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New Treasures: Under Fortunate Stars by Ren Hutchings

New Treasures: Under Fortunate Stars by Ren Hutchings

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Under Fortunate Stars (Solaris, May 9, 2023). Cover design by Dominc Forbes

According to the Solaris website, Under Fortunate Stars was published in the US nearly a year ago. But I just found it at my local Barnes & Noble, so it’s new to me. Let’s fire up the New Treasures floodlights and have a look at this thing.

First off, it’s a first novel, and that’s a plus in my book. New writers are the lifeblood of science fiction. And also, if I find the good ones before my friends, I get good street cred. And street cred is tough to come by in your late 50s, believe me.

It’s also space opera. We like space opera. Especially when it’s been well reviewed, like this one has. Gizmodo says “Under Fortunate Stars is a time-twisting homage to classic space opera and science fiction, taking well-beloved tropes and twisting them on their head. It’s a paradoxical puzzle-box of a novel,” and SF Book Review calls it, “One of the most entertaining time travel space adventures that you will ever read today, tomorrow — or even yesterday.”

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Adventure in the Magellanic Cloud: The Mote in Time’s Eye by Gérard Klein

Adventure in the Magellanic Cloud: The Mote in Time’s Eye by Gérard Klein

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The Mote in Time’s Eye (DAW, January 1975). Cover by Josh Kirby

This is the latest in a series of posts I’m doing covering relatively obscure SF novels of the ‘70s and ‘80s. This novel was first published in French in 1965, but as it didn’t appear in English until 1975, I figure it fits this series.

One of the things on the good side of the Donald A. Wollheim ledger is his willingness to publish SF in translation. This was one of four novels by Gérard Klein that DAW books published. (Perhaps half a dozen translated short stories appeared in various places.)

Gérard Klein was born in 1937. He began publishing SF at the age of 18, and he seems to have mostly stopped in the mid-70s. He has also been a significant anthologist, and a critic, receiving the Pilgrim Award in 2005 for his scholarly work. His day job was as an economist. He is still alive, now 86 years old.

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Vintage Treasures: To the Resurrection Station by Eleanor Arnason

Vintage Treasures: To the Resurrection Station by Eleanor Arnason

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To the Resurrection Station (Avon, October 1986). Cover by Tom Kidd

Eleanor Arnason is a familiar name to anyone who’s been reading short science fiction for the past four decades. Her first story appeared in New Worlds 6 in 1973, and since then she’s published dozens of acclaimed tales in most of the major markets, especially Asimov’s Science Fiction, The Magazine of Fantasy & Science Fiction, Tales of the Unanticipated, and many fine anthologies. Her short fiction has been nominated for the Nebula Award five times, including “The Potter of Bones” (Best Novella, 2003) and “Stellar Harvest” (Best Novelette, 2000), both published in Asimov’s SF.

Her novel output has been a little thinner, though still highly acclaimed. Her fourth novel, A Woman of the Iron People, won both the inaugural James Tiptree Jr. Award in 1991, and the 1992 Mythopoeic Award. But today I want to talk about her first science fiction novel, the quirky and original far-future tale To the Resurrection Station.

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Datlow’s Latest Treat: The Best Horror of the Year, Volume Fifteen, edited by Ellen Datlow

Datlow’s Latest Treat: The Best Horror of the Year, Volume Fifteen, edited by Ellen Datlow

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The Best Horror of the Year, Volume Fifteen (Night Shade, January 16, 2024)

Once again legendary editor Ellen Datlow has released her annual anthology featuring the Best horror stories that appeared in print the previous year.

And once again the volume includes, in the front, a detailed, invaluable overview of the year in horror (this time 2022). Being a short story lover I am particularly interested in anthologies and collections and, as it happens, once again I discovered how many interesting books I missed…

I always enjoy Datlow’s selections but, naturally enough, some I found particularly accomplished. Here they are.

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The Red Magician by Lisa Goldstein

The Red Magician by Lisa Goldstein

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In the town where Kicsi grew up there was a rabbi who could work miracles. It was a small town, and borders — Hungarian, Czech, Russian — ebbed and flowed around it like tides. Once, Kicsi remembered, she went too far from home and came to a place where the people spoke a different language. In the distance, on the horizon, stood the mountains, fat and placid as cows.

The Red Magician (1982) by Lisa Goldstein is a young adult, magical realist novel about a Jewish girl, during, and after the Holocaust. The author, herself the daughter of two Holocaust survivors, won a National Book Award for paperback original. The book, while short by today’s dreadful standards, is a compelling meditation on willful blindness in the face of great horror, misplaced vengeance, and the harrowing effects of survivor’s guilt.

Kicsi, which means little in Hungarian, lives with her family in a small town completely isolated from the evil smothering much of Europe. We meet her as she listens in on a conversation between her father, Imre, and the town’s rabbi. The rabbi threatens anyone who doesn’t remove their child from the town school with a curse. The school, in defiance of traditional belief, teaches Hebrew. The language, the rabbi insists:

will be spoken only when the Messiah comes and we return to the Holy Land. That is to say, when God wills it. Until then Hebrew is to be spoken only in prayer.

As punishment, the rabbi curses anyone connected to the school to be tormented by forty demons for forty days and nights. Imre insists that he isn’t scared of any curse and that his daughters will continue to attend the school Fortunately, a stranger arrives in the town, first appearing in the synagogue on Friday night.

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My Three Problems with the Three-Body Problem

My Three Problems with the Three-Body Problem

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The Three-Body Problem (Tor Books, November 11, 2014). Cover by Stephan Martiniere

In the middle of trying to explain quantum mechanics to me, my physicist friend stopped in frustration and said, “This would all make a lot more sense if you understood math.”

Alas, I am one of those recovering English majors who never could wrap their heads around anything more basic than simple arithmetic (and not so good at even that). Intellectually, I can intuit how mathematical prowess unleashes secrets of the universe, while also presenting further paradoxes. (I kinda, sorta get Schrödinger’s cat, but not really.) But my eyes glaze over at the actual work of adding it all up. Which explains my barely passable grades back in college for courses such as Science for non-Science Majors.  

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Vintage Treasures: Night’s Black Agents by Fritz Leiber

Vintage Treasures: Night’s Black Agents by Fritz Leiber

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Nights Black Agents (Berkley Books, May 1980). Cover by Wayne Barlowe

Nights Black Agents was Fritz Leiber’s first first collection — and in fact his first book. It was originally published in hardcover by Arkham House in 1947, when Leiber was 37 years old.

It collects six stories published in Weird Tales and Unknown Worlds, plus one tale from a fanzine, and three new stories — including the long Fafhrd and the Gray Mouser novella “Adept’s Gambit.” Needless to say, it was very successful, and enjoyed a series of hardcover and paperback editions that kept it in print for over three decades.

Nights Black Agents launched Leiber’s writing career, and he followed it with some three dozen more collections (and many novels) before his death in 1992.

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A Reckless and Unwarranted Speculation on the Origin of a Great Science Fiction Story

A Reckless and Unwarranted Speculation on the Origin of a Great Science Fiction Story

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Alice (James Tiptree Jr.) Sheldon

For many writers, asking them the apparently innocent question, “where do you get your ideas?” is like waving a red flag in front of a bull. (Watch the Harlan Ellison documentary Dreams with Sharp Teeth for a great example; at the very thought of someone posing that question, Ellison goes from zero to apoplexy in 1.2 seconds. I know — Harlan Ellison, but still…)

Nevertheless, as a humble reader to whom the mysteries of creative writing are forever veiled, it’s a question that I’m curious about. Having never met Alice (James Tiptree Jr.) Sheldon, I have no idea how she would have reacted to the question, and I’ll never find out, as she died in 1987… but I think I know the answer for one of her stories, at least.

Alice Sheldon (under the whimsical pseudonym that she and her husband cooked up) was a science fiction writer without peer, and her novella A Momentary Taste of Being, which first appeared in 1975 in the Robert Silverberg-edited anthology The New Atlantis (and later in her own collection Star Songs of an Old Primate and the “Essential Tiptree” anthology Her Smoke Rose Up Forever, which you should buy immediately, forgoing food and rent if necessary), is one of her greatest stories, a radical premise pushed to its absolute limits… and I believe I know where that wild premise came from.

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The Horrors of Sam Moskowitz

The Horrors of Sam Moskowitz

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Horrors in Hiding, Horrors Unseen, and Horrors Unknown (Berkley Medallion, February 1973,
June 1974, and February 1976). Covers: Vincent Di Fate (x2), uncredited

A few years back I wrote a trio of Vintage Treasures pieces about a series of Berkley Medallion paperback horror anthologies from the mid-70s, all edited by Sam Moskowitz (with an assist from Alden H. Norton).

Horrors in Hiding (February 1973)
Horrors Unseen (June 1974)
Horrors Unknown (February 1976)

The last two were the final anthologies Moskowitz produced. I was planning to investigate one of Moskowitz’s classic science fiction anthologies this weekend — maybe Masterpieces of Science Fiction (1967), or Under the Moons of Mars (1970) — but by midnight Friday I was deep into a stack of his horror anthologies again. I’m mesmerized by those creepy covers, what can I tell you.

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Love Exotic Science Fiction on Desert Planets? Try Donald Kingsbury’s Courtship Rite

Love Exotic Science Fiction on Desert Planets? Try Donald Kingsbury’s Courtship Rite

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Courtship Rite (Timescape Books, July 1982). Cover by Rowena Morrill

Noe took her strange Liethe in a comforting embrace. “Some of us make our Contribution to the Race through Death, and others of us make our Contribution to the Race through Life. That’s the way it has always been.”

One of the distinctive pleasures of science fiction is the heterotopia — a story set not in a good place (a utopia) or an evil place (a dystopia) but in an interestingly different place. Geta, the setting of Donald Kingsbury’s Courtship Rite, has long been my favorite heterotopia.

The society Kingsbury portrays is shaped in important ways by its physical setting. Geta is a desert world, a science fictional trope that goes back to Percival Lowell’s Mars and the many stories set there, from Burroughs on. It’s not as harsh as Herbert’s Arrakis, but certainly harsher than Le Guin’s Anarras. For one thing, its native life is biochemically incompatible with its human inhabitants; eating it, without careful detoxification, is lethal. The only things truly safe to eat are a limited number of introduced Earth lifeforms: bees, eight species of plants (not all named) — and other human beings, because Geta’s most visibly distinctive cultural trait is institutionalized cannibalism. Kingsbury calls this out on the first page of the novel, where the children of a famous man, Tae ran-Kaiel, attend a funeral feast where his roasted body is the main course.

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