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The Bio of a Fantasy Giant: To Leave a Warrior Behind: The Life and Stories of Charles R. Saunders, the Man Who Rewrote Fantasy, by Jon Tattrie

The Bio of a Fantasy Giant: To Leave a Warrior Behind: The Life and Stories of Charles R. Saunders, the Man Who Rewrote Fantasy, by Jon Tattrie

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To Leave a Warrior Behind (McClelland & Stewart, January 20, 2026)

Charles Saunders, the Father of Sword & Soul, was one of the most talented and beloved heroic fantasy writers of the last fifty years. That he died unknown, and was buried in an unmarked grave in Nova Scotia in June 2020, is one of the great tragedies of our genre.

The thing about great writers is that they don’t stay buried. When the news of Charles’ untimely death began to spread, it was met with an outpouring of grief and heartfelt tributes. David C. Smith wrote the touching memorial Charles, My Friend in December 2020, and Michael de Adder produced a superb comic strip bio for the Washington Post three years after his death. Greg Mele wrote Black Gate‘s obituary, and Seth Lindberg crafted a detailed survey of his most famous work in the Imaro Series Tour Guide. And a year after Charles’s death, Jon Tattrie raised $17,000 to erect a gravestone to mark his grave.

Now comes word of a more enduring tribute, and one that I hope will help the world understand and appreciate Charles’ remarkable legacy. Jon Tattrie, who worked alongside Charles for two years at the Halifax Daily News, has written To Leave a Warrior Behind: The Life and Stories of Charles R. Saunders, the Man Who Rewrote Fantasy, which will be released in hardcover next month from McClelland & Stewart.

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The Tarzan of Outer Space: Balzan of the Cat People by Gerry Conway

The Tarzan of Outer Space: Balzan of the Cat People by Gerry Conway

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Balzan of the Cat People: The Blood Stones (Pyramid Books, May 1975). Cover artist unknown

Writing under the name Wallace Moore, Gerard F. Conway (1952 -), produced a 1970s trilogy billed as “The Tarzan of Outer Space.” Conway is known mostly for his comic book writing for Marvel and DC, where he wrote as Gerry Conway and is best known for co-creating the Punisher in 1974. He also has some TV and film credits, including for Conan the Destroyer.

I haven’t read any of his comics but have read the first two in his trilogy, and I own the third. I bought them because they have been billed as Sword & Planet fiction. I suppose they fit, although they’re not exactly typical, being more Tarzan than John Carter. The covers certainly stress that resemblance.

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The Best Vintage Paperbacks of 2025

The Best Vintage Paperbacks of 2025

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Chris Gunter’s choice for the best vintage paperbacks of 2025. Finally a socially relevant Year’s Best list

Ah, the end of the year. When social media — and my email in-box — are filled with Best of the Year lists.

I’m not complaining. I love ’em. But the ones I most enjoy are (of course) lists that include delightful old paperbacks finds. Or are maybe, I dunno, exclusively old paperbacks, since that’s about 90% of my own reading these days.

This year I especially enjoyed old books by Lin Carter (Flashing Swords 2), Jerry Pournelle (West of Honor), C.J. Cherryh (Faded Sun: Kutath) and Clifford D. Simak (City). Not too surprisingly, my favorite 2025 Best of the Year list (so far) has been a short post by Chris Gunter on the Vintage Paperback and Pulp Forum on Facebook, which enthusiastically included classics by Alfred Bester, Keith Roberts, Bob Shaw and others.

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Ghosts and Death Songs on Mars: Under the Moons of Mars: New Adventures on Barsoom, edited by John Joseph Adams

Ghosts and Death Songs on Mars: Under the Moons of Mars: New Adventures on Barsoom, edited by John Joseph Adams

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Under the Moons of Mars: New Adventures on Barsoom (Simon & Schuster, February 2012). Cover by Mark Zug

Under the Moons of Mars: New Adventures on Barsoom has “Inspired by the work of Edgar Rice Burroughs” on the cover. I hesitated about picking this one up. A note on the back said: “Not licensed or authorized, or in any way affiliated with, Edgar Rice Burroughs, Inc.” This suggested some kind of controversy surrounding the publication and it seems awfully easy these days to step on toes and get hated for it. I don’t enjoy that kind of thing. But, it had stories by Joe Lansdale, Jonathan Maberry, and S. M. Stirling in it, and I knew all three of those could write. So I pulled the trigger.

Overall, I found the anthology enjoyable, and even though it seemed generally marketed for “teen” readers, the stories were far from simple and unsophisticated. I thought there were three particularly strong stories, as well as several others I liked a lot.

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Tor Double #35: Robert A. Heinlein’s Universe and Dean Ing’s Silent Thunder

Tor Double #35: Robert A. Heinlein’s Universe and Dean Ing’s Silent Thunder

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Cover for Universe and Silent Thunder by Joe DeVito

Tor Double #35 is the penultimate volume in the Tor Double series and also the final multi-author offering, originally published in July 1991. A throwback to the early volumes in the series, this volume, although only having a single cover, has embossed title text for the first time since volume #19.

Universe was originally published in Astounding Science Fiction in May 1941. Although not the first generation ship story, Universe is a relatively early example of the subgenre and Heinlein’s first foray into it, although he would return to it in the future, eventually published Universe and its sequel “Common Sense” as the novel Orphans of the Sky.

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The Sword and Planet of Andrew J. Offutt, Part II

The Sword and Planet of Andrew J. Offutt, Part II

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Messenger of Zhuvastou (Berkley Medallion, March 1973). Cover by Jeff Jones

Part I of The Sword and Planet of Andrew J. Offutt is here.

I’ve read two unabashed Sword & Planet novels from Andrew J. Offutt, Messenger of Zhuvastou, and Chieftain of Andor. I thought I had a sequel to the Andor book in my TBR piles but on closer examination it’s the same book with a different title: Clansman of Andor.

Messenger of Zhuvastou features an Earthman named Moris Keniston, the son of a Senator, although this is on a future Earth where humans have begun to spread to the stars. He heads for a primitive, barbaric world called Hellene in search of Elaine Dixon, a woman he is in love with who has been taken there — either voluntarily or involuntarily. Since the planet is supposed to be left undisturbed by galactic civilization, Moris undergoes plastic surgery to make him fit in with the humanoid natives. We already know he has been an Olympic level athlete and is a trained fencer.

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In Defence of the “Romantasy Girlies”

In Defence of the “Romantasy Girlies”

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A typewriter with paper with the phrase “words have power” typed on it.
Image by Gerd Altmann from Pixabay

Good afterevenmorn, Readers!

So, once again I have entered the world of TikTok. This one is very old now, in the lightning fast news cycle that is that particular platform, so I’m rather behind the ball on commenting on it. For a few reasons for this. One, I’m old (ish. In internet terms, I mean). I simply cannot move at the speed TikTok seems to demand. Two, the one really got under my skin, despite not being one of the group targeted. So I wanted to take the time to calm down before approaching it. And third, I feel like I’ve covered this topic more than once, and I’m very annoyed that I feel compelled to tackle it once again. But here we are.

It is, of course, the weird, irritating, and erroneous snobbery between genres.

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The Sword and Planet of Andrew J. Offutt

The Sword and Planet of Andrew J. Offutt

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My Lord Barbarian (Del Rey, April 1977). Cover by Boris Vallejo

Andrew J. Offutt (1934 -2013) wrote a lot of books and I’m going to talk about him more as I go along. He wrote several Conan pastiches and a whole series of pastiches about Robert E. Howard’s character Cormac Mac Art. He also wrote porn or near porn in several genres under pseudonyms, which I’ll get around to. He has several S&P novels to his credit. Here’s one.

My Lord Barbarian was billed as a Sword and Planet novel, but it didn’t have much of the feel of such a novel to me. It was indeed set on another planet (several in fact), and the setting is S & P — an artificial solar system created by an advanced human civilization which has fallen into decay. Most worship “Siense” (Science) as a God now.

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Tor Doubles #34: Damon Knight’s Double Meaning and Rule Golden

Tor Doubles #34: Damon Knight’s Double Meaning and Rule Golden

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Cover for Double Meaning and Rule Golden by Wayne Barlow

Originally published in May 1991, Tor Double #34 includes two stories by Damon Knight that had previously appeared together (along with three other stories) in Knight’s 1979 collection Rule Golden and Other Stories, published by Avon. Although listed as Tor Double #34 on the copyright page, this volume was published the month before Tor Double #33, which was discussed last week.

Double Meaning was originally published in Startling Stories in January 1953. It was reprinted as one half of an Ace Double in 1965, appearing with the Damon Knight collection Off Center. When reprinted as an Ace Double, it was retitled The Rithian Terror. Over the years, it has been reprinted using both titles.

Knight tells the story of Thorne Spangler, an investigator for the intergalactic human empire. Based on Earth in the mid-twenty-sixth century, he is given the task of finding an enemy Rithian who has managed to make it to the home planet. The Rithians are an alien race who can disguise themselves as humans. A group of either were known to have landed on Earth, seven of whom have been killed, but the final one has gone missing.

Double Meaning is a buddy story, of sorts. Spangler is paired up with Jawj Pembun, an investigator from one of the human colonies who has more experience dealing with the Rithians than anybody on Earth. Spangler views Pembun as a hick and an amateur who refuses to investigate following protocol, instead going off on tangents and jumping to conclusions. The fact that Pembun is quickly proven right in most cases, only makes it harder for Spangler to accept the man or his methods. …

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Sci-Fi Dystopias We Should Learn From

Sci-Fi Dystopias We Should Learn From

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Hardwired (Tor Books, June 1986). Cover by Luis Royo

Sci-fi has long been home to nightmarish views of the future as thrilling as they are frightening. The genre simply would not be the same without our post-apocalyptic wastelands.

But for every Handmaid’s Tale there’s a dystopian vision that doesn’t get the appreciation it deserves. Some have certainly sold millions of copies but are more recognized for drama or action as opposed to what they have to say about the challenges facing us tomorrow.  Here are several such examples that definitely deserve a bit more love from readers. Not for how epic or cool they are but for the underlying ideas their authors hoped we would absorb.

Hardwired by Walter Jon Williams

Hardwired is rightly celebrated for its contributions to cyberpunk. So much of the verbiage, flare, and aesthetic of the subgenre can be traced back to this relatively short novel. A future where the lines between man and machine are blurred? A ruined Earth? The illicit struggle to survive despite overwhelming odds? It’s all here, the ingredients many a choom would run with over the years.

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