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The Horror: Oz Meets the Scarecrow

The Horror: Oz Meets the Scarecrow

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dark harvestAs Stephen King once observed, horror has a short shelf life. What scares us today will lose its impact tomorrow. The shock of the new will wear off, the fear of the unknown dispelled by our having come to know it.

Mary Shelley’s Frankenstein may be a literary classic, and it is still required reading in high school and college classes the world over. But when was the last time anyone was actually scared by Frankenstein’s Monster, I wonder? Or by Dracula, or any of the other classic monsters that now grace the sides of cereal boxes?

Familiar, tried-and-true monsters suffer from overexposure just as surely as vampires exposed to too much sunlight. After the umpteenth new Hollywood film, movie of the week, and YA book series, they “jump the shark,” so to speak. They lose their ability to produce chills and instead become the butt of parody or — worse — a love interest.

Until, that is, they come creeping back in an altered guise, rendered frightening and unfamiliar again by the latest horror maverick. Oh, they keep coming back, these perennial terrors. After all, there is a reason they are iconic: they have so aptly embodied so many human fears throughout the ages. We will likely be spooked — genuinely frightened — by a vampire again, hard as that is to imagine now, somewhere down the road.

In this macabre dance, venerable monsters take turns in the blacklight; their popularity waxes and wanes and waxes again, like the cycles of the moon.

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“How Many Psychiatrists Does it Take to Change a Genre?” Karl Edward Wagner in Fantasy 55

“How Many Psychiatrists Does it Take to Change a Genre?” Karl Edward Wagner in Fantasy 55

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Fantasy Newsletter 55-smallI need to spend less time on eBay. A few weeks ago, I stumbled on a collector selling significant lots of vintage fanzines and critical journals from the 70s and 80s — things like Science Fiction Review, The Alien Critic, Fantasy Review, SF Collector, Fantasy, and others.

Hard-to-find-stuff, as I later told my wife Alice, trying to explain why the postman had delivered a 16-pound package and why we were out over two-hundred bucks.

So now I’m in the doghouse. But keeping me company are 87 beautiful magazines packed with news, reviews, artwork, and opinion on the state of fantasy three decades ago, so really, things aren’t so bad. That was probably the height of my book collecting, so there’s lots here that’s of interest. The first one I opened was Fantasy 55, from January 1983, a Locus-like genre news magazine edited by Robert A. Collins. I’d never even heard of Fantasy, so it’s a little humbling to discover it’s clearly a major magazine (which published over 60 issues, apparently). It’s professionally laid out and designed, with lots of art and photos.

Two things I notice right off the bat. First, the cover verges on pornography, with a nude woman sprawled on a bed, getting pretty worked up while some guy with horns drools saliva on her. Eeeugh. Man, the 80s. What can  I tell you.

(A lot of these fanzines feature naked women on the covers. Naked women piloting starships. Naked women battling monsters. Naked women in dungeons. This was the era when a lot of young women avoided conventions due to routine sexual harassment. Think there’s a connection?)

The second thing I notice is the fabulous line-up of contributors, including Fritz Leiber, Darrell Schweitzer, Mike Ashley, John Morressy, Somtow Sucharitkul, and many others. I still haven’t read a third of the articles, but the thing that really opened my eyes was Collins’s editorial, in which he quotes contributor Karl Edward Wagner’s thoughts on the expected fantasy boom following the release of Conan the Barbarian and the genesis of his Kane collection, Night Winds:

Last month… Wagner again attacked fantasy fans, writers, and publishers for their apparent inability to evolve intellectually and/or artistically, for constantly rewarming “the same simple plots and conflicts that were boring Robert Bloch back during Conan’s heyday in 1934.” Both writers and fans, he said, eventually “turn their backs on heroic fantasy,” leaving the field to a new crowd of adolescents. “One would hope for a new sophistication among the readers, and one may grow old hoping.”

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Black Gate Online Fiction: The Sacred Band by Janet Morris and Chris Morris

Black Gate Online Fiction: The Sacred Band by Janet Morris and Chris Morris

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The Sacred Band-smallBlack Gate is very pleased to offer an exclusive excerpt from The Sacred Band, a new novel in the Sacred Band of Stepsons series by Janet Morris and Chris Morris.

The Sacred Band of Thebes lives on, a world away, in this mythic novel of love in war in ancient times. In 338 BCE, during the Battle of Chaeronea that results in the massacre of the Sacred Band of Thebes, the legendary Tempus and his Stepson cavalry rescue twenty-three pairs of Theban Sacred Banders, paired lovers and friends, to fight on other days. These forty-six Thebans, whose bones will never lie in the mass grave that holds their two hundred and fifty-four brothers, join with the immortalized Tempus and his Sacred Band of Stepsons, consummate ancient cavalry fighters, to make new lives in a faraway land and fight the battle of their dreams where gods walk the earth, ghosts take the field, and the angry Fates demand their due.

Janet Morris alone and Janet Morris and Chris Morris jointly have authored six previous novels and two novelized anthology volumes in their Sacred Band of Stepsons series. Some works in this series were previously published in somewhat different form in the Thieves World® shared universe, or as authorized works taking place beyond Sanctuary®.

The Sacred Band was published in trade paperback and an electronic edition by Paradise Publishing in 2010; the first Kerlak hardcover edition appeared in 2011 and the first trade and electronic editions from Perseid Press in 2012. It is 618 pages, priced at $24.95 in trade paperback.

The complete catalog of Black Gate Online Fiction, including stories by John C. Hocking, Michael Shea, Ryan Harvey, Peadar Ó Guilín, Vaughn Heppner, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, E.E. Knight, C.S.E. Cooney, Howard Andrew Jones, and many others, is here.

Read “Shock Troops of the Gods,” a complete chapter from The Sacred Band, here.

Self-Published Book Review: Mistress of the Dancing Bones by Thomas Alexander

Self-Published Book Review: Mistress of the Dancing Bones by Thomas Alexander

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Dancing-Bones-CoverThis month’s self-published book is Mistress of the Dancing Bones by Thomas Alexander.

Four hundred years ago, the Deathlords threatened to destroy all of humanity. It was the nephilim who saved the human race. Thus was the Code Sanguine founded: humans swore to serve the nephilim, and if required, give them their blood, while the nephilim swore to protect humanity, and raise the best of the humans to nephilim themselves. For before the Code Sanguine, the nephilim were known by another name: vampires.

Ashia is the daughter of a nephilim warlord, Marcel Boucher, and his human wife. This does not make her a nephilim, or even part nephilim. She is fully human until embraced by the nephilim. She is also, thanks to her mother, Dahraki, one of the dragon-blooded, and that gives her access to another kind of magic, the necromancy of the Than Khet. Unfortunately, the servant who secretly tutored her in Than Khet magic neglected to tell her that it is incompatible with becoming nephilim. Should a Than Khet be embraced as a nephilim, she would go mad as the two parts of herself warred.

When he discovers what has happened, Ashia’s father is furious. All his dreams for his daughter have come crashing down. But larger problems plague Ashia’s family. Renegade vampires are plaguing Marcel’s territory and the family’s enemies are placing the blame squarely on Marcel and his willingness to embrace barbarians rather than civilized Avensh as nephilim. In order to discover the truth, Ashia agrees to accompany the legendary nephilim witch-hunter Dusang and his demon-cat-fey ally, Tama, in tracking down the renegades and discovering the truth behind a conspiracy that involves not only renegades and political enemies, but the Deathlords themselves.

I am generally not a fan of vampire novels. I prefer my vampires as antagonists rather than as love interests. And for the love of God, sunlight better burn, or at least weaken, them, not cause them to sparkle. So I was taking a chance on this novel, but I’m glad I did.

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Derek Künsken wins 2012 Asimov’s SF Readers’ Award

Derek Künsken wins 2012 Asimov’s SF Readers’ Award

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Derek KunskenI flipped open the October/November issue of Asimov’s SF this afternoon and the first words to catch my eye were from Sheila Williams’s editorial, on the 27th Annual Readers’ Award Results. They were:

Much praise was lavished on relatively new writer, Derek Künsken. Richard Harding spoke for many when he wrote, “the most striking story I read was ‘The Way of the Needle.’ Wonderful imagination combined with ethics and striving. Thank you very much.

I missed the original announcement on Derek’s blog back in May, so I’m glad I caught it in print.

Congratulations to Derek! We were proud to publish his popular story, “The Gifts of Li Tzu-Ch’eng,” in Black Gate 15 (and not just because Derek is a fellow Ottawa native). Sherwood Smith’s SF Site review of the story said, in part:

Though he is famous in both history and legend, what finally happened to the warlord Li Tzu-Ch’eng is not known. A possible path is hinted at in this tale, which begins when Li is approached by a woman, Nü Wa, who claims to be a messenger of Heaven. She offers Li four gifts. When the reader discovers that Li may only use three of the gifts — the fourth will be used against him — and one of the gifts is love, it’s clear that this will not be a straightforward tale of swords and war…

Other winners this year include Joe Haldeman (Best Poem), Robert Reed (Best Novella, for “Murder Born”), and Sandra McDonald and Megan Arkenberg, who tied for Best Short Story (for “Sexy Robot Mom” and “Final Exam,” respectively.)

Artist Laura Diehl won for Best Cover for the December 2012 issue, which you can see here. Congratulations to all the winners!

September/October Magazine of Fantasy & Science Fiction now on Sale

September/October Magazine of Fantasy & Science Fiction now on Sale

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Fantasy and Science Fiction September October 2013-smallOkay, technically it’s been on sale for over a month, but I just bought my copy last week. Good thing this is a bi-monthly magazine or I’d be hunting up back issues on eBay.

The striking cover this issue is by David A. Hardy for Eugene Mirabelli’s short story, “The Shore at the End of the World.” Chuck Rothman doesn’t mention it in his Tangent Online review, but he does praise contributions from Rachel Pollack and Oliver Buckram:

Rachel Pollack contributes a first-class fantasy in “The Queen of Eyes,” a story of Jack Shade, one of the Traveler’s Aid Society – which, despite its mundane name, deals with supernatural events. He’s something of a detective, and when a woman comes to him to report her mother is missing, he quickly realizes her mother is the Queen of Eyes, with the ability to see everything at once, and a major power in the world. The story describes Jack’s search for her. It’s filled with imaginative details and characters, treachery and mystery and is spellbinding from start to finish.

We next move to the purest space opera in “Un Opera Nello Spazio” – yes, an actual opera . It’s a synopsis of an opera set on a spaceship, where Orlando the orangutan longs for Flora, a human. Arias are mentioned (I was especially tickled by Allarme Ross! (Red Alert). This is the type of story that is either a tour de force or which fails utterly, but Oliver Buckram avoids the potential pitfalls to create an entertaining diversion.

Albert E. Cowdrey returns after a long absence (one issue — but that’s a long absence for Cowdrey, who hasn’t missed being in the Table of Contents of F&SF for two years.) Here’s the complete Table of Contents.

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New Treasures: Worlds of Edgar Rice Burroughs

New Treasures: Worlds of Edgar Rice Burroughs

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Worlds of Edgar Rice Burroughs-smallI had the pleasure of talking to Bob Garcia a few weeks ago, at a party at Doug Ellis‘s house near Chicago. Bob is a great guy — always jovial and superbly well-informed, and always ready to entertain with fascinating, behind-the-scenes tales of the publishing biz. His American Fantasy was one of the finest fantasy magazines of the 80s, and ever since he’s been well-positioned at the heart of the industry.

I took the opportunity to ask him about his new anthology, Worlds of Edgar Rice Burroughs, co-edited with Mike Resnick, just published by Baen on October 1st. It’s such a great idea — all new stories set in the many worlds of ERB, by many of today’s hottest writers — that it’s a wonder no one has thought of it before.

Bob was happy to give me the details. The book contains ten new tales set in the legendary worlds of Edgar Rice Burroughs — plus one reprint, Resnick’s novella, “The Forgotten Sea of Mars,” which originally appeared in the fanzine ERB-dom way back in 1966. This is the only Mars/Barsoom story in the book, as Disney now controls the rights to Burroughs’s Mars properties.

The book suffers not at all for that, however. When Bob and Mike started approaching writers, soliciting submissions, they were overwhelmed by the enthusiastic response. The final Table of Contents includes a new Tarzan tale by Kristine Kathryn Rusch, a Carson Napier of Venus homage by Richard A. Lupoff, a Moon Maid contribution from Peter David, a Mucker story from Max Allen Collins and Matthew Clemens, a Pellucidar story by Mercedes Lackey, a crossover tale by Joe R. Lansdale (“Tarzan and the Land Time Forgot”), plus stories by F. Paul Wilson, Todd McCaffrey, Kevin J. Anderson and Sarah A. Hoyt, and Ralph Roberts.

Here’s a few sentences from the introduction by Resnick and Garcia that give you an idea of the breadth of Burroughs’s accomplishments and just how vast a playground he left for their contributors to play in.

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Appendix N: Carrying on the Flame

Appendix N: Carrying on the Flame

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Runequest Sixth Edition-smallAs recently posted here at Black Gate by James Maliszewski in his article “The Other Appendix N,” the very first Appendix N bibliography of inspirational reading ever printed in a roleplaying game was actually in the 1978 edition of Chaosium’s RuneQuest; a year before Gygax released his own homage in the AD&D Dungeon Masters Guide. Whilst it merely followed the time honored convention of academic publications, few remember nowadays that it was RuneQuest which started an institution in roleplaying that still continues to this day.

Surprisingly, the differences between the two bibliographies are quite stark. RuneQuest’s list, rather scholarly, incorporated a lot of ancient history texts, books of military warfare, and Nordic sagas; whereas AD&D’s was more devoted to fantastical fiction, especially the less well-known authors of the genre. Central to both bibliographies, however, are some familiar names: Robert E. Howard, Fritz Leiber, Michael Moorcock, Clark Ashton Smith, and JRR Tolkien. Other than that, there was little overlap between the two.

Whilst these recommended reading lists reveal each game’s designers’ interests and objectives, it also highlighted that every writer is heavily influenced by the literature they read, and by implication, those stories available to them at the time.

For Gary Gygax, a man turned forty by the time he wrote the Dungeon Masters Guide, the early works of fantasy authors such as Poul Anderson, Leigh Brackett, Fox Gardner, Andre Norton, Jack Vance, and Roger Zelazny were readily available in bookshops, hot off the press. Indeed, almost all of the books on his inspirational reading list would have been as easy to pick up as purchasing a copy of A Game of Thrones is today.

Although the combined authors of RuneQuest were less than a decade younger, their drier bibliography somehow never matched the mystique of Gygax’s subsequent list, despite the fact that the game itself gripped my imagination with a far tighter hold. This fascination was more due to the Classical style of its illustrations combined with Greg Stafford’s wondrously magical world of Glorantha, with its roots firmly grounded in diverse mythologies – alas, unlisted in the first Appendix N.

When Lawrence Whitaker and I set about refining and re-launching RuneQuest as a quality roleplaying game, we too were influenced by our own youthful reading.

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Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Three

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Three

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poster_05Sadrums_of_fu_manchu_posterx Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The third quarter of the book picks up with Ardatha having risked her life to warn Bart Kerrigan to leave Venice immediately. The beautiful Eurasian climbs through the startled Englishman’s window in his canal-side hotel room and pleads with him to cease interfering in the Si-Fan’s plans to assassinate German dictator Rudolf Adlon.

While Kerrigan’s mind reels at the thought that Ardatha shares the same feelings for him as he does for her, the two are interrupted by the sound of footsteps outside. They fall silent, fearing she has been followed, but when the footsteps pass, the two fall into one another’s arms and make passionate love in their desperation.

After Ardatha departs into the night, Kerrigan first fears for her safety and then is overcome with guilt at the thought that she acted the part of a decoy who kept him from his duty of watching over Sir Denis. He rushes to his friend’s room and finds Smith has disappeared. Kerrigan is forced to realize that while he made love with Ardatha, Sir Denis fell into the hands of the Si-Fan and their efforts to protect Rudolf Adlon from assassination have been compromised as a result.

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Goth Chick News: For Your Enjoyment — Scaring the Snot Out of People

Goth Chick News: For Your Enjoyment — Scaring the Snot Out of People

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Nightmares Fear Factory2If you have a younger sibling, a twitchy girlfriend, or a pal susceptible to suggestion, then you’ve probably done it.

If you’ve ever been to camp, driven to some deserted location with a local legend attached to it, or offered to walk through first in a haunted house line up, then you’ve most definitely done it.

At some point in your life, you’ve gotten perverse pleasure from scaring the life out of another human being.

Admittedly, I think I’ve lost a few friends over it in my case. This is due to my complete lack of empathy with the victim ,which manifests in my laughing so hard I nearly have a seizure.

Totally unfair and coming in around the fourth-grade level of humor to be sure, but I just can’t help myself.

And neither can you – admit it.

My greatest joy this time of year comes from positioning myself in the standard group of six to walk through some haunted attraction, with at least two random pre-teen girls.

More is better.

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