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New Treasures: The Last Blade Priest by W.P. Wiles

New Treasures: The Last Blade Priest by W.P. Wiles


The Last Blade Priest (Angry Robot, July 2022). Cover design by Alice Claire Coleman

I’m a little late out of the gate with this one. The Last Blade Priest came out last summer and I ignored it, despite the warm reviews from most of the usual sources (GrimDark Magazine called it “a brilliant epic… one of my favorite new releases of this year,” and Publishers Weekly said it’s “gripping… demonstrates the value of thoughtful, well-planned worldbuilding.”)

But it wasn’t until I stumbled across Ian Mond’s review at Locus Online last fall (“The Last Blade Priest… unashamedly embraces the tropes of epic fan­tasy – the political shenanigans, complex magic systems, and ancient, enigmatic Gods – that make the genre so much fun to read”) that my interest was finally piqued, and I bought a copy.

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Haunted Trucks, Ghostly Theaters, and Creepy Picnics: The Year’s Best Horror Stories: Series XII, edited by Karl Edward Wagner

Haunted Trucks, Ghostly Theaters, and Creepy Picnics: The Year’s Best Horror Stories: Series XII, edited by Karl Edward Wagner


The Year’s Best Horror Stories: Series XII (DAW, November 1984). Cover by Vicente Segrelles

The Year’s Best Horror Stories: Series XII was the twelfth volume in the DAW Year’s Best Horror series and the fifth edited by the great Karl Edward Wagner (1945–1994). The book was copyrighted and printed in 1984. After nine covers by Michael Whelan, we have a new cover artist, the Spanish artist Vicente Segrelles (1940–). I think this is a frightening cover and less fantastic than those that Whelan often did. I had this by my bed one night and actually turned the book over because the lich-woman in the mirror was sort of creeping me out. That’s pretty good horror art!

But an even bigger artistic change is that this is the first DAW Year’s Best Horror without the famous yellow DAW spine and the famous DAW yellow tag on the cover; though the DAW “number” is still ongoing, this one being 603. This major aesthetic switch came about for all of DAW’s titles in late 1984. I assume that the DAW powers-that-be thought after about twelve years a change was needed. Maybe, but it does sadly mark the end of an era in paperback publishing. Nevertheless, the cover font of The Year’s Best Horror Stories: Series XII is still similar to previous volumes, keeping it artistically in a line to some degree.

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Vintage Treasures: Space Opera and Space Odysseys edited by Brian Aldiss

Vintage Treasures: Space Opera and Space Odysseys edited by Brian Aldiss


Space Opera and Space Odysseys (Futura, July and December 1974). Covers by Eddie Jones

Brian Aldiss had a long and enviable career at the top of the science fiction field, with dozens of novels to his credit, and nearly three dozen collections.

But in his long career he also produced some excellent anthologies. In partnership with Harry Harrison he released nine annual volumes of Best SF (1967-1975), three retrospective titles looking at SF of the 1940s to the 1960s (Decade: The 1940s and its sequels), and fine standalone titles such as The Astounding-Analog Reader and Farewell Fantastic Venus! But on his own he also assembled several terrific volumes, including a few we’ve looked at in the past, including Galactic Empires, Volumes One & Two and Perilous Planets.

Today I want to examine two wonderful paperback anthologies he released in 1974 with Futura in the UK (and later reprinted in the US in incomplete editions): Space Opera and Space Odysseys, which contain stories by Robert Sheckley, Donald Wandrei, Daniel F. Galouye, Edmond Hamilton, James E. Gunn, Philip K. Dick, Leigh Brackett, Ray Bradbury, Jack Vance, A. E. van Vogt, Charles Harness, Randall Garrett, Isaac Asimov, Fredric Brown, Arthur C. Clarke, Edward E. Smith, Alfred Bester, Frank Belknap Long, James Tiptree, Jr. Ross Rocklynne, F. M. Busby, Poul Anderson, Walter M. Miller, Jr., and many others.

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Goth Chick News Reviews: Ghost Eaters by Clay McLeod Chapman

Goth Chick News Reviews: Ghost Eaters by Clay McLeod Chapman

Ghost Eaters (Quirk Books, September 20, 2022)

Author Clay McLeod Chapman only recently teamed up with Quirk Books, one of my all time favorite sources of strange and unusual stories. For that reason alone he should have been on my radar, not to mention that he is a prolific writer of comics, short stories and several other novels, most of the creepy variety. No, I’m a bit ashamed to admit that I made Chapman’s acquaintance via a suggestion from Amazon, whose algorithms, I must now grudgingly admit, know me pretty well.

In searching for some fun reading material to see me through a mind-numbing four-day business trip bracketed by an even more mind-numbing 9 hour round trip flight, Amazon served me up Ghost Eaters: A Novel as something I might like. Described by Esquire magazine as “Trainspotting meets Requiem For A Dream, rewritten as an avant-garde horror movie soundtracked by Nine Inch Nails,” it was a no-brainer that I was going to load this one on my tablet. However, I also hedged my bets by loading several other e-books by more familiar writers just in case this story couldn’t hold me.

Let me just tell you now, I needn’t have bothered.

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The Spoils of Capricon: Rooks and Ruin by Melissa Caruso

The Spoils of Capricon: Rooks and Ruin by Melissa Caruso


The Rooks and Ruin trilogy: The Obsidian Tower, The Quicksilver Court, and The Ivory Tomb
(Orbit, 2020, 2021, and 2022). Covers by Peter Bollinger, Mike Heath, and Peter Bollinger

On Saturday I was wandering through the well-stocked Dealer’s Room at Capricon 43 in Chicago with Rich Horton, looking for new books of all kinds. (And if there’s a guy you want at your side as you struggle to find quality books, believe me, it’s Rich Horton. He has great taste and a well informed opinion on everything — and I do mean everything.) I stumbled on the newly-released The Ivory Tomb, the concluding novel in Melissa Caruso’s Rooks and Ruin, and read the first paragraph of the back cover.

The Dark Days have returned. The Demon of Carnage mercilessly cuts through villagers and armies. The Demon of Corruption rots the land. The Serene Empire and the Witch Lords race towards war. And in the middle of it all stands Rxyander, the Warden of Gloamingard.

That’s a lot of demons. Do I really want to read a trilogy about Dark Days, demons, Witch Lords, and a gloom-shrouded castle called ‘Gloamingard’??

Ha! You know me so well. Of course I do. I bought that book so fast Rich didn’t even know what happened.

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The Brownstone of Nero Wolfe: Death of a Doxy – And Koufax or Mays?

The Brownstone of Nero Wolfe: Death of a Doxy – And Koufax or Mays?

We haven’t been to the Brownstone since April of last year. Pfui! So here we have the forty-third Nero Wolfe post at Black Gate. The Wolfe stories are my favorite private eye series. Which, given my Solar Pons, and Sherlock Holmes, credentials, is saying something. I am pretty much always re-reading or listening yet again to Michael Prichard’s terrific audiobooks. I never tire of Wolfe’s World.

Rex Stout was a baseball fan, keeping score at Mets’ games (and possibly NY Giants’ ones as well). Archie uses some baseball terms, and even (briefly) watches a Mets game on TV, with actual players mentioned. And of course, there’s Ron Seaver. “Three Men Out” is set at game seven of a World Series game between Boston and the Giants, though all of the characters are entirely fictional in that one.

I’ve written some baseball snippets for inclusion in future stories, including Archie annoying Wolfe by talking about the Rocky Colavito – Harvey Kuenn trade; and Archie recounting attending Willie Mays’ last World Series, against the A’s. Archie and baseball go together.

Which leads us to talking about Death of A Doxy today. This may well be my favorite Wolfe novel. And I think that A&E did a terrific episode of it. It’s got a neat little baseball reference, which I’ll tease out for this essay. But first, let’s talk about something that should be banned by law – The Epithon!

THE EPITHON

In Death of a Doxy, Archie is at Lily Rowan’s penthouse, listening to a poet read a selfdubbed ‘Epithon.’ It is called such because it was epic, and took hours to read. Add in that the man wrote it himself, and you’ve got the idea. ‘Pfui’ isn’t strong enough.

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Vintage Treasures: The Bantam John Crowley

Vintage Treasures: The Bantam John Crowley


Four John Crowley paperbacks published in rapid succession by Bantam: Little, Big, Beasts,
Engine Summer, The Deep (October, November, December 1983, and January 1984). Covers by Yvonne Gilbert

In 1981 Bantam Books published John Crowley’s masterwork Little, Big, which Matthew David Surridge calls “the best post-Tolkien novel of the fantastic.” It was an unexpected hit, receiving nominations for every major fantasy prize, including the Hugo, Balrog, BSFA, Locus, and Nebula awards, and winning both the Mythopoeic Award and the World Fantasy Award. Six years later, when Locus surveyed its readers on the All-Time Best Fantasy Novel, it placed 10th. When Locus repeated the poll eleven years later, it moved up two slots into 8th place.

It’s fair to say the book’s popularity took its publisher by surprise. Bantam Books hadn’t bothered with a hardcover release — or cover art — for Little, Big; instead they published it in a nondescript trade paperback edition and snuck the book into stores under the cover of night in September 1981. They hadn’t even planned a mass market edition. It was rave reviews and word of mouth that did the rest.

Bantam made up for it two years later, after the thunderous accolades for the book made the magnitude of their mistake obvious. They released Little, Big in a handsome paperback edition in October 1983 (two years and one month after the the trade edition) with a fine cover by Yvonne Gilbert, and in rapid-fire sequence they re-released Crowley’s entire back catalog, one novel every month: Beasts, Engine Summer, and The Deep, all with covers by Gilbert. It was the first time Crowley had ever been given any real attention by a publisher, and it helped thousands of new readers discover him for the first time.

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New Treasures: Worlds Long Lost edited by Christopher Ruocchio and Sean CW Korsgaard

New Treasures: Worlds Long Lost edited by Christopher Ruocchio and Sean CW Korsgaard

Worlds Long Lost (Baen Books, December 6, 2022). Cover by Bob Eggleton

Baen Books has published some terrific anthologies recently.

Christopher Ruocchio (The Sun Eater series) has had a particularly fine run, with over half a dozen to his credit, most with Baen senior editor Hank Davis — including Space Pioneers, Cosmic Corsairs, and Time Troopers — or Tony Daniel (Star Destroyers and World Breakers). Which is why I was dismayed to learn that Worlds Long Lost, a collection of all-new stories of ancient alien artifacts, is his last. Here’s the announcement on his blog, SollanEmpire.com

Worlds Long Lost is my final short story anthology with Baen Books, co-edited with my successor, Sean C.W. Korsgaard. Featuring stories of ancient aliens and their ruins, it includes my short story “Mother of Monsters.” “Mother of Monsters” is set on the Cielcin worldship codenamed Echidna, the very moon captured by Lord Cassian Powers at the Second Battle of Cressgard. It is the tale of Tor Mencius, the scholiast in charge of excavating the tombs of the Aetane who ruled Echidna…and of what he discovered there.

Christopher’s story is a brand new tale set in his popular Sun Eater series. The book also contains original fiction from Orson Scott Card, Adam Oyebanji, M.A. Rothman and D.J. Butler, Les Johnson, and many more.

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Future Treasures: High Noon on Proxima B edited by David Boop

Future Treasures: High Noon on Proxima B edited by David Boop

High Noon on Proxima B (Baen, February 7, 2023). Cover by Dominic Harman

Nobody out there is doing anthologies like David Boop.

He started in 2017 with the Weird Western Straight Outta Tombstone (2017), which proved popular enough that he followed up with two more, Straight Outta Deadwood (2019) and Straight Outta Dodge City (2020). Last year he packed up his six-shooters and headed into outer space with Gunfight on Europa Station, the first…. uh… Weird Science Fiction Western anthology? I dunno, but I like it.

It’s a new year, and I’m delighted to see a new Boop anthology headed our way. High Noon on Proxima B contains brand new stories by Walter Jon Williams, Susan R. Matthews, Brenda Cooper, Milton Davis, and many others. It arrives in trade paperback from Baen next week.

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Galactic Real Estate, Revolutions, and an Uplifted Moose: The Terraformers by Annalee Newitz

Galactic Real Estate, Revolutions, and an Uplifted Moose: The Terraformers by Annalee Newitz

The Terraformers by Annalee Newitz (Tor Books, January 31, 2023)

On the one hand, The Terraformers is full of great characters, solid science, and socio-political conflict, with enough action to move things along and keep you turning pages to the end. On the other, it’s not actually about terraforming and it’s told in 3 novellas set hundreds of years apart with only a few characters able to provide links between them.

The Terraformers opens when Environmental Rescue Team Ranger Destry is out in the terraformed forest with her faithful steed, the uplifted moose named Whistle. Destry and Whistle come across a human doing all sorts of disgusting paleolithic things, burning wood, killing small game, defecating on the land, and generally upsetting the ecological balance of Sask-E. It’s taken 10,000 years for Sask-E to be made habitable, and it’s Destry’s job to make sure it stays that way.

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