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A Sprawling Norse Epic for the Snowy Season:The Bloodsworn Saga by John Gwynne

A Sprawling Norse Epic for the Snowy Season:The Bloodsworn Saga by John Gwynne

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The Shadow of the Gods and The Hunger of the Gods (Orbit, 2021-22). Covers by Marcus Whinney

As we head into the the holidays, prime reading season, I’m in the market for a good adventure saga. John Gwynne’s Bloodsworn Saga looks like it could fit the bill. It’s got Saga right there in the title, and big-ass monsters front and center on the covers. The universe doesn’t usually serve me stuff on a platter but, I dunno, maybe this is just one of those times.

These books are popular, and that’s not a bad sign either. The Shadow of the Gods has a whopping 19,231 ratings, and a stellar 4.29 score on Goodreads, barely a year and a half after release. It’s popular with critics, too. Medium proclaims it “Magnificent… Gwynne shows why he’s one of the genre’s best,” and Publishers Weekly calls it a “jam-packed epic… [with] blood-soaked battles against trolls and frost-spiders.”

Trolls and frost-spiders! That’s exactly what I’m talking about right there. But the review that really caught my attention was at Vulture, who included it in their Best Sci-Fi and Fantasy Books of the Year last year.

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Changes in Genre Evaluations: Stanley G. Weinbaum

Changes in Genre Evaluations: Stanley G. Weinbaum

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The Collected Science Fiction & Fantasy of Stanley G, Weinbaum, in four volumes:
Interplanetary Odysseys, Other Earths, The Black Heart, and Strange Genius (Leonaur, April 20006)

Isaac Asimov felt that Stanley G. Weinbaum (4 April 1902 — 19 Dec 1935) deserved to name an entire era in science fiction. The writer died at 33 of throat cancer — though how he got it no one can guess.

These four books which I got because, at least when I was young, titles like “The Black Flame” intrigued me and I’d certainly enjoyed stories like “A Martian Odyssey.” Today it makes one wonder what the rest of the genre was like, or whether his popularity was simply the personal preference of a very brilliant reader and writer in our genre.

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Vintage Treasures: 39 Short Novels edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

Vintage Treasures: 39 Short Novels edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

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The 13 Short Novels trilogy (Bonanza Books/Crown, 1984-87). Covers designed by Morris Taub

I spent a lot of hours last year chasing down, reading, and writing about some very fine anthologies produced by the triumvirate of Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh. Their output in the decade before Asimov’s death in 1992 was frankly amazing: some 70 anthologies, including nearly a dozen each in Isaac Asimov’s Wonderful Worlds of Science Fiction and Isaac Asimov’s Magical Worlds of Fantasy; a decade-by-decade survey of 20th Century SF, The Mammoth Book of Classic Science Fiction; and dozens of others. These were highly readable books assembled with a deep love and knowledge of the genre.

Asimov, Greenberg and Waugh were playful in the themes they chose, and they had a mathematician’s love of lists, in books like The Seven Deadly Sins of Science Fiction and The Seven Cardinal Virtues of Science Fiction, and especially the trio 13 Short Fantasy Novels, 13 Short Science Fiction Novels, and 13 Short Horror Novels — the latter assembled without input from Asimov. The 13 Short Novels trilogy, which collects 39 terrific novellas in three volumes, is long out of print and forgotten today, which is a shame. These are exceptional books, and one is absolutely fabulous.

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Creative Visions of the Weird: Five Great International Horror Collections

Creative Visions of the Weird: Five Great International Horror Collections

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It’s been a long time since I’ve enjoyed such a good reading run in horror — five great collections read consecutively. I was reminded of my early reading of horror, into my teens, when I discovered so many new authors of dark matter (even hourly when reading my Dad’s Derleth horror collections). Way back then, my enjoyment of the field was writing my own future. I can see that now. And I enjoyed that feeling of discovery and excitement again with these five books — a sense of encountering original, innately weird creative visions for the first time.

I think the last time I felt that recharged by what I was reading in new horror, came in that incredible run of books from Langan, Gavin, Files, Barron, Ballingrud, Tremblay, Bartlett, and many others, around a decade ago — like a new wave of North American weird had come over the seawall. And just when I thought I knew what to expect from horror, Granta and Valancourt translated these collections into English.

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New Treasures: Leech by Hiron Ennes

New Treasures: Leech by Hiron Ennes

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Leech (Tor.com, September 27, 2022)

I’m a fan of sci-fi horror, but to be honest I find much of it rather unimaginative. So I was very intrigued by Leech, the debut novel by Hiron Ennes, which is set in a crumbling chateau in a nightmarish post-apocalyptic America, and narrated by a parasitic monster masquerading as a human doctor who uncovers a competing parasitic horror spreading through his host’s castle. Part of my interest, I admit, arises from the flood of positive press:

“A sublime gothic sci-fi tale.” ― Library Journal, starred review
“Full of squirming terror.” ― Publishers Weekly, starred review
“Pure Gothic horror.” ― The Wall Street Journal
“A strange and fascinating far-future world is gradually revealed in this accomplished combination of gothic horror and sci-fi.” ― The Guardian
“Grotesque biology like I’ve never seen. If you’ve ever wondered what would happen if David Cronenberg and Edgar Allen Poe bumped into each other at the same parasitological conference, here’s your answer.” ― Peter Watts

When Peter Watts praises your inventive biology, you know you’re onto something. I was less than halfway through the summary on the inside flap when I knew I was gonna buy this one.

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Future Treasures: The Best Horror of the Year, Volume 14, edited by Ellen Datlow

Future Treasures: The Best Horror of the Year, Volume 14, edited by Ellen Datlow

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The Best Horror of the Year, Volume Fourteen (Night Shade, December 20, 2022)

Here we are again. Ellen Datlow — arguably the most famous editor of horror short fiction in the world — has released her latest Best Horror anthology featuring her annual selection of tales, plus an invaluable overview of what happened last year in horror (books, magazines, awards etc.)

The present volume collects twenty-four stories and, once again, is a juicy treat for any lover of the genre.

I will focus on my own favorites, most of which were already among my own personal selection from the year 2021, while others had escaped my attention as a simple reader.

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Vintage Treasures: Dreamships by Melissa Scott

Vintage Treasures: Dreamships by Melissa Scott

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Dreamships (Tor paperback reprint, July 1993). Cover by Tony Roberts

Melissa Scott burst onto the scene with The Game Beyond in 1984 (a nominee for the Compton Crook Award for Best First Novel), and followed that quickly with the first two novels in the Silence Leigh trilogy (Five-Twelfths of Heaven and Silence in Solitude, featuring the first polyamorous triad I can remember encountering in SF) and A Choice of Destinies. In 1986 she capped off that impressive run by winning the John W. Campbell Award for Best New Writer (now known as The Astounding Award, so it’s no longer associated with a racist loon.)

But Scott didn’t really grab my attention until her 1992 novel Dreamships, her hardcover debut and a thoughtful examination of FTL and A.I. in a far-future setting. She followed it with a single sequel Dreaming Metal five years later; that one made the long list for the Locus Award for Best Novel. Dreamships is set in a universe in which the FTL drive that rockets travelers across impossible distances relies on a dreamspace navigated using a virtual reality landscape created by the pilot. Scientists in this future are on the brink of achieving true artificial intelligence, and these two advances drive the plot.
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New Treasures: Shattered Dreams by Ulff Lehmann

New Treasures: Shattered Dreams by Ulff Lehmann

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Shattered Dreams by Ulff Lehmann (Crossroad Press, March 16, 2018)

Shattered Walls, Book 4 of Ulff Lehmann’s Light in the Dark Book series, released this November, 2022. This post reviews Book 1, Shattered Dreams, to lure dark fantasy readers into the Dark. Do you like Tolkien-esque worlds with a unique perspective, perhaps sprinkled with Grimdark battle and horror? Shattered Dreams will whet your appetite. It’s a fresh, dark spin on traditional fiction.  You’ll be thrown into a mire of fractured perspectives and nightmares, and Lehmann controls the process of refining it all with a host of characters (the cursed Drangar Ralgon stealing the limelight). You’ll enjoy this if you enjoy mysteries, brutal melee, and Elvin worlds.

Shattered Dreams Cover Blurb

Epic Fantasy filled to the brim with Grimdark Reality.

If one looks too long into the abyss, the abyss looks back. Drangar Ralgon has been avoiding the abyss’s gaze for far too long and now he turns to face it. For a hundred years the young kingdom of Danastaer has thrived in peace. Now their northern neighbor, mighty Chanastardh, has begun a cunning invasion. Thrust into events far beyond his control, the mercenary Drangar Ralgon flees his solitary life as a shepherd to evade the coming war and take responsibility for his crimes.

In Dunthiochagh, Danastaer’s oldest city, the holy warrior Kildanor uncovers the enemy’s plans for invasion. As ancient forces reach forth to shape the world once more, the sorceress Ealisaid wakes from a century of hibernation only to realize the Dunthiochagh she knew is no more. Magic, believed long gone, returns, and with it comes an elven wizard sent to recover a dangerous secret.

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Random Reviews: “Why Do You Think They Call It Middle Earth?” by Susan Casper

Random Reviews: “Why Do You Think They Call It Middle Earth?” by Susan Casper

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Cover by Larry Elmore
Cover by Larry Elmore

Because I’ve been asked about the process by which I’ve been selecting stories for the Random Review series, I thought I’d take a moment to explain how the stories are selected.

I have a database of approximately 42,000 short stories that I own sorted by story title. When it comes time for me to select a story to review as part of this series, I role several dice (mostly ten sided) to determine which story should be read. I cross reference the numbers that come up on the die with the database to see what story I’ll be reviewing.  This week I rolled 40,278, which turned out to be Susan Casper’s short story “Why Do You Think They Call It Middle Earth?”

One of the things I hoped to get out of this series, from a personal point of view, was to discover authors and short stories that I’ve owned and have never read. Of course, I also hoped to share those discoveries, good or bad, with the readers of Black Gate.

Casper’s story is told from Emily Prentiss’s point of view, a thoroughly unlikable, self-absorbed woman who prides herself on her no-holds-barred attitude in the boardroom. While berating a homeless man one day, she falls through a crack in the earth and finds herself in a fantastic realm, intent on finding someone who will pay for her misfortune.

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Gods, Demons, Monsters & Magic: The Mkalis Cycle by Kerstin Hall

Gods, Demons, Monsters & Magic: The Mkalis Cycle by Kerstin Hall

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The Border Keeper and Second Spear (Tor.com, July 2019 and August 2022). Covers by Kathleen Jennings and Jamie Jones

Kerstin Hall is the Senior Editorial Assistant at Scott Andrews’s excellent online magazine Beneath Ceaseless Skies, and perhaps it was years of reading submissions that gave her the chops to write her acclaimed debut, the Tor.com novella The Border Keeper, a 2020 Nommo Award Finalist. (Yeah, I didn’t know what a Nommo Award was either, but I googled it and it’s legit — it’s presented by The African Speculative Fiction Society.) The Guardian called it “A phantasmagorical picaresque through a lushly realised underworld, populated by a grotesque bestiary of fantastical creatures… [a] twisty example of the new weird,” and Max Gladstone summed it up as “A labyrinth of demons, dead gods, [and] cranky psychopomps.” That sounds pretty cool.

The Border Keeper appeared in 2019, and the follow-up Second Spear arrived in August. Looking at the covers above, radically different in design and tone, the two books don’t look related (at all), but they are both part of what’s now being called The Mkalis Cycle. I much prefer Jamie Jones’s dynamic cover for Second Spear over Kathleen Jennings’ more abstract effort for The Border Keeper, but I gotta believe the dramatic cover shift was risky, and probably confused a few readers. I hope it pays off.

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