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The Spoils of Capricon: Rooks and Ruin by Melissa Caruso

The Spoils of Capricon: Rooks and Ruin by Melissa Caruso


The Rooks and Ruin trilogy: The Obsidian Tower, The Quicksilver Court, and The Ivory Tomb
(Orbit, 2020, 2021, and 2022). Covers by Peter Bollinger, Mike Heath, and Peter Bollinger

On Saturday I was wandering through the well-stocked Dealer’s Room at Capricon 43 in Chicago with Rich Horton, looking for new books of all kinds. (And if there’s a guy you want at your side as you struggle to find quality books, believe me, it’s Rich Horton. He has great taste and a well informed opinion on everything — and I do mean everything.) I stumbled on the newly-released The Ivory Tomb, the concluding novel in Melissa Caruso’s Rooks and Ruin, and read the first paragraph of the back cover.

The Dark Days have returned. The Demon of Carnage mercilessly cuts through villagers and armies. The Demon of Corruption rots the land. The Serene Empire and the Witch Lords race towards war. And in the middle of it all stands Rxyander, the Warden of Gloamingard.

That’s a lot of demons. Do I really want to read a trilogy about Dark Days, demons, Witch Lords, and a gloom-shrouded castle called ‘Gloamingard’??

Ha! You know me so well. Of course I do. I bought that book so fast Rich didn’t even know what happened.

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The Brownstone of Nero Wolfe: Death of a Doxy – And Koufax or Mays?

The Brownstone of Nero Wolfe: Death of a Doxy – And Koufax or Mays?

We haven’t been to the Brownstone since April of last year. Pfui! So here we have the forty-third Nero Wolfe post at Black Gate. The Wolfe stories are my favorite private eye series. Which, given my Solar Pons, and Sherlock Holmes, credentials, is saying something. I am pretty much always re-reading or listening yet again to Michael Prichard’s terrific audiobooks. I never tire of Wolfe’s World.

Rex Stout was a baseball fan, keeping score at Mets’ games (and possibly NY Giants’ ones as well). Archie uses some baseball terms, and even (briefly) watches a Mets game on TV, with actual players mentioned. And of course, there’s Ron Seaver. “Three Men Out” is set at game seven of a World Series game between Boston and the Giants, though all of the characters are entirely fictional in that one.

I’ve written some baseball snippets for inclusion in future stories, including Archie annoying Wolfe by talking about the Rocky Colavito – Harvey Kuenn trade; and Archie recounting attending Willie Mays’ last World Series, against the A’s. Archie and baseball go together.

Which leads us to talking about Death of A Doxy today. This may well be my favorite Wolfe novel. And I think that A&E did a terrific episode of it. It’s got a neat little baseball reference, which I’ll tease out for this essay. But first, let’s talk about something that should be banned by law – The Epithon!

THE EPITHON

In Death of a Doxy, Archie is at Lily Rowan’s penthouse, listening to a poet read a selfdubbed ‘Epithon.’ It is called such because it was epic, and took hours to read. Add in that the man wrote it himself, and you’ve got the idea. ‘Pfui’ isn’t strong enough.

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Vintage Treasures: The Bantam John Crowley

Vintage Treasures: The Bantam John Crowley


Four John Crowley paperbacks published in rapid succession by Bantam: Little, Big, Beasts,
Engine Summer, The Deep (October, November, December 1983, and January 1984). Covers by Yvonne Gilbert

In 1981 Bantam Books published John Crowley’s masterwork Little, Big, which Matthew David Surridge calls “the best post-Tolkien novel of the fantastic.” It was an unexpected hit, receiving nominations for every major fantasy prize, including the Hugo, Balrog, BSFA, Locus, and Nebula awards, and winning both the Mythopoeic Award and the World Fantasy Award. Six years later, when Locus surveyed its readers on the All-Time Best Fantasy Novel, it placed 10th. When Locus repeated the poll eleven years later, it moved up two slots into 8th place.

It’s fair to say the book’s popularity took its publisher by surprise. Bantam Books hadn’t bothered with a hardcover release — or cover art — for Little, Big; instead they published it in a nondescript trade paperback edition and snuck the book into stores under the cover of night in September 1981. They hadn’t even planned a mass market edition. It was rave reviews and word of mouth that did the rest.

Bantam made up for it two years later, after the thunderous accolades for the book made the magnitude of their mistake obvious. They released Little, Big in a handsome paperback edition in October 1983 (two years and one month after the the trade edition) with a fine cover by Yvonne Gilbert, and in rapid-fire sequence they re-released Crowley’s entire back catalog, one novel every month: Beasts, Engine Summer, and The Deep, all with covers by Gilbert. It was the first time Crowley had ever been given any real attention by a publisher, and it helped thousands of new readers discover him for the first time.

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New Treasures: Worlds Long Lost edited by Christopher Ruocchio and Sean CW Korsgaard

New Treasures: Worlds Long Lost edited by Christopher Ruocchio and Sean CW Korsgaard

Worlds Long Lost (Baen Books, December 6, 2022). Cover by Bob Eggleton

Baen Books has published some terrific anthologies recently.

Christopher Ruocchio (The Sun Eater series) has had a particularly fine run, with over half a dozen to his credit, most with Baen senior editor Hank Davis — including Space Pioneers, Cosmic Corsairs, and Time Troopers — or Tony Daniel (Star Destroyers and World Breakers). Which is why I was dismayed to learn that Worlds Long Lost, a collection of all-new stories of ancient alien artifacts, is his last. Here’s the announcement on his blog, SollanEmpire.com

Worlds Long Lost is my final short story anthology with Baen Books, co-edited with my successor, Sean C.W. Korsgaard. Featuring stories of ancient aliens and their ruins, it includes my short story “Mother of Monsters.” “Mother of Monsters” is set on the Cielcin worldship codenamed Echidna, the very moon captured by Lord Cassian Powers at the Second Battle of Cressgard. It is the tale of Tor Mencius, the scholiast in charge of excavating the tombs of the Aetane who ruled Echidna…and of what he discovered there.

Christopher’s story is a brand new tale set in his popular Sun Eater series. The book also contains original fiction from Orson Scott Card, Adam Oyebanji, M.A. Rothman and D.J. Butler, Les Johnson, and many more.

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Future Treasures: High Noon on Proxima B edited by David Boop

Future Treasures: High Noon on Proxima B edited by David Boop

High Noon on Proxima B (Baen, February 7, 2023). Cover by Dominic Harman

Nobody out there is doing anthologies like David Boop.

He started in 2017 with the Weird Western Straight Outta Tombstone (2017), which proved popular enough that he followed up with two more, Straight Outta Deadwood (2019) and Straight Outta Dodge City (2020). Last year he packed up his six-shooters and headed into outer space with Gunfight on Europa Station, the first…. uh… Weird Science Fiction Western anthology? I dunno, but I like it.

It’s a new year, and I’m delighted to see a new Boop anthology headed our way. High Noon on Proxima B contains brand new stories by Walter Jon Williams, Susan R. Matthews, Brenda Cooper, Milton Davis, and many others. It arrives in trade paperback from Baen next week.

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Galactic Real Estate, Revolutions, and an Uplifted Moose: The Terraformers by Annalee Newitz

Galactic Real Estate, Revolutions, and an Uplifted Moose: The Terraformers by Annalee Newitz

The Terraformers by Annalee Newitz (Tor Books, January 31, 2023)

On the one hand, The Terraformers is full of great characters, solid science, and socio-political conflict, with enough action to move things along and keep you turning pages to the end. On the other, it’s not actually about terraforming and it’s told in 3 novellas set hundreds of years apart with only a few characters able to provide links between them.

The Terraformers opens when Environmental Rescue Team Ranger Destry is out in the terraformed forest with her faithful steed, the uplifted moose named Whistle. Destry and Whistle come across a human doing all sorts of disgusting paleolithic things, burning wood, killing small game, defecating on the land, and generally upsetting the ecological balance of Sask-E. It’s taken 10,000 years for Sask-E to be made habitable, and it’s Destry’s job to make sure it stays that way.

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Vintage Treasures: The New Hugo Winners, Volume III and IV, presented by Connie Willis and Gregory Benford

Vintage Treasures: The New Hugo Winners, Volume III and IV, presented by Connie Willis and Gregory Benford


The New Hugo Winners, Volume III and Volume IV (Baen, and May 1994 and November 1997). Covers by Bob Eggleton

The Hugo Winners, Volume I and Volume II, edited by Isaac Asimov and collected in one big omnibus by the Science Fiction Book Club in 1972, was one of the top-selling science fiction books of the 70s, and Volume III (1977) was gladly received by readers. But by the time Volume IV and V were released in the mid-80s, sales had fallen off so significantly that neither one was ever reprinted in paperback, and Doubleday ceased publishing them entirely after the fifth book.

It was Martin H. Greenberg who talked Asimov into picking up the tradition with The New Hugo Winners in 1989. The two of them brought the series to Baen, and produced two volumes before Asimov’s death in 1992. Although Asimov had openly championed having Greenberg pick up the baton after his death, that didn’t happen. Instead it was Connie Willis and Gregory Benford who edited (excuse me, “Presented”) The New Hugo Winners, Volume III and Volume IV, as paperback originals from Baen Books in 1994 and 1997.

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From the Library of Terry Carr: Here’s Your Chance to Own a Piece of Science Fiction History

From the Library of Terry Carr: Here’s Your Chance to Own a Piece of Science Fiction History


A few of the (mostly new) Terry Carr anthologies you can buy on eBay for $3 each

Terry Carr is widely respected today, nearly four decades after his death, for his legendary work as a science fiction editor. He assembled some 70 anthologies in a career spanning over twenty years, including the highly respected Universe series (17 volumes), Fantasy Annual (five volumes), and the career-defining Best Science Fiction of the Year (16 volumes), which may well be the finest Year’s Best anthology series ever printed.

But he also edited an impressive number of standalone anthologies, both original and reprint, most of which are long out of print and long-forgotten. I’ve gradually taken an interest in them, starting with Creatures From Beyond, which I read in junior high, and I recently started collecting them more seriously

Last month I stumbled on a bookseller offering a fabulous collection — and I do mean fabulous — at ridiculously low prices on eBay. After I purchased a few dozen, we struck up a conversation. Just where on Earth, I humbled asked, did he find such a vast collection of virtually brand new 50-year-old anthologies by Carr, Robert Silverberg, Damon Knight, Michael Bishop, Groff Conklin, and others? Simple enough, he said. They had all originally belonged to Terry Carr.

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New Treasures: HellSans by Ever Dundas

New Treasures: HellSans by Ever Dundas


HellSans by Ever Dundas (Angry Robot, October 11, 2022). Covers by Kate Cromwell

One thing I’ll say about science fiction and fantasy: there’s always room for an audacious idea. And that pretty much describes HellSans, the science fiction debut by Scottish writer Ever Dundas, about a font that triggers euphoria — or agony.

Publishers Weekly calls it “Wildly imaginative… [a] stand out,” and Library Journal proclaims it “A smart and unique dystopian thriller.” And Lisa Tuttle at The Guardian selected it as one of The Best Recent Science Fiction and Fantasy novels, calling it “a violent and compelling thriller, with far more psychological and moral complexity than the general run of dystopian fiction.”

I don’t know about all that. But I do know that when I picked up a copy at the bookstore last week, I was taken immediately by the originality of the idea — and the premise of a scientist on the run as she tries to find a cure for a ubiquitous font. I brought it home with me, and I’m looking forward to reading it.

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Street Thieves and Queen’s Guards: Dance of Thieves by Mary E. Pearson

Street Thieves and Queen’s Guards: Dance of Thieves by Mary E. Pearson


Dance of Thieves and Vow of Thieves (Square Fish, 2019 and 2022). Covers by Rich Deas and Mike Burroughs

I don’t pay as much attention to Young Adult fantasy as I should. It’s not experiencing the explosion of bestsellers and media attention it was just a few years ago, but it’s still one of the bright spots in genre publishing, and where a lot of talented writers are doing some excellent work.

Fortunately Barnes & Noble makes it easy for me to stumble on some of the most exciting titles, and that’s exactly what happened on Sunday when I stopped in front of their YA display tables. There in the center was Dance of Thieves, the first of a two-volume series featuring an outlaw family, a legendary street thief, a dark secret, the young women of the Queen’s guard, a son thrust suddenly into power, and a life-and-death cat and mouse game between them all. It shares a setting with the author’s bestselling Remnant Chronicles, which helped pique my interest, and that (and the enticing description) was enough to convince me to take it home.

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