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Tor Doubles #32: Harlan Ellison’s Run for the Stars and Jack Dann and Jack Haldeman II’s Echoes of Thunder

Tor Doubles #32: Harlan Ellison’s Run for the Stars and Jack Dann and Jack Haldeman II’s Echoes of Thunder

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Cover for Run for the Stars and Echoes of Thunder by Barclay Shaw

Tor Double number #32 was originally published in April 1991 and includes Echoes of Thunder, an original story, in this form, for the Tor Double line, which, as with the Popkes story a couple volumes earlier, has not been reprinted in this form. This is Dann and Haldeman’s only appearance in the series. It also includes Harlan Ellison’s only appearance in the series.

Run for the Stars was originally published in Science Fiction Adventures in June 1957. Ellison has noted this as the author’s preferred edition of the story.

Benno Tallant is a drug addict on war torn Deald’s World. While ransacking the corpse of a grocer for money with which to buy drugs, he is taken prisoner by three men who need his assistance in their attempt to keep Earth safe from invasion of the alien Kyban, whose fleet is preparing to destroy the human outpost on Deald’s World.

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Good Cover Art Fires the Imagination: The Fantastic Art of Boris Vallejo

Good Cover Art Fires the Imagination: The Fantastic Art of Boris Vallejo

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The Fantastic Art of Boris Vallejo (Del Rey, May 1978). Cover by Boris Vallejo

I make no secret of the fact that when it comes to books, I’m first and foremost a fan of the prose and the stories. The cover art is important but secondary to me. But there’s no denying the power of good cover art to catch one’s eye, to fire the imagination, and to cement one’s memories of the stories. Genres such as Sword & Planet and Sword & Sorcery have been graced with some truly great covers over the years, from Krenkel, Frazetta, and Vallejo, to Jones, Kelly, Kirby, Bell, Royo, and many others.

When I walk past my shelves, the covers of favorite books leap out at me and evoke all kinds of pleasant memories and associations with what’s inside. Over the years, I’ve bought various art books and calendars from my favorite book cover artists. Last night I started paging through my copy of The Fantastic Art of Boris Vallejo, and I thought I’d share a few images and the connections they have for me to memorable reading.

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Alt History on Acid: Shadow Ticket by Thomas Pynchon

Alt History on Acid: Shadow Ticket by Thomas Pynchon

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Shadow Ticket (Penguin Press, October 7, 2025)

I never really fully understood what Thomas Pynchon’s Gravity Rainbow was about. Much like everyone else. As one critic put it,

I doubt that anyone could account for everything going on in Gravity’s Rainbow, even Pynchon himself, although I suppose he has an edge on the rest of us.

I sort of knew it had something to do with V-2 rocketry and associated penis imagery, fascism and political satire, conspiracies and paranoia, alt-history, combined in a hodgepodge of puns, jokes, silly song lyrics, and linguistic puzzles spread amongst loosely connected absurdist plot lines. And that is sometimes characterized as the

Great American Novel, like Moby-Dick. Unlike Melville’s readers, though, Pynchon’s readers can go for pages at a time without one clue as to what is going on with the plot, setting, or characters.

Which I think is the point. To not know what is going on. Because that’s the way life is; no controlling narrative, but rather a series of random occurrences that nonetheless shape the impenetrable human condition.

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An Original Ballantine Adult Fantasy: The Children of Llyr by Evangeline Walton

An Original Ballantine Adult Fantasy: The Children of Llyr by Evangeline Walton

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The Children of Llyr (Ballantine Adult Fantasy #33, August 1971). Cover by David Johnston

This latest entry in my series of essays about mostly obscure SF and Fantasy from the ’70s and ’80s looks at a novel published in one of the most celebrated publishing series of the early ’70s. This was the Ballantine Adult Fantasy series, which ran from 1969 to 1974, under the editorship of Betty Ballantine, with the assistance of “Editorial Consultant” Lin Carter.

I’ve discussed Carter’s work before, and I subscribe to the more or less standard view that he was not a very good writer of fiction, but that his contributions to the field as an editor (or “consultant”) were tremendous. And nowhere more so than in this series of books — though Ballantine’s oversight was also important.

The first volume was The Blue Star, by Fletcher Pratt, a reprint of a 1952 novel. The final official Ballantine Adult Fantasy publication was #65, Over the Hills and Far Away, by Lord Dunsany.

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Tor Doubles #31: Gordon R. Dickson’s The Alien Way and Naked to the Stars

Tor Doubles #31: Gordon R. Dickson’s The Alien Way and Naked to the Stars

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Cover for The Alien Way and Naked to the Stars by Brian Waugh

Tor Double #31 was originally published in April 1991. The proto-Tor Double, which included two stories by Keith Laumer, was the only volume up to this point to include content from a single author. This volume, with two stories by Gordon R. Dickson, is the first official Tor Double to include content from only one author. However, of the remaining five Tor Doubles, four of them would prove to be single author collections.

Naked to the Stars was an originally serialized in F&SF in October and November 1961. Although the story begins as a fairly typical piece of military science fiction, Dickson takes it into a different direction, which makes the story stand out.

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Into the World of Edgar Rice Burroughs, with Richard A. Lupoff and John Flint Roy

Into the World of Edgar Rice Burroughs, with Richard A. Lupoff and John Flint Roy

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Edgar Rice Burroughs: Master of Adventure by Richard A. Lupoff (Ace, 1968) and A Guide to Barsoom
by John Flint Roy (Ballantine Books, January 1976). Covers by Frank Frazetta and Boris Vallejo

Among my prized possessions are these two books. Edgar Rice Burroughs: Master of Adventure, by Richard A. Lupoff, 1965 from Ace books with an early cover by Frazetta, and A Guide to Barsoom by John Flint Roy, 1976, from Ballantine Books, with a cover by Boris Vallejo and some interior illustrations by Neal MacDonald.

Lupoff’s book has quite a bit of biographical material on ERB, but is mostly an examination of his work. It isn’t just a love affair with ERB but includes plenty of critical analysis. I find myself disagreeing with Lupoff on one particular conclusion he draws, but that’s material for another post. I much appreciated this comprehensive examination and refer to it often.

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By the King’s Command: Joan Samson’s The Auctioneer

By the King’s Command: Joan Samson’s The Auctioneer

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Every October, I perform a ritual that I suspect many of you also observe — I grab a handful of books off the shelf and spend the Halloween month reading the scary stuff, always trying to get in a “classic” or two that I’ve missed along the way. Last year that classic was Christine, one of the “first-wave” Stephen King books that I had never gotten around to, and the novel reminded me why the man is so enduringly popular… and also why I don’t read him much anymore. I enjoyed Christine, but five hundred plus pages of dated pop culture references and slangy, apocalyptic adolescent angst is a heavy load for someone of my advanced age to carry.

I didn’t read any King this October, but my Halloween 2025 reading had a King connection nevertheless. In his chatty 1981 grab-bag horror survey Danse Macabre, King includes a list of approximately one hundred horror books that he considers important for the post-World War Two era he discusses. (He was born in 1947.) I incorporated many of King’s choices in my own megalomaniacal list of essential horror, fantasy, and science fiction books, and over the years I’ve sampled a fair number of his recommendations. I’ve found the Master’s lineup hit or miss; there have been whiffs like Iris Murdoch’s The Unicorn (which I absolutely hated, and which I’m convinced he inserted strictly for literary cachet), home runs like Ramsey Campbell’s nightmarish The Doll Who Ate His Mother, and books that may not be masterpieces but are still solid successes, like another one I read last year, Bernard Taylor’s grim English ghost story, Sweetheart, Sweetheart.

This year the first October book I read came off of King’s list — The Auctioneer, Joan Samson’s 1975 novel of rural unease. King marked some of the books on his list with an asterisk as being “especially important”, and The Auctioneer is one of those.

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The Many Faces of Epic Fantasy

The Many Faces of Epic Fantasy

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The head of a roaring black dragon emerges from fire and smoke.
Image by MythologyArt from Pixabay

Good afterevenmorn, Readers!

I have been (over)thinking about the panels I participated in during this year’s Can*Con. What I can remember of them, anyway. I get so nervous before any kind of public speaking that the events often just get blanked out in my memory. But I am remembering some stuff that has me thinking more on the topics discussed. Since few folks were able to attend, I thought maybe I’d bring some of our discussions to you here.

One of the panels I was on was The Continuity of Epic Fantasy, and I was fortunate enough to be sat between Suyi Davies Okungbowa and Anuja Varghese, two incredibly brilliant folks with wonderful minds. Moderated by Y.M. Pang, this was a fascinating discussion about what epic fantasy was for us, and why we love it or hate it, and why it has been so enduring in genre.

The question of what epic fantasy is has been the one the stuck with me, because my fellow panellists brought up some things that have really stuck with me.

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From Decades of Robert E. Howard Scholarship: The Solomon Kane Companion by Fred Blosser

From Decades of Robert E. Howard Scholarship: The Solomon Kane Companion by Fred Blosser

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The Solomon Kane Companion by Fred Blosser (Pulp Hero Press, June 17, 2025)

If you’re familiar with Robert E. Howard Fandom, you already know who Fred Blosser is. I first encountered his work back in the early 1970s, when he was writing articles and reviews for Marvel Comics’ Savage Sword of Conan magazine.

For SSoC, Blosser authored well-researched articles about topics such as the Picts in Howard’s fiction, REH Fanzines, Howard’s Kozaks, and a history of Howard’s puritan adventurer, Solomon Kane.

Now Blosser has taken that last one much farther, producing a book called The Solomon Kane Companion, published by Pulp Hero Press, who kindly sent me a review copy. As I mentioned, Kane is a puritan, and his adventures take place in the Elizabethan era. He was created by Robert E. Howard while Howard was still in high school, and his first published appearance was in the August 1928 issue of Weird Tales, in the story “Red Shadows.”

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Tor Doubles #30: Poul Anderson’s The Longest Voyage and Steven Popkes’ Slow Lightning

Tor Doubles #30: Poul Anderson’s The Longest Voyage and Steven Popkes’ Slow Lightning

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Cover for The Longest Voyage and Slow Lightning by Wayne Barlowe

 

Tor Double #30 contains Poul Anderson’s third and final appearance and was originally published in February 1991. He is joined by Steve Popkes with a story original to this volume and which has not been reprinted.

“The Longest Voyage” was originally published in Analog in December 1960. It won the Hugo Award for Best Short Story, which makes it a strange choice for the Tor Doubles series, which generally published novellas, but the second story in the volume may be the longest story published in the series.

There are many science fiction stories that take historical characters and use them as the basis for a different take on the world. Robert J. Sawyer notably published his trilogy of novels Far-Seer, Fossil Hunter, and Foreigner whose characters were based on Galileo, Charles Darwin, and Sigmund Freud. In “The Longest Voyage,” Captain Rovic appears to be based on Ferdinand Magellan, leading the Golden Leaper (shades of Francis Drake’s Golden Hind) on a circumnavigation of the moon on which they live in search of the fables Aureate Cities.

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