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Track Down Michael Kelly’s Year’s Best Weird Fiction While You Can

Track Down Michael Kelly’s Year’s Best Weird Fiction While You Can

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Year’s Best Weird Fiction, Volumes One – Five, edited by
Michael Kelly and Divers Hands (Undertow Publications, 2014-2018 )

Two weeks ago I caught this brief note on Michael Kelly’s Facebook page.

It was 5 years ago that I published the fifth, and final, volume of the Year’s Best Weird Fiction. My proudest publishing endeavour. These are all out of print, now.

Could that be true? Were all five of these fabulous volumes no longer available?

Alas, it appears to be. None are available from the publisher, or at Amazon, or any of the other online sellers I hastily checked. If it’s true these books are no longer in the channel, and you don’t already have them, then I urge you to track them down in the secondary market while you can.

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The Art and Act of Story-telling: Evenmere Tales and Other Stories by James Stoddard

The Art and Act of Story-telling: Evenmere Tales and Other Stories by James Stoddard

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Evenmere Tales and Other Stories (Ransom House, October 23, 2023)

James Stoddard, author of six novels including the delightful Evenmere trilogy (The High House, The False House, and Evenmere), has finally released a complete collection of his short stories. These stories at their best are first rate American fantasy. Even when they are not at their best, they are worth reading. Stoddard’s ambitions are extraordinary, and achieved often enough that he should be read, and read again.

Stoddard’s complete collection is slim — Evenmere Tales contains eleven tales, ranging from short story to novella. The oldest is “The Perfect Day,” a Bradburyesque tale published in 1985; the newest is the Evenmere novella “The Leechmont,” published here for the first time. Six appeared in The Magazine of Fantasy and Science Fiction between 2002 and 2011 — “The Star Watch” (Evenmere), “The Battle of York,” “The Star to Every Wandering Barque,” “The First Editions,” “Christmas at Hostage Canyon,” and “The Ifs of Time” (Evenmere). Three were published in various outlets between 2011 and 2020, although some were written earlier: “The Last Roadmaker,” “Day of the Shark,” and “Cage of Honor.” “The Coasts of Hope,” published in 2017 in a Hungarian magazine, is not included.

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Donald A. Wollheim and the Death of the Future

Donald A. Wollheim and the Death of the Future

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The 1987 World’s Best SF (DAW Books, June 1987). Cover by Tony Roberts

I’ve been reading a lot of older science fiction recently, though not in a very organized fashion. I pulled Wollheim’s 1987 World’s Best SF off the shelf this morning to read Pat Cadigan’s cyberpunk Classic “Pretty Boy Crossover,” which I saw on the table of contents of Jared Shurin’s The Big Book of Cyberpunk. I prefer to the read the original, when I can.

Of course I got distracted by the rest of the book, which contains plenty of classic tales, including Lucius Shepard’s Nebula award-winning 87-page novella “R & R,” Roger Zelazny’s Hugo-winning “Permafrost,” Howard Waldrop’s Nebula nominee “The Lions Are Asleep This Night,” and a few delightful surprises. I wrote it up as a Vintage Treasure back in April.

But the thing that really commanded my attention this time was Wollheim’s curmudgeonly introduction, which contains the most uncharitable description of the Challenger disaster and crew I’ve ever read, and his wildly off-base assessment of this new-fanged cyberpunk stuff, which he asserts “has something to do with computers and their programming and possibly — considering the derogatory term “punk” — with snubbing accepted traditions.”

Today it reads more like a eulogy for the bright and shiny future science fiction once promised than an introduction by one of the founding fathers of the genre.

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New Treasures: The Black Spaniel and Other Strange Stories by Robert Hichens

New Treasures: The Black Spaniel and Other Strange Stories by Robert Hichens

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The Black Spaniel and Other Strange Stories (Stark House, November 1, 2023)

Stark House has performed an extraordinary service for lovers of classic weird fiction with their excellent line of Stark House Supernatural Classics, which has returned forgotten tales by Algernon Blackwood, Robert W. Chambers, and many others into print in handsome and inexpensive paperback editions. They’ve produced more than a dozen titles over the last seventeen years, with no sign of slowing.

Stark House doesn’t specialize in supernatural fiction. Their bread and butter is their Black Gat Book line, which includes dozens of classic crime novels. They also have a terrific Film Noir Classic imprint, Stark House Crime Classics, and an extensive Stark House Science Fiction catalog, which includes titles by Mike Ashley, Storm Constantine, Barry Malzberg, Bill Pronzini, and many others.

These days I tend to be interested in overlooked writers, and recently that includes the prolific Robert Hichens, who wrote primarily in the late 19th and early 20th Centuries, and who produced a great deal of celebrated weird fiction. Stark House has produced three collections of his short work, including The Black Spaniel and Other Strange Stories, published just last week.

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The Sorcerer and the Novelist: W. Somerset Maugham’s The Magician

The Sorcerer and the Novelist: W. Somerset Maugham’s The Magician

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Aleister Crowley

Aleister Crowley, poet, mountaineer, religious mystic and self-proclaimed prophet, member of the Hermetic Order of the Golden Dawn, drug addict, braggart, sexual adventurer, the self-named “Beast 666” and, according to the popular press, “The Wickedest Man in the World,” was one of the most notorious and controversial figures of his era and remains so even today, three quarters of a century after his death.

W. Somerset Maugham, physician, world-traveler, wildly successful playwright (at one time he had four plays appearing in London’s West End theaters simultaneously) and sometime British secret agent, prolific short story writer and novelist, author of such acclaimed works as Of Human Bondage, The Moon and Sixpence, and The Razor’s Edge, was one of the major literary figures of the twentieth century.

These two very different men may seem an unlikely pair, but Maugham met Crowley in Paris in 1905 and (like virtually everyone who encountered the man) was strongly impressed by him. In Maugham’s case the impression was a highly negative one, though he did concede that the occultist had some unique qualities, so much so that he made a thinly-disguised Crowley the central figure in his 1907 novel, The Magician.

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Vintage Treasures: Tales By Moonlight edited by Jessica Amanda Salmonson

Vintage Treasures: Tales By Moonlight edited by Jessica Amanda Salmonson

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Tales by Moonlight, volumes One and Two (Tor, January 1985
and July 1989). Covers by Mark E. Rogers and Jill Bauman

Jessica Amanda Salmonson has produced only a handful of anthologies, but they are all highly regarded. Her first, Amazons!, won the World Fantasy Award in 1980, and the two Heroic Visions volumes she edited in the mid-80s are still enjoyed and discussed today, with an original Fafhrd and the Gray Mouser novella by Fritz Leiber, plus terrific sword and sorcery tales by Jane Yolen, Phyllis Ann Karr, F. M. Busby, Alan Dean Foster, Robert Silverberg, Joanna Russ, Michael Bishop, Keith Roberts, Ellen Kushner, Avram Davidson, Manly Wade Wellman, Grania Davis, and Thomas Ligotti.

Salmonson’s held in such high regard that I recently decided to investigate her two Tales by Moonlight anthologies, published by Tor in the late 80s, and I’m very glad I did. They contain a rich assembly of talent, including Thomas Ligotti, Ruth Berman, H. P. Lovecraft, Janet Fox, Steve Rasnic Tem, W. Paul Ganley, Spider Robinson, John Varley, Charles L. Grant, Nina Kiriki Hoffman, Jayge Carr, W. H. Pugmire, Ramsey Campbell, Joseph Payne Brennan, Phyllis Ann Karr, Eileen Gunn, and many more.

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I Was A Teenage Abomination from Another Dimension: The Inhabitant of the Lake & Other Unwelcome Tenants by Ramsey Campbell

I Was A Teenage Abomination from Another Dimension: The Inhabitant of the Lake & Other Unwelcome Tenants by Ramsey Campbell

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Original Arkham House cover

Dear Mr. Campbell,

I have received your stories, but I have had time to read only one or two of them. I don’t want to comment on them in extended fashion until I’ve read all, but I do think them competent. However, there is one alteration I think you should definitely make; Mr. Wandrei would insist on it, and that is to remove your stories from the Lovecraft milieu. I mean, keep the Gods, the Books, etc., but establish your own place. This would give the stories vastly more authenticity as an addition to the Mythos rather than pastiche pieces, and it might then be possible for us to consider their book publication in a limited edition over here.

What I suggest you do is establish a setting in a coastal area of England and create your own British milieu. This would not appreciably change your stories, but it would give them a much needed new setting and would not, in the reader’s mind, invite a direct comparison with Lovecraft, for in such a comparison they would not show up as well as if you had your own setting and place-names for the tales.

August Derleth to Ramsey Campbell, 6 October, 1961

Inspired by HP Lovecraft’s stories to write his own tales of cosmic horror, at the age of fifteen, Ramsey Campbell was encouraged by friends to submit them to August Derleth and Arkham House. He did, and the rest was horror fiction history. Taking Derleth’s advice to heart, he created his own version of Lovecraft Country; a drear and haunted region of the Severn Valley wedged between the cities of Bristol and Gloucester and the western edge of the Cotswolds.

The Arkham House collection, originally titled The Inhabitant of the Lake and Less Welcome Tenants was released in 1964 when Campbell was eighteen. They may not be the best Lovecraft-inspired stories, and they’re definitely not Campbell’s best stories, but they are good fun and well worth a read.

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Terror at Sea, Nightmares on the Beach: The Year’s Best Horror Stories XIV, edited by Karl Edward Wagner

Terror at Sea, Nightmares on the Beach: The Year’s Best Horror Stories XIV, edited by Karl Edward Wagner

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The Year’s Best Horror Stories XIV (DAW Books, October 1986). Cover by Michael Whelan

The Year’s Best Horror Stories XIV was the fourteenth in the DAW Year’s Best Horror series and the seventh volume edited by the great Karl Edward Wagner (d. 1994). The book was copyrighted and printed in 1986. This volume marked Michael Whelan’s eleventh cover for the series, which presents a pretty horrifying monster-in-the-closet, something out of any 11-year old’s worst nightmares! The cover layout is the most marked design change yet in the series. The format and font are very different from previous volumes, and the colon and word “Series” have been dropped completely. Why? Briefer I suppose.

Volume XIV contains nineteen different authors. All male but one. Eleven were American, six were British, and there is again the returning Canadian author, Vincent McHardy and returning German-born but American author, David J. Schow. Thirteen of these stories came from professional magazines. Three came from anthologies, one from a fanzine, one from a convention program, and one from a chapbook.

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What if a UFO Landed in a Bar?Alien Island by T. L. Sherred

What if a UFO Landed in a Bar?Alien Island by T. L. Sherred

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Alien Island (Ballantine Books, January 1970). Cover by Carol Inouye.

Here’s my latest look at a little-remembered 1970s novel, T. L. Sherred’s Alien Island, which appeared in the very first month of the 1970s. These days T. L. Sherred is remembered for a single story, his SF Hall of Fame novella “E For Effort.” It’s a great story, and a deeply cynical one, so much so that there are those who claim that it was not chosen by John W. Campbell for Astounding, but by someone else in Campbell’s absence. (I’m skeptical myself — Campbell was a VERY hands-on editor, and he also chose to reprint “E for Effort” in The Astounding Science Fiction Anthology. And he was definitely known to publish good stories that seemed to run counter to his own ideology.)

Sherred published three other stories in the early 1950s: “Cure, Guaranteed,” “Eye for Iniquity,” and “Cue for Quiet,” and then fell silent (save for a story, “See for Yourself,” in Escapade in 1961, that I have not seen) until the 1970s. The novel at hand was published in 1970, and in 1972 Harlan Ellison included “Bounty” in Again, Dangerous Visions; and “Not Bach” appeared in the very well-regarded fanzine Outworlds.

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The Complete Version of John C. Hocking’s Conan: Black Starlight is Now Available

The Complete Version of John C. Hocking’s Conan: Black Starlight is Now Available

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Conan: Black Starlight (Titan Books, October 17, 2023)

The name John C. Hocking is well known to long-time Black Gate readers. He published several terrific stories in the print version of the magazine, including two tales in his Brand the Viking series, and the opening stories in his popular Archivist series, “A River Through Darkness and Light” and “Vestments of Pestilence,” which was continued in Skelos and Weirdbook. He’s also launched a brand new series, the King’s Blade tales, in Tales From the Magician’s Skull, edited by Howard Andrew Jones.

I was delighted to see that John had been commissioned to write a serialized novella for Marvel’s high-profile relaunch of Conan The Barbarian in 2019. Conan: Black Starlight was published in installments in the first twelve issues of the comic, and now the entire story has been collected by Titan in a single handsome volume.

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