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Future Treasures: The Wraithbone Phoenix by Alec Worley

Future Treasures: The Wraithbone Phoenix by Alec Worley

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The Wraithbone Phoenix (Black Library, August 30, 2022). Cover uncredited.

Black Library’s new Warhammer Crime imprint has caught my eye recently. I heartily enjoy their Warhammer 40K novels — and we’ve covered them at Black Gate fairly extensively over the past 20 years — but there’s only so much bleak far future military SF you can include in your regular diet.

Or is there? In the last two years Black Library has branched out with new Warhammer Horror and Warhammer Crime imprints, which re-focus the galaxy-spanning genocidal conflicts of the Warhammer 40K era into far more personal tales of urban crime and supernatural intrigue, and they have reinvigorated my interest in the rich and consequential milieu. Some of the most exciting and well-crafted far-future SF of the past few decades has been published under the 40K banner, and I’m excited to see that tradition carry on with a new generation of talent.

The latest release to pique my interest is The Wraithbone Phoenix by Alec Worley, which arrives in trade paperback and audio formats next Tuesday. It’s the second tale featuring Baggit and Clodde, a fast-talking ratling and his ogryn pal, following the popular audio title Dredge Runners.

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A Must-Buy For Any Howard Fan: Robert E. Howard Changed My Life edited by Jason M. Waltz

A Must-Buy For Any Howard Fan: Robert E. Howard Changed My Life edited by Jason M. Waltz

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Robert E. Howard Changed My Life (Rogue Blades Foundation, June 9, 2021). Cover by Didier Normand

Many of us “older folk” (I’m using that term very broadly) can attest to some experience in their early years — usually somewhere around 13-years old — where some individual, some book or books, some movie, some band or something similar made a huge impact upon our lives, an impact with a positive and profound, lasting influence.

For me, it was probably getting my first basic box set of Dungeons & Dragons (with the Erol Otus cover) for Christmas in 1981. I was only 12 at the time. Thereafter I immediately began to beg for, or scrap together any money I could to buy, any D&D books that I could get my hands on. And probably the most influential D&D book I got shortly thereabout was the hardback Deities & Demigods (again with an Erol Otus cover). This book had chapters on a host of traditional mythologies, each with its own heroes, gods and monsters — provided with D&D stats of course! But Deities & Demigods also contained other “mythologies” that were rooted in the books of authors like Michael Moorcock, H. P. Lovecraft and Fritz Leiber. This opened up a whole literary world for me that, I can fairly say, changed my life in integral ways.

Perhaps you’re old enough to relate to something similar happening to you. Evidently many can claim that the books of Texas writer Robert E. Howard (1906–1936) had such an impact. Rogue Blades Entertainment’s new book Robert E. Howard Changed My Life: Personal Essays about an Extraordinary Legacy gives a whole litany of testimonies to such. How did this interesting book come about?

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A (Black) Gat in the Hand: David Dodge

A (Black) Gat in the Hand: David Dodge

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I have discovered several writers I like, such as Day Keene, Pete Hamill, and Richard Powell, through the Hard Case Crime imprint. Another writer they reissued is David Dodge. Dodge wrote To Catch a Thief, which Alfred Hitchcock masterfully turned into a taut thriller film.

Two years earlier, Dodge’s Plunder of the Sun, an adventure novel starring Al Colby, was filmed with Glenn Ford. That script was written by hardboiled writer Jonathan Latimer. He wrote some fine movies in the genre, including The Glass Key, Nocturne, The Big Clock, and The Night has a Thousand Eyes.

Accountant Whit Whitney was Dodge’s first character. Dodge was a certified public accountant, and he wrote four hardboiled PI-like novels featuring him. He wrote the first when he bet his wife he could write a better mystery novel than the one she was currently reading.

He served in the Navy during the war, and he explored Latin America with his family after getting out. This led to the creation of Al Colby. Plunder of the Sun (you can listen to a radio play of it here) was Colby’s second book (of three). He is an American private eye, living in Mexico City.

The Long Escape – originally a Dell Mapback, and now available as an affordable ebook – is his first, and Colby is about to take a weekend trip when he gets a letter from an LA lawyer named Adams. Robert R. Parker had done a runner on his shrew of a wife; who is Adams’ client. In order for her to sell some property, she needs him to either agree to it, or be definitely dead.

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New Treasures: The World Gives Way by Marissa Levien

New Treasures: The World Gives Way by Marissa Levien

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The World Gives Way (Orbit, May 3, 2022). Cover design by Lisa Marie Pompilio

Here at the Black Gate rooftop headquarters there are few things as exciting as a good science fiction debut. (Maybe our Friday zeppelin races? Let’s call it a tossup.)

Marissa Levien’s The World Gives Way is one of the year’s strongest debuts. It made The New York Times list of Best Science Fiction Books of the Year, and Lacy Baugher at Culturess calls it “bleak, beautiful science fiction done right.” A.S. Moser at Strange Horizon says it’s “brave storytelling that uses the distorted mirror of science fiction to best effect.”

But my favorite review came from Martin Cahill at Tor.com, who calls it “incredible… The World Gives Way socks [readers] in the gut.” Here’s an excerpt.

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Datlow’s Scary Monsters: SCREAMS FROM THE DARK

Datlow’s Scary Monsters: SCREAMS FROM THE DARK

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Screams from the Dark (Tor Nightfire, June 7, 2022)

Monsters are among the most common, classic characters in horror, so it’s not surprising that the latest from famed horror anthologist Ellen Datlow is devoted to them. Datlow’s call for contributions generated a massive response from some of today’s most acclaimed horror writers, and the result is a mega-anthology with twenty-nine original stories.

The average quality is obviously high although, due to the theme, there is a certain, inevitable tendency to repetitiveness. With such a huge anthology it is quite impossible to comment upon each story (see table of contents, below). However, taking advantage of a reviewer’s privileges, I will simply focus on my “Magnificent Seven” among the contributions.

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Random Reviews: “Twelve-Steppe Program,” by Esther Friesner

Random Reviews: “Twelve-Steppe Program,” by Esther Friesner

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Cover by Tristan Elwell
Cover by Tristan Elwell

Last week’s story, “The Birth of A.I.” was a humorous short story which led up to a single punchline. This week’s story, Esther Friesner’s “Twelve-Steppe Program” is a longer humorous short story that rather than serve as the delivery system for a joke, focuses on the situations Friesner establishes to find its humor rather than punchlines.

The eunuch Nir Mung-Mung has been ordered to travel to the Garikkh horde to retrieve Princess Anuk’ti so she can become the bride of Prince Floats-like-dandelion-fluff-upon-the-scented-waters. Unfortunately for Nir Mung-Mung, he is entirely aware of the political machinations of the Chief Eunuch who is less interested in establishing a marriage between Prince Fluffy and Princess Anuk’ti and more concerned with holding onto his role as Chief Eunuch and making sure that any of his rivals, of whom he includes Nir Mung-Mung, are removed from contention to replace him.

For her part, Princess Anuk’ti is not the demure bride that Nir Mung-Mung was expecting to escort. Among her first interactions with him was an attempt to seduce him, not recognizing that he was a eunuch. In any event, Anuk’ti has her own agenda and once Nir Mung-Mung and Anuk’ti begin listening to each other, they come up with the beginnings of a plan to ensure both of their survivals in a court that is designed to be inhospitable to them.

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New Treasures: The Siren’s Song by Andrew Paul Weston

New Treasures: The Siren’s Song by Andrew Paul Weston

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The Siren’s Song: The Cambion Journals, Book Three, by Andrew P. Weston (Raven Tale Publishing. Kindle edition; released July 2022).

Andrew Paul Weston has described himself as a “Former Royal Marine, Police Officer & Crime & Intelligence analyst, cursed with an overactive imagination.” His muse and expertise drive him to write action-adventure that spans genres. Black Gate’s Fletcher Vredenburgh reviewed his internationally bestselling IX Series, military sci-fi that transports the lost Roman IX Legion across time & space to fight energy-eating monsters (book #1 The IX, book #2 Prelude to Sorrow, book #3 Exordium of Tears). And Joe Bonadonna covered Weston’s trilogy following the Devil’s hitman, Daemon Grim, set in Janet Morris’ Heroes in Hell ™ universe (book #1 Hell Bound, book #2 Hell Hounds, book #3 Hell Gate).

With The Siren’s Song (just released), Weston continues The Cambion Journal series which promises to be a six-novella series. It tracks Augustus Thorne, a “Cambion” (a half-demon, half-human hybrid). He’s cursed with a terrible hunger he can barely control, hunting and exterminating any Incubi and Succubae he can find.

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Future Treasures: The Year’s Best Fantasy: Volume One edited by Paula Guran

Future Treasures: The Year’s Best Fantasy: Volume One edited by Paula Guran

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The Year’s Best Fantasy: Volume One (Pyr, August 16, 2022). Cover by Liu Zishan

Paula Guran edited ten volumes of The Year’s Best Dark Fantasy & Horror for Prime Books between 2010-2019. She brought the series to Pyr in 2020, and it’s done well enough that this year Pyr launched a companion volume: The Year’s Best Fantasy: Volume One, also with Paula’s capable hand at the helm.

I’m delighted to see a brand new BEST OF series devoted exclusively to fantasy. This is a great volume to start with, containing a new Morlock tale by James Enge, AND a story by our first website editor C.S.E. Cooney (co-authored with her husband Carlos Hernandez), plus fiction from P. Djèlí Clark, Karen Joy Fowler, Sofia Samatar, E. Lily Yu, Isabel Yap, Catherynne Valente, Tobias Buckell, Elizabeth Bear, and many others. It goes on sale next week.

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IMHO: A PERSONAL HISTORY OF SWORD & SORCERY AND HEROIC FANTASY

IMHO: A PERSONAL HISTORY OF SWORD & SORCERY AND HEROIC FANTASY

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Weird Tales featuring “Devil in Iron” by Robert E. Howard, art by Margaret Brundage (~1934); Conan the Conqueror by REH and Lyon Sprague de Camp, art by Frazetta (~1967);  The Road of Kings by Karl Edward Wagner art by Matt Stawicki (1979); Kothar of the Magic Sword by Gardner F. Fox, art by Jeff Jones (~1969)

The Evolving and Cloned Barbarian

Conan, King Kull, Cormac, Bran Mak Morn — names that conjure magic, characters often imitated, but never duplicated. These creations of Robert E. Howard (circa 1930) started the Sword and Sorcery boom of the 1960s and early 1970s. Then there are the barbarian warriors inspired by Howard — “Clonans,” as one writer recently referred to these sword-slinging, muscle-bound characters. A fair observation, but in some cases, not so true.

I prefer to think of these “Clonan” tales of wandering barbarian heroes as “Barbarian Solo” adventures because the majority of these characters are lone wolves, without sidekicks or even recurring companions. This is a big part of their appeal, in fact, and in their own way, they are reminiscent of many cinematic westerns. I’ve read many, if not most, of the early Conan pastiches, including the novels based on Howard’s other creations. Karl Edward Wagner’s, Poul Anderson’s, and Andy Offutt’s portrayals of the Cimmerian come within a sword’s stroke of Howard’s original vision. L. Sprague de Camp and Lin Carter, in commodifying the character, arranged the long, informal saga of Conan in chronological order and, by extenuating these adventures with dozens more, made of Howard’s creation a long-form series similar to the episodic success of a television show on a prolonged run of diminishing returns. For some readers, however, the advantage of this development is that it provided a sort of character arc as Conan grows from a youth to an older man.

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Vintage Treasures: Tales from the Spaceport Bar edited by George H. Scithers and Darrell Schweitzer

Vintage Treasures: Tales from the Spaceport Bar edited by George H. Scithers and Darrell Schweitzer

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Tales from the Spaceport Bar and Another Round at the Spaceport Bar
(Avon Books, 1987 and 1989). Covers by James Warhola and Doug Beekman

Science fiction has a rep for being serious stuff. Tales of dystopias, climate catastrophes and environmental collapse, dire warnings about worrying trends, that’s SF in a nutshell. Even dressed up in its best story-telling adventure garb, Star Wars or Mad Max-style, it’s still often perceived as all about desperate battles in apocalyptic settings.

Of course, science fiction is much broader and richer than that, and most of its best writers have amply demonstrated their love of whimsy and fun. One of SF’s best-loved sub-genres is the Club Tale/Bar Story, exemplified by Arthur C. Clarke’s famous Tales From the White Hart, L. Sprague de Camp and Fletcher Pratt’s long-running Gavagan’s Bar stories, Lord Dunsany’s Jorkens tales, Isaac Asimov’s Black Widowers mysteries, Spider Robinson’s Callahan’s Bar, Larry Niven’s spacefaring tales of Draco Tavern, and many others.

In the late 80s Weird Tales editors George H. Scithers and Darrell Schweitzer assembled a collection of the best such stories, Tales from the Spaceport Bar. It made the Locus Award list of Year’s Best Anthologies (in 11th place), and was quickly followed by Another Round at the Spaceport Bar. Both books are a fine antidote to anyone who’s dabbled just a little too long on the dark side of science fiction.

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