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New Treasures: Dead Silence by S.A. Barnes

New Treasures: Dead Silence by S.A. Barnes


Dead Silence (Tor Nightfire, January 24, 2023). Cover by Timo Noack

Nightfire is Tor’s new horror imprint. Launched in 2019, it’s published books by Silvia Moreno-Garcia, Thomas Olde Heuvelt, Catriona Ward, Cassandra Khaw, Ellen Datlow, T. Kingfisher, and lots more.

That’s all well and good, but has it given us a haunted house story in space that’s a successful cross between 2001: A Space Odyssey and Alien? No. No it has not.

Well, at least it hadn’t until the arrival of S.A. Barnes’ Dead Silence, which Library Journal calls “a compelling haunted-house-in-space frame [with] excellent worldbuilding and sustained tension,” and Locus says is a “great, immersive, atmospheric space horror that proves that, despite rumors to the contrary, horror belongs in space.” (And yeah, for the record, Mur Lafferty tells us Dead Silence offers “the suffocating claustrophobia of 2001: A Space Odyssey mixed with the horrors of Alien.” That’s just not a blend you see every day.)

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Vintage Detectives: Supernatural Sleuths, Sci-Fi Private Eye, and Isaac Asimov’s Detectives, edited by Gardner Dozois, Sheila Williams, Charles G. Waugh, and Martin H. Greenberg

Vintage Detectives: Supernatural Sleuths, Sci-Fi Private Eye, and Isaac Asimov’s Detectives, edited by Gardner Dozois, Sheila Williams, Charles G. Waugh, and Martin H. Greenberg


Supernatural Sleuths and Sci-Fi Private Eye (Roc, 1996 and 1997), and
Isaac Asimov’s Detectives (Ace, 1998). Covers by Romas Kukalis, uncredited, and Andy Lackow

Science fiction detectives have been a popular theme for anthologies for a couple of generations now. We’ve covered a few (including Tin Stars, edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh), but there’s lot more out there for the curious and the collector alike.

I’ve recently been dipping into some themed anthologies from the 80s and 90s, and three that have impressed me all have themes of detection: Supernatural Sleuths and Sci-Fi Private Eye (both published by Roc, in 1996 and 1997), and Isaac Asimov’s Detectives (Ace, 1998). They gather a fabulous cross section of 20th Century cross-genre fiction, including a John the Balladeer tale by Manly Wade Wellman, a Black Widowers story by Isaac Asimov, a Solar Pons mystery by August Derleth and Mack Reynolds, a Carnacki adventure by William Hope Hodgson, a Jules de Grandin novelette by Seabury Quinn, and a pair of Gil Hamilton novellas by Larry Niven, plus a rich range of major award-winning and nominated SF from Nancy Kress, Greg Egan, Kate Wilhelm, John Varley, and more.

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Future Treasures: Some Desperate Glory by Emily Tesh

Future Treasures: Some Desperate Glory by Emily Tesh

Some Desperate Glory (Tor.com, April 11, 2023). Cover by Cynthia Sheppard.

I’m hearing good things about Emily Tesh’s debut novel Some Desperate Glory, coming next month from Tor.com.

Tesh won a World Fantasy Award for Silver in the Wood, the first novella in her Greenhollow Duology, also published by Tor.com. Some Desperate Glory is the tale of the warrior Kyr, raised among the scraps of humanity to avenge the death of the planet Earth, and what happens when she’s thrust into a universe far more complicated than she was taught. Library Journal proclaims it “A monumental journey,” and Booklist says it’s “One of the best sf novels of 2023… with an action-packed pace full of exciting battles and gut-wrenching twists.”

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Noir, The Boulevard of Broken Dreams: Bang!, edited by Andrew Hook

Noir, The Boulevard of Broken Dreams: Bang!, edited by Andrew Hook

Bang!: An Anthology of Modern Noir Fiction (Head Shot Press, March 1, 2023)

For reasons I don’t quite understand I love horror fiction but I hate horror movies.

By contrast, I love noir films but I don’t particularly like noir fiction. 

Yet, this anthology of noir stories has made me change my mind.

I’m not saying that I liked all the stories (that would be statistically impossible, even with horror anthologies) but certainly I was pleasantly surprised by my own response to several of the dark tales featured here.

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New Treasures: Ion Curtain by Anya Ow

New Treasures: Ion Curtain by Anya Ow


Ion Curtain (Solaris, July 19, 2022). Cover by John Harris

I love Space Opera but, wow. Why does is exclusively seem to come in 5-book series? Aren’t there any bite-sized nuggets of Space Opera out there that don’t require a three-month commitment? Something that I could enjoy in, say, a weekend in early March?

Solaris Books to the rescue. Anya Ow’s second novel Ion Curtain is a fast-action slice of Space Opera that includes sinister machine intelligences, derelict spacecraft, galactic war, and a plucky crew of space rogues. Publishers Weekly calls it an “addictive space opera… Unexpected humor and thrilling action punctuate this space opera adventure,” and that pretty much tells me everything I need to know.

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Vintage Treasures: Poseidonis by Clark Ashton Smith

Vintage Treasures: Poseidonis by Clark Ashton Smith


Poseidonis (Ballantine Adult Fantasy #59, July 1973). Cover by Gervasio Gallardo

I’ve been collecting Clark Ashton Smith recently, and I keep coming back to the wonderful Ballantine Adult Fantasy editions edited by Lin Carter in the early 70s.

It’s not nostalgia (well, maybe it’s a little nostalgia). And it’s certainly not that the stories aren’t available in other editions — Smith’s work has been annotated and collected by more than half a dozen publishers this century alone, including Night Shade, Penguin Classics, Hippocampus Press, Prime Books, Bison Books, Centipede Press, and others. It’s not even the great cover art — great as it is (and it’s pretty darn great), Smith has benefitted from some truly excellent cover art for most of his reissues.

What draws me to these editions is Lin Carter’s excellent commentary and editorials. When Carter was assembling these books in the early seventies most of Smith’s work was long out of print, available only in moldering pulp magazines (and a handful of expensive hardcovers from Arkham House), and Carter was introducing one of the greatest pulp writers of the 20th Century to an audience that was woefully unfamiliar with his work. He did a fabulous job of preparing readers for the wonders that awaited them.

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Might For Right: The Once and Future King, Part 1 by T.H. White

Might For Right: The Once and Future King, Part 1 by T.H. White

“I have been thinking,” said Arthur, “about Might and Right. I don’t think things ought to be done because you are able to do them. I think they should be done because you ought to do them.”

King Arthur, p. 239 The Once and Future King

I first read English author T.H. White’s The Once and Future King when I was seventeen, fresh from seeing the movie Camelot (1967) for the first time (the musical Camelot, by Lerner and Lowe was based on parts of White’s novel). The tale of Arthur Pendragon, by turns both comic and tragic, told in a thoroughly anachronistic and post-modern way, reached me as few other books had. The story of Arthur’s education and effort to create a better world and his ultimate failure and downfall broke my heart. I absolutely loved the book and used it as the basis for my AP English exam essay instead of any of the books I’d read in class (I aced the test). More than any other Arthurian book or movie, White’s book forms my image of Arthur’s doomed noble reign.

I know I reread the book once during college or grad school, but that was over thirty years ago and my memories are dim. To say I approached The Once and Future King last month with some trepidation is an understatement. There’s been more than one greatly admired book I’ve revisited only to find out that whatever affection I held for it had flown. I did not want that to happen here. Nonetheless, spurred again by watching Camelot recently, I was determined to read the book. Having finished the first two parts of the novel, I am happy to find that not only do I still love the book, I’m impressed more than ever by its power and White’s artistry. Note: To convey the latter point, I’ll be quoting the book generously.

The Once and Future King is really four books; The Sword in the Stone (1938), The Witch in the Wood, later retitled The Queen of Air and Darkness (1939), The Ill-Made Knight (1940), and The Candle in the Wind (1958). The first three were all published as standalone novels, the fourth only as part of the unified four-book collection. A fifth part, The Book of Merlyn (1977), was written in 1941 but wasn’t published until long after White’s death in 1964. For today, I’m going to write on the first two parts.

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Goth Chick News: Stokers, Stokers, Everywhere, But Still Not One For Me

Goth Chick News: Stokers, Stokers, Everywhere, But Still Not One For Me

Another year has passed without a single Bram Stoker Award appearing for sale on eBay. I really thought my time had come when I I told you that the Horror Writers Association (HWA) announced it had expelled a member from its ranks, who had been the recipient of multiple Stokers. As the recipient was entirely unrepentant, I felt sure he would make a statement by publicly unloading his awards, but alas. As my only hope of having one is to buy one on the open market, my mantle remains bereft of the pinnacle of all awards.

The Bram Stoker Awards have been presented annually since 1987, and the winners are selected by ballot from the approximately 1800 active members (in good standing) of the HWA. Several members of the HWA, including Dean Koontz, were originally reluctant to endorse such writing awards, fearing it would incite competitiveness rather than friendly admiration. The HWA therefore went to great lengths to avoid mean-spirited competition by specifically seeking out new or overlooked writers and works, and officially issuing awards not based on “best of the year” criteria but for “superior achievement,” which allows for ties.

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Future Treasures: Nightborn: Coldfire Rising by C. S. Friedman

Future Treasures: Nightborn: Coldfire Rising by C. S. Friedman

Nightborn: Coldfire Rising by C. S. Friedman. (DAW Books, July, 18th,  2023, 304pages). Cover art by Jeszika Le Vye.

 

Nightborn: Coldfire Rising by C. S. Friedman will be published this July by DAW Books. The stunning cover art by Jeszika Le Vye evokes and extends the signature covers of the Coldfire Trilogy crafted by Michael Whelan; the trilogy was released during 1991-1995 followed by a 2012 prequel novella, Dominion. Note that a revised version of Dominion, starring the Hunter himself, is in Nightborn!

Pre-order Nightborn: Coldfire Rising now from various retailers via the portal page on The Astra Publishing House page (DAW imprints).

But wait, there is more! Black Gate has an interview planned with C. S. Friedman leading up to the release. This is part of our “Beauty in Weird Fiction” series that focuses on the aesthetics of art in dark fantasy.  Fans of the Coldfire series will know that the mysterious, energetic fae is a beautiful and dangerous medium (see the astral blue entity in the cover above), and we’ll corner the author on her take on working visual, alluring magic.

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New Treasures: Burrowed by Mary Baader Kaley

New Treasures: Burrowed by Mary Baader Kaley


Burrowed (Angry Robot, January 10, 2023). Cover by Apostolos Gkantinas

We’re not that far into 2023, and there’s already been a fine crop of debut novelists. The latest to show up on my radar is Mary Baader Kaley, whose first novel Burrowed, a far-future tale of a genetic plague that splits humanity in two, was published by Angry Robot last month. I bought it the week after it came out at Barnes & Noble.

There’s lot of cool ideas in Burrowed (Booklist proclaims it “A great read for fans of postapocalyptic novels,” and Publishers Weekly says it “captivates with inventive science and adventure… [a] riveting thriller”), but the book didn’t really catch my eye until I read the author’s Big Idea post at John Scalzi’s blog, in which she explains that the idea for the novel arose out of the challenges of raising an autistic son.

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