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Vintage Treasures: The Hugo Winners, Volumes 1, 2 and 3, edited by Isaac Asimov

Vintage Treasures: The Hugo Winners, Volumes 1, 2 and 3, edited by Isaac Asimov

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The Hugo Winners, Volumes I & II and The Hugo Winners, Volume 3 (Doubleday, 1972 and 1977).
Cover designs by F. & J. Silversmiths, Inc, and Robert Jay Silverman

I’ve written 1,973 Vintage Treasures articles for Black Gate. (That seems like a lot. Is it a lot? If it were, the paperbacks waiting to be written up wouldn’t be threatening to topple over in a spine-crushing avalanche, right? Still seems like a lot, somehow.) My Vintage Treasures pieces aren’t reviews, sometimes because it’s been so long since I’ve read the book in question that I don’t trust myself to do it justice — and sometimes because I haven’t read it at all.

But mostly because I know from experience it takes me forever to assemble a decently thoughtful piece on a book I really enjoyed (or really didn’t enjoy — that takes even longer). In the time it takes me to produce a review I’m happy with, I can write four or five chatty Vintage Treasures, and that seems like a fair trade.

I’m going to break with that tradition here to offer up at least a partial review of The Hugo Winners, the groundbreaking 1962 anthology edited by Isaac Asimov, and its two follow-up volumes, The Hugo Winners, Volume II (1971) and Volume III (1977), all published in hardcover by Doubleday. They are perhaps the most important SF anthologies ever published, and I’ve read them so many times I’m pretty sure I can talk about them entirely from memory.

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The Sound of Far-Away Music: The Wind in the Willows by Kenneth Grahame

The Sound of Far-Away Music: The Wind in the Willows by Kenneth Grahame

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“Hullo, Mole!” said the Water Rat.

“Hullo, Rat!” said the Mole.

So begins one of the greatest of literary friendships. That simple introduction between two soon-to-be-best friends has stuck with me ever since my dad first read me The Wind in the  Willows (1908). They’re the opening chords of a song like the dream-music Mole and Rat hear on a mysterious river island, that has remained with me my entire life. Even, if like them, I can’t remember all the words, it’s a song that’s “simple–passionate–perfect.”

This book, one I find wonderful beyond measure, is a collection of several distinct tales. The most famous, probably due to Walt Disney’s The Adventures of Ichabod and Mr. Toad (1949) and the attendant amusement park ride, involves the foolish escapades of Toad. Those chapters are riotously funny and, I’d imagine, the most easily enjoyable to any child hearing them. More of the book, however, involves Mole and Rat, and those parts are by turns wistful, melancholic, and wondrous. In his memoir, Christopher Robin Milne wrote:

A book that we all greatly loved and admired and read aloud or alone, over and over and over: The Wind in the Willows. This book is, in a way, two separate books put into one. There are, on the one hand, those chapters concerned with the adventures of Toad; and on the other hand there are those chapters that explore human emotions – the emotions of fear, nostalgia, awe, wanderlust. My mother was drawn to the second group, of which “The Piper at the Gates of Dawn” was her favourite, read to me again and again with always, towards the end, the catch in the voice and the long pause to find her handkerchief and blow her nose. My father, on his side, was so captivated by the first group that he turned these chapters into the children’s play, Toad of Toad Hall. In this play one emotion only is allowed to creep in: nostalgia.

If I thought I could get away with it, I’d just write out all of The Pipers at the Gates of Dawn for this piece and leave it at that. I believe it is one of the most affecting things I’ve ever read. Its beauty only grows with each read. Sadly, I must write more (but I’ll still quote it a lot).

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Westside Stories: The Gilda Carr Tiny Mystery Fantasies by W.M. Akers

Westside Stories: The Gilda Carr Tiny Mystery Fantasies by W.M. Akers

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Westside, Westside Saints, and Westside Lights (Harper Voyager, 2019, 2020, and 2022). Cover designs by Owen Corrigan.

First I heard of W.M. Akers’ Westside books was when Jeff Somers blurbed the first volume for the Best Science Fiction & Fantasy of May 2019 at The Barnes & Noble Sci-fi & Fantasy Blog. Here’s what he said.

In an alternate 1920s Manhattan in which a heavily fortified wall running along Broadway divides the island into Eastside, where the normal laws of reality still apply, and Westside, where things have gone down the magical drain, the latter has become a magical wasteland where only the dregs of society — criminals, artists, and drunks — remain. Gilda Carr calls Westide home, and works as a private investigator specializing in bite-sized mysteries like recovering lost gloves. Somehow, though, her latest case pushes her into a gangland war that connects to her own long-missing father and the reason for the Westside’s descent into unreal chaos. As much as she might like to, Carr can’t sidestep the responsibility she suddenly feels to get to the bottom of both mysteries, for her own sake and that of everyone living in the magic-ravaged city. Akers’ hugely enjoyable debut marries inventive alt-history with truly strange magic and a protagonist you won’t soon forget.

An alternate 1920s Manhattan, a magical wasteland, and a PI who only takes tiny cases? You know I need to check out this one. Westside was a New York Times Notable Book of the Year; sequel Westside Saints arrived a year later. Westside Lights, published in March, closes out the trilogy.

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When Venice Ruled the… Galaxy? Miles Cameron’s Artifact Space

When Venice Ruled the… Galaxy? Miles Cameron’s Artifact Space

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Artifact Space by Miles Cameron (Gollancz, June 14, 2022)

Although I love to watch Sci-Fi shows & movies, I don’t tend to read a lot of Sci-fi, and never have; even though Dan Simmons’s Hyperion Cantos remains one of my favorite set of novels in any genre, and I have an incredible soft-spot for sword & planet pulp.

OTOH, good space opera often blurs the line between fantasy and Sci-Fi, or takes themes we see in historical fiction and contemporary society and plays with them, free from the constraints of, well, history. So, when one of your favorite his-fic/fantasy writers sets out to write a space opera, you need to take the plunge.

It’s a great plunge, indeed. I keep trying to come up with an analog and failing but here is the best I can come up with:

Patrick O’Brien’s Captain Aubrey novels + Horatio Hornblower + Top Gun in Star Trek’s Federation if the Federation had been founded by the Renaissance Venetians.

That’s a lot to unpack, right?

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Vintage Treasures: The Arbor House Treasury of Horror and the Supernatural compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg

Vintage Treasures: The Arbor House Treasury of Horror and the Supernatural compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg

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The Arbor House Treasury of Horror and the Supernatural (Arbor House, May 1981)

Back in February I surveyed all ten Arbor House Treasuries, calling them a “Hearty Library of Genre Fiction.” I wanted to take a closer look at a few (and I did crack open The Arbor House Treasury of Great Science Fiction Short Novels, edited by Martin H. Greenberg and Robert Silverberg), and this long Memorial Day weekend I’m settling down with The Arbor House Treasury of Horror and the Supernatural, a massive volume compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg.

This is a feast of a book, nearly 600 pages in hardcover, packed with 41 stories by Edgar Allan Poe, Bram Stoker, Winston Churchill, H. G. Wells, Ambrose Bierce, H. P. Lovecraft, Robert Bloch, Cornell Woolrich, William Faulkner, Theodore Sturgeon, Fritz Leiber, Fredric Brown, Karl Edward Wagner, Thomas M. Disch, Robert Silverberg, Ramsey Campbell, Jack Dann, C. M. Kornbluth, Robert Sheckley, Joyce Carol Oates, Stephen King, and dozens of others. It’s a the kind of thing you build a month-long book club project around.

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High Fantasy Noir: Fevered Star by Rebecca Roanhorse

High Fantasy Noir: Fevered Star by Rebecca Roanhorse

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Black Sun (paperback reprint) and Fevered Star (Saga Press, June 2021 and April 2022). Covers by John Picacio

My first novel The Robots of Gotham was released in June 2018, and it was gratifying to see a summer debut could quickly climb bestseller lists, receive wide attention and praise from numerous venues, snag a Nebula and Hugo nomination, and win a Locus Award.

Not mine, of course. No, all that breathless acclaim went to Rebecca Roanhorse’s Trail of Lightning, released a week after Robots. It was consistently annoying to hear the excited chatter about that book from friends, coworkers, parents, children, and people standing next to me at the damn post office.

I decided to read Roanhorse’s book so I could see what I was up against. That was a huge mistake. Pretty soon I was talking it up to anyone who would listen — or even make eye contact. You haven’t read Trail of Lightning?? I heard myself say. Check it out first — it’s fantastic. I guess I suck as a self-promoter, but I’m still your guy for honest book recs.

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Vintage Treasures: Nebula Award-Winning Novellas edited by Martin H. Greenberg

Vintage Treasures: Nebula Award-Winning Novellas edited by Martin H. Greenberg

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Nebula Award-Winning Novellas (Barnes & Noble, 1994)

It’s become fairly routine for the Nebula Awards Showcase, the annual anthology gathering the Science Fiction Writers of America’s Nebula award winning fiction, to omit the Best Novella. In fact, in the last five years only one novella, Martha Wells’s Murberbot tale All Systems Red, has been included in its entirety. Most of the others have been represented by brief extracts.

This isn’t a new problem. In his introduction to Nebula Award-Winning Novellas, B&N buyer Stephen Pagel complained that novellas, beloved by readers and writers alike, get no love from publishers and editors. Here’s his take.

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An Extravagant and Wonderful Fantasy with Assassins, Ghosts, and Necromancers: Saint Death’s Daughter by C. S. E. Cooney

An Extravagant and Wonderful Fantasy with Assassins, Ghosts, and Necromancers: Saint Death’s Daughter by C. S. E. Cooney

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Saint Death’s Daughter by C.S.E. Cooney (Solaris, April 12, 2022)

Here’s a novel I’ve been anticipating for some time — years even. C. S. E. Cooney has been working on it for even longer, to be sure. It is in a sense her first novel, except that an earlier planned novella, started I believe long after this novel was first drafted, got away from her a bit and ended up novel length, even though it has only been published in an original anthology. (This is The Twice-Drowned Saint, from the Mythic Delirium anthology A Sinister Quartet, which is well worth your time for all its stories.)

Time for full disclosure — I’ve known Claire Cooney for a long time now, and I consider her a good friend. I’ve been reading her fiction since 2007, when her first stories appeared, and I’ve reprinted several of her pieces. We are both long-time contributors to this eminent publication (and indeed it was John O’Neill, the overlord of Black Gate, who introduced us.) Claire gave me an advance copy of Saint Death’s Daughter. So calibrate this review as you will — I was praising her work before I knew her, mind you (and I thought the author of “Stone Shoes” might be male at first.) Still, I clearly am predisposed to like her fiction.

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Goth Chick News: Not a Bit Jealous of the 2021 Stoker Award Winners

Goth Chick News: Not a Bit Jealous of the 2021 Stoker Award Winners

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Back in March, I laid out the list of nominees for the Horror Writers Association’s 2021 Stoker Awards for superior literary achievement in horror, in a variety of categories. The Bram Stoker Awards (literally the coolest award in history) were instituted in 1987 and the eleven award categories are: Novel, First Novel, Short Fiction, Long Fiction, Young Adult, Fiction Collection, Poetry Collection, Anthology, Screenplay, Graphic Novel, and Non-Fiction. As I previously explained, I’ve tried everything short of writing a qualifying story, to get my hands on one.

But alas, the 2021 awards were distributed only to the worthy few (none of whom were willing to sell), at the Association’s annual banquet on May 12-15 during StokerCon 2022 which was held at the Curtis Hotel in Denver CO. Black Gate and Goth Chick News would like to congratulate the following authors and editors for their superior achievements and suggest you, beloved readers, start loading up your Amazon wish list immediately.

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A Master of Strange Short Fiction- Robert Aickman: An Attempted Biography by RB Russell

A Master of Strange Short Fiction- Robert Aickman: An Attempted Biography by RB Russell

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Robert Aickman: An Attempted Biography (Tartarus Press, February 3, 2022)

Robert Aickman (1914-1981) was an iconic British writer especially known for his strange, uncanny stories, reprinted in several collections.  He also penned a couple of  minor novels, but he’s mostly remembered for his ambiguous but riveting short fiction.

In addition, he was also a very active, influential member of the Inland Waterways Association (IWA) and was instrumental in saving and promoting the restoration of the network of British canals. Those two activities have been the subject of two autobiographical books, The Attempted Rescue and The River Runs Uphill, respectively. 

Aickman was also the editor of several volumes of the cult series of anthologies The Fontana Book of Great Ghost Stories.

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