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Vintage Treasures: Moderan by David R. Bunch

Vintage Treasures: Moderan by David R. Bunch


Moderan, by David R. Bunch (Avon, May 1971). Cover by Norman Adams

The week between Christmas and New Year’s may be my favorite time of the year. Nobody’s working. Life slows down. Everybody’s eating cheese. And I can finally kick back and tackle the reading projects I’ve wanted to get to all year.

At the top of my list is a Moderan, a classic science fiction collection that reviewers at Black Gate have referenced countless times in the past few years — most recently Rich Horton, who wrote here back in February, “Bunch of course is best known for his remarkable Moderan stories, many or most of which were published in Cele Goldsmith Lalli’s Amazing and Fantastic.

Rich knows how to pique my interest. Start with superlatives, then name drop a bunch of old science fiction magazines.

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The Sword & Planet of Gardner F. Fox: The Llarn Novels

The Sword & Planet of Gardner F. Fox: The Llarn Novels

Warrior of Llarn and Thief of Llarn by Gardner F. Fox (Ace Books,
1964 and 1966). Covers by Frank Frazetta and Gray Morrow

I discovered Thief of Llarn in my small hometown library. The swordsman on the cover screamed John Carter to me, and the demon skull with the gem in it didn’t hurt any.

I fell in love with this book and finally found a copy for myself. It’s not in great shape. It took me another fifteen years (pre-internet) or so to find Warrior of Llarn, which was actually the first book of the two book series.

I was somewhat disappointed in Warrior, probably because Thief had become almost mythically good to me in my memories. These are solid entries in Sword & Planet fiction. They were published in 1964 and 1966 respectively.

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No More Stories — The Capstone to Joanna Russ’s Alyx Sequence: “The Second Inquisition”

No More Stories — The Capstone to Joanna Russ’s Alyx Sequence: “The Second Inquisition”


Orbit 6, edited by Damon Knight (Berkley Medallion, June 1970). Cover by Paul Lehr

“No more stories.” So ends Joanna Russ’s great novelette “The Second Inquisition.” But in many ways the story is about stories — about how we use them to define ourselves, protect ourselves, understand ourselves. It’s also, in a curious way, about Joanna Russ’s stories, particularly those about Alyx, a woman rescued from drowning in classical times by the future Trans-Temporal Authority.

“The Second Inquisition” first appeared in Orbit 6 in 1970. It was nominated for the Nebula Award for Best Novelette. It was included in the anthology Nebula Award Stories 6, along with Gene Wolfe’s “The Island of Doctor Death and Other Stories,” which first appeared in Orbit 7 and was also nominated for a Nebula — and which has some resonances with “The Second Inquisition.” Russ’s story has been anthologized several times since, and is collected in her book The Adventures of Alyx, and in the recently released Library of America collection Joanna Russ: Novels and Stories.

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New Treasures: Generation Ship by Michael Mammay

New Treasures: Generation Ship by Michael Mammay


Generation Ship (Harper Voyager, October 17, 2023). Cover by Jeff Brown

Even with all the resources at our fingertips, it’s impossible to keep up with the steady drumbeat of new arrivals. That’s one of the reasons I’m always on the lookout for good reviewers, and new review sites.

One of my new favorites is WinterIsComing.net, which has pointed me toward some of the fall’s best new SF and fantasy. It’s how I discovered Michael Mammay’s new SF thriller Generation Ship, which they hail as “a sprawling standalone sci-fi epic with a large cast and intricate sociopolitical intrigue.” Now that’s what I’m talking about.

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Seven Things I Think I Think (December, 2023)

Seven Things I Think I Think (December, 2023)

With the holidays being so busy and such, Ten Things I Think I Think only has seven entries this week. I’m sure it won’t ruin your Christmas. 🙂 So away we go…

THE BLACK COMPANY IS AN ENDURING CLASSIC

I’ve read Glen Cook’s The Black Company, all the way through, at least three times. It’s about a mercenary company that roams far and wide in a dark fantasy world, varying on the scale of ‘good guys’ and ‘bad guys.’ I don’t do Grimdark, but it’s commonly cited as being a foundation of the genre.

Audible had a HUGE sale the start of December, and I picked up almost the entire series on audiobook, at less than $3.50 a book. That’s a pure steal! I listen to audiobooks during my drives, and during my work day. Even as I type blog posts. My mind is good at multi-attention. I wouldn’t have time to read/re-read all the things I listen to.

I’m on book four, and this remains one of the best fantasy series’ I’ve ever read. I feel that the last two books are kind of disappointing, and I slog through them. We’ll see if that’s the case, listening to them. But overall, this is terrific. The latest book, Port of Shadows, is set during the original trilogy, and I am going to read that later this month. But as a whole, I highly recommend The Black Company. Fletcher Vredenburgh did a superb deep dive into the whole thing, over at Black Gate. I also LOVE Cook’s Garrett, PI series, which I wrote about here. Just a great writer.

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Vintage Treasures: Clash by Night by Henry Kuttner and C.L. Moore

Vintage Treasures: Clash by Night by Henry Kuttner and C.L. Moore


Clash by Night (Hamlyn Paperbacks, 1980). Cover by Chris Moore

I’m a big fan of the short fiction of Henry Kuttner, one of the great genre pulp writers, and earlier this year I stumbled on a curiosity: a Hamlyn (UK) paperback collection of Kuttner’s pulp tales which has never been reprinted in the US: Clash by Night.

Clash by Night collects five Kuttner tales from the heyday of the science fiction pulps, 1943-1952. The stories collected here were originally published in Astounding Science Fiction, Thrilling Wonder, and Space Science Fiction. They include some of Kuttner’s most acclaimed SF, and some that has been rarely reprinted.

Another thing they all have in common: They were all written with his wife, C.L. Moore, whom the editor didn’t see fit to credit on the cover, for reasons of obvious sexism. It’s small remedy to correct that slight in the title of this article, but I did it anyway.

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Family Secrets, Ancient Curses, and Haunted Rooms: Fantasmagoriana Deluxe, edited by EJ Guignard & LS Klinger

Family Secrets, Ancient Curses, and Haunted Rooms: Fantasmagoriana Deluxe, edited by EJ Guignard & LS Klinger


Fantasmagoriana Deluxe (Dark Moon Books, November 28, 2023). Cover art by Hellduriel

The history of Fantasmagoriana is rather complicated.

Originally the book was published in German as a ghost story collection, then translated into French in 1812. The first English translation under the title Tales of the Dead by Sarah Elizabeth Utterson appeared in 1813, but Utterson omitted three stories and added one written by herself, “The Storm,” which frankly is an unremarkable, weak imitation of some of the original tales included in the anthology.

The current volume, Fantasmagoriana Deluxe, includes all the stories featured in the two books Fantasmagoriana and Tales of the Dead, some of which were read aloud by Mary Shelley and her friends during the famous party at Villa Diodati (Switzerland) where Lord Byron suggested that the guests try their hand creating some new ghostly fiction. The more famous results of that challenge were Frankenstein by Mary Shelley and The Vampyre by JW Polidori.

But so much for history. Let’s move to the stories, which are all outstanding.

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Science is Sorcery

Science is Sorcery


Bloodstone (Warner, March 1975). Cover by Frank Frazetta

“Kane’s power is that of science, not sorcery — although with elder-world science, the distinction becomes blurred. But then, to the untutored minds the distinction is difficult to grasp, for this lies in understanding the forces at work, and in the laws they obey. For example, to produce a deadly sword to wield in battle, a master smith will use secrets of his craft to smelt choice iron into steel, forge steel into tempered blade, then balance, hone and haft the blade to the best of his art. Similarly, a wizard may utilize the secrets of his craft to forge a sword of starfire and incantations. Both swords seem magic to some club-swinging apeman, such as legend places on lands unknown to our civilization, but clearly one is born of science, the other spawned by sorcery…”

—Karl Edward Wagner, Bloodstone

In the hobby of tabletop role-playing games, the influence of J.R.R. Tolkien looms prominently, and the reason for this makes perfect sense: By the mid- to late 1960s, Tolkien fever (i.e., fervent esteem for The Hobbit and The Lord of the Rings) was reaching epic proportions, fueled by the mass market release of affordable paperbacks published by Ballantine Books. “Frodo Lives!” became a counterculture slogan on buttons, bumper stickers, and T-shirts. In the form of graffiti, it was spray-painted in subways and under bridges. Wargaming enthusiasts of the American Midwest were not immune to the hypnotic effect of The Ring, and in one wargame, called Chainmail (Gygax and Perren, 1971), a 15-page “Fantasy Supplement” in the back of the rules proved to be a primary progenitor of the world’s most popular tabletop role-playing game, Dungeons & Dragons.

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Vintage Treasures: Fantasy Annual III edited by Terry Carr

Vintage Treasures: Fantasy Annual III edited by Terry Carr


Fantasy Annual III (Timescape/Pocket Books, May 1981). Cover by Lisa Falkenstern

Today we’re jumping back four decades to Fantasy Annual III, the third volume of Terry Carr’s companion series to his legendary and long-running Best Science Fiction of the Year, which ran from 1972 to the year he died, 1987. Fantasy Annual, which underwent a name change (and a change in publisher) lasted only five volumes, 1978-1982. But it was lauded in its day, and I still miss it.

Fantasy Annual III was one of the stronger installments. It’s anchored by a long story by Stephen King, “The Crate,” originally published in a men’s magazine in 1979, and which has never been reprinted in any of King’s many collections. It’s a terrific tale, one of King’s best works of unapologetic monster fiction, and was filmed as part of George A. Romero’s 1982 anthology film of King tales Creepshow, in a segment staring Adrienne Barbeau and Hal Holbrook.

The remainder of the book also makes excellent reading, with stories by Michael Bishop, Russell Kirk, Harlan Ellison, Walter Tevis, Fritz Leiber, Joanna Russ, Orson Scott Card, and Greg Bear, plus a Traveller in Black novelette by John Brunner, a John the Balladeer tale by Manly Wade Wellman, and The Vampire Tapestry story by Suzy McKee Charnas.

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“not really now not any more” Red Shift by Alan Garner

“not really now not any more” Red Shift by Alan Garner

He began  to  climb  the  inside  of  the  castle, the folly, the empty stone.
“Tom?”
He climbed.
“Don’t be so bloody dramatic!”
At the top he stood upright, jerkily, balancing against the air above the wall and the cliff.
“You’ll not frighten me!”
He spread his arms and lifted his head to the sky.
“Through the sharp hawthorn blow the winds,” he shouted. “Who gives anything to poor Tom? Tom’s a-cold! Bless thee from whirlwinds, starblasting, and taking!”
“Stop it! You’re all quote! Every bit! Any you call me second hand!”
“Pillicock sat on Pillicock-hill. Halloo, halloo, loo, loo!”
“You can’t put two words of your own together! Always someone else’s feeling! Other people have to hell to find words for you! You’re fire-proof!”

Red Shift (1973) by Alan Garner, is a complex book that weaves together three distinct but related stories. The main story, set in 1970s England, is about Tom and Jan, teenagers struggling to maintain their love in the face of Tom’s disapproving parents, looming separation as Jan prepares to enter nursing school in London, and Tom’s unsettled mental state. Jan is constantly expressing her love for Tom, but he seems incapable of really accepting that.

The second story is about Macey is part of a band of deserters from the Roman IX Legion named Macey and a tribal priestess raped and held prisoner by his comrades following the slaughter of her entire village. He is given to berserker rages where he fights like ten men and experiences visions of the other two stories.

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