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Adventure on Film: Mirror, Mirror

Adventure on Film: Mirror, Mirror

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Stand back, comrades, the gloves are off.mirror-mirror-440

I hate this movie.

Unfortunately — and somewhat confusingly — I also love it.

Help.  I’m so confused!

Riddle me this: why exactly did Mirror, Mirror’s good king have to marry the wicked stepmother queen? Perhaps it’s because she’s so smartly played by Julia Roberts, but no: the reason given, in a sassy prologue, is that the king discovered certain things (martial skills) that he could not teach his daughter. Therefore, he had to marry anew, his first wife having conveniently died giving birth to Snow White.

Let’s stop right there. This is an example of what we Black Gate critics call GLOSSING OVER. In certain circles, it’s also called DELIBERATE OBFUSCATION.

The information that the king must remarry is presented so fast, and with all the confidence of a logical fait accompli, that we are supposed to ignore its hypocrisy, stupidity, and outright vapidity and quickly move on.

Well. This lil’ critic ain’t fallin’ for it.

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More Bad News for ‘Zines: Reader’s Digest Files For Bankruptcy

More Bad News for ‘Zines: Reader’s Digest Files For Bankruptcy

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READERS-DIGEST March 2013Reader’s Digest, the most widely-purchased magazine in the world, has filed for bankruptcy protection for a second time.

Reader’s Digest was founded in 1922; it is currently published in more than 70 countries, with 49 editions in 21 languages. Not long ago, it had a worldwide circulation of over 10 million copies per month, making it the largest paid circulation magazine on the planet.

The magazine emerged from bankruptcy in 2009, selling off assets to lower its debt — including cooking website Allrecipes.com (sold for $180 million) and sister magazine Every Day With Rachael Ray (for $4.3 million). Its paid circulation fell to 5.5 million at the end of 2012, making it the fifth-biggest consumer magazine by circulation in the U.S., behind two publications from the AARP, Game Informer Magazine, and Better Homes and Gardens.

The magazine filed for Chapter 11 protection in an attempt to cut debt; it is hoping to convert about $465 million of debt into equity held by its creditors. Reader’s Digest has about $1.1 billion in assets and slightly under $1.2 billion in debt, and has arranged roughly $105 million to keep it afloat during bankruptcy proceedings.

The news follows a lengthy obituary list for magazines in 2012, including the 80-year old Newsweek, which published its last print issue in December, music magazine Spin, Nintendo Power, Whole Living, American Artist, and many others. Fantasy fans lost the print version of the excellent New York Review of Science Fiction in 2012, which converted to digital format last spring.

Red Sonja 11

Red Sonja 11

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Red Sonja 11 coverThe story opens with Red Sonja and Suumaro in the talons of a giant peacock, being flown away from the ruins of the sorceress Apah Alah’s honeymoon suite. It was explained (though not very clearly) last issue, but to catch up with the story (and the series in general), all you have to know is that a lot of crazy things happen to Red Sonja and she usually ends up stabbing most of those crazy things. Oh, and she’s blind after being covered in the blood of a peacock-blowing man-stallion (seriously, not half as sick as you’re thinking).

If you’re honest with yourself, you know how you’d react to being blinded, then clutched in the talon of a giant peacock. I’d be terrified. Red Sonja’s first line this issue: “I’d hoped that when death arrived for me – I’d at least be able to see well enough to spit in its face!” And that’s really all you have to know about Red Sonja.

The giant bird drops them on the upper section of the palace, where they are greeted by a bald woman with a crossbow named Narca. It turns out Narca is angry at the bird for trying to take Sonja and Suumaro out of the palace (even though the bird wasn’t taking them out of the palace, just the crumbling part of it). So she shoots the giant peacock with her crossbow, then has her army of albino gorillas drag its corpse to a giant vat of blood, where it is dumped.

Why is she so mad about Sonja and Suumaro’s escape attempt? Because she’s trapped there too. In her own wing of the palace. With an army of gorillas. And a blood pit that she uses for demonic summoning. And this isn’t even the dumbest prison set-up I’ve seen in the series (see issue two).

Sonja can’t see Narca, but Suumaro tells her that she’s “purely evil,” which he seems to conclude from the fact that she’s bald and shot a big bird. Then she shoots a second giant peacock and has it tossed into the blood pit as well. Some demon is apparently very thirsty.

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Steampunk Spotlight: Society of Steam Trilogy

Steampunk Spotlight: Society of Steam Trilogy

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the society of steam the falling machineImagine the  gilded age… but with superheroes and steampunk technology.

That is the central premise of Andrew P. Mayer’s Society of Steam trilogy, which just published its final volume in January. The books portray a world in which the brilliant inventor Sir Dennis Darby has brought together heroes to form the Paragons, a New York City group of adventurers that fight menaces to decent society. Among the heroes is the Automaton, an intelligent steam-powered construct of Darby’s own invention.

This alone would be enough of a premise for a trilogy of novels, but the first book in the trilogy, The Falling Machine (Amazon, B&N), begins by throwing this fascinating world into turmoil… by killing off Darby himself in the first chapter, leaving his student Sarah Stanton – forbidden by gender to become a hero in society – to take a stand and see that his vision of the future has a possibility to come to pass. The trilogy therefore is not about the Paragons so much as it’s about the Paragons facing their darkest hour… with an outcome that is far from predictable.

To think about the challenge facing Mayer in writing this series, consider that this would sort of be like if the first issue of X-Men began with Professor Xavier dying. The series is trying to depict the status quo changing, but also has to — at the exact same time — depict what the status quo was. It’s a tough balancing act and Mayer does a good job with it, though there are times where it’s a little uneven, particularly in the first book, which ends with several characters dying and the ranks of the Paragons devastated by their greatest challenge: the villain Eschaton.

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Art of the Genre: The Weight of Print

Art of the Genre: The Weight of Print

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DSC_1027When I was a kid, I loved where I lived. Honestly, I had a great childhood, raised along a tranquil riverbank in a peaceful little town in northwest Indiana. I had no siblings to distract me from my internal reverie, was cared for by a loving mother who chose me over all else, and had friends fostered from Kindergarten all the way to High School Graduation.

I would sit and wonder about all the kids in my class that would rage and swear at our small town, and ‘how they were going to get out as soon as they could’. To me, I could think of no place I’d rather be.

However, upon graduation I moved to southern Indiana to go to university, and by my sophomore year had met my wife. She, unlike me, had a turbulent childhood with dozens of moves and no lifelong friends or a place that she identified as ‘home’. As is the case with most single children who become involved with people who have many siblings and large families, I was pressed to follow her family and so began a journey that has taken me all over the U.S. in the intervening years.

Yes, the kid who never wanted to leave his town has lived in half a dozen states and moved more times than I’d like to remember, which is to say pretty much every three years for two decades.

Why do I bring this up, you might be asking yourself? Well, I bring it up because of my books, most specifically my RPG books. If you have ever had to move, you know the burden each piece of your life [bed, couch, clothes, kitchen supplies, etc.] places on you as you try to pack it, protect it, and hump it into trucks, cars, up steps, down steps, and across countless miles.

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Amazing Stories, January 1963: A Retro-Review

Amazing Stories, January 1963: A Retro-Review

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amazing stories January 1963This issue was published almost exactly 50 years ago. This was well into Cele Goldsmith’s tenure. Goldsmith is regarded now as one of the great magazine editors in our field’s history, for what she did with Amazing and Fantastic from December 1958 through June 1965.

I immediately noticed the subtitle: “Fact and Science Fiction.” This appeared with the October 1960 issue and lasted through Goldsmith’s tenure (she was Cele Lalli by the end). 1960 was also the year Astounding Science Fiction became (starting with the February issue) Analog Science Fact and Fiction. Amazing may have been following Analog’s lead, or both may have been reacting to the Space Race, and the increased U.S. emphasis on science education.

Goldsmith/Lalli left the magazine when Ziff-Davis, her employers, sold it – she stayed on with Ziff-Davis and became a very successful editor with Modern Bride.

The cover is by Lloyd Birmingham, an unfamiliar name to me. I didn’t like it very much. As John Boston puts it: “an attempt at pompous pageantry that just looks silly.” It illustrates the lead story, “Cerebrum,” by Albert Teichner.

Interiors are by Birmingham, Leo Morey, George Schelling, and the great Virgil Finlay. There are a couple of inhouse ads, a Classified section, and two full page ads, one for the Rosicruans, and one for the 1963 Stereo/Hi-Fi Directory.

The Fact content is represented by Ben Bova’s article, “Progress Report: Life Forms in Meteorites,” the subject of which seems clear enough, though the article actually discusses the discovery of chemicals possibly related to life in meteorites, as well as where meteorites come from.

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Black Gate Online Fiction: “The Find,” Part II of The Tales of Gemen, by Mark Rigney

Black Gate Online Fiction: “The Find,” Part II of The Tales of Gemen, by Mark Rigney

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AppleMarkGemen the Antiques Dealer gathers a resourceful team of fighters and adventurers to assist him in his mysterious quest, in the sequel to “The Trade”:

The guards finished lowering their prisoner into the octagonal pit. Gemen guessed that at least three hundred now looked on as the woman, very much alone, paced back and forth with restless, furtive energy while a bored-sounding magistrate, above, read out a host of generic accusations.

The magistrate rolled up his paintbark parchment. “The accused calls herself Velori, and she will now defend herself! Survival connotes innocence!”

Immediately four ladders snaked down, and as Velori planted herself in the center, four warriors slid down and advanced, their heads encased in bestial masks of iron and leather, inlaid axes at the ready.

Gemen’s companion let out a dry laugh. “You’re about to tell me it isn’t fair, aren’t you? They’ve got weapons. She doesn’t.”

Gemen shook his head. “It looks fair to me.”

Mark Rigney is the author of the plays Acts of God and Bears and winner of the 2012 Panowski Playwriting Competition. His short fiction has been nominated for a Pushcart Prize and has appeared in Black Static, The Best of the Bellevue Literary Review, Realms of Fantasy, Talebones, Not One Of Us, Andromeda Spaceways Inflight Magazine, Lady Churchill’s Rosebud Wristlet and many more. His contemporary fantasy novel, A Most Unruly Gnome, won the 2009 First Coast Novel Contest. Two collections of his stories (all previously published by various mags and ‘zines) are available through Amazon, Flights of Fantasy, and Reality Checks.

The complete catalog of Black Gate Online Fiction, including stories by C.S.E. Cooney, Vaughn Heppner, E.E. Knight, Jason E. Thummel, Gregory Bierly, Judith Berman, Howard Andrew Jones, Dave Gross, Harry Connolly, and others, is here.

“The Find” is a complete 14,000-word novelette of weird fantasy offered at no cost. It is the sequel to “The Trade,” Part I of The Tales of Gemen the Antiques Dealer, which Tangent Online called a “Marvelous tale. Can’t wait for the next part.”

Read the complete story here.

The Weird of Oz Recalls his First Visit to Barsoom

The Weird of Oz Recalls his First Visit to Barsoom

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warlord of marsBy the time I was in the third grade, I was reading a little bit of everything (still do). From Zorro to The Hardy Boys to Pippi Longstocking, I gave everything a try. But already I was being drawn more strongly to works of speculative fiction, especially heroic fantasy. The year before, I’d gotten hooked on C.S. Lewis’s Chronicles of Narnia.

I often did my best bouts of reading after I’d been tucked into bed and the lights were out. I’d sneak down by the door, sprawl out on the carpet, and read by the narrow band of light coming in from the bathroom down the hall (my mother would leave it on as a nightlight). On one particular night, I chose an old hardcover that I’d taken off my Granddad’s shelf. Whatever dust jacket had once adorned its fraying red cloth was long since lost, and the pages were becoming yellow and brittle. I gently opened to the first page and read these words:

In the shadows of the forest that flanks the crimson plain by the side of the Lost Sea of Korus in the Valley Dor, beneath the hurtling moons of Mars, speeding their meteoric way close above the bosom of the dying planet, I crept stealthily along the trail of a shadowy form that hugged the darker places with a persistency that proclaimed the sinister nature of its errand.

These are the first words of The Warlord of Mars  (1919) by Edgar Rice Burroughs.

This happens to be the third book in the Barsoom series, so I had no idea what was going on. But “the shadows of the forest that flanks the crimson plain,” the “Lost Sea of Korus,” the “Valley Dor,” and the “dying planet” piqued a part of my brain that wanted to explore, as the voice at the beginning of Star Trek used to announce, “strange new worlds.” And then that sudden telescoping in on the “shadowy form” on a sinister errand…I was hooked.  I was on my way to Mars — or Barsoom, as its inhabitants called it.

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New Treasures: Death Watch, by Ari Berk

New Treasures: Death Watch, by Ari Berk

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Death WatchI live in a house with three young adults, all fairly active readers. When one discovers an intriguing new fantasy series, it gets passed around excitedly. That happened with Christopher Paolini’s Eragon books, Stephanie Meyer’s Twilight, Suzanne Collins’s Gregor The Overlander and The Hunger Games, and John Flanagan’s Ranger’s Apprentice books.

The latest book to get discussed and passed around is Ari Berk’s Death Watch, the first installment in The Undertaken Trilogy. It’s too early to determine if this will captivate all three the way previous books have, but early indications are good.

They say the dead should rest in peace. Not all the dead agree.

When Silas Umber’s father, Amos, doesn’t come home from work one night, Silas discovers that his father was no mere mortician, but an Undertaker who worked to bring The Peace to lost and wandering souls. With Amos gone, Silas and his mother move back to Lichport, the crumbling seaside town where he was born, and Silas seizes the opportunity to investigate his father’s disappearance.

When his search leads him to his father’s old office, he comes across a powerful artifact: the Death Watch, a tool that allows the owner to see the dead. Death Watch in hand, Silas begins to unearth Lichport’s secret history — and discovers that he has taken on his father’s mantle as Lichport’s Undertaker. Now, Silas must embark on a dangerous path into the Shadowlands to embrace his destiny and discover the truth about his father — even if it kills him.

Death Watch was published November 27, 2012 by Simon & Schuster Books for Young Readers. It is 560 pages in trade paperback, priced at $9.99 ($8.89 for the digital edition). The second volume of The Undertaken Trilogy, Mistle Child, was published Feb 12.

The Rise of the Short Story: The New York Times on the New Era of Short Fiction

The Rise of the Short Story: The New York Times on the New Era of Short Fiction

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The New York Times logoInteresting post on the success of short stories in the digital marketplace at today’s New York Times:

The Internet may be disrupting much of the book industry, but for short-story writers it has been a good thing. Story collections, an often underappreciated literary cousin of novels, are experiencing a resurgence, driven by a proliferation of digital options that offer not only new creative opportunities but exposure and revenue as well.

Already, 2013 has yielded an unusually rich crop of short-story collections, including George Saunders’s Tenth of December, which arrived in January with a media splash normally reserved for Hollywood movies and moved quickly onto the best-seller lists…

“It is the culmination of a trend we have seen building for five years,” said Cal Morgan, the editorial director of Harper Perennial Originals, who until last year ran a blog called Fifty-Two Stories, devoted to short fiction. “The Internet has made people a lot more open to reading story forms that are different from the novel, and you see a generation of writers very engaged in experimentation.”

The article was written by Leslie Kaufman; the complete text is here.