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Vintage Treasures: Machines & Men by Keith Roberts

Vintage Treasures: Machines & Men by Keith Roberts

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Cover by Anthony Roberts

I love discovering British vintage SF paperbacks. There’s a lot to discover, they’re relatively inexpensive, and they’re virtually unknown here in the US. Recently I’ve been accumulating British short story collections by John Wyndham and Keith Roberts, and they’ve been well worth tracking down. I admit I enjoy the covers as well — especially the ones featuring exotic spaceships.

My latest discovery is Machines and Men, the second collection by Keith Roberts, published by Panther in 1973 and which was never reprinted in the US. It’s a slender volume, yet packed with tales of UFOs, wary submariners, a 24th-Century film crew, a synthetic human getting a divorce, and much more. And lo! There’s an exotic spaceship on the cover, which sorta looks like a futuristic curling iron.

The fiction within originally appeared between 1964-69, in places like SF Impulse magazine and John Carnell’s long-running New Writings in SF anthology series. Here’s the complete Table of Contents.

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The B&N Sci-Fi and Fantasy Blog on The Best Science Fiction & Fantasy Books of July 2019

The B&N Sci-Fi and Fantasy Blog on The Best Science Fiction & Fantasy Books of July 2019

Salvation Day Kali Wallace-small Gods of Jade and Shadow Silvia Moreno-Garcia-small The Hound of Justice Claire O’Dell-small

There’s a phenomenon in software development known as feature creep. As you design and build a new product, you can’t resist adding just one more cool feature… until pretty soon your shiny new product is 12 months late, due mostly to a laundry lists of new features that go way beyond the original spec.

Sometimes I think the same thing is happening to Jeff Somers’ monthly Best New Science Fiction and Fantasy list. His May list was packed 24 titles, more than I recall the lists having last year. And his July rundown contains a whopping 28 books.

Not that I’m complaining. It’s  fantastic list, with brand new novels by Bradley P. Beaulieu, Peter McLean, Chuck Wendig, Mercedes Lackey, Amal El-Mohtar and Max Gladstone, Molly Gloss, Christopher Ruocchio, C.S.E. Cooney, Fonda Lee, Timothy Zahn, JY Yang, and many others. Jeff’s not padding the list — there really are that many books this month that deserve your attention. Here’s a look at some of my favorites.

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New Treasures: The Big Book of Classic Fantasy edited by Ann and Jeff VanderMeer

New Treasures: The Big Book of Classic Fantasy edited by Ann and Jeff VanderMeer

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One of my favorite anthologies of the past few years — perhaps my absolute favorite — is The Big Book of Science Fiction, edited by Ann and Jeff VanderMeer. It’s a companion book of sorts to their 2012 Tor volume The Weird: A Compendium of Strange and Dark Stories, a monumental 1152 page collection of weird fantasy from roughly the last century.

But I don’t file it with that book, or the Vandermeer’s other fine anthologies. Instead, I give it a place of honor on the shelf with my other Vintage Big Books, which include Otto Penzler’s The Big Book of Adventure StoriesThe Big Book of Ghost Stories, and The Vampire Archives. Which is why I was so excited to see the VanderMeer’s add another book to that illustrious set this month: The Big Book of Classic Fantasy, a thoroughly impressive tome that unearths the fascinating origins of modern fantasy.

Kirkus Reviews calls The Big Book of Classic Fantasy a “quintessential anthology destined to become the standard by which future fantasy classic anthologies are measured… a must-have.” It contains rarely-seen tales from Asian, Eastern European, Scandinavian, and Native American traditions, including brand-new translation of fourteen stories never before printed in English. Contributors include the Brothers Grimm, Hans Christian Andersen, Mary Shelley, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Charles Dickens, E. Nesbit, Christina Rossetti, Jules Verne, Lewis Carroll, Oscar Wilde, L. Frank Baum, H. G. Wells, Arthur Machen, Edith Wharton, George MacDonald, G. K. Chesterton, Leo Tolstoy, Willa Cather, Zora Neale Hurston, Vladimir Nabokov, Hermann Hesse, William Hope Hodgson, Lord Dunsany, A. Merritt, E. R. Eddison, John Collier, Edgar Rice Burroughs, Fritz Leiber, Robert E. Howard, J. R. R. Tolkien, Clark Ashton Smith, and many, many others.

Here’s the impressive Table of Contents.

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Vintage Treasures: The Perfect Lover by Christopher Priest

Vintage Treasures: The Perfect Lover by Christopher Priest

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Cover by Walter Bachinsky

Christopher Priest is one of the most celebrated modern British science fiction authors. He won a World Fantasy Award for his 1995 novel The Prestige (filmed under the same name in 2006 by Christopher Nolan, with Hugh Jackman and Christian Bale), the British Science Fiction Award award for Best Novel no less than four times (for Inverted World, The Extremes, The Separation, and The Islanders), and he’s been nominated for a Hugo Award for Best Novel, Best Novella, Best Novelette, and Best Non-Fiction Book (that last one for his epic expose on Harlan Ellison’s Last Dangerous Visions, The Book on the Edge of Forever).

But in the mid-70s he was still a young SF writer trying to make a name for himself, building on the Campbell nomination for his second novel Fugue for a Darkening Island (1972) and the BSFA win and Hugo nomination for his third, The Inverted World (1974). His fifth novel, A Dream of Wessex, is the one I want to talk about today. It was a very early take on virtual reality — published a full 30 years before the first Oculus Rift prototype.

A Dream of Wessex is the tale of a group of volunteers who create a utopian consensus VR world where they’re unable to remember their past lives. It appeared in the UK in 1977, and was published in the US by Dell under the name The Perfect Lover. Here’s an excerpt from the Kirkus Review of the novel in December of 1977.

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Transformed: A Primer on Minister Faust

Transformed: A Primer on Minister Faust

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The Coyote Kings, Book One: Space-Age Bachelor Pad (Narmer’s Palette, February 2013)

In a career that has seen the author tackle fan boy culture (both the good and the bad of it), superhero deconstruction, immigration & enculturation, and gritty space opera that fixes what George Lucas tried to do with the Wars prequels, The Coyote Kings of the Space-Age Bachelor Pad (since re-released as The Coyote Kings, Book 1: Space-age Bachelor Pad, as the author is currently working on the hugely-anticipated book 2) began author Minister Faust’s cult journey, and he’s blazed new indie trails ever since. Are you a fan of smart and subversive? Faust is one of the best in the business. One line into Kings and I was hooked.

In advance, shut up. I know epilogues go at the end. My point here, which should have been obvious in my opinion, is that I am telling you some of the end of this story so as to get you to comprehend the mindset under which I am currently operating and during which I am escaping.

Here’s a writer who manages to pack more imagination and mega-wattage of writing into a single page than most writers get out of an entire series, turning every book he writes into a full-body experience. Also? Humor. Faust is funny as hell. Even in what I consider to be his masterpiece, The Alchemists of Kush, a book that can shatter and rebuild you if you let it, he’s fully aware that the broken and confused laugh on the darkest of days. Maybe especially then.

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Sam Moskowitz’s Classics of Science Fiction

Sam Moskowitz’s Classics of Science Fiction

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Sam Moskowitz was one of the great science fiction historians. A writer, editor, and collector extraordinaire, he was the chairman of the very first World Science Fiction Convention in New York in 1939. He was one of the first nonfiction writers to take the new field of science fiction seriously, and produced a number of anthologies and histories considered early classics today.

They’re also hard to track down, dammit. Especially his history of Science Fiction fandom, The Immortal Storm, which was printed in miniscule numbers in its original hardcover edition, and which today sells for, like, a billion dollars. It was never reprinted in paperback, unless you want to count the 1974 paperback Hyperion edition, which I didn’t even know existed until yesterday. What the hell, man. I could have saved myself a lot of collecting heartache if I’d known about this thing 20 years ago.

I discovered the Hyperion edition while I was researching Moskowitz’s Modern Masterpieces of Science Fiction, a 1965 anthology containing stories which, let’s just say, are no longer modern. But it’s still an excellent survey of early 20th Century SF, perfectly suited for a Vintage Treasures post. At least it was, until I discovered at the last minute that it was one of no less than six Moskowitz volumes published by Hyperion in 1974. So I guess I’m writing about them instead.

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A Feminist Retelling of Cinderella: Stepsister by Jennifer Donnelly

A Feminist Retelling of Cinderella: Stepsister by Jennifer Donnelly

Stepsister CoverIsabella is ugly and mean, and that’s why readers love her.

She isn’t pretty. She isn’t perfect. She likes things she’s not supposed to like, such as military history, swordplay, and horseback riding. She does things she’s not supposed to do. She says what she actually thinks, rather than what men want to hear.

Isabella’s nonconformity makes her a target. Her mother tries to control everything she does, shoehorning her into the rigid mold for a marriageable young woman. Acquiring a wealthy husband is the only acceptable future her mother can imagine in this patriarchal society.

Yes, Isabella knows she’s been a real bitch to Ella, her stepsister. But Ella is beautiful, sweet, and unfailingly pleasant. She always fits in. Men are eager to give her whatever she wants, including chocolate bonbons.

When the prince comes to their house with a glass slipper, looking for his lost love, her mother coerces Isabella to cut off her toes to fit her foot into the shoe. The prince and his retinue accept Isabella as the new princess until she’s walking to the coach, when her blood gives her away. The prince sets her aside and turns to leave, when Ella bursts out of the house.

There she is – the love he was looking for.

The captain of the guard comes forward with the glass slipper, nested on a pillow. He trips on something, falls… The glass slipper shatters.

But then Ella pulls its partner out of a pocket in her dress. It goes on her foot perfectly, as we knew it would.

Reunited, the prince and his beloved climb onto the coach and ride off into the countryside.

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Mystery on a Generation Starship: Medusa in the Graveyard, Book Two of the Medusa Cycle by Emily Devenport

Mystery on a Generation Starship: Medusa in the Graveyard, Book Two of the Medusa Cycle by Emily Devenport

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Emily Devenport’s Medusa Uploaded, the opening novel in the Medusa Cycle, arrived last May to wide acclaim. Vulture called it one of the 10 Best Sci-Fi and Fantasy Books of 2018, SF Revu proclaimed it “One of the best generation starship novels,” and The Illustrated Page said it was “A fantastic, fast paced, twisty sci-fi thriller that builds mystery on top of mystery.” The sequel Medusa in the Graveyard arrived this week from Tor. In his weekly sum-up at the Barnes & Noble Sci-Fi and Fantasy Blog, Joel Cunningham gives it an intriguing write up. Here’s the detail.

Oichi Angelis was nothing but a worm aboard the generation ship Olympia, harmless until (literally) pushed too far (as in out of an airlock). With her band of insurgents, they led a revolution that put them in charge of the starship (see: the events of last year’s Medusa Uploaded); now, they’re headed deep into the Charon System in hope of uncovering a mystery that’s buried within Oichi’s DNA: three colossal sentient starships wait for them on the planet Graveyard, engineered by the same extinct race that made Oichi’s people. If the travelers are judged worthy, they’ll gain control of unimaginable power. Book two of the Medusa Cycle is just as dark, daring, and propulsive as the first.

Read Joel’s complete mid-July rundown — including a Mexican folklore-inspired epic from Silvia Moreno-Garcia, The Last Astronaut by David Wellington, and a brand new novella by our very own C.S.E. Cooney — here.

Medusa in the Graveyard was published by Tor Books on July 23, 2019. It is 304 pages, priced at $18.99 in trade paperback and $9.99 in digital formats. See all our coverage of the best new series SF and fantasy here.

Cover Reveal: The New Annotated H.P. Lovecraft: Beyond Arkham, edited by Leslie S. Klinger

Cover Reveal: The New Annotated H.P. Lovecraft: Beyond Arkham, edited by Leslie S. Klinger

HP Lovecraft

H.P. Lovecraft

One of the most exciting books to cross my desk this summer was an advance proof of The New Annotated H.P. Lovecraft: Beyond Arkham. It’s the follow-up to Leslie S. Klinger’s monumental 928-page The New Annotated H.P. Lovecraft, published by Liveright in 2014, which Harlan Ellison called “an Olympian landmark of modern gothic literature.” Beyond Arkham is an absolutely gorgeous book, packed with 22 more Lovecraft stories, including several of his most famous, and 200 vintage photographs and illustrations. Liveright gave us an exclusive sneak peek of the final cover, and it’s truly a work of art. We want to share it with you below. But first, here’s the description.

No lover of gothic literature will want to be without this literary keepsake, the final volume of Leslie Klinger’s tour-de-force chronicle of Lovecraft’s canon.

In 2014, The New Annotated H. P. Lovecraft was published to widespread acclaim― vaunted as a “treasure trove” (Joyce Carol Oates) for Lovecraft aficionados and general readers, alike. Hailed by Harlan Ellison as an “Olympian landmark of modern gothic literature,” the volume included twenty-two of Lovecraft’s original stories. Now, in this final volume, best- selling author Leslie S. Klinger reanimates twenty-five additional stories, the balance of Lovecraft’s significant fiction, including “Rats in the Wall,” a post– World War I story about the terrors of the past, and the newly contextualized “The Horror at Red Hook,” which recently has been adapted by best- selling novelist Victor LaValle. In following Lovecraft’s own literary trajectory, readers can witness his evolution from Rhode Island critic to prescient literary genius whose titanic influence would only be appreciated decades after his death. Including hundreds of eye- opening annotations and dozens of rare images, Beyond Arkham finally provides the complete picture of Lovecraft’s unparalleled achievements in fiction.

Ready? Feast your eyes on the beautiful cover for The New Annotated H.P. Lovecraft: Beyond Arkham, arriving from Liveright on September 24.

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New Treasures: Sefira and Other Betrayals by John Langan

New Treasures: Sefira and Other Betrayals by John Langan

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John Langan is the author of the collections Mr. Gaunt and Other Uneasy Encounters (2008) and The Wide, Carnivorous Sky and Other Monstrous Geographies (2013), and the Bram Stoker Award-winning novel The Fisherman (2016). His newest gathers eight stories from Ghosts by Gaslight, Black Wings 2, Supernatural Noir, and others, including an original novella, “Sefira,” and an original novelette, “At Home in the Devil’s House.” Rue Morgue Magazine says it’s “certain to solidify his place among the strongest voices in modern literary horror,” and Publishers Weekly gave it a starred review, saying (in part):

In the title tale, a woman tracks the femme fatale who has seduced her husband across the country, gradually acquiescing to the realization that her rival is a formidable succubus from time immemorial. “In Paris, in the Mouth of Kronos” is a slice of supernatural noir whose characters are trapped in a web of double-crosses and deceptions designed to propitiate the dark forces controlling their fates. “At Home in the House of the Devil” features an appearance by Old Scratch himself as the personal tormentor of a man who abandoned his drug-addicted lover in her hour of need. Langan laces his tales with allusions to the work of Henry James and other heavyweight writers, but the horrors he evokes are unique to their stories, as in “Bor Urus,” in which the reality-bending storms its narrator chases seem an externalized expression of his own troubled psyche, and “The Third Always Beside You,” in which “the other woman” feeds vampirically off a marital relationship. This book is a treasure trove for lovers of literary horror fiction

Sefira and Other Betrayals was published by Hippocampus Press on April 20, 2019. It is 352 pages, priced at $20 in trade paperback and $6.99 in digital formats. The cover is by Santiago Caruso. Order copies directly from Hippocampus Press, and see all our coverage of Hippocampus recent releases here.

See all our recent New Treasures here.