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Future Treasures: Aurora Rising by Amie Kaufman and Jay Kristoff

Future Treasures: Aurora Rising by Amie Kaufman and Jay Kristoff

Aurora Rising-smallIt wasn’t all that long ago — say, about ten years, when it seemed that 80% of the new release shelf in science fiction and fantasy was adult (and often highly adult) paranormal romance — that it seemed that science fiction just wasn’t attracting new readers any more. And especially, there was no market for young adult SF, and no way for young readers to really discover it, except for those lucky few who stumbled on battered copies of the kid-friendly science fiction I found in my youth, by Heinlein, Simak, Asimov, Le Guin, Poul Anderson, and more.

Man, what a difference a decade makes. Thanks to the gargantuan success of The Hunger Games, Harry Potter, Veronica Roth’s Divergent series, and countless others, YA science fiction and fantasy rules in the bookstore. There’s absolutely scads of it. The YA section at my local Barnes & Noble is nearly as big as the entire SF section — and most of it is genre in one way or another.

I think this is fabulous, especially if SF can keep and nurture these readers. One way to do that it to make sure they know they’re reading science fiction, and not dystopian fiction, or whatever they call it these days. That’s why I’m especially interested in books like the upcoming Aurora Rising, from the the New York Times bestselling writing team of The Illuminae Files, which looks, feels and smells just like SF. Young readers who enjoy this book will come back looking for more space adventure, and there’s a lot to give them. Here’s the description.

The year is 2380, and the graduating cadets of Aurora Academy are being assigned their first missions. Star pupil Tyler Jones is ready to recruit the squad of his dreams, but his own boneheaded heroism sees him stuck with the dregs nobody else in the academy would touch…

A cocky diplomat with a black belt in sarcasm
A sociopath scientist with a fondness for shooting her bunkmates
A smart-ass tech whiz with the galaxy’s biggest chip on his shoulder
An alien warrior with anger-management issues
A tomboy pilot who’s totally not into him, in case you were wondering

And Ty’s squad isn’t even his biggest problem – that’d be Aurora Jie-Lin O’Malley, the girl he’s just rescued from interdimensional space. Trapped in cryo-sleep for two centuries, Auri is a girl out of time and out of her depth. But she could be the catalyst that starts a war millions of years in the making, and Tyler’s squad of losers, discipline cases, and misfits might just be the last hope for the entire galaxy.

NOBODY PANIC.

Aurora Rising will be published by Knopf Books on May 7, 2019. It is 470 pages, priced at $18.99 in hardcover and $10.99 in digital formats. The cover is by Charlie Bowater.

The Golden Age of Science Fiction: Harpist in the Wind, by Patricia A. McKillip

The Golden Age of Science Fiction: Harpist in the Wind, by Patricia A. McKillip

Cover by MIchael Mariano
Cover by MIchael Mariano

Cover by Darrell K. Sweet
Cover by Darrell K. Sweet

Cover by Jack Woolhiser
Cover by Jack Woolhiser

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Fantasy Novel Award dates back to 1978, when it was won by J.R.R. Tolkien’s The Silmarillion. The award was not presented in 1979, and when it was reinstituted in 1980, this time permanently, Patricia A. McKillip won the award for Harpist in the Wind. In 1980. The Locus Poll received 854 responses.

The 1980 award season seems to have been a good year for final books in trilogies. Just as Dragondrums, the final volume of Anne MCCaffrey’s Harper Hall trilogy received the coveted Balrog Award, the final volume of Patricia A. McKillip’s Riddle-Master trilogy, Harpist in the Wind, won the Locus Poll for Best Fantasy Novel. Apparently, it was also the award season for musically-oriented fantasy novels. One of the biggest differences between Dragondrums and Harpist in the Wind is also what makes McCaffrey’s novel easier to read on its own.

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Tor.com on Abandoned Earths and Inhospitable Planets

Tor.com on Abandoned Earths and Inhospitable Planets

Worlds Apart Joe Haldeman-small Venus of Dreams-small Vacuum Flowers UK-small The-Exile-Waiting-small
Worlds Apart Joe Haldeman-back-small Venus of Dreams-back-small Vacuum Flowers UK-back-small The-Exile-Waiting-back-small

Everyone knows that Top Ten lists are irresistable clickbait for bibliophiles. That’s why there are so damned many. Top Ten Science Fiction novels of the 80s. Top 50 Fantasy Novels of All Time. Top 100 Hobbits in Science Fiction, Yo. Don’t lie to me, you know you love ’em.

Anyway, over the last few years book sites have gotten a little more clever, spicing up run-of-the-mill Top Ten lists with more interesting themes. A couple of my recent favorites both appeared at Tor.com: James Davis Nicoll’s SF Stories Featuring Abandoned Earths, and Kelly Jensen’s Five Inhospitable Planets from Science Fiction. Both feature topics near-and-dear to my old school heart and, even better, they showcase classic books from Ursula K. Le Guin, Vonda McIntyre, Poul Anderson, Michael Swanwick, Arthur C. Clarke, Joe Haldeman, Mel Odom, and Kim Stanley Robinson, and more, with nods to films like The Chronicles of Riddick and Interstellar.

Really, these things are just excuses to write about books we love, and what’s wrong with that? Nuthin’, that’s what’s wrong with that. This is what the internet is for, people.

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The Lost Literature of J.R.R. Tolkien’s “The New Shadow”

The Lost Literature of J.R.R. Tolkien’s “The New Shadow”

JRR TolkienRecently, game submissions opened for Coulee Con, a local gaming convention that takes place over one weekend every August. This year I’m offering a scenario based on Tolkien’s “The New Shadow,” which is an aborted sequel to The Lord of the Rings. Christopher Tolkien collected the fragment in 1996’s The Peoples of Middle-Earth.

It’s an interesting piece, obviously, not least because it was intended to become another book set in Middle-earth — a book from no less than the great Tolkien himself! The snippet is maddeningly short, however. Perhaps its brevity results from a malformed conception that precluded it from ever actually becoming anything. This is overstating my view: rather, I believe that Tolkien’s “New Shadow” promises to have been an immensely profound articulation, but (as The Silmarillion that Christopher Tolkien published after his father’s death, to an ambivalent reception from Middle-earth enthusiasts) it likely would have been so different a book from The Lord of the Rings as to be misunderstood by its waiting audience.

I think it’s important to establish that Tolkien was a practitioner of many genres. He earned his living as an academic and therefore published many critical essays. The two most valuable to us fantasy enthusiasts now are “Beowulf: The Monsters and the Critics” and “On Fairy Stories.” As a philologist he translated many epic poems into modern English; the two most visible to us are Beowulf and Sir Gawain and the Green Knight. He practiced poetry himself: many of Middle-earth’s early legends first were conceived in verse; he wrote the epic The Legend of Sigurd and Gudrun; obviously we must mention the many songs and poems in The Lord of the Rings itself. He wrote satirical comedy in “Farmer Giles of Ham,” faerie romance in “Smith of Wootton Major.” Most importantly, he wrote in the long folk/fairy tale mode with The Hobbit, the epic novel with The Lord of the Rings, and Classical epic with The Silmarillion — a terse, condensed style that, in my youth, had me telling my friends that it was the Bible of Middle-earth.

I have heard friends joke about The Silmarillion as the bestselling book that no one ever read (for the record, I have read it many times, of course). I don’t think that “The New Shadow” would have had the same reception, though the attention given it certainly would have been ambivalent. This is because a new book from Tolkien would have occasioned yet one more genre from him. This time, it would have been a thriller.

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New Treasures: Finder by Suzanne Palmer

New Treasures: Finder by Suzanne Palmer

Finder Suzanne Palmer-smallSuzanne Palmer has become a familiar face in Asimov’s Science Fiction, with over a dozen stories there in the last decade. Her 2018 Clarkesworld novelette “The Secret Life of Bots” won a Hugo Award, and she’s twice been a finalist for the Theodore Sturgeon Memorial Award.

Her debut novel Finder features Fergus Ferguson, interstellar repo man and professional finder, in an action-packed sci-fi caper that Maria Haskins at the B&N Sci-Fi & Fantasy Blog calls “a Ridiculously Fun Science Fiction Adventure… a rollicking ride from a hardscrabble space colony at the outer edge of the galaxy to the conflict-ridden settlements of colonized Mars and back again, with stops on the way at an alien spaceship and a holiday planet.” It’s available now in hardcover from DAW.

Fergus Ferguson has been called a lot of names: thief, con artist, repo man. He prefers the term finder.

His latest job should be simple. Find the spacecraft Venetia’s Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. He’ll slip in, decode the ship’s compromised AI security, and get out of town, Sword in hand.

Fergus locates both Gilger and the ship in the farthest corner of human-inhabited space, a backwater deep space colony called Cernee. But Fergus’ arrival at the colony is anything but simple. A cable car explosion launches Cernee into civil war, and Fergus must ally with Gilger’s enemies to navigate a field of space mines and a small army of hostile mercenaries. What was supposed to be a routine job evolves into negotiating a power struggle between factions. Even worse, Fergus has become increasingly — and inconveniently — invested in the lives of the locals.

It doesn’t help that a dangerous alien species Fergus thought mythical prove unsettlingly real, and their ominous triangle ships keep following him around.

Foolhardy. Eccentric. Reckless. Whatever he’s called, Fergus will need all the help he can get to take back the Sword and maybe save Cernee from destruction in the process.

Finder was published by DAW on April 2, 2019. It is 400 pages, priced at $26 in hardcover and $12.99 in digital formats. The cover is by Kekai Kotaki. Read the first ten pages of Chapter One here, and see all our recent New Treasures here.

L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

Imager-small Imager's Challenge-small Imager's Intrigue-small Scholar Imager-small
Princeps Imager Portfolio-small Imager's Battalion-small Antiagon Fire-small Rex Regis-small
Madness in Solidar-small Treachery's Tools-small Assassin's Price-small Endgames Modesitt-small

Cover art for all 12 volumes by Donato Giancola

Every time a trilogy wraps up, we bake a cake at the Black Gate rooftop headquarters. Strangely, we don’t have a protocol for when a 12-book cycle completes, but we’re working on it.

L. E. Modesitt Jr.’s Imager Portfolio series opened with Imager in 2009, and around about book 8, Rex Regis, Tor started referring to it as “The New York Times Bestselling Imager Portfolio.” Modesitt has hit those rarefied heights before — the 20 books in his Saga of Recluse have sold over three million copies — but it was good to see him with another major success.

The final volume in the series, Endgames, arrived in February. This time the publisher refers to it as “the third book in the story arc that began with Madness in Solidar through Treachery’s Tools and Assassin’s Price” and, despite having counted several times, I make Endgames the fourth book in that sequence, but hey, whatever. You count any way you want Tor, and don’t let ’em give you any grief.

However you count his books, L.E. Modesitt deserves some serious respect. He’s produced more than seventy novels, including two science fiction series, the Ghost Books and Ecolitan Matter, four fantasy series, the Imager Portfolio, the Saga of Recluce, the Spellsong Cycle and the Corean Chronicles, and many popular standalone titles such as Solar Express, which Arin Komins at Starfarer’s Despatch calls utterly wonderful. All 12 volumes in the Imager Portfolio series are still in print, which is no mean feat. Here’s the description for the first one.

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A Meditation on Futuristic Medicine: Stronger, Faster, and More Beautiful by Arwen Elys Dayton

A Meditation on Futuristic Medicine: Stronger, Faster, and More Beautiful by Arwen Elys Dayton

Stronger Faster and More Beautiful CoverEvan will die if his organs aren’t replaced. A perfect organ donor has been lined up – his twin sister. But she’s still alive.

Milla should be dead. Only by becoming a cyborg was she able to survive the car crash. She tries to keep her new nature secret at school. But when the boy she likes actually listens to her, she can’t help but divulge the whole story. Now everyone knows she’s not quite human.

When the riot broke out, Elsie thought she was about to die with her family. Waking up, she learns that only she and her father survived. Her father, a charismatic minister, has always agitated against medical technology, calling it blasphemy. But now he’s changed his mind. And while she was unconscious, he’s had her changed, too.

Arwen Elys Dayton’s Stronger, Faster, and More Beautiful advances in a series of episodes, each with a different narrator with a compelling original voice who confronts vastly different circumstances. Yet the book isn’t a collection of short stories. An extended meditation on the future of medicine, it explores the ethical and social ramifications of saving human life through recourse to machines, genome editing and cybernetics. The classic tension of science versus religion runs throughout the book. The human race itself is the protagonist, and there’s a clear narrative arc. Each excerpt takes us further into the future, and as the years pile up, humanity becomes increasingly unrecognizable to itself… Not to mention disloyal.

This book reminds us of science fiction’s highest calling – to provide readers with a way to think through the consequences and implications of nascent technology in order to move into the future more mindfully. Despite its heady content, however, Dayton knows how to bait a hook and keep readers turning pages. Over and over again, she presents characters that readers can’t help but connect with and feel for, no matter how strange their situation and bizarre the setting.

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In 500 Words or Less: The Kingdom of Copper by S.A. Chakraborty

In 500 Words or Less: The Kingdom of Copper by S.A. Chakraborty

The City of Brass-small The Kingdom of Copper-small

The Kingdom of Copper (Daevabad Trilogy #2)
By S.A. Chakraborty
HarperCollins (640 pages, $26.99 hardcover, January 2019)

No joke, I just wrote what would have been the opening two paragraphs for this post, and followed it immediately by typing the words, Wow, that sounds like a boring, stereotypical book review and I’m a hack. That’s a sign my brain is running low on capacity for anything other than novella and podcast revisions. Or, more likely, it’s run out of patience for reading anything that doesn’t immediately catch and hold my attention.

Luckily, the book I’m trying to extoll in this review is an easy sell. You might remember my review of S.A. Chakraborty’s debut novel The City of Brass, which I’ll admit I wasn’t totally enamored with because of the way the plot seemed to drag. Chakraborty’s follow-up novel The Kingdom of Copper, though, is exactly what you want from an author’s second book: even more of the elements you love, and an improvement in everything else.

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New Treasures: The Winter Road by Adrian Selby

New Treasures: The Winter Road by Adrian Selby

The Winter Road Selby-smallI’ve been intrigued by many of Orbit’s recent releases, including Splintered Suns by Michael Cobley, John Gwynne’s A Time of Blood, Jamie Sawyer’s Eternity War, and especially Tade Thompson’s Wormwood Trilogy. Orbit has more than exceeded the post-expansion success we predicted for them two years ago, and I’m very glad to see it.

Best of all, they’re still taking chances on new authors, and they appear to be paying off nicely. Adrian Selby is a fine example. His second novel The Winter Road was released in November, and it seems to be nicely positioned to attract Game of Thrones fans. In his review James Latimer at The Fantasy Hive says “Selby’s books… are different, dark, uncompromising, ambitious, but brilliant.” Here’s the description.

The brutally powerful story of a daring warrior traveling a path that might bring salvation to her people… or lead her to ruin. For fans of Mark Lawrence, Andrzej Sapkowski, and Joe Abercrombie.

The Circle — a thousand miles of perilous forests and warring clans. No one has ever tamed such treacherous territory before, but ex-soldier Teyr Amondsen, veteran of a hundred battles, is determined to try.

With a merchant caravan protected by a crew of skilled mercenaries, Teyr embarks on a dangerous mission to forge a road across the untamed wilderness that was once her home. But a warlord has risen in the wilds of the Circle, uniting its clans and terrorizing its people. Teyr’s battles are far from over…

Adrian has a fondness for tales of mercenary companies, and for that reason Black Gate readers have compared him to Glen Cook. His debut novel Snakewood (2017) was the story of a legendary band of mercenaries, now retired, who are being hunted down and killed one by one; The Winter Road is a loose prequel, set about a hundred years earlier.

The Winter Road was published by Orbit on November 13, 2018. It is 496 pages, priced at $16.99 in trade paperback and $11.99 in digital formats. The cover is by Jaime Jones, whose previous credits include Peter Newman’s Vagrant trilogy. Read the complete first chapter of The Winter Road at the Orbit website.

Support Songs of Giants: The Poetry of Pulp, Illustrated by Mark Wheatley

Support Songs of Giants: The Poetry of Pulp, Illustrated by Mark Wheatley

Giants The Poetry of Pulp banner

I spent this weekend at the Windy City Pulp & Paper Show and, as usual, I met a lot of great folks and discovered plenty of fabulous books and artwork. One of my most intriguing discoveries came when Christopher Paul Carey introduced me to Mark Wheatley, the renowned comic writer and artist behind Mars, Breathtaker, and Comico’s Jonny Quest. Mark had launched a Kickstarter for an ambitious project titled Songs of Giants: The Poetry of Pulp, an illustrated book featuring some of the greatest pulp writers of all time. Here’s what Mark told me about it.

It’s really gratifying to see how poetry in general is popular these days. When we launched Songs of Giants about a month ago on Kickstarter we had no expectation that the Poetry of Pulp would be so popular. But we are now at 200% of our goal. This means that everyone is getting great extras with stretch goals and we expect to add a few more before we’re done. My personal favorites are the audiobook and the signed limited-edition prints. And I’m very much looking forward to adding the three portrait set of our masters of Pulp poetry, Robert E. Howard, Edgar Rice Burroughs, and H. P. Lovecraft.

Having Jack McDevitt, one of our very best current writers of science fiction, write the introduction to Songs of Giants is a huge personal perk for me. I have loved Jack’s books for many years. And he actually evokes that sense of wonder that was so prevalent in the Pulps in his own writing today. Ultimately though it’s obvious from his introduction that he truly understands pulp and poetry and I think he gives us some good insights.

Songs of Giants is a terrific project, and the unlocked stretch goals already include a complete audio book, exclusive bookmark, a Robert E. Howard music video, multiple signed art prints, and much more. It wraps up in three days, but there’s still time to get on board. Here’s a closer look at that gorgeous cover art.

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