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Dark Muse News: Mad Shadows Book Four: All the Colors of Darkness by Joe Bonadonna

Dark Muse News: Mad Shadows Book Four: All the Colors of Darkness by Joe Bonadonna

Mad Shadows 4: All of Colors of Darkness by Joe Bonadonna (305 pages, July 18, 2026). Book design by Ruth de Jauregui

Some mysteries leave no fingerprints or footprints — only shadows, strange colors, and the dead. As Dorgo the Dowser investigates necromancers, demons, and a zombie plague, he discovers that darkness comes in many shades.

Book 1: Mad Shadows: The Weird Tales of Dorgo the Dowser blessed our bookshelves in 2011 (winning the 2017 Golden Book Readers’ Choice Award for Fantasy). The protagonist wields a dowsing rod to sense otherworldly signatures, but this is no Harry Potter wand trickery. Bonadonna’s style is more in line with Michael Shea and Fritz Leiber, and his Mad Shadows tackles supernatural mysteries. In television terms, this would appeal to fans of The X-Files , Supernatural, or Grimm. The author has been a blogger and regular guest at Black Gate forever, and his love for cinema shines through his work. We at Black Gate have already tracked Dorgo’s adventures across three volumes, so we provide a tour guide here to showcase the series.

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Samurai Noir Meets Boardroom Politicking: The Last Contract of Isako by Fonda Lee

Samurai Noir Meets Boardroom Politicking: The Last Contract of Isako by Fonda Lee

The Last Contract of Isako, by Fonda Lee (Orbit, May 5, 2026). Cover by Thomas Walker

I spent my professional working life as a freelancer, temporarily employed by a various corporations, ad and media companies, start-ups, and consultants on a project, on-call, or contractual for a stated number of months basis. Work might last a month or two, sometimes as much as a year, and then I never hear from the employer again; others develop into long-term relationships, albeit at time with gaps (sometimes long gaps) between assignments.

As a “disposable asset,” I cost the organization less (even as I earn higher pay because there is no overhead expense) and am easier to terminate than a salaried employee. While in today’s gig economy job-seekers often have little choice but to settle for contract work, I turned down offers of full-time permanent employment (though “permanent” is a misnomer given the trend of corporate “restructurings” and “force redeployments” and other such euphemisms to disguise layoffs).

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Richard Stark’s Parker, Part 7: The Outfit

Richard Stark’s Parker, Part 7: The Outfit


The third Parker novel: The Outfit (Pocket Books, 1967)

What is it?

Volume 3 of Richard Stark’s Parker series of crime novels. It is also the third part of the unofficial Outfit Trilogy, the first three books in the series, in which Parker goes up against an organized crime syndicate.

Quick and Dirty Summary

After surviving an assassination attempt by a killer hired by the Outfit, Parker decides it’s time to settle matters with organized crime once and for all.

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Mary Poppins by PL Travers

Mary Poppins by PL Travers

Version 1.0.0

Mary Poppins gave a superior sniff.

“Don’t you know,” she said pitingly, “that everybody’s got a Fairyland of their own?”

Ultimately, I have Baird Searles (or you have to blame) to thank for pointing to P.L. Travers‘ original Mary Poppins books. To quote the entry in his A Reader’s Guide to Fantasy (1982),

Those who know P.L. TRAVER’s acerbic creation, Mary Poppins, only through the persona of Julie Andrews, do not really know Mary Poppins, despite the best efforts of that charming actress. Mary Poppins seldom has a kind word for anyone, almost never smiles except at heir own prim reflections, and can get four children washed and in bed with No Nonsense Whatsoever.

I didn’t rush out and buy the books, but his words always lingered in my memory, and when I saw the books for sale in the old Borders in the World Trade Center, I bought the first one, Mary Poppins (1934), and promptly devoured it. Strains of the book and its sequels can be heard in the Julie Andrews’ movie, but there are deeper, more mythic moments that I imagine Walt Disney wanted no part of.

Travers was born Helen Lyndon Goff in Australia in 1899. She took to the stage as a teenager, creating for herself the stage name Pamela Lyndon Travers. For several years she traveled in Australia and New Zealand as part of a Shakespearean company. In New Zealand, she became a published poet and later a primary writer for the women’s sections in a Christchurch newspaper.

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Becoming a Reader

Becoming a Reader

Andre Norton’s Janus novels: Judgment on Janus and Victory on Janus (Fawcett Crest, December 1979 and January 1980). Covers by Ken Barr

I read a lot as a kid and read widely, sampling anything I could find. I always had books on my “want to read” list but also had a lot of chores and never had as much time to read as I wanted.

As a result, when I was a teenager and we were “assigned” readings for school, I resented it. I already knew a dozen books in the library I wanted to read as soon as I could get to them. And, too often, the assigned books were not nearly as colorful or interesting as the stuff I was already reading.

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Richard Stark’s Parker, Part 6: The Man with the Getaway Face

Richard Stark’s Parker, Part 6: The Man with the Getaway Face


The second Parker novel: The Man With the Getaway Face (Pocket Books, 1963)

What is it?

Parker has gone to a lot of trouble and expense to get a new face. Now he has to fight to keep his identity hidden, while also planning and executing an armored car heist.

A treacherous waitress and a punch-drunk former boxer complicate those matters tremendously.

This is Volume 2 of Richard Stark’s “Parker” series of crime novels. It is also the second part of the unofficial Outfit Trilogy, the first three books in the series, in which Parker goes up against an organized crime syndicate.

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A (Black) Gat in the Hand: Bleak Noir – Jim Thompson

A (Black) Gat in the Hand: Bleak Noir – Jim Thompson

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I have a shelf full of Jim Thompson books. For A (Black) Gat in the Hand, I decided to read a couple I had not got to yet. So, Wild Town was followed by A Swell Looking Babe. Then, Nothing More than Murder. And I mixed in The Grifters (which I have read, as well as seen the movie) into my audiobook listening.

While I’ve got a post dedicated to maybe his most unusual book – The Transgressors – in the works, I wanted to bring up one common aspect in his writing.

It can be difficult to sympathize with the main character, as they’re often not very nice people. That’s a post in itself. And those characters are often saturated with bleakness. I rarely read two Thompsons in a row. I need a palette cleanse after one. He’s good. But he’s about as joyful as Full Metal Jacket.

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The Unfinished Monument: The Steranko History of Comics

The Unfinished Monument: The Steranko History of Comics

The Steranko History of Comics, Volumes One and Two, front covers

Imagine Mount Rushmore with only one president on it. Picture a Washington Monument that’s only 185 feet tall instead of 555. How about a Statue of Liberty missing two arms and a head? No takers? I don’t blame you; there’s nothing more frustrating than a great beginning that remains incomplete.

Take The Steranko History of Comics, a work that was intended to fill six volumes. The first two came out in 1970 and 1972… and then, nothing. It’s been fifty-four years now and I don’t mind telling you, I’m starting to lose hope.

Certainly no one was (or is — he’s still with us at the age of eighty-eight) more qualified to write a history of comics than Jim Steranko. Active in the industry as an artist and writer since the late 50’s, he did his most famous work for Marvel on their Nick Fury, Agent of S.H.I.E.L.D. title. Charging through the door that Jack Kirby had kicked open, Steranko created some images (especially his Nick Fury covers) that have become icons of the psychedelic 60’s as essential as anything by Andy Warhol or Peter Max.

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Sour Bill: The Issue at Hand and More Issues at Hand by William Atheling, Jr.

Sour Bill: The Issue at Hand and More Issues at Hand by William Atheling, Jr.

The Issue at Hand, by William Atheling, Jr., AKA James Blish (Advent: Publishers, 1964). Cover by Jon Stopa

In 1952, a science fiction fanzine, Sky Hook, began publishing a series of critical essays by William Atheling, Jr. When its publisher, Redd Boggs, suspended publication, the science fiction writer James Blish publicly revealed that this was a pseudonym he had adopted. But a few years later, he revived “Atheling” for more criticism, published in another fanzine, Axe.

In 1964, Advent: Publishers collected his critical writings, including both fanzine articles and addresses given at science fiction conventions under his own name, as The Issue at Hand, credited to Atheling, “edited and with an introduction by James Blish,” though the book made no secret of the author’s identity. In 1970, a second collection appeared, More Issues at Hand.

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David C. Smith, Part 5: Sometime Lofty Towers, A Magnificent Work of Sword & Sorcery

David C. Smith, Part 5: Sometime Lofty Towers, A Magnificent Work of Sword & Sorcery


Sometime Lofty Towers (Brackenbury Books, December 2025). Cover by Saša Đurđević

I’ve just finished reading what may be David C. Smith’s best work — Sometime Lofty Towers.

My first contact with Smith was from the Robert E. Howard related pastiche work he did earlier in his career. He wrote an excellent Black Vulmea story, The Witch of the Indies (Zebra, 1977, cover by Stephen Fabian), and a Bran Mak Morn tale, Witch of the Mists with Richard Tierney (Zebra, 1978, cover by Doug Beekman), and he and Tierney (1936 –2022) collaborated on six novels about Red Sonja. The Sonja tales are not REH pastiches, of course, but are based on a comic book character created to interact with Conan in the Marvel series.

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