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New Treasures: The Mountain in the Sea by Ray Nayler

New Treasures: The Mountain in the Sea by Ray Nayler

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The Mountain in the Sea (Picador reprint edition, May 30, 2023). Cover by María Jesús Contreras

Ray Nayler has published dozens of short stories in many of the major genre fiction markets. His debut novel The Mountain in the Sea was published in hardcover by MCD last year and nominated for a Nebula Award, and won the Locus Award for Best First Novel. But I ignored it because it pretty much had the most boring cover for a science fiction novel in 2022, and in my experience that’s often a more reliable sign than major awards.

However, Picador published the trade paperback edition in May of last year. And this version does not have a boring cover. No no no. This version features a giant intelligent octopus, and a bunch of intriguing quotes on the front and back that say things like “Superb” (Bloomberg Businessweek), “Planetary science fiction and a profound new kind of adventure” (Robin Sloan), “A taut exploration of inhuman consciousness” (Publishers Weekly), “A creepy eco-dystopian novel” (Buzzfeed), and “The octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence.”

Anytime you mix ‘creepy’ with ‘octopus,’ you have my immediate attention.

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Future Treasures: Vampires of El Norte by Isabel Cañas

Future Treasures: Vampires of El Norte by Isabel Cañas

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Vampires of El Norte (Berkley, August 15, 2023)

Isabel Cañas’ first short story, “The Weight of a Thousand Needles,” appeared in the June 2019 issue of John Joseph Adams’ Lightspeed magazine. Since then she’s published nearly a dozen stories in some of the top markets in the field, including Beneath Ceaseless Skies, Nightmare Magazine, Pseudopod, Fireside Magazine, Giganotosaurus, and many others. Her first novel The Hacienda, a gothic horror set in post-Independence War Mexico, was one of the most acclaimed horror debuts of last year, called “A thing of uncanny, chilling beauty, [with] hauntings, exorcisms, incantations, and forbidden love,” by The New York Times and “the perfect Gothic novel… a brilliant piece of historical fiction and a, ‘Okay, I’m gonna need to sleep with the lights on now,’ horror novel” by Jezebel.

Her sophomore effort Vampires of El Norte, due in hardcover from Berkley Books next week, is one of the most anticipated novels of the summer. Booklist labels it “a lush, supernaturally infused historical romance mixing vaqueros, vampires, and the Mexican-American conflict of 1846–48,” and Kirkus says “The vampires of this tale are incredibly original… There are three different narratives here: a love story, a war story, and a horror story. Each is compelling.”

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Vintage Treasures: Frontier of the Dark by A. Bertram Chandler

Vintage Treasures: Frontier of the Dark by A. Bertram Chandler

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Frontier of the Dark (Ace Books, January 1984). Cover by Attila Hejja

A. Bertram Chandler was an enormously prolific science fiction author whom we haven’t covered much at Black Gate. He wrote some 200 short stories and over 40 novels, and is chiefly remembered today for his popular tales of the pioneer Rim Worlds, especially the adventures of John Grimes.

Chandler began his career as a merchant marine officer in the UK, eventually commanding ships in the Australian and New Zealand merchant navies, including the Australian aircraft carrier HMAS Melbourne. He drew heavily from his long career sailing everything from tramp steamers to troop ships to infuse his fiction with a distinctly naval flavor.

His 1984 novel Frontier of the Dark, published the year he died, is a significant departure. A science fiction horror tale featuring werewolves in space, it bears the dedication, “For Harlan Ellison, who made me do it.”

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Only the Beginning: The Colour of Magic by Terry Pratchett

Only the Beginning: The Colour of Magic by Terry Pratchett

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St. Martin’s Press – 1st , 1983

IN A DISTANT AND SECONDHAND SET OF DIMENSIONS, in an astral plane that was never meant to fly, the curling star-mists waver and part…

See…

Great A’Tuin the turtle comes, swimming slowly through the interstellar gulf, hydrogen frost on his ponderous limbs, his huge and ancient shell pocked with meteor craters. Through sea-sized eyes that are crusted with rheum and asteroid dust He stares fixedly at the Destination.

In a brain bigger than a city, with geological slowness, He thinks only of the Weight.

Most of the weight is of course accounted for by Berilia, Tubul, Great T’Phon and Jerakeen, the four giant elephants upon whose broad and star-tanned shoulders the Disc of the World rests,  garlanded by the long waterfall at its vast circumference and domed by the baby-blue vault of Heaven.

Astropsychology has been, as yet, unable to establish what they think about.

So begins The Colour of Magic (1983), the first volume of the eventually forty-one-book-long Discworld series by Terry Pratchett. I was lent this book (along with another Pratchett book, Strata (1981), which I’ve still never read — or returned, possibly) back in 1985 when it first hit US shores. He said it was funny and it was.

I hadn’t laughed much during earlier run-ins with fantasy and sci-fi comedies, save for Douglas Adams’s The Hitchhiker’s Guide to the Galaxy. Too often, puns were what passed for wit and the satire was shallow. Returning to Colour for the first time in many years, I’m impressed with how sharp Pratchett’s eye was when it came to picking his genre targets and just how good his prose was. His writing would become more complex, deeper, and much darker over the decades, but already, it’s witty and effervescent. In an age of such po-faced seriousness, we could use more of it.

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Vintage Treasures: Nightfrights edited by Peter Haining

Vintage Treasures: Nightfrights edited by Peter Haining

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Nightfrights (Peacock/Penguin, 1975). Cover by David Smee

They say that science fiction and fantasy readers love to identify with their heroes. To imagine themselves learning that they’re a wizard, attending Hogwarts School of Witchcraft and Wizardry. Or being called to participate in The Hunger Games, or captain a starship.

I get it. I’m 59 years old, and the instant I saw the cover of the 1975 edition of Nightfrights I identified with the wide-eyed old coot on the cover. That’s what qualifies as an intrepid hero I can identify with these days. Awakened in the middle of the night, called upon to investigate the inhuman shrieks in the backyard, telling ourselves it’s just raccoons but knowing in our heart that’s it’s ghouls. Or Bughuul, from that Sinister movie I just watched on Prime. Or our neighbor Jerry, driven mad by fumes from his lawnmower. Don’t come any closer Jerry, I’ve got Alice’s rolling pin, and I know how to use it.

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Grisly Ponds and Ghostly Ex-Wives: Potapsco Spirits by Addison Hodges Hart

Grisly Ponds and Ghostly Ex-Wives: Potapsco Spirits by Addison Hodges Hart

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Patapsco Spirits (Angelico Press, June 5, 2023)

Addison Hodges Hart, an American relocated in Norway, is a versatile author who has now successfully tried his hand at creating ghost stories. 

The present volume collects eleven ghostly tales, most of which are impressively good, skillfully avoiding the always common risk of repeating old clichés.

The title evokes the Patapsco River Valley and Ellicott City, Maryland, where Hart grew up.

Among the included stories here are my favorite.

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New Treasures: The Devoured Worlds by Megan E. O’Keefe

New Treasures: The Devoured Worlds by Megan E. O’Keefe

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The Blighted Stars and The Fractured Dark (Orbit, May 23, 2023 and September 26, 2023). Covers by Jaime Jones

Megan E. O’Keefe, author of the The Protectorate trilogy (Velocity Weapon, Chaos Vector, Catalyst Gate) and The Scorched Continent novels (Steal the Sky, Break the Chains, and Inherit the Flame) has what looks like another hit on her hands with a popular new series. The first book, The Blighted Stars, arrived in May, and sequel The Fractured Dark is due in September.

I’m hearing a lot about the first book. It’s a space opera/romance with a fascinating premise (upload your consciousnesses into 3D-printed bodies), rich worldbuilding (a galaxy is ruled by wealthy families, a hunt for unspoiled “cradle worlds,” and a resistance group working to save them through guerrilla warfare), and great characters, including an idealistic resistance fighter stranded on a dead planet with the heir to the Mercator Dynasty.

But what fascinates me is the promise of creepy adventure on a dead planet, and The Blighted Stars sounds like it delivers.

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Vintage Treasures: War in Heaven by David Zindell

Vintage Treasures: War in Heaven by David Zindell

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War in Heaven (Bantam Spectra, January 1998). Cover by Dean Williams

David Zindell came out of the gate strong as a young science fiction writer in the 80s and 90s. He was nominated for the John W. Campbell Award for Best New Writer in 1986, and his debut novel Neverness won instant and wide acclaim. Edward Bryant said it “Propels him instantly into the big leagues with the likes of Frank Herbert and Ursula K. Le Guin,” and Kirkus Reviews gushed “Zindell succeeds brilliantly… in his convincing portrayal of what a super-intelligent being might be like…. Vastly promising work.” On the basis of that single novel, Gene Wolfe called Zindell “One of the finest talents to appear since Kim Stanley Robinson and William Gibson — perhaps the finest.”

Zindell followed up Neverness with a sequence set in the same universe, A Requiem for Homo Sapiens. War in Heaven (1998) was the last book in the series — and in fact the last science fiction book he ever wrote. At least until he returned to the genre this year, with his first new SF novel in a quarter century, The Remembrancer’s Tale.

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Get Ready for a Fantasy Revolution: Lord of a Shattered Land by Howard Andrew Jones

Get Ready for a Fantasy Revolution: Lord of a Shattered Land by Howard Andrew Jones

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Lord of a Shattered Land and The City of Marble and Blood
(Baen, August 1 and October 3, 2023). Covers by Dave Seeley

A few times in my life I’ve had an early look at a book that I knew was going to revolutionize fantasy. When I received an advance proof of A Game of Thrones by George R.R. Martin in 1996. When Andy Heidel at Avon sent us an early copy of Neil Gaiman’s first novel. When Betsy Wollheim at DAW sent me an advance reading copy of The Name of the Wind in the fall of 2006.

I had that same feeling while reading Howard Andrew Jones’ Lord of a Shattered Land, the opening book in the Chronicles of Hanuvar, on sale in less than two weeks. Howard is the leading Sword & Sorcery author of the 21st Century, and this series is his masterwork.

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