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New Treasures: Swift to Chase by Laird Barron

New Treasures: Swift to Chase by Laird Barron

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In his review of the 2014 Laird Barron tribute volume The Children of Old Leech, James McGlothlin wrote:

If you’re not familiar with Laird Barron, you really should be. He’s a multiple Shirley Jackson Award winner and currently on the 2014 World Fantasy Award ballot. I’ve raved about him several times on Black Gate, including here and here and here. Barron’s writing is often called Lovecraftian; but not in a pastiche sort of way.  Rather, Barron is really good at capturing a cosmic-horror-feel in his stories that many believe Lovecraft perfected.

In addition, Barron is also like Lovecraft in that in his stories have recurring regions, locations, characters, and even a recurring evil book… [Barron is] one of the true masters of the weird that we currently have.

Barron is not resting on his laurels, however. In the last 12 months he’s released two novellas, Man With No Name and X’s For Eyes, and his highly anticipated fourth collection Swift to Chase arrived in hardcover, trade paperback and digital format earlier this month. Click on the images above to read the complete back cover copy.

Swift to Chase was published by JournalStone on October 7, 2016. It is 294 pages, priced at $29.95 in hardcover, $18.95 in trade paperback and $7.95 for the digital edition. See all our recent Laird Barron coverage here.

One Last Time into the Primal Land: Sorcery in Shad by Brian Lumley

One Last Time into the Primal Land: Sorcery in Shad by Brian Lumley

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oie_242034314rvenvucAll good things must come to an end. I get that, and as I’ve gotten older I appreciate that more than ever. However, they do not all have to end badly. Sometimes, though, as with Brian Lumley’s Primal Lands stories, they do. Despite some rough-hewn edges and some too-purple prose, I completely enjoyed the first two collections in the series, The House of Cthulhu and Tarra Khash: Hrossak! (follow the links to my Black Gate reviews). I looked forward to the culmination of these tales in the final volume, Sorcery in Shad (1991). Unfortunately, it’s a bit of a flop. Only Lumley’s easy-going style, colorful world-building, and a clear love for his characters kept its reading from being drudge work.

Lumley is a controversial figure in the world of Lovecraft Mythos fiction. By inclination, he is a writer of action and adventure. What he brought to Mythos stories were heroes who fought back, unwilling to acquiesce in the face of existential dread (and monsters), which didn’t always work very well.

It served him splendidly here, though, in his stories set on Theem’hdra, the continent-sized remnant of a gigantic volcano, in the earliest days of Man on Earth. House of Cthulhu introduced the setting and several recurring characters, most notably the sorcerer, Teh Atht, through a series of mostly independent short stories. Tarra Khash, through several linked stories, told the escapades of its titular good-hearted barbarian wanderer. By the end, Tarra Khash and his friends had saved the world from demonic domination and he had decided to head back home.

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An Experiment in Gor: What Are John Norman’s Books About, Really? The Hidden Secret of the Counter-Earth Saga is an Over-Abundance of…

An Experiment in Gor: What Are John Norman’s Books About, Really? The Hidden Secret of the Counter-Earth Saga is an Over-Abundance of…

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tarnsman_of_gor_vallejo_coverI’m positive that I read the first book in the [Counter-Earth Saga/Tarl Cabot Saga/Chronicles of Counter-Earth/Gorean Cycle/Gorean Saga/take your pick], sometime back in junior high. That would be Tarnsman of Gor, first published in 1966 by Ballantine, which recounts how Earth professor Tarl Cabot is mysteriously transported to our solar system’s hidden tenth planet orbiting the sun in a position exactly counter to Earth’s. There he encounters a Barsoomian-inspired sword-and-planet environment. He quickly adapts, becoming a Gorean swordsman and assimilating into the culture of his adopted planet.

If I read any of the sequels, I can’t recall — although I remember enjoying the first book, at least the first part of it recounting Talbot’s strange experiences (involving a mysterious package, I believe) and subsequent relocation to another world. As The Encyclopedia of Fantasy (1997), a huge tome sitting here on my bookshelf, notes, the first Gor books were passable Edgar Rice Burroughs pastiches, and that’s the impression I came away with too. As a boy, I was a huge fan of ERB’s John Carter of Mars stories and was looking for something else along those lines.

The Encyclopedia goes on to condemn later volumes in the series (which now total 34), noting that they “degenerate into extremely sexist, sadomasochistic pornography involving the ritual humiliation of women, and as a result have caused widespread offence.” DAW, which published the series from volumes 7 through 25, apparently dropped Norman for this reason (Naughty Norman!), and the subsequent 9 volumes are only available in e-book editions.

As a collector and purveyor of vintage sci-fi and fantasy paperbacks, I happen to have several Gor books sitting in a pile here beside my office desk. I will be posting them to eBay soon. I have, on occasion, picked one up and opened it at random to read a paragraph or two.

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Go Ahead. Judge The Starlit Wood by its Cover

Go Ahead. Judge The Starlit Wood by its Cover

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We know not to judge a book by its cover, but sometimes it’s just so hard. You look at a book and think, Wow, I need to take a look at that. As a writer or an editor, you dream of that perfect match, of that gripping cover that perfectly conveys the story you’re eager to share, that makes people want to pick up your book. With The Starlit Wood: New Fairy Tales, we feel we’ve been fortunate enough to get just that. We’re so thrilled with every element of the packaging of The Starlit Wood, so we wanted to share a bit about the process of creating such a lovely book.

The Starlit Wood is our love letter to fairy tales. The book is a cross-genre anthology of fairy tale retellings, featuring everything from science fiction, western, and post-apocalyptic, to traditional fantasy and contemporary horror. Retellings of lesser-known fairy tales takes place alongside traditional ones, which makes for a really unique experience where the familiar and the unfamiliar co-exist. The book features established authors like Naomi Novik, Garth Nix, Seanan McGuire, and Margo Lanagan, as well as rising stars like Charlie Jane Anders, Sofia Samatar, and Daryl Gregory. The full table of contents is here.

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New Treasures: The Apothecary’s Curse by Barbara Barnett

New Treasures: The Apothecary’s Curse by Barbara Barnett

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the-apothecarys-curse-smallDo you like the TV show House? So does Barbara Barnett. In 2010 she wrote Chasing Zebras: The Unofficial Guide to House, M.D., and in 2014 she released House, M.D.: The Unofficial Guide to Season Seven.

In 2016, she channeled her love for the show into her first novel The Apothecary’s Curse, which publisher Pyr describes as “Penny Dreadful meets House, M.D. in this genre-bending urban fantasy mixes alchemy and genetics as a doctor and an apothecary try to prevent a pharmaceutical company from exploiting the book that made them immortal centuries ago.” It’s an unusual take on urban fantasy to be sure, but an intriguing one. The Apothecary’s Curse is available now in trade paperback.

In Victorian London, the fates of physician Simon Bell and apothecary Gaelan Erceldoune entwine when Simon gives his wife an elixir created by Gaelan from an ancient manuscript. Meant to cure her cancer, it kills her. Suicidal, Simon swallows the remainder — only to find he cannot die. Five years later, hearing rumors of a Bedlam inmate with regenerative powers like his own, Simon is shocked to discover it’s Gaelan. The two men conceal their immortality, but the only hope of reversing their condition rests with Gaelan’s missing manuscript.

When modern-day pharmaceutical company Transdiff Genomics unearths diaries describing the torture of Bedlam inmates, the company’s scientists suspect a link between Gaelan and an unnamed inmate. Gaelan and Transdiff Genomics geneticist Anne Shawe are powerfully drawn to each other, and her family connection to his manuscript leads to a stunning revelation. Will it bring ruin or redemption?

The Apothecary’s Curse was published by Pyr on October 11, 2016. It is 345 pages, priced at $17 in trade paperback and $9.99 in digital format. The cover was designed by Jacqueline Nasso Cooke.

See all of our recent New Treasures here.

Invaders of Pluto, and Brain Stealers of Mars: Rich Horton on The Ultimate Weapon and The Planeteers by John W. Campbell

Invaders of Pluto, and Brain Stealers of Mars: Rich Horton on The Ultimate Weapon and The Planeteers by John W. Campbell

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When I was twelve years old I read a book that changed my life. It was Before the Golden Age, a collection of Isaac Asimov’s favorite pulp tales from his own early teen years, and it inspired in me a love of the pulps that endures to this day.

One of the most captivating stories was John W. Campbell’s “The Brain Stealers of Mars,” from the December 1936 Thrilling Wonder Stories. The intrepid explorers Penton and Blake use an atomic-powered craft to visit Mars, where they find a sinister race of shapeshifters, eager to hitch a ride back to Earth. Sort of a prototype for “Who Goes There?”, the far more famous tale which Campbell published two years later in Astounding, “Brain Stealers” is more a science fiction puzzler than a true horror story, as our blaster-wielding heroes must find a way to outsmart an entire race of scheming telepathic shapeshifters with designs on conquest.

The Planeteers is a collection of five Penton & Blake tales published in Thrilling Wonder between 1936-38, following their adventures as they explore the solar system in their gleaming atomic spacecraft, discovering the double-minded aliens of Callisto, a benign race on Europa, and the super-intelligent energy eater out beyond Pluto. It appeared as half of an Ace Double in 1966, paired with The Ultimate Weapon, a standalone tale of the desperate race against time to create super-weapons on the Moon to thwart an alien invasion.

Rich Horton reviewed both books on his blog Strange at Ecbatan back in June. Here’s what he thought.

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Future Treasures: Bridging Infinity, edited by Jonathan Strahan

Future Treasures: Bridging Infinity, edited by Jonathan Strahan

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bridging-infinity-smallJonathan Strahan’s Infinity books have gradually earned a reputation as the finest ongoing anthology series in the genre — and perhaps, one of the finest in the history of the genre. In my June article The Most Successful Anthology of 2015, I pointed out that over half of the contents of the fourth book in the series had been selected for Year’s Best volumes. If that’s not a record, it has to be close.  In just two weeks the fifth volume in the series, Bridging Infinity, arrives in trade paperback from Solaris, and I am very much looking forward to it.

BUILDING TOWARDS TOMORROW

Sense of wonder is the lifeblood of science fiction. When we encounter something on a truly staggering scale – metal spheres wrapped around stars, planets rebuilt and repurposed, landscapes re-engineered, starships bigger than worlds – the only response we have is reverence, admiration, and possibly fear at something that is grand, sublime, and extremely powerful.

Bridging Infinity puts humanity at the heart of that experience, as builder, as engineer, as adventurer, reimagining and rebuilding the world, the solar system, the galaxy and possibly the entire universe in some of the best science fiction stories you will experience.

Bridging Infinity continues the award-winning Infinity Project series of anthologies with new stories from Alastair Reynolds, Pat Cadigan, Stephen Baxter, Charlie Jane Anders, Tobias S.Buckell, Karen Lord, Karin Lowachee, Kristine Kathryn Rusch, Gregory Benford, Larry Liven, Robert Reed, Pamela Sargent, Allen Steele, Pat Murphy, Paul Doherty, An Owomoyela, Thoraiya Dyer and Ken Liu.

The previous volumes in the series are:

Engineering Infinity (2010)
Edge of Infinity (2012)
Reach For Infinity (2014)
Meeting Infinity (2015)

And here’s the complete Table of Contents.

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The B&N Blog on Nine New Horror Books to Keep You Terrified Until Halloween

The B&N Blog on Nine New Horror Books to Keep You Terrified Until Halloween

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Sam Reader at the Barnes & Noble Sci-Fi & Fantasy Blog has assembled a delicious list of nine new horror books to keep you terrified until Halloween — including several we’ve already covered here at Black Gate, such as The Fisherman, by John Langan, Disappearance at Devil’s Rock by Paul Tremblay, and Hex, by Thomas Olde Heuvelt.

But he’s also highlighted several intriguing selections we overlooked, like Brom’s new novel Lost Gods, Ellen Datlow’s collection Nightmares, and The Graveyard Apartment, by Mariko Koike.

The Graveyard Apartment tells something of a conventional story: a troubled couple, their adorable daughter, and their pets move into an apartment that seems too good to be true. Naturally, the apartment happens to be in a building surrounded on three sides by a graveyard and a crematorium. On the day they move in, their pet bird dies. Other tenants quickly move out of the building. It doesn’t take a horror aficionado to tell the place is haunted and that things will go downhill quickly, but Koike brings a sense of claustrophobia and progressive isolation to a story that keeps the dread ticking right along, as its stubborn protagonists refuse to follow the example of their neighbors and leave the creepy apartment.

See the complete list here.

Get Cozy with Tor.com Publishing’s Winter 2017 Titles

Get Cozy with Tor.com Publishing’s Winter 2017 Titles

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Tor.com Publishing has given us a peek at their upcoming fall and winter titles, and it looks like another dynamite line-up, with novellas by Black Gate author Ellen Klages (“A Taste of Summer,” BG 3), Seanan McGuire, Caitlín R. Kiernan, Adam Christopher, Emma Newman, Paul Cornell, Maurice Broaddus, and many others — including the sequel to the Nebula Award-winning Binti by Nnedi Okorafor. Here’s the complete line-up:

Dusk or Dark or Dawn or Day by Seanan McGuire (192 pages, $15.99, January 10, designed by Jamie Stafford-Hill)
The Fortress at the End of Time by Joe M. McDermott (268 pages, $19.99/$4.99 digital, January 17, cover by Jaime Jones)
Passing Strange by Ellen Klages (220 pages, $14.99, January 24, cover by Gregory Manchess)
Binti: Home (Binti #2) by Nnedi Okorafor (176 pages, $14.99, January 31, cover by David Palumbo)
Idle Ingredients (Sin du Jour #4) by Matt Wallace (192 pages, $15.99, February 7, designed by Peter Lutjen)
Cold Counsel by Chris Sharp (368 pages, $21.99/$4.99, February 21, cover by David Palumbo)
Agents of Dreamland by Caitlín R. Kiernan (128 pages, $11.99, February 28, designed by Christine Foltzer)
Standard Hollywood Depravity (L.A. Trilogy) by Adam Christopher (176 pages, $14.99, March 7, cover by Will Staehle)
Brother’s Ruin by Emma Newman (160 pages, $14.99, March 14, cover by Cliff Neilsen)
Chalk by Paul Cornell (260 pages, 17.99/$4.99, March 21, designed by Peter Lutjen)
Buffalo Soldier by Maurice Broaddus (168 pages, $14.99. March 28, cover by Jon Foster)
Winter Tide (The Innsmouth Legacy, Book 1) by Ruthanna Emrys (368 pages, $25.99 in hardcover/$12.99 digital, April 4, cover by John Jude Palencar)
Proof of Concept by Gwyneth Jones (176 pages, $14.99, April 11, designed by Drive Communications)
Lightning in the Blood (Cold-Forged Flame #2)  by Marie Brennan (112 pages, $11.99, April 25, cover by Greg Ruth)

All are published in trade paperback. Unless otherwise noted, the digital prices for each is $2.99. See all the details here.

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In 500 Words or Less: Chasing the Dragon by Nicholas Kaufmann

In 500 Words or Less: Chasing the Dragon by Nicholas Kaufmann

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chasing-the-dragon-nicholas-kaufmann-smallChasing the Dragon
By Nicholas Kaufmann
ChiZine Publications (170 pages, $10.95 in trade paperback, $7.99 digital, March 15, 2010)

Chasing the Dragon is the sort of novel that you would probably never see from a big publishing house. It’s a tiny paperback at only 133 pages, an urban fantasy/mythology/horror blend with an added literary focus on the topic of addiction – the sort of combination that fits right in with the kind of excellent, outside-the-box work that ChiZine Publications produces. It also functions as a tight, focused narrative that could probably work just as well as a short story if some things were cut away. But I would never want that to happen.

The premise is straightforward: Young Georgia Quincey is the latest in a long line of warriors tasked with hunting and killing the Dragon, a task that each generation of her family has failed at. In tiny Buckshot Hill, she has another chance to fulfill her family’s destiny – if she can manage her heroin addiction. Kaufmann takes the idea of the flawed hero to a different level with Georgia, as her desperate hunt for both dragons (“chasing the dragon” is also a term for your first, perfect high) and her guilt and depression over losing her parents push her to the edge again and again. As the people around Georgia fall victim to her family’s curse and their undead bodies forced into serving the Dragon, I couldn’t decide what would be better for her: to succeed in her family’s quest or finally be given a measure of peace by dying at the hands of her enemy.

My one main criticism of Chasing the Dragon is that the novel’s ending is telegraphed pretty early in the novel, and I can’t quite decide whether the subtle reveal (and the fact that Georgia doesn’t realize her ace in the hole until the end) is meant to be noticed by the reader or not. I hope that Kaufmann intended for the reader to catch it; the information needed is, I think, pretty common knowledge. If it isn’t, that might say something about me (and I promise the last few sentences will make sense after you read the novel; I just don’t want to give anything away). At the end of the day, though, the way that Georgia ultimately faces the Dragon isn’t nearly as important as watching her deal with her demons and wondering whether she’ll make it to the end, both physically and mentally. There’s more than enough carnage and death around her, involving a series of really well-developed supporting characters, to make it hard to predict whether she will.

Cliched as it might sound, Chasing the Dragon is unlike any other novel I’ve read, and easily one of my favorite reads of 2016. It is definitely worth checking out if you like fantasy, horror, stories about the darker side of things (cuz heroin addiction is pretty dark) and deep, unique character work.

An Ottawa teacher by day, Brandon has published work in On Spec, Third Flatiron Anthologies, and elsewhere. Learn more at brandoncrilly.wordpress.com or on Twitter: @B_Crilly.