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Tarzan and Beyond: Philip Jose Farmer, Part II

Tarzan and Beyond: Philip Jose Farmer, Part II

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Tarzan Alive and Doc Savage: His Apocalyptic Life (Playboy
Paperbacks, August 1981 and July 1981). Covers: uncredited, Ken Barr

Read the first half of this article, The World of Tiers and Beyond: Philip Jose Farmer, Part I.

Continuing our examination of Farmer’s pastiches, Farmer soon gave up the Grandrith and Caliban names and went full on with the characters in two fictional biographies called Tarzan Alive (1972) and Doc Savage: His Apocalyptic Life (1973), both from Playboy’s Science Fiction line.

The cover for Tarzan Alive is very cool but is uncredited. Ken Barr seems to have done the Doc Savage cover and it’s also very cool. I liked both of these books pretty well. The Tarzan book rambles a bit. The Doc Savage is better than many of the original Doc Savage novels. It references quite a few. These books are true to the characters and have none of the bizarre sexual exploits described in A Feast Unknown.

These books also suggest that Tarzan, Doc Savage, and such other fictional characters as Sherlock Holmes are all related to each other and are the product of inherited mutations caused by a meteor that struck England in 1795 called either the Wold Cottage or the Wold Newton Meteor.

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Neverwhens: In His Sunken House of… Doggerland… Dead Cthulhu Waits Dreaming

Neverwhens: In His Sunken House of… Doggerland… Dead Cthulhu Waits Dreaming

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Yeah…Doggerland.

For those not in the know, during the last Ice Age Earth’s seas were about 300 feet lower, revealing a vast amount of land. While no true Atlantis or Mu have been found, examples include a broad plain — and now sunken lakebed — connecting Australia to New Guinea, the Sunda Shelf — a massive sub-continent that unites most of Southeast Asia in a single landmass that includes places as far flung as Java and the Philippines, and Doggerland.

This last was a remnant of an even earlier land mass that had covered the Irish, Baltic and North Seas during the last glaciation, and where we now see the English Channel and the regions of the North Sea that separate the British Isles from Denmark and southern Norway there was land of marshlands and forests, filled with the last remnants of European megafauna such as lions, sabertooths, giant elk, and mammoths. Doggerland was slowly inundated by rising waters, transforming into an archipelago of islands, before being finally subsumed in the late Mesolithic era, likely by a tsunami event.

This lost land provides the setting for The Shadow Over Doggerland, a rather interesting collection of Mythos fiction spear-headed by prolific horror author Tim Medees and published by Nordc Press that asks what actually happened to the people of Doggerland? Was there some great ancient evil bent on destroying the world dreaming below the surface waiting to emerge?

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Some Remarks on an Unremarkable Space Opera: Galactic Gambit by Roy C. Dudley

Some Remarks on an Unremarkable Space Opera: Galactic Gambit by Roy C. Dudley

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Galactic Gambit (Lenox Hill Press, September 1971). Cover by Herbstman

In my recent looks at less-remembered novels of the ’70s and ’80s I’ve covered some obscurish works by well-remembered writers (Phyllis Eisenstein, L. Sprague de Camp) and some obscurish works by less well known but hardly unknown writers (Gerard Klein, Mick Farren), and even some quite little known writers (Atanielle Annyn Noel).

But this time I’m trying for something truly obscure — a hardcover from 1971 that is the only novel by its writer, from a publishing company that offered microscopic advances ($300) and sold only to libraries. The only semblance of a review of this novel I could find is in the Science Fiction Encyclopedia (of course!) and it reads in full: “US printing technician and author of Galactic Gambit (1971), an unremarkable Space Opera.”

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The World of Tiers and Beyond: Philip Jose Farmer, Part I

The World of Tiers and Beyond: Philip Jose Farmer, Part I

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The World of Tiers, Volumes 1 and 2 (Science Fiction Book Club, November 1981). Covers by Boris Vallejo

Philip Jose Farmer (1918 – 2009). Farmer was a versatile writer. I discovered him from his Sword & Planet work with his World of Tiers series, but went on to read a lot of other books by him, including some pastiches he wrote in ERB’s universe. I’ll be discussing him here in two posts.

My introduction to Farmer came through the Science Fiction Book Club. They offered the first five books in The World of Tiers in a two-volume set, and I still have mine (shown here, with covers by Boris Vallejo.) I read them straight through and looked for more. There weren’t any. Not at the time. Years later, another book (More than Fire) was published, but I haven’t read it. I did read a connected book called Red Orc’s Rage.

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The End of Time and Me: Michael Moorcock’s Dancers at the End of Time

The End of Time and Me: Michael Moorcock’s Dancers at the End of Time

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The Dancers at the End of Time trilogy: An Alien Heat, The Hollow Lands,
and The End of All Songs (Avon Books, September and November 1977,
and June 1978). Cover art by Stanislaw Fernandes

When I discovered Moorcock in the early 1980s, I read his trilogy Dancers at the End of Time and the associated novel A Messiah at the End of Time. I remember enjoying the trilogy, though I have only vague memories of the stand-alone novel. Back in 2017, I re-read Moorcock’s Elric series and wrote about it for Black Gate. In 2020, I did the same for his Corum novels and in 2022, I revisited Erekose. Rather than look at Hawkmoon, which I last re-read in 2010, I decided to dive into The End of Time sequence.

In addition to The Dancers at the End of Time trilogy and the novel The Transformation of Miss Mavis Ming (also published as Messiah at the End of Time and Constant Fire), Moorcock has written several short stories that belong to the sequence: “Pale Roses,” “White Stars,” “Ancient Shadows,” “Elric at the End of Time,” and “Sumptuous Dress: A Question of Size at the End of Time.” Although most were published before I read the trilogy, I believe I missed all of them with the exception of “Elric at the End of Time.”

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Of Artistry, Addiction, and Self-discovery: Forthcoming Memoir of Fantasy Artist Tom Barber

Of Artistry, Addiction, and Self-discovery: Forthcoming Memoir of Fantasy Artist Tom Barber

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The art of Tom Barber: Amazing Science Fiction, March 1976, and the first issue of the
paperback version of Weird Tales, edited by Lin Carter (Zebra Books, December 1980)

The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake.

–Kurt Vonnegut

Tom Barber was working in a commercial art studio in the mid 70s when he walked into a local bookstore while on lunch break. He found a book of illustrations by N.C. Wyeth, picked it up, leafed through it.

Returning to work, he marched into his boss’ office and gave his two-week notice.

“I didn’t know what I wanted to do, but after looking at those paintings I knew it was something along those lines,” he said.

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A Master of his Art: Rattle of Bones and Other Terrifying Tales by Robert E. Howard

A Master of his Art: Rattle of Bones and Other Terrifying Tales by Robert E. Howard

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Rattle of Bones and Other Terrifying Tales (Clover Press, October 20, 2020). Cover by Gabriel Rodriguez

“Damned be the dark ends of the earth where old horrors live again.”
— Robert E. Howard

Some of the finest gifts are from your buddy, a kindred spirit and dog brother in REH fandom, such as that damnable reprobate, Levi Combs. At Gamehole Con this year, Levi gifted me with this beautiful copy of Rattle of Bones and Other Terrifying Tales, by Robert E. Howard. And what a treasure it is!

This collection contains some of REH’s finest horror yarns, such as “In the Forest of Villefère,” “Wolfshead,” “Sea Curse,” “Rattle of Bones,” “The Touch of Death,” “Dig Me No Grave,” “People of the Dark,” and “The House of Arabu.” It was published by Clover Press and features beautiful art by Gabriel Rodriguez. It also features an afterword by horror master Steve Niles, perhaps best known for 30 Days of Night.

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The Tuvela Theory: The Demon Breed by James H. Schmitz

The Tuvela Theory: The Demon Breed by James H. Schmitz

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The Demon Breed (Ace Books, September 1979). Cover by Bob Adragna

Earlier this year, I visited my city library during a book sale. One of the things I spotted on their shelves was a novel by James H. Schmitz that I wasn’t familiar with. I’ve liked Schmitz since I discovered his story “Novice” in the collection Analog 2 — so I bought this one.

The Demon Breed came out in 1968, fairly late in Schmitz’s career, which lasted from 1943 to 1974. Like a large part of his work, it first appeared in Analog, where it was serialized as The Tuvela. Most of what he wrote was short fiction, including his best known story, “The Witches of Karres,” expanded into a novel with the same title in 1966; The Demon Breed is one of only four novels, and by today’s standards, a fairly short one.

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Howard Andrew Jones’ Lord of a Shattered Land and the Serious Business of Swords, Sorcery, and Comedy

Howard Andrew Jones’ Lord of a Shattered Land and the Serious Business of Swords, Sorcery, and Comedy

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Lord of a Shattered Land (Baen Books, August 1, 2023). Cover by Dave Seeley

At about the halfway mark in Howard Andrew Jones’s Lord of a Shattered Land, the excellent opening volume of The Chronicles of Hanuvar, the author shifts gears. “Against the run of play,” he opts for comedy.

Lord of a Shattered Land is set up in episodic form, such that each of the chapters can be read independently. The first eight unfold through tightly plotted escapades that firmly position Hanuvar, the refugee general, as a heroic figure. His journeys bring him face-to-face with enemy soldiers and more than a few gruesome creatures.

As ever, the line between horror and S&S remains thin –– but that’s a discussion for another post. For today, I’m sticking with Chapter Nine, “The Autumn Horse,” in which Jones signals that he’s ready for a change of pace. To accomplish this, he has a single tool, the same one employed by every humble scrivener, and that, of course, is prose.

So how, exactly, does Jones haul Hanuvar, however briefly, into the realm of the comedic?

Let’s find out. Nuts and bolts, look out below!

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What I’ve Been Listening To: August (II) 2024

What I’ve Been Listening To: August (II) 2024

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I posted last week about several audiobooks I’ve been listening to. Audiobooks totally fit in with my lifestyle (to the extent I have one). I can listen to them while working, driving, writing, falling asleep, walking outside, and even watching soccer which I’m not too invested in.

I wouldn’t get to a lot of the stuff I listen to, if I had to read it. I mean, you have never heard such caterwauling as the folks in the carpool when I read a paperback while driving. Yeesh!

I re-listen to a lot of stuff. But between Audible Premium, and select library borrows through the Hoopla app, I have audiobooks going a lot of the time.

Here are some more recent listens – some repeats, some brand new to my ears.

LEAPHORN AND CHEE – Tony Hillerman

I did a rather in-depth three-part series on Tony Hillerman and his terrific police procedurals set on the Navajo reservation. I have read/listened to this series a dozen times over the years. I absolutely love it. Somewhere I’ve got some cassette tapes, read by Hillerman himself. But between DVDs and Audible, I’ve managed to get unabridged (do NOT get the abridged versions. Not nearly as good) versions of each novel, read well by George Guidall.

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