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A (Black) Gat in the Hand: Bob’s Books – Shelfie #11 (Dashiell Hammett)

A (Black) Gat in the Hand: Bob’s Books – Shelfie #11 (Dashiell Hammett)

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It’s a new shelfie and we’re up to number eleven. And this one is my Dashiell Hammett collection. His face is the first one on my Hardboiled Mt. Rushmore. So, he’s got a solid shelf in my Hardboiled collection.

William T. Nolan’s bio on the far left has some good info, but he’s a bit of a hack. He doesn’t miss an opportunity to run down Carroll John Daly to make Hammett look better. It’s juvenile, and Hammett doesn’t need the help. Reminds me of L. Sprague deCamp putting down Robert E. Howard to elevate his own Conan stuff.

Diane Johnson’s’ biography was written with Lillian Hellman’s permission (Hammett’s long-time mistress/girlfriend controlled his Estate). It’s pretty clear Hellman had approval authority, and it’s not the most objective book.

Richard Layman may be THE authority on Hammett, and his book Discovering The Maltese Falcon and Sam Spade is a mish-mash of stuff related to Hammett and that book. Fun read for fans of The Black Bird.

I’m a big Continental Op fan, and Otto Penzler’s Big Book series has all the stories, plus some very good essays for each of the editors Hammett wrote them for. These are the original Black Mask versions. It includes the two serialized novels, and is a good book for Op fans.

My favorite PI book, and my favorite PI novel: The Maltese Falcon. This version has some cool black and white photos related to the novel. I wrote an essay on the book and the three movie versions that is pretty good.

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Enter the Prince of Darkness:Dracula by Bram Stoker

Enter the Prince of Darkness:Dracula by Bram Stoker

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“Listen to them—the children of the night. What music they make!”

Dracula to Jonathan Harker

I’ve heard tell my generation had nightmares about nuclear war, worried someone was going to press the big red button and trigger the annihilation of the world.

Not me. I was scared of vampires.

Heck, some nights I didn’t even have nightmares because I was too scared to sleep, convinced they were hiding behind the mottled sycamore trees that lined my block. I’m not sure where it came from. Probably from watching The Night Stalker TV movie (1972, dir. John Llewellyn Moxley) in which vampire Janos Skorzeny ravages sleazy seventies Las Vegas. It introduced the world to monster-hunter, Carl Kolchak and I saw it when I was seven or eight (thanks, Mom!). That fear disappeared quickly enough, but I was left with a taste for vampire stories.

I must have read some vampire stories in the various horror anthologies I bought regularly, though none spring to mind. I saw tons of movies and read stacks of horror comics featuring the bloodsucking fiends. It was two novels, though, that cemented my taste for the Central European monsters: Salem’s Lot (1975, Stephen King) and They Thirst (1981, Robert McCammon). They’re both big books, packed with characters and inventive takes on the idea of a master vampire trying to take over somewhere, a misbegotten Maine town in the first book and all of Los Angeles in the second.

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G.W. Thomas on Science Fiction of the 30s by Damon Knight

G.W. Thomas on Science Fiction of the 30s by Damon Knight

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Conan the Barbarian: Archie Style! From Everything Archie
#111 (May 1984). Art by Stan Goldberg and Larry Lapick.

G.W. Thomas has gradually become my favorite genre blogger. Not just because of his constant stream of content — he posts every two days at Dark Worlds Quarterly, and has been doing so for nearly a decade — but because of his endlessly zany topics. In the past few months he’s covered Haunted Houses in 50s comics, the Top Ten Ghostbreakers from Weird Tales, Werewolves of EC Comics, Space Heroes of the Golden Age, Fearless Vampire Killers of the pulps, Top Ten Fantasy Fight Scenes from 1980-1985 sword & sorcery flicks, Plant Monsters, Conan in Archie Comics, and so, so much more. For pulp and comic enthusiasts of a Certain Age, G.W. has tapped a nostalgic mother lode.

He also delves pretty deep into more serious topics of real interest, like that time he wrote a one-sentence review of every story in Damon Knight’s classic anthology Science Fiction of the 30s, complete with the original pulp illustrations.

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Chess in Sword & Planet Fiction, Part II: Dray Prescot and Gor

Chess in Sword & Planet Fiction, Part II: Dray Prescot and Gor

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Dray Prescot 20: A Sword for Kregen (DAW, August 1979) and Players of Gor
(DAW Books, March 1984). Covers by Richard Hescox and Ken Kelly

My second exposure to Sword & Planet chess came in one of my favorite Sword & Planet books, which I’ve mentioned in this series already a couple of times. This was A Sword for Kregen, by Alan Burt Akers (aka Ken Bulmer). In this book, Dray Prescot, our earthman hero, becomes a living Jikaida piece in a battle to the death.

Jikaida is war game similar to chess, although considerably more complicated. There are several different variations played across the world of Kregen. It’s usually played on a board of much more than 100 squares of either black and white or blue and yellow. There are typically 36 pieces to a side, arranged in three ranks. I never tried to play Jikaida, though the rules are available. Here’s a link to an online description of the game.

John Norman also introduced an S&P version of chess in his Gor series. He called it Kaissa, which is clearly a nod to the Goddess of chess — Caissa — who first appeared in a 1527 poem by Hieronymus Vida telling the story of a chess game between the Gods Apollo and Mercury.

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Everyone Knows This is Nowhere: The Book of Elsewhere by Keanu Reeves and China Miéville

Everyone Knows This is Nowhere: The Book of Elsewhere by Keanu Reeves and China Miéville

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The Book of Elsewhere (Del Rey, July 23, 2024). Jacket design by Drusilla Adeline

Can someone who has been alive for 80,000 years find wonder and meaning in every day life? Would such an immortal still be capable of surprise, still uncertain about his own motivations, still unable to come to grips with the meaning of it all? After experiencing centuries upon centuries of the death of others, and frequently inflicting those deaths, do you become oblivious to the fate of mortal souls as just so many anthill denizens?

Is there anyone else out there like you? And why are you the way you are? Would the wish for mortality indicate a Freudian death wish, or instead a yearning to experience the existential perils and the perplexities of being that paradoxically imbue significance?

These are the intertwined questions posed by The Book of Elsewhere, a tie-in novel by Keanu Reeves and China Miéville based on BRZRKR, a 12-issue comic book (graphic novel?) co-written by Reeves. The title refers to when the protagonist suffers episodes of uncontrollable violence and goes “berserk” (get it?), although “suffer” is perhaps better applied to those in the line of fire of his rage.

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A Surreal World: St Trinian’s: The Entire Appalling Business by Ronald Searle

A Surreal World: St Trinian’s: The Entire Appalling Business by Ronald Searle

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St. Trinian’s: The Entire Appalling Business (Overlook/Rookery, March 13, 2008). Cover by Ronald Searle

St Trinian’s was first created in a series of magazine cartoons in the 1940s and 1950s. Ronald Searle began drawing them in 1941, with a long hiatus while he was a prisoner of war in Southeast Asia. Most of them were set at an English boarding school for girls, and the rest showed characters who attended it. The Entire Appalling Business collects all of them in a single volume.

Boarding schools are a long established subject for English storytellers, from Tom Brown’s School Days, an autobiographical novel by Thomas Hughes set at Rugby, to the Harry Potter novels. Most portrayals take them fairly straight, staying within the traditional strictures of boys’ books — or girls’ books, as in this case. But there’s also a more subversive tradition, as in the Kipling stories that were collected as Stalky and Co. Searle’s cartoons are very subversive; that’s the whole point of the joke.

Most of the St Trinian’s girls are children rather than adolescents (some later cartoons show sixth form girls who are visibly more mature, particularly the recurring character Angela Menace). However, many scenes show them smoking — usually cigarettes, but occasionally cigars, and one panel refers to pot — or drinking beer, wine, or spirits. There are also references to gambling, particularly betting on horses or on school athletic events.

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Chess in Sword & Planet Fiction: The Chessmen of Mars by Edgar Rice Burroughs

Chess in Sword & Planet Fiction: The Chessmen of Mars by Edgar Rice Burroughs

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The Chessmen of Mars (Ace Books, December 1962). Cover by Roy Krenkel, Jr.

Chess in Sword & Planet fiction: I learned the basic rules of chess in grade school and liked that it was a game that didn’t require luck. I didn’t do well at “luck!” The first adult I played was my brother-in-law, who rather gleefully mopped the floor with me. Out of resentment, I began to study and in our next game, probably when I was about 16, I mopped the floor with him.

I played quite a bit in college and actually joined a chess club in graduate school and began to study the game seriously. I got close to “expert” level, still well below Master level, before realizing I had to quit serious chess if I were going to be able to do my graduate work. Both were very time consuming and chess wasn’t going to pay the bills so it had to go bye bye.

I bring the game up here because I remember with distinct pleasure discovering Edgar Rice Burroughs’ The Chessmen of Mars. Wow! A whole book in which a chess-like game plays a major role, and where living chess pieces must fight for the control of squares during the game. I know this isn’t the first time someone used the concept of living chess pieces but it was my first exposure to it. It sent my imagination soaring.

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Recognizing Genius: Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, edited by David E Schultz and S.T. Joshi

Recognizing Genius: Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, edited by David E Schultz and S.T. Joshi

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Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and and Clark Ashton Smith,
1922-1931, Volumes 1 and 2 (Hippocampus Press, July 14, 2020). Cover art by David C. Verba

I’ve been reading Dawnward Spire, Lonely Hill: The Letters of H.P. Lovecraft and Clark Ashton Smith, a two-volume set edited by David E. Schultz and S.T. Joshi. I talked about this in my company newsletter sent out a short while ago, and I’ll repeat it here for the interested.

Lovecraft paid great deference to Smith on their initial contact, but they soon became fast friends, with fun nicknames for one another. Lovecraft recognized genius when he saw it.

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A to Z Reviews: Wheel of Dreams, by Salinda Tyson

A to Z Reviews: Wheel of Dreams, by Salinda Tyson

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A to Z Reviews

From 1992 through 1999, Del Rey books published a series of 27 novels under the “Del Rey Discovery” imprint. These books weren’t always first novels (at least three of them were actually the second books in their respective series), but they were all novels by relatively newly published authors, ranging from Nicola Griffith, Mary Rosenbaum, and L. Warren Douglas to Michelle Shirey Crean, Don DeBrandt, and Kevin Teixera. The 24th novel published under the imprint was Salinda Tyson’s fantasy Wheel of Dreams, which appears to have been her only novel, although she began published short stories in the 2010s. Wheel of Dreams, the 40th entry in the A to Z Review series, is also the first novel I’ll be discussing.

Wheel of Dreams opens with Kiera’s father hosting several travelers on an evening that culminates in Keira being sold to one of the travelers, a soldier named Roshannon, to be his wife. This is just the first indication of the level of misogyny which plagues the world in which Keira and Roshannon live. The morning after her forced wedding, Keira flees from Roshannon before he awakes, stealing his clothes so she can travel as a man. Keira’s goal is the city of Cartheon, where her dead mother had told her about when she was growing up.

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Ladies Are Dangerous: Dastardly Damsels, edited by Suzie Lockhart

Ladies Are Dangerous: Dastardly Damsels, edited by Suzie Lockhart

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Dastardly Damsels (Crystal Lake Publishing, October 11, 2024)

Dark fiction anthologies are currently very popular and, with a few exceptions, tend to be a medley of horror, fantasy, mild SF or something in between. I don’t like the expression “speculative fiction” but maybe this is an acceptable label.

Some are published exclusively in digital format, which explains why the number of stories included is getting increasingly higher.

The present anthology, for instance, features thirty-two contributions (including a couple of short poems). A distinctive characteristic of this book is that the contributing authors are all female (including the editor), and so are the leading roles in the various tales.

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