May 1947; and Lands of the Earthquake by Henry Kuttner
(DMR Books, June 2017). Cover art by Earle Bergey and Logon Saton

Lands of the Earthquake/Under a Dim Blue Sun is a “Double” novel, in the tradition of the old Ace Doubles. It contains a long novella by Henry Kuttner called Lands of the Earthquake, and a shorter novella by Howie K. Bentley called Under a Dim Blue Sun. Both fit the Sword & Planet mold (S&P).

The publisher here is DMR books, and it’s printed in the old paperback size that I like. You can find DMR Books online or on Amazon. The cover art on the Kuttner piece is Logon Saton.

The Kuttner piece was first published in 1947 in Startling Stories but has not been reprinted until now. It involves a modern Earthman, William Boyce, being transported to a fantasy land where time stands still but physical space moves. This temporarily brings different lands close enough to each other to interact.

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The Heroic Fantasy of Mike Sirota

The Heroic Fantasy of Mike Sirota

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Journey to Mesharra, Book 3 of the Ro-Lan series by Mike Sirota (Zebra Books, 1980). Artist uncredited

Mike Sirota (1946-) has written quite a lot of books in SF and Fantasy, including some Sword & Planet novels. He’s still writing and is currently working on a comedy/Sci-fi series.

I first encountered Sirota’s work in a book called Berbora, which I’d call Sword & Sorcery rather than S&P. Somewhat later, I found his five book Dannus series, so named after the main character. They are definitely S&P and are listed below.

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9 Short Stories That Deserve More Love

9 Short Stories That Deserve More Love

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The Best of Glen Cook (Night Shade Books, November 24, 2020) Cover by Raymond Swanland

It’s no exaggeration to call short stories the bedrock of sci-fi and fantasy. Over the years, short fiction has been the proving ground for many of our favorite authors. Heck, a ton of great book-length projects were born from short stories. Consider it, if you’ll indulge me, the anvil on which many an awesome idea has been tempered.

But for every “This Immortal Life” and “Sandkings” there are several great tales that have fallen through the cracks. Here are nine stories that in my humble opinion definitely deserve a lot more love.

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Manly Wade Wellman, Part II: Hok the Mighty

Manly Wade Wellman, Part II: Hok the Mighty

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Planet Stories #30: Battle in the Dawn: The Complete Hok the Mighty, by
Manly Wade Wellman (Paizo Publishing, March 2011). Cover by Kieran Yanner

Wellman created his character Hok the Mighty in 1939 and wrote several follow up stories with the character. In 2011, Planet Stories released a “complete” Hok the Mighty collection called Battle in the Dawn, with a cover by Kieran Yanner. The character as Yanner imagined it is shown here and makes me think of Brak the Barbarian.

Despite that image, the stories are not sword & sorcery but what I call “Caveman” fiction. Hok is a Cro-Magnon, an early Homo sapiens. He is wandering north in search of new hunting grounds and comes into contact with the Neanderthals (beast-men) living there. The result is a war between true humans and the sub humans, and Hok leads the way.

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George Barr’s Christmas Card Fantasies

George Barr’s Christmas Card Fantasies

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Some of the art included in Joy To The World: The Fantasy Christmas Card Art of George Barr, from American Fantasy Press

This is the complete Introduction to Joy To The World: The Fantasy Christmas Card Art of George Barr, a new volume of previously uncollected Barr artwork. Join the Kickstarter here.

Several years ago, my wife Deb and I took a cross-country drive to the West Coast (or at least as cross-country as you can get by starting in the Chicago suburbs). While in Oregon, we stopped by to visit some friends of ours, Dick and Bette Wald. At that point, Dick had been a prominent collector, as well as a dealer, of science fiction and fantasy books and original art for decades. Among the many artists we discussed with Dick and Bette was one that was a favorite of all of ours, George Barr.

Several Barr originals hung on their walls and I saw there for the first time many of the works that are reproduced in this book. By the mid-1970’s, Dick had been a fan of George’s art for many years, going back to George’s work on various fanzines in the early 1960’s.

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