Black Gate

The third issue of Weird Tales saw the magazine experiment with a significant change in presentation. The first two issues had been a standard pulp size, about 6 inches by 9; the May 1923 issue went to the bedsheet format, a bit more than 9 inches by 12, while cutting the number of pages from 192 to 120. Open the issue, or look through a pdf file, and further changes become apparent.

The layout’s gone to three columns of text instead of two. There are two reprints in the issue, one of them printed at a reduced type size, presumably to fit the space available. And the magazine boasts interior artwork for the first time, with nine stories getting uncredited illustrations; black-and-white line drawings, usually with heavy hatching and cross-hatching.

The artist was presumably this issue’s cover artist, William Heitman, who seems to have done all the interior artwork in Weird Tales’ first year. Heitman’s two-colour cover image is simple, bordering on crude, but conveys a mood. The blurb on the cover is for A. G. Birch’s “The Moon Terror,” though there’s nothing in the story like the picture, for reasons which we’ll come to later on in this post. The colour scheme of the cover’s similar to the last issue, with solid red and black, but the logo’s the third in three issues — though the magazine’s subhead, “The Unique Magazine,” has remained consistent.

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The table of contents of the second issue of Weird Tales advertises “Sixteen thrilling short stories / Two complete novelettes / Two two-part stories / Interesting, odd, and weird happenings.” More specifically, one of the two-part stories, the cover story, begins this month while the other concludes. As for the “interesting, odd, and weird happenings,” I wrote about them here, so now let’s get to the fiction. (Note that discussion of one of these stories necessitates quoting an ethnic slur, directed against the French, of all people.)

The first of the tales on offer in this issue is one of the novelettes, “The Scar,” by Carl Ramus (whose surname’s misspelled in the table of contents as ‘Rasmus’). It’s the only known published story by Ramus, though his sister Sybla was a writer whose work would later appear in Weird Tales. Carl Ramus had a day job as a doctor, and as it happens “The Scar” is a tale of a dashing young doctor pulled into a kidnapping plot. It’s not a terrible story, but it’s a surprising choice to lead off the issue as there’s little supernatural about it — the heroine claims to be able to bring on a fever by willing it and the hero believes he has a knack for hypnotism — and nothing I can see as ‘weird’ in any other sense. If the magazine’s still in the process of defining itself, then editor Edwin Baird has a different sense of where he intends it to go than we might expect from our later perspective.

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