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Dabir and Asim Return in Kaiju Rising: Age of Monsters

Dabir and Asim Return in Kaiju Rising: Age of Monsters

Kaiju Rising Age of Monsters-smallYou want to know my three favorite things? (It’s a rhetorical question; you don’t actually have to email an answer. Seriously, don’t.) Dabir, Asim, and Kaiju. Sometimes Kaiju is #2, ’cause Asim is occasionally kind of a lunkhead.

So how awesome would it be to have Howard Andrew Jones’s Arabian adventurers Dabir and Asim in the same volume as some of the most diabolical Kaiju of the decade? (Again, rhetorical question. Stop e-mailing me stuff.) For the record, if would be thoroughly awesome.

Well, I think you can tell where this is going. Kaiju Rising, the Kickstarter-funded anthology we pulled the lid back on last September, has finally landed — and left a Godzilla-sized footprint on the industry. The Kickstarter campaign was a rousing success, raising $18,562 against a $10,0000 goal, and one of the unlocked stretch goals was a new Dabir and Asim story from the distinguished Mr. Jones. Here’s what Howard had to say about his contribution:

Monsters turn up a lot in my fiction, and Kaiju style critters wandered across the stage in the first two Dabir and Asim novels. In true Ray Harryhausen fashion, The Bones of the Old Ones features a titanic battle between a Roc (the giant predatory bird of Arabian Nights fame) and a huge spirit wolf fashioned of snow and ice.

Given my interests, I naturally jumped at the chance to create a story for Kaiju Rising. In one or two of the Dabir and Asim stories I’ve referenced a deadly encounter the boys had on the ocean, and now I’m finally setting the tale down.

Howard’s story is “The Serpent’s Heart,” and it appears alongside 22 other stories focused on the theme of gargantuan creatures in the vein of Pacific Rim, Godzilla, and Cloverfield. The authors include Larry Correia, James Lovegrove, Gini Koch (as J.C. Koch), James Maxey, C.L. Werner, Joshua Reynolds, Jaym Gates, Shane Berryhill, Natania Barron, Paul Genesse & Patrick Tracy, and many others. Howard’s tale isn’t the only one to draw on existing characters; Edward M. Erdelac’s story is set in the world of the Dead West and James Swallow contributes a Colossal Kaiju Combat tie-in.

Kaiju Rising: Age of Monsters was published February 9, 2014 by Ragnarok Publications. It is a massive 493 pages, priced at $4.99 for the digital version. The print version is forthcoming; its price has not yet been announced.

Michael Shea, July 3, 1946 – February 16, 2014

Michael Shea, July 3, 1946 – February 16, 2014

Michael Shea-smallFor all of the many obituaries I’ve written, I’ve been fortunate enough to have to write only two for Black Gate contributors: prolific short story writer Larry Tritten, and Euan Harvey, taken from us too young. So it is with a heavy heart that I report the death of Michael Shea, BG contributor and one of the most acclaimed sword & sorcery and horror writers of the last four decades.

In the early 70s, Michael picked up a battered copy of Jack Vance’s Dying Earth novel The Eyes of the Overworld in a hotel lobby in Juneau, Alaska. Four years later, he tried his hand at fan fiction, writing a novel-length sequel to Vance’s classic titled A Quest for Simbilis. Not knowing what else to do with it, Shea submitted it to Donald Wollheim at DAW Books. Jack Vance graciously granted permission for it to be published (and declined any share in the advance), and Wollheim released it in paperback in 1974. It was a finalist for the British Fantasy Award and launched Michael’s career — a career that produced some of the most acclaimed fantasy of the past four decades.

Eight years later, Michael published one of the most important works of modern sword and sorcery: Nifft the Lean, a collection of four linked novellas published in paperback by DAW in 1982. It won the World Fantasy Award and was followed by two sequels: The Mines of Behemoth (Baen, 1997) and the novel The A’rak (Baen, 2000). His other novels include The Color Out Of Time, the sequel to Lovecraft’s 1927 story “The Colour Out of Space;” In Yana, the Touch of Undying (1985); and The Extra (2010) and its recent sequel Assault on Sunrise (2013). His highly acclaimed collections include Polyphemus (1987), The Autopsy and Other Tales (2008), and Copping Squid and Other Mythos Tales (2010).

I had the good fortune to meet Michael at the World Fantasy Convention in Saratoga Springs, New York, in 2007. We hit it off and a few months later, I found an original novelette of Lovecraftian horror by Michael in my inbox. I was proud to publish “Tsathoggua” as part of the Black Gate Online Fiction line.

I was shocked and dismayed to find that Locus Online reported today that Michael Shea died unexpectedly on February 16, 2014. He was 67 years old. He will be sorely missed.

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Adventure On the Page: Genre Fiction vs. Joyce Carol Oates

Adventure On the Page: Genre Fiction vs. Joyce Carol Oates

36314The more I write, the more opprobrium I feel for categorical definitions of fiction, notably “genre fiction” and “literary fiction.” I like to think I practice both, and that most readers read both. Crazier still –– lunacy, truly –– I suffer the apparent delusion that often the two categories cannot be separated, except by book vendors aiming to simplify or streamline the shopping experience.

Not long ago, I delved back into Joyce Carol Oates’s introduction to a delicious anthology, Tales of H.P. Lovecraft, and I came across this passage:

However plot-ridden, fantastical or absurd, populated by whatever pseudo-characters, genre fiction is always resolved, while literary fiction makes no such promises; there is no contract between reader and writer for, in theory at least, each work of literary fiction is original, and, in essence, “about” its own language; anything can happen, or, upon occasion, nothing.

Now –– and I say this as a long-time and self-avowed fan of your work, Ms. Oates –– them’s fightin’ words.

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Humor, Evocative Images, and Just the Right Touch of Pathos: I.F Rowan’s Welcome To The Underworld

Humor, Evocative Images, and Just the Right Touch of Pathos: I.F Rowan’s Welcome To The Underworld

Welcome to the Underworld-smallThere are many pleasures involved in running a magazine. But nothing like watching the talented young writers you’ve published and nurtured move on to even greater success and acclaim.

Iain Rowan is a fine example. I published four of his delightful adventure fantasies in Black Gate, all featuring the clever con man/accidental exorcist Dao Shi. Since those early days, Iain has gone on to great success as a crime novelist, with his debut novel, One of Us, shortlisted for the UK Crime Writers’ Association Debut Dagger award. He followed that with the YA novel Sea Change, about haunted, folklore-ridden England, and two collections, Nowhere to Go and Ice Age.

He’s also published over thirty short stories, been reprinted multiple times in Year’s Best anthologies, and won a Derringer Award.

But his clever and funny Dao Shi stories — “Looking for Goats, Finding Monkeys (BG 6), “The Turning of the Tiles(BG 8), “Welcome to the Underworld(BG 10, selected for Rich Horton’s 2007 Best of the Year), and “From the Heart of the Earth to the Peaks of the Sky (BG 11, selected for Dave Truesdale’s 2007 SF & Fantasy Recommended Reading List) — remain my favorites. What can I say?

Now Iain has finally collected all four stories in a single volume, with an entertaining afterword discussing the tales. Published under the name I.F. Rowan — presumably to differentiate it from his crime work — Welcome to the Underworld offers a compact and economical way to read all four tales, nearly 40,000 words of adventure fantasy.

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Confessions of a Reluctant Self-Publisher — Now with extra Giveaways!

Confessions of a Reluctant Self-Publisher — Now with extra Giveaways!

Forever In The Memory Of God-smallI’ll be giving away copies of my mini-ebook-collection Forever in the Memory of God and Other Stories to the first five commenters who ask for one. But why should you bother? Read on!

Here is a list of things I want to do: Write; make a living with my pen.

And a list of the things I don’t want to do: marketing; selling; formatting; cover design; manual reading; forum perusing; guru worshipping; elbowing my way through the pack; self-publishing…

And yet, here we are.

Once upon a time, it was all so very different. I wrote a book and the first agent I sent it to loved it. So did a large number of publishers and in no time at all, they were clawing each other’s eyes out to get access to my manuscript. Then, exactly as it had happened in all my dreams, editors were engaged in an auction for the right to publish me. Me!

My agent used to ring me once or twice a day, cackling with glee over the latest rise in the price and the shameless favours being offered, until finally, we had hitched ourselves up to a brilliant and famous editor. How could it go wrong?

Oh, it didn’t! Not yet! Because, next came foreign language publishers from every corner of the globe. They too pledged undying love for a li’l ole book called The Inferior, and what they said about the story and the characters made me blush in parts of my body that few cameras have ever seen.

I’m sick of this boasting. Can we get to the bad part?

Yes, let’s start the dive now. Or “death-spiral,” if you prefer.

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Announcing the Winners of Advance Reading Copies of Jon Sprunk’s Blood and Iron

Announcing the Winners of Advance Reading Copies of Jon Sprunk’s Blood and Iron

Blood and Iron Jon Sprunk-smallLast month, we announced a contest to win one of two advance reading copies of Jon Sprunk’s highly anticipated fantasy epic Blood and Iron, compliments of Pyr Books. What’s that? You don’t recall the announcement? Strange — it was in the third paragraph of the post on our exclusive fiction excerpt of Blood and Iron, which we debuted right here.

You’re right. Perhaps that was a little sneaky. But plenty of readers fans did spot the contest, and we received a surprising number of entries. Attentive folks, those Sprunk fans.

The deadline for entries was February 28th. And so, early this morning, we carefully inscribed the names of each entrant on a numbered clay tablet, and then used the only scientifically-proven method of pure random number generation to select two random winners: D&D dice. Without further ado, we’re very pleased to announce the winners of two rare advance reading copies of Blood and Iron:

Travis Bingaman
Shauna Kosoris

Congratulations to the winners! It’s too late to enter the contest, but it’s not too late to discover Jon’s unique brand of heroic fantasy. Visit his blog here or stop by Black Gate every Wednesday to read his regular column.

Thanks to everyone who entered, and to Jon Sprunk and Pyr Books for sponsoring the contest. Blood and Iron will be published by Pyr Books on March 11. Read an exclusive excerpt here.

New Treasures: Shadow Ops: Breach Zone by Myke Cole

New Treasures: Shadow Ops: Breach Zone by Myke Cole

Shadow Ops Breach Zone-smallApparently, Myke Cole never gets tired of being awesome. He wrote the awesome short story “Naktong Flow” for Black Gate 13 and all that awesome spilled over into his first novel Shadow Ops: Control Point, which Peter V. Brett called “Black Hawk Down meets the X-Men.” He was awesome when our roving reporter Patty Templeton interviewed him (totally awesome!), and in his essay “Selling Shadow Point,” which busted open a lot of myths about publishing your first fantasy novel. His second book Shadow Ops: Fortress Frontier was, guess what, awesome, and he was even awesome last month at ConFusion (according to Howard Andrew Jones, who knows all about being awesome.)

Now here he is with his third novel, Shadow Ops: Breach Zone. And it’s awesome. Next time you run into Myke, do yourself a favor and ask how you, too, can become awesome.  On top of everything else, Myke’s a very gracious guy and I’m sure he’ll give you some pointers. And I bet they’ll be awesome.

The Great Reawakening did not come quietly. Across the country and in every nation, people began “coming up Latent,” developing terrifying powers — summoning storms, raising the dead, and setting everything they touch ablaze. Those who Manifest must choose: become a sheepdog who protects the flock or a wolf who devours it…

In the wake of a bloody battle at Forward Operating Base Frontier and a scandalous presidential impeachment, Lieutenant Colonel Jan Thorsson, call sign “Harlequin,” becomes a national hero and a pariah to the military that is the only family he’s ever known.

In the fight for Latent equality, Oscar Britton is positioned to lead a rebellion in exile, but a powerful rival beats him to the punch: Scylla, a walking weapon who will stop at nothing to end the human-sanctioned apartheid against her kind.

When Scylla’s inhuman forces invade New York City, the Supernatural Operations Corps are the only soldiers equipped to prevent a massacre. In order to redeem himself with the military, Harlequin will be forced to face off with this havoc-wreaking woman from his past, warped by her power into something evil…

Shadow Ops: Breach Zone is the third novel in the Shadow Ops series. It was published on January 28, 2014 by Ace Books. It is 370 pages, priced at $7.99 for both the paperback and digital versions.

The Top 50 Black Gate Posts in January

The Top 50 Black Gate Posts in January

Medieval Fantasy-smallWe dove into the politics of fantasy in January, with articles from M Harold Page (“Why Medieval Fantasy is not Inherently Conservative,”) and Derek Kunsken (“Is Fantasy Inherently not Political?”) — both of which cracked the Top Five for the month.

We didn’t steer clear of controversy on the rest of the chart, either. Nick Ozment dissected the latest Peter Jackson pic, with a little help from friends Frederic S. Durbin and Gabe Dybing, in “Inkjetlings Round eTable: Jackson’s Desolation of The Hobbit: The Desolation of Smaug.”

Rounding out the Top Five for the month were our look at the economics of labeling the film 47 Ronin an early flop, and Joe Bonadonna’s detailed review of The Sacred Band by Janet Morris and Chris Morris.

The complete Top 50 Black Gate posts in January were:

  1. Why Medieval Fantasy is not Inherently Conservative
  2. Inkjetlings Round eTable: Jackson’s Desolation of The Hobbit
  3. Universal Labels 47 Ronin a Flop less than 24 hours After Release
  4. Heroic Fantasy with the Sharp Edge of Reality: A Review of The Sacred Band
  5. Is Fantasy Inherently not Political?
  6. Observations: The Fellowship of the Ring movie
  7. The Weapons of Fantasy
  8. Observations: The Two Towers movie
  9. You Can’t Go Home Again
  10. A History of Godzilla on Film, Part 3: Down and Out in Osaka
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The Top 20 Black Gate Fiction Posts in January

The Top 20 Black Gate Fiction Posts in January

AppleMarkMark Rigney’s “The Find,” part of his perennially popular Tales of Gemen series, hit the top of the fiction charts this month. “The Find” is actually Part II of the series, which began with “The Trade,” which Tangent Online called a “Marvelous tale. Can’t wait for the next part.”

Next on the list was E.E. Knight’s sword & sorcery epic “The Terror of the Vale,” the second in the Blue Pilgrim sequence, following “That of the Pit.” Third was Martha Wells’ complete novel, the Nebula nominee The Death of the Necromancer. Making its debut on the list was Sword Sisters by Tara Cardinal and Alex Bledsoe, the exciting new sword & sorcery novel from our friends at Rogue Blades Entertainment. It’s great to see RBE publishing novels again — and you can check it out right here.

Rounding out the Top Five was Joe Bonadonna’s fast-paced adventure “The Moonstones of Sor Lunarum.” Also making the list were exciting stories by Dave Gross, Mike Allen, Vaughn Heppner, Jamie McEwan, Aaron Bradford Starr, Janet Morris and Chris Morris, Jason E. Thummel, David C. Smith, Ryan Harvey, Michael Shea, Harry Connolly, John C. Hocking, and Alex Kreis.

If you haven’t sampled the adventure fantasy stories offered through our new Black Gate Online Fiction line, you’re missing out. All last year we presented an original short story or novella from the best writers in the industry every week, all completely free. Here are the Top Twenty most-read stories in January:

  1. The Find,” Part II of The Tales of Gemen, by Mark Rigney
  2. The Terror in the Vale,” by E.E. Knight
  3.  The Death of the Necromancer, a complete novel by Martha Wells
  4. An excerpt from Sword Sisters, by Tara Cardinal and Alex Bledsoe
  5. The Moonstones of Sor Lunarum,” by Joe Bonadonna
  6. An excerpt from Pathfinder Tales: King of Chaos, by Dave Gross
  7. An excerpt from The Black Fire Concerto, by Mike Allen
  8. Draugr Stonemaker,” by Vaughn Heppner
  9. Falling Castles,” by Jamie McEwan
  10. The Sealord’s Successor,” by Aaron Bradford Starr
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Art of the Genre: Behind the Curtain at Black Gate L.A.

Art of the Genre: Behind the Curtain at Black Gate L.A.

Sue somehow still looks pale even in the SoCal sun...
Sue somehow still looks pale even in the SoCal sun…

First off, thanks to all the readers who read and posted about last week’s Art of the Genre article ‘The Top 10 RPG Artists of the Past 40 Years’ and if you haven’t taken a look, I hope you do right here! Oh, and remember, it isn’t who is the ‘best,’ but who was the most impactful.

Second, and putting into practice a bit of the Wizard’s First Rule, I thought I’d dip into the email ‘bag’ and pull back the curtain on a part of my life here in L.A. You see, there are often questions sent to me concerning Black Gate L.A. offices, like possible internships with us, and many times just inquiries as to ‘who are you?’ My current favorite of these is artist Jeff Easley’s request to ‘Post pictures of Kandi!’ which I got last week. Well, since I had a moment today between a lunch at the Red Lobster with John Scalzi [hey, he’s from Ohio and I’m from Indiana, so to us that is still an awesome and upscale establishment, so sue us!] and my two hour commute into downtown for floor seats at a Lakers game with Bill Simmons, I decided I’d introduce all my readers, and those of Black Gate in general, to our working version of ‘The Office’ here in LaLa Land.

For the purposes of keeping readers’ interest, I’m starting with our resident part-timer, ‘Goth Chick’ Sue Granquist. She spends half her time here in L.A. working with the horror genre movie industry and the other half in Chicago around the Midwest convention circuit — and bringing our editor John O’Neill coffee. She and I have a strange relationship, and I swear if she wasn’t so damn Goth and I wasn’t so damn married, there would have been an illicit office affair years ago, but as it is we just have fun insulting each other as much as possible.

I took this picture about a month ago, while we were having lunch on the veranda outside the office on the ‘beach side’. Chick, as I affectionately call her, although hating the sun most days, had decided to join me for lunch and afterward sat on the railing with her back to the Pacific. I had a nice vantage point and told her, ‘Chick, I bet I could take a photo of you from here and then Photoshop the railing out of it to make you look like you were suspended in the clear blue SoCal sky.’ ‘Art,’ she said using her nickname for me, ‘I bet you a bag of black licorice jelly beans you can’t.

Well, as you can see, I got those damnable jelly beans and they sit on my desk to feed to gulls swirling in the sea breeze out my window when I’m felling particularly peevish.

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