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The Top 50 Black Gate Posts in May

The Top 50 Black Gate Posts in May

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GodzillaMillenniumIt was all about the king of monsters at the Black Gate blog last month.

Ryan Harvey’s Godzilla review was our top article in May. His mammoth 5-part history of the Big Guy was also picked up by Boing-Boing, among other places, exposing the series to thousands of new readers; the final installment came in at #3 for the month. If you visited the site last month and read nothing but Godzilla articles, you weren’t the only one.

My analysis of John C. Wright’s conservative manifesto “Heinlein, Hugos, and Hogwash,” and the frequently hilarious response in the blogosphere, was our second most read article last month. Garrett Calcaterra’s well-researched “Can SF Save the World From Climate Change?” came in at #4.

Rounding out the Top Five was Fletcher Vredenburgh’s warm appreciation of Keith Taylor’s sword & sorcery classic, Bard.

The complete Top 50 Black Gate posts in May were:

  1. Godzilla (2014) Is a True Godzilla Film and a Unique Blockbuster
  2. A Ride Along with the Thought Police: John C. Wright, Foz Meadows, and Rachel Aaron
  3. A History of Godzilla on Film, Part 5: The Travesty and the Millennium Era (1996–2004)
  4. Can SF Save the World From Climate Change?
  5. A Perfect Artifact from the Glory Days of 1970s Swords & Sorcery: Keith Taylor’s Bard

    6. …

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July/August Magazine of Fantasy & Science Fiction now on Sale

July/August Magazine of Fantasy & Science Fiction now on Sale

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Fantasy and Science Fiction Magazine July-August 2014-smallHoly cats! C.C. (Charles) Finlay is the guest editor of the July/August issue of F&SF.

How did this happen? Did Charles win some kind of contest? Did he travel back in time and convince regular editor Gordon van Gelder that the previously-planned July/August issue would lead to an apocalyptic future timeline? Was he selected in a process of elimination from a group of a dozen contestants in a grueling and deadly contest of wills?

Nah. Gordon asked him to do it, and Charles said, “Sure.”

Here’s how Charles says it went down on his blog:

About 13 years ago, I made my first short story sale… it was to Fantasy and Science Fiction – the magazine that published writers I grew up with, like Ray Bradbury, Ursula K. Le Guin, and Stephen King. That was a rush. Nothing since – not award nominations, not other short story sales, not book sales – has been quite as exciting as that first sale.

Until now.

I’ve wanted to try editing for a while. Maybe it’s all the workshopping I’ve done, the excitement of seeing a great story for the first time before anyone else gets to read it. Maybe it’s the time I’ve spent as resident editor at the Online Writing Workshops… So when F&SF publisher Gordon Van Gelder asked me if I was interested in guest editing an issue of his magazine, I immediately said “Yes.”

Actually, I think I said “HELL YES.”

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Future Treasures: Stories of the Raksura by Martha Wells

Future Treasures: Stories of the Raksura by Martha Wells

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Stories of the Raksura-smallMartha Wells’s Books of the Raksura trilogy — The Cloud Roads, The Serpent Sea, and The Siren Depths — have captivated readers around the world. In Stories of the Raksura: Volume One: The Falling World & The Tale of Indigo and Cloud, she returns to the world of Raksura with a pair of exciting novellas.

In “The Falling World,” Jade, sister queen of the Indigo Cloud Court, has traveled with Chime and Balm to another Raksuran court. When she fails to return, her consort, Moon, along with Stone and a party of warriors and hunters, must track them down. Finding them turns out to be the easy part; freeing them from an ancient trap hidden in the depths of the Reaches is much more difficult.

“The Tale of Indigo and Cloud” explores the history of the Indigo Cloud Court, long before Moon was born. In the distant past, Indigo stole Cloud from Emerald Twilight. But in doing so, the reigning Queen Cerise and Indigo are now poised for a conflict that could spark war throughout all the courts of the Reaches.

Stories of Moon and the shape changers of Raksura have delighted readers for years. This world is a dangerous place full of strange mysteries, where the future can never be taken for granted and must always be fought for with wits and ingenuity, and often tooth and claw. With two brand-new novellas, Martha Wells shows that the world of the Raksura has many more stories to tell…

Read Martha’s complete Nebula-Award nominated novel The Death of the Necromancer right here at Black Gate, and her article on the Raksura series, How Well Does The Cloud Roads Fit as Sword and Sorcery?  Stories of the Raksura: Volume Two will contain two more novellas; it is not yet scheduled.

Stories of the Raksura will be published by Night Shade Books on September 2, 2014. It is 240 pages, priced at $15.99 in trade paperback and digital format.

Strange Chemistry Shuts Down

Strange Chemistry Shuts Down

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Pantomime by Laura Lam-smallStrange Chemistry, the innovative YA imprint of Angry Robot Books, has closed its doors. Here’s the announcement made earlier today by Caroline Lambe, Publicity Manager at Angry Robot:

Angry Robot Books has a history of innovation and we continue to go from strength to strength. We’re constantly trying out new concepts and new ideas, and we continue to publish popular and award-winning books. Our YA imprint Strange Chemistry and our crime/mystery imprint Exhibit A have – due mainly to market saturation – unfortunately been unable to carve out their own niches with as much success.

We have therefore made the difficult decision to discontinue Strange Chemistry and Exhibit A, effective immediately, and no further titles will be published from these two imprints.

Strange Chemistry launched in September 2012 with editor Amanda Rutter at the helm, and released 17 books in its first year. Last summer, they produced this splendid montage displaying all of their book covers, and we helped them celebrate their first birthday just last August.

Over the last two years, Strange Chemistry has published a marvelously diverse range of titles, including Martha Wells’s Emilie and the Hollow World, Jonathan L. Howard’s Katya’s World and its sequel Katya’s War, Broken by A. E. Rought, Black Dog by Rachel Neumeier, Pantomime by Laura Lam, and many others. The sudden shut down leaves nearly half a dozen previously announced titles in limbo, including Eliza Crewe’s Crushed, Rabble by Rosie Best, and A Curse of Ash and Iron by Christine Norris.

As disappointing as the news is, Angry Robot reports that their core SF and fantasy imprint is still very robust, and in fact they plan to increase output from two books a month to three. Read the complete announcement here.

Why Pure Historical Fantasies Never Seem to be Bestsellers

Why Pure Historical Fantasies Never Seem to be Bestsellers

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the-desert-of-souls-tp
Robert E Howard does Clark Ashton Smith with a setting by Harold Lamb

One of the best modern Heroic Fantasy books I’ve read — one of few modern ones I’ll reread — is Howard Andrew Jones’s The Desert of Souls. I’d describe it as “Robert E Howard does Clark Ashton Smith with a setting by Harold Lamb.” It’s an awesome Heroic Fantasy adventure set in the authentic Near East of Harun Al Raschid. I note, however that Howard only got two novels into the series before being forced to move on.

Another book I loved was Matthew Woodring Stover’s Iron Dawn and its sequel Jericho Moon. This time we’re following a party of Trojan-war veterans as they battle necromancers and killer deities. These yarns should have kicked off a series and perhaps a movie or two, but they didn’t and Stover seems best known now for Star Wars novels.

Other otherwise successful writers have tried their hand at Fantasy in a straight historical setting, for example Barbara Hambly has romped around Early Renaissance Italy. Nobody, however, seems to have made a fortune writing “pure” Historical Fantasy, that is Fantasy tales set in an accurately depicted historical setting.

I find this depressing.

Partly it’s selfish reasons; I’m a historian by academic background and have an interest in historical magic. This is a tune I would love to play. Mostly though, I’d love to read more about Dabir and Asim, and about Princess Bara and her misfits.

Why is an authentic historical setting a kiss of death?

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New Treasures: Shanghai Sparrow by Gaie Sebold

New Treasures: Shanghai Sparrow by Gaie Sebold

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Shanghai Sparrow-smallGuess what I found at Barnes & Noble this Sunday? Guess guess guess. You’re right! Gaie Sebold’s latest novel, Shanghai Sparrow, a Far Eastern steampunk tale of Espionage, Etheric Science, and Murder, according to the cover blurb. Man, you’re a good guesser.

Gaie’s been on a tear recently. If you remember your Black Gate history, we published her funny and suspenseful contemporary fantasy “A Touch of Crystal” (co-written with Martin Owton), way back in BG 9, and reported on her first novel Babylon Steel (described in the press as “Sword & Sorcery for the girl who wants to be Conan”) here. Babylon Steel received two Gemmell Award nominations, and the sequel Dangerous Gifts appeared early last year. For her third novel, Gaie turns to the Far East and introduces us to a heroine she describes as “Someone who learned to lie, cheat, and steal in order to survive; and ended up rather good at it.” Here’s the back cover blurb.

Eveline Duchen is a thief and con-artist, surviving day by day on the streets of London, where the glittering spires of progress rise on the straining backs of the poor and disenfranchised. Where the Folk, the otherworldly children of fairy tales and legends, have all but withdrawn from the smoke of the furnaces and the clamour of iron.

Caught in an act of deception by the implacable Mr Holmforth, Evvie is offered a stark choice: transportation to the colonies, or an education – and utter commitment to Her Majesty’s Service – at Miss Cairngrim’s harsh school for female spies.

But on the decadent streets of Shanghai, where the corruption of the Empire is laid bare, Holmforth is about to make a devil’s bargain, and Eveline’s choices could change the future of two worlds…

Read Gaie’s article on Creating Shanghai Sparrow over at the Fantasy Fiction blog and try an excerpt from the novel here (note: excerpt is a PDF download).

Shanghai Sparrow was published by Solaris Books on April 29, 2014. It is 384 pages, priced at $7.99 in paperback and $6.99 for the digital edition.

Doug Draa on Weird Tales and Keeping the Brand Alive: The Paperback Years

Doug Draa on Weird Tales and Keeping the Brand Alive: The Paperback Years

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Creeps by Night-smallLong before Doug Draa became an occasional blogger for Black Gate, I was a reader of his blog, Uncle Doug’s Bunker of Horror, which we’ve celebrated before. I especially enjoyed his habit of using any excuse whatsoever — and I do mean any excuse — to post luscious high-res images of countless beautiful old paperbacks. Reading Uncle Doug’s Bunker was like browsing a superb used bookstore (without any money).

As Doug has become busier with other projects, including becoming an Online Editor for Weird Tales, he’s been less and less able to keep up his blog. So I was delighted to see that he’s now started to post at the Weird Tales site. His recent articles include “The 15 most entertaining Horror Films from the 1980s,” “Four Decades of the Lovecraftian Aesthetic in Paperback,” “Lin Carter’s Weird Tales” and more fun stuff like that (see a complete archive here.)

On May 25, Doug posted one of his best recent articles, continuing his series on 90 Years of Weird: Keeping the Brand Alive: The Paperback Years. Doug surveys three decades of paperback anthologies reprinting WT fiction, from the death of the pulp magazine in September 1954 through its rebirth in 1988, generously illustrated with nearly three-dozen high-res scans. Here’s a quick snippet:

Lin Carter has a special place among the ranks of Weird Tales preservationists and revivalists. During the late 1960s and early 70s he edited and reprinted many H. P. Lovecraft and Clark Ashton Smith collections as part of his Adult Fantasy Series published by Ballantine. Mr. Carter never failed to sing praises to Weird Tales from the roof tops in his numerous introductions to the collections in this series. At the beginning of the 1980s Mr. Carter even went as far as to revive Weird Tales in paperback format for four issues. This incarnation wasn’t a darling of the critics, but I found it to be enjoyable and true to the original vision of the magazine… Thank you Mr. Carter, I drink to your Shade!

See the complete article here.

Want to sell SF and Fantasy? The Only Book You Need is Bud Webster’s The Joy of Booking

Want to sell SF and Fantasy? The Only Book You Need is Bud Webster’s The Joy of Booking

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The Joy of Booking-smallI’ve written here a few times about my adventures as a bookseller. Like that time a buyer found a rare Harry Dresden first edition in our $1 box at the 2010 World Fantasy Convention. Or when I sold Jo Walton an Eric Frank Russell paperback she never knew existed. Or the weekend Howard Andrew Jones, James Enge,  Donald Crankshaw, Peadar Ó Guilín, Rich Horton, and I sold books together at the World Science Fiction convention

Or what happened when an attractive young woman picked up a copy of a Philip K. Dick paperback at Dragon*Con, and I stupidly said “Hey there — are you a fan of Dick?”

But despite all those years selling vintage SF paperbacks, I’m still very much a newbie. Especially compared to the legendary Bud Webster, who has made a vocation of buying and selling SF and fantasy books for decades, at conventions all over the country.

He’s collected anecdotes from a lifetime of selling SF, and packaged them up with excellent advice to aspiring booksellers on things like Managing Your Stock, Obtaining Stock, and When to Sell, in a single extremely useful and highly entertaining volume: The Joy of Booking, published in 2011.

Full exposure: Bud was the poetry editor for Black Gate, back when we had a print edition, and he’s also written a few articles for us on (what else?) bookselling and vintage books, such as “Selling Your Books Ain’t as Easy as it Looks,” “What I Do and Why I Do It,” “What I Do It With,” “Holding History,” and “Talk to Any Squids Lately? In Space, I Mean?.”

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Black Gate Online Fiction: “The Shadow of Dia-Sust” by David C. Smith

Black Gate Online Fiction: “The Shadow of Dia-Sust” by David C. Smith

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Oron David C Smith-smallDavid C. Smith’s 1978 sword & sorcery novel Oron is a classic of the genre. Its success led to four sequels: The Sorcerer’s Shadow (1978), Mosutha’s Magic (1982), The Valley of Ogrum (1982), and the collection The Ghost Army (1983). David’s new short story collection, The Man Who Would Be King and Other Stories, includes the first new Oron story in 30 years, “The Shadow of Dia-Sust,” in which the young barbarian helps a dying witch exact an overdue revenge; and takes the first steps on the path that will lead him to the events of Oron. David has graciously offered the complete story to us at Black Gate, as well as an Author’s Note explaining how the story came about. Here’s a brief snippet:

In late 2011, I was invited by Bob Price to write a new story featuring my character Oron as part of a planned anthology of sword-and-sorcery stories. A number of other authors who had written S&S back in the Silver Age of the 1970s and early 1980s were invited, as well — Ted C. Rypel and Adrian Cole and, I think, Keith Taylor, along with others. This would have been an exceptional showcase of talent… however, commercial publishing in the mid 1980s rerouted the fantasy genre away from mythic adventure stories…

“The Shadow of Dia-Sust” chronologically follows the five adventures presented in my 1983 collection Death in Asakad and Other Stories (published under the title The Ghost Army). With this one, I do my best to demonstrate that sword-and-sorcery fiction can be taken seriously — by its writers and by its readers — as a literary (or at least thoughtful) form of mainstream genre storytelling.

We’ve published David C. Smith’s fiction and non-fiction here at Black Gate — including excerpts from his noir thriller Dark Muse and his supernatural pirate dark fantasy novel Waters of Darkness, written in collaboration with Joe Bonadonna.

The complete catalog of Black Gate Online Fiction, including stories by Vaughn Heppner, Howard Andrew Jones, David Evan Harris, Janet Morris and Chris Morris, John C. Hocking, Michael Shea, Peadar Ó Guilín, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, C.S.E. Cooney, and many others, is here.

“The Shadow of Dia-Sust” is a complete 14,000-word short story of heroic fantasy offered at no cost.

Read the complete story here.

Jay Lake, June 6, 1964 – June 1, 2014

Jay Lake, June 6, 1964 – June 1, 2014

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Jay LakeJay Lake’s website, jlake.com, is reporting that Jay passed away this morning.

Jay’s first published story was “The Courtesy of Guests” in the Bruce Holland Rogers anthology Bones of the World in September 2001. I first encountered him in the Black Gate slush pile a few months later. His stories were wildly original, astonishingly varied, and frequently brilliant.

I purchased two, the enigmatic “Fat Jack and the Spider Clown” (BG 8), and the vividly original “Devil on the Wind” (BG 14, co-written with Michael Jasper). It was while working with Jay on the first that I discovered just how much hidden meaning there is in a Jay Lake story, and how carefully constructed they are.

Jay was diagnosed with colon cancer in April 2008 and he reported on the progress of the disease and his tireless efforts to combat it with brutal honesty on his blog. For years after his diagnosis Jay continued writing tirelessly, producing three major series: The City Imperishable (Trial of Flowers, Madness of Flowers, and the forthcoming Reign of Flowers, all from Night Shade), Mainspring (Mainspring, Escapement, Pinion, published by Tor), and three novels in the Green universe (Green, Endurance, and Kalimpura, all from Tor).

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