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Vintage Treasures: Chaosium’s Thieves’ World

Vintage Treasures: Chaosium’s Thieves’ World

Thieve's World Chaosium-smallThere was a time when shared-world fantasy was brand new, and taking the genre by storm. That time was 1979, and the man at the helm was Robert Lynn Asprin, a midlist novelist who had never edited anything before in his life.

Robert Lynn Asprin was the guest of honor at one of the first science fiction conventions I ever attended, Maplecon 2 in Ottawa in 1979. He was a spirited and self-deprecating guest, telling stories of Joe Haldeman and Poul Anderson gently correcting his spelling and grammar (“These are the people I’m supposed to be editing?!”) as he midwifed the birth of what would become one of the most successful fantasy franchises of the 20th Century: Thieves’ World, the Ace paperback anthology that triggered an explosion in shared world fantasy over the next two decades. Thieves’ World eventually encompassed thirteen collections and over half a dozen original novels, published between 1979 and 2004.

It wasn’t the only new trend to emerge at the end of the 70s in fantasy fiction — in fact, it wasn’t even the biggest. The influence of Dungeons and Dragons was cresting at the same time, and with the publication of Margaret Weis and Tracy Hickman’s Dragons of Autumn Twilight, the first DragonLance novel, in 1984, the two genres finally collided, and neither would ever be the same again.

As fantasy fiction and gaming gradually blended throughout the 80s, it didn’t just mean that bookstores were flooded with gaming novels. Gaming stores likewise were invaded with a new generation of book-inspired titles, from Iron Crown’s Middle Earth Role Playing to Chaosium’s Call of Cthulhu, and TSR’s Conan and Lankhmar properties, just to name a few.

These two juggernauts of 20th Century fantasy, Thieves World and role playing, came together in 1981 with the release of the Thieves’ World boxed set from Chaosium, a singular accomplishment that has been called the “Rosetta Stone of early roleplaying.”

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Michael Moorcock’s Von Bek: A Review

Michael Moorcock’s Von Bek: A Review

Von BekNo matter what your opinion of Michael Moorcock, you can’t deny that he’s a versatile writer; from the pulpy adventures of Dorian Hawkmoon to the sophisticated high literature of Mother London, this man seems capable of writing anything, and Von Bek, a collection of three stories that focus around the family of the same name and their quest for the Grail, is proof.

This is especially true of the first book: The Warhound and the World’s Pain, which focuses on Ulrich Von-Bek. Here you’ll encounter the same Gothic tones and deep melancholy of the Elric books, the gung-ho adventure of Hawkmoon alongside another healthy dose of Moorcock’s boundless imagination. It is at once questioning and original, daring and clever; unafraid to show the ravages of war, but still enjoyable as simple, leave-your-brain-at-the-door adventure.

A hard to attain but perfect combination. In this tale Lucifer, wanting to redeem himself in the eyes of God, enlists Ulrich Von Bek to retrieve the Holy Grail, or, as he calls it, the ’cure to the worlds pain.’

All throughout this venture, he is hindered by Klosterheim, who has been ordered to prevent him from finding the Grail. Klosterheim’s arrogant nature, intolerable ignorance, and prejudice make him an apt and contemptible rival for our charismatic anti-hero.

I say anti-hero because Von Bek, much like Elric, is a far-cry from Conan or Aragorn in that, rather than having an immovable viewpoint on morals, Von Bek, at least at the beginning, has none. The fact that he only accepts the tangible and takes destruction in his stride makes him a compelling companion, and makes his quest — which surrounds religion and metaphysics — all the more apt, and therefore all the more interesting.

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New Treasures: Dragonslayers From Beowulf to St. George, by Joseph A. McCullough

New Treasures: Dragonslayers From Beowulf to St. George, by Joseph A. McCullough

Dragonslayers from Beowulf to St. GeorgeJoseph A. McCullough has been a behind-the-scenes contributor to Black Gate for over a decade. He has a superb story sense, and put it to work as a submissions reader for us for many years, sifting through hundreds of short stories and sending the most promising my way.

That story sense has served him well in other arenas as well. A decade ago, Joe wrote what many consider the definitive modern essay on S&S, “The Demarcation of Sword and Sorcery,” originally published at Howard Andrew Jones’s SwordAndSorcery.org, and prominently referenced in the Wikipedia definition of the genre. It was eventually reprinted here and quickly became one of the most popular articles we’ve ever published. For years it was the backbone of the BG blog, drawing thousands of readers every month.

Joe is a fine writer in his own right (just check out his terrific adventure story “Stand at Llieva” in Black Gate 5). He also has the enviable task of guiding a publishing imprint, as Project Manager for Osprey Adventures, an imprint of Osprey Publishing — which he wrote about here.

Joe is occasionally able to combine vocations, and has now published a total of five books through Osprey, including Zombies: A Hunter’s Guide. His latest release, Dragonslayers From Beowulf to St. George, is a gorgeously illustrated look at some of the most famous heroes of legend.

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David Wesley Hill’s At Drake’s Command Available Free in Kindle Format — Today and Tomorrow Only

David Wesley Hill’s At Drake’s Command Available Free in Kindle Format — Today and Tomorrow Only

At Drake's CommandEditor’s aren’t supposed to have favorites — or we’re not supposed to admit to favorites, anyway. So I’ll temper what I wanted to say and just say this: I published two short stories by David Wesley Hill in Black Gate, and they were both so brilliant and unusual that I considered renaming the magazine David W. Hill’s Magazine of Fantasy.

It’s probably best that I didn’t, since David has since gone on to a successful career as a novelist, and I’d be stuck with a magazine that didn’t have any short stories in it. But I do urge you to check out “Far From Laredo” in Black Gate 4, in which gunslinger Charles Duke is hired to rid a town of three troublesome demons, and “The Good Sheriff” (BG 13), in which Duke finds himself up against a maimed god in a mining town full of sorcerers and demons.

Or, if you happen to have a Kindle, you could try David’s latest adventure novel, the tale of young cook Peregrine James on an expedition under Francis Drake, for free:

It was as fine a day to be whipped as any he’d ever seen but the good weather didn’t make Peregrine James any happier with the situation he was in. Unfairly convicted of a crime he had not committed, the young cook was strung from the whipping post on the Plymouth quayside when he caught the eye of the charismatic sea captain Francis Drake, who agreed to accept Perry among his crew despite the stripes of a thief on his back.

Soon England was receding in their wake and Perry was serving an unsavory collection of sea dogs as the small fleet of fragile wood ships sailed across the deep brine. Their destination was secret, known to Drake alone. Few sailors believed the public avowal that the expedition was headed for Alexandria to trade in currants. Some men suspected Drake planned a raid across Panama to attack the Spanish in the Pacific. Others were sure the real plan was to round the Cape of Storms to break the Portuguese monopoly of the spice trade. The only thing Perry knew for certain was that they were bound for danger and that he must live by his wits if he were to survive serving at Drake’s command.

David’s previous novel was the SF adventure Castaway on Temurlone.

At Drake’s Command was published November 1, 2012 by Temurlone Press. It is 424 pages, priced at $14.95 for the trade paperback, and $2.99 for the digital edition. For today and tomorrow, you can get the Kindle edition for free here.

New Treasures: The Corpse-Rat King, by Lee Battersby

New Treasures: The Corpse-Rat King, by Lee Battersby

The Corpse Rat KingWhen I was a wee lad, I didn’t pay much attention to the name under the title on my favorite books. My mother gently nudged me one day, when I complained that I didn’t know what to read, pointing out that if I knew who had written the last book I’d really enjoyed, I might be able to find another just like it.

My mom. She was right about what would happen if I touched the burner when it was glowing that pretty red color, and she was right about this, too. I learned to pay attention to authors, and soon stopped complaining about not having anything to read. Or having to bandage my fingers so often.

As I’ve grown older, I’ve learned this principle can be applied more broadly with some success. I now avoid touching anything that glows red, regardless of how damn cheery it looks, and when I find a publisher putting out quality books, I stick with them.

Case in point: Angry Robot, publisher of Chris F. Holm’s noir crime novel Dead Harvest, Aliette de Bodard’s Aztec mystery Obsidian & Blood, Tim Waggoner’s undead detective opus The Nekropolis Archives, and many others. My latest discovery is Lee Battersby, whose The Corpse-Rat King was published by Angry Robot in August.

Marius dos Hellespont and his apprentice, Gerd, are professional battlefield looters. When they stumble upon the corpse of the King of Scorby and Gerd is killed, Marius is mistaken for the monarch by one of the dead soldiers and is transported down to the Kingdom of the Dead.

Just like living beings, the dead need a King. And Marius is banished to the surface with one message: if he wants to recover his life he must find the dead a King. Which he fully intends to do… Just as soon as he stops running away.

An intriguing mix of humor, madcap characters, and stylish prose, The Corpse-Rat King promises to be just what I’m looking for. Mom, I owe you. Again.

The Corpse-Rat King was published by Angry Robot on August 28, 2012. It is 411 pages in paperback, priced at $7.99 ($6.99 for the digital edition.) The sequel, The Marching Dead, appeared in March.

The Guardian Selects the Best Young SF and Fantasy Novelists

The Guardian Selects the Best Young SF and Fantasy Novelists

Elizabeth May The FalconerBack when I used to subscribe to Granta magazine, I enjoyed their semi-annual lists of Best Young Writers. This year’s list came out recently, and this morning I came across an article in The Guardian pointing out that no equivalent list for genre fiction exists, and asking, “If it did, who might be on it?”

The author, Damien Walter, endeavors to answer his own question, supplying an intriguing list of 20 SF and Fantasy authors under 40:

Joe Abercrombie is the self-proclaimed Lord of “grimdark” epic fantasy, whose writing displays a wit and style beyond the battle sequences and torture scenes that dominate the gritty world of grimdark. NK Jemsin brings an immense storytelling talent to the tradition of epic fantasy, with a series of beautiful stories that have garnered Hugo, Nebula and World Fantasy award nominations. The Throne of the Crescent Moon by Saladin Ahmed is notable for its middle-eastern fantasy setting, but the work’s real strengths are its deep sense of irony and dark humour. And of course British author China Miéville has re-worked the fantasy genre into many and varied weird forms from Perdido Street Station to Embassytown, though he is technically ineligible, as he turned 40 last year.

Catherynne Valente’s novels and stories range widely across the fantastic, but it is her dark urban fantasies such as Palimpsest that best showcase her baroque prose style. Tom Pollock’s debut The City’s Son marked the appearance of a powerful new imagination in SF, and hopes are high for the upcoming sequel. As they are for the debut novel of Elizabeth May, with The Falconer among the most anticipated fantasy novels of 2013.

This list fills me with hope for our genre, and simultaneously makes me feel very old at 48.

You can see the complete list here.

Adventure On Film: Westworld

Adventure On Film: Westworld

westworld-1How any adult, in this day and age, can approach Westworld (1973) in anything remotely close to the appropriate frame of mind is beyond me. To further complicate an open, honest viewing, the film could not possibly telegraph its intentions more bluntly. Will the tourists attending Western World, Roman World, and Medieval World have the time of their vacationing lives? Well, yes –– but in short order, they will be done in by their out-of-control hosts, robots one and all, semi-sentient machines understandably tired of living out their days getting gunned down by their rich and warm-blooded doppelgangers.

Pardon me if in the course of this review I don’t concern myself with spoilers.  If the DVD’s cover doesn’t give the game away, the first two minutes of the film surely will.

Leaving, then… what? A cautionary tale, in which we fragile mortals should learn to stop messing around with simulacrums? Or is it an adventure in which the stakes are high and the six-guns are fast?

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Weird of Oz Reviews Showgirls, Teen Wolves, and Astro Zombies

Weird of Oz Reviews Showgirls, Teen Wolves, and Astro Zombies

showgirlsA non-fiction fad of the past decade has been for an author to do something outrageous for a year and then write a book detailing the experience. If you know someone who inexplicably stopped bathing for months, or who stopped shaving or cutting his hair, or who started eating all her food raw and communicating only with gestures and grunts, you may know someone who has embarked on living like a person in the Middle Ages, or like a caveman — with an eye, of course, to chronicling it all and cranking out a bestseller. Do them a favor and tell them it’s probably already been done. Writers like A.J. Jacobs (The Year of Living Biblically) have cornered the market on myself-as-the-story immersive or “stunt” journalism.

I’ve read a number of these “stunt books” by various authors; frequently they are entertaining page-turners, and they do offer interesting perspectives and provide some bizarre, oftentimes fascinating trivia. But I have also grown oversensitive to the tendency of some such writers to indulge in a bit of melodramatic self-pity: “For 200 days now I haven’t been able to [fill in the blank], and my wife is totally exasperated!” Yes, these folks put themselves through some crazy regimens of self-denial and eccentric behavior, but journalists have gone through far worse to get a story: try reporting from a war zone, for instance.

For his “stunt book,” Australian film critic Michael Adams undertook a task that puts him squarely on the radar of this blog: he decided to watch at least one bad film every day for a year in a quest to find the Worst. Film. Ever Made. Ever. As somewhat of a connoisseur of B- and Z-grade films, I eagerly picked up this comprehensive report from a fellow cinephile: Showgirls, Teen Wolves, and Astro Zombies (2010). So here, now, is a brief review of the bad-movie viewer…

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Black Gate Online Fiction: “Truck Stop Luck” by Nina Kiriki Hoffman

Black Gate Online Fiction: “Truck Stop Luck” by Nina Kiriki Hoffman

Nina Kiriki Hoffman-smallSomeone has turned all of Keith Sharp’s family into statues, and he’s trying to find out how and why — and what he can do to fix the situation. But as he soon discovers, that’s the least of his problems.

“Someone made statues of your family, you’re hauling them around, and you don’t know why,” Mike asked.

“Yeah, I guess,” said Keith.

Mike stood up, and shrugged into a ragged, full-length black leather jacket. “I want to see these statues of yours,” he said.

“You’re not used to this, are you?” he asked when they had stepped outside into the pouring rain.

“Used to what?” Keith had to raise his voice to be heard over the water.

“Dealing with people like me. People who do things like this.” Mike’s hand gripped the back of Keith’s neck, and Keith felt heat flash from Mike’s fingers into his brain. Keith led him to where the van and trailer were parked. I shouldn’t be doing this, Keith thought. Thinking didn’t stop his eager trot toward his cargo, though. Mike’s fingers were hot on his neck, invasive, as though they were plugged into him.

“Statues,” Mike murmured. He dragged Keith closer, and reached for the rope that held the tarp down. Wind sneaked under the tarp and lifted it, revealing Ma and Pa, James and Olivia, Mary and Sadie.

“Mighty fine collection,” said Mike.“ I’m going to have me some fun with this lot. Give me the keys to your car.”

Keith fished the keys out of his pocket. He dropped them in Mike’s outstretched claw.

Over the past thirty years, Nina Kiriki Hoffman has sold adult and YA novels and more than 250 short stories. Her works have been finalists for the World Fantasy, Mythopoeic, Sturgeon, Philip K. Dick, and Endeavour awards. Her fiction has won her a Stoker and a Nebula Award. Ace published several of Nina’s adult novels, among them Fistful of Sky and Fall of Light. Viking published Nina’s Young Adult fantasy novels, including Stir of BonesSpirits that Walk in ShadowThresholds, and Meeting. A collection of her short stories, Permeable Borders, was published in 2012 by Fairwood Press.

The complete catalog of Black Gate Online Fiction, including stories by Ryan Harvey, Emily Mah, David C. Smith and Joe Bonadonna, Aaron Bradford Starr, Mark Rigney, C.S.E. Cooney, Vaughn Heppner, E.E. Knight, Howard Andrew Jones, Harry Connolly, and others, is here.

“Truck Stop Luck” is a complete 12,000-word short story of contemporary fantasy. It is offered at no cost.

Read the complete story here.

Galaxy Science Fiction, January 1951: A Retro-Review

Galaxy Science Fiction, January 1951: A Retro-Review

Galaxy Science Fiction January 1951-smallGalaxy Science Fiction’s fourth issue was published for January, 1951.  Now with 50% more illustrations, Galaxy was rolling along, ready to offer the best fiction on the market.

“Tyrann” by Isaac Asimov – This is the first part of a three-part serial of Asimov’s novel.  It was later reprinted under the title: The Stars, Like Dust.  Biron Farrill is a young nobleman visiting Earth when someone tries to kill him with a radiation bomb.  An acquaintance of Biron’s tells him that there’s a plot underway by the Tyranni.  The Tyranni, who control the galaxy by oppressing the various world leaders, killed Biron’s father and are now coming after him.

Biron flees to Rhodia in hopes of finding refuge under their leader, Hinrik V.  The Tyranni track Biron’s movement, allowing him to reach Rhodia in order to test Hinrik’s loyalty.  Soon after his arrival, however, Hinrik’s daughter and cousin confide in Biron that they are not loyal to the Tyranni and that the three of them must find a way to escape the planet without alerting the Tyranni.

I love this story so far.  The characters are great, especially Hinrik’s cousin who shows two personalities – one is a public façade in order to keep his work secretive.  Plus, their ships jump to hyperspace!

Asimov didn’t coin the term hyperspace, but he was one of its early adopters, and the way the jump is described will resonate well with Star Wars fans.  By the way, if FTL (Faster Than Light-speed) travel was good enough for Asimov and Galaxy, why is it shunned by some editors today?

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