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Future Treasures: Crimson Bound by Rosamund Hodge

Future Treasures: Crimson Bound by Rosamund Hodge

Crimson Bound-smallRosamund Hodge’s short story “Apotheosis” (Black Gate 15) was a marvelously original tale of three brothers who undertake a voyage across a vast sea only six inches deep, to find a new god for their small village. Her first novel, Cruel Beauty, mixed Greek mythology with Beauty and the Beast to create a tale of adventure and romance (read the first 59 pages at the HarperCollins Web Sampler).

Her second novel, Crimson Bound, is due May 5 from Balzer + Bray. This one is a dark fantasy inspired by Little Red Riding Hood, the fairy tale The Girl With No Hands, and Norse mythology.

When Rachelle was fifteen she was good — apprenticed to her aunt and in training to protect her village from dark magic. But she was also reckless — straying from the forest path in search of a way to free her world from the threat of eternal darkness. After an illicit meeting goes dreadfully wrong, Rachelle is forced to make a terrible choice that binds her to the very evil she had hoped to defeat.

Three years later, Rachelle has given her life to serving the realm, fighting deadly creatures in a vain effort to atone. When the king orders her to guard his son Armand — the man she hates most — Rachelle forces Armand to help her hunt for the legendary sword that might save their world. Together, they navigate the opulent world of the courtly elite, where beauty and power reign and no one can be trusted. And as the two become unexpected allies, they discover far-reaching conspiracies, hidden magic… and a love that may be their undoing. Within a palace built on unbelievable wealth and dangerous secrets, can Rachelle discover the truth and stop the fall of endless night?

Crimson Bound goes on sale on May 5 from Balzer + Bray. It is 448 pages, priced at $17.99 in hardcover, and $9.99 for the digital version.

New Treasures: Swords of Steel edited by D.M. Ritzlin

New Treasures: Swords of Steel edited by D.M. Ritzlin

Swords of Steel-smallSwords of Steel is a brand new sword & sorcery anthology edited by D.M. Ritzlin, filled with stories written exclusively by heavy metal musicians. In his introduction, David C. Smith says the “idea was to create a collection of the kinds of stories you would have found in the late 1960s and 1970s — in the Swords Against Darkness anthologies, for example.” I’m a fan of Andrew Offut’s Swords Against Darkness, and I heartily approve of any effort to recapture their spirit.

Swords of Steel is an anthology of fantasy/horror adventure stories; it  includes interior illustrations and maps by a variety of artists, and poems by Sean Weingartner. There’s also an artilcle, “Headbanging Warriors,” by Black Gate‘s Thursday blogger  M Harold Page.

Mighty-thewed barbarians… vengeful lords of chaos… desolate devil-haunted ruins… carnage-soaked battlefields… forbidden spells of great power… All of these you will find in the works of authors of heroic fantasy as well as heavy metal musicians. But modern fantasy has been plagued with convoluted plots and series without end. Who better to return traditional fantasy to its former glory than the heavy metal bards?

Swords of Steel is an anthology of fantastic and horrific adventure stories, each penned by a heavy metal musician. Members of such bands as Bal-Sagoth, Manilla Road, Twisted Tower Dire, Cauldron Born, Solstice, and more — proving their talent for the written word as well as song — cut through the modern wasteland, wielding Swords of Steel.

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Bernie Mireault: The Forgotten Herald of the Modern

Bernie Mireault: The Forgotten Herald of the Modern

Bernie MireaultOver the weekend, Mark Shainblum pointed me towards columnist Timothy Callahan’s article in Comic Book Resources discussing the work of artist Bernie Mireault. It’s been around for a while, but I’d managed to miss it, so I appreciated the link. Here’s a snippet:

If we look around the axis of American superhero comics, at the groundbreaking Modern work produced in the mid-1980s, it’s the same four or five names that keep popping up in our conversations: Alan Moore, Frank Miller, Rick Veitch, Howard Chaykin, maybe Matt Wagner. These were the creators who changed the landscape of American superhero comics, for better or worse. They heralded the Modern.

Yet there’s one creator who doesn’t get mentioned nearly as often. A writer/artist who was combining the high Romanticism of the fantastic with the mundane life on the street as well as any of the others. A comic book creator whose visual style has rarely been duplicated… I’m talking, of course, about Bernie Mireault.

Mireault (rhymes with “Zero”) has been working continuously in the comic book industry for the past 24 years, but he gets almost none of the acclaim given to his peers… in the mid-to-late 1980s and early 1990s, Mireault produced or helped produce three essential texts of the Modern era, and it’s time those three books were given their due.

I first met Bernie in 1985, when he crashed at my home in Ottawa, Canada, while attending a local comic convention. I was impressed with him immediately — especially his groundbreaking work on the hilarious Mackenzie Queen for Matrix Comics. He’s extrememly gifted as a comedic artist, and his character design is second to none — as you can see from his marvelous panel illustrating “The Loiterer in the Lobby” by Michael Kaufmann and Mark McLaughlin for Black Gate 4 (above). I hired Bernie as an illustrator when I launched Black Gate, and he graced virtually every issue of the print magazine. I profiled him back in 2009, and Matthew David Surridge wrote a detailed review of his excellent comic The Jam last December. His other work includes Grendel (with Matt Wagner), The Blair Witch Chronicles, and Dr. Robot.

Read the complete CBR article here.

Black Static #44 Now on Sale

Black Static #44 Now on Sale

Black Static 44-smallI stumbled on my first copy of Black Static, issue #40, at a Barnes and Noble here in Chicago last year, and I was very impressed. The magazine is beautifully designed and illustrated, with top-notch writing and some great columns. It’s exactly the kind of thing I like to take with me on long plane rides.

I’ve been tracking down subsequent issues and writing about them here, because I think you deserve to know about them. Also, because really excellent fantasy magazines are a vanishing breed, and they deserve your support. Issue #44 is cover-dated January/February, which means it’s still on sale here in the US. The fiction contents are:

“Going Back to the World” by Simon Avery
“The Absent Shade” by Priya Sharma
“The Fishers of Men” by Jackson Kuhl
“Sweet Water” by E. Catherine Tobler
“Samhain” by Tyler Keevil

Yes, that’s our own Jackson Kuhl in the TOC. Jackson’s last article for us was his review of Jeffrey E. Barlough’s The Cobbler of Ridingham, which appeared here last week. On his blog, Jackson talks a little about selling his story, “The Fishers of Men,” to a British market like Black Static:

I was a little shocked when [Black Static editor] Andy Cox accepted “Fishers;” it is a very American story and when I sent it I wasn’t sure the historical background would translate. But I suppose I don’t have to know the intricacies of lines of royal succession or the industrialization of Greater Manchester to enjoy M.R. James, Robert Aickman, or Susanna Clarke (to name the three most recent authors I’ve read), so perhaps the width of the Atlantic isn’t as great as I sometimes imagine.

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Future Treasures: The Testament of Tall Eagle by John R. Fultz

Future Treasures: The Testament of Tall Eagle by John R. Fultz

The Testament of Tall Eagle-smallJohn R. Fultz’s first story for Black Gate was “Oblivion is the Sweetest Wine” (BG 12), a full-throttle sword-and-sorcery adventure of spider-haunted towers and a fearless thief who comes face-to-face with a terrifying secret. We published three more tales in his popular Zang Cycle: “Return of the Quill” (BG 13), “The Vintages of Dream” (BG 15), and “When the Glimmer Faire Came to the City of the Lonely Eye.”

John is much more well known these days for his breakout Books of the Shaper trilogy. Explorations called the first volume “flawless – and timeless – epic fantasy. For fans of epic fantasy, Seven Princes is as good as it gets.” For his fourth novel, John moves in a totally new direction, with a tribal fantasy set in a beautiful and savage land.

A young warrior’s vision-quest unveils an alien city full of magic and mystery. As a tribal rift threatens to destroy Tall Eagle’s people, night-crawling devils stalk and devour them, so he seeks the wisdom of the high-flying Myktu. These fantastic beings offer him hope, a chance for rebirth and prosperity, as two separate realities converge. Yet first Tall Eagle must find White Fawn – the girl he was born to love – and steal her back from the camp of his savage enemies. His best friend has become his deadliest rival, and now he must outwit an invading army of conquerors to lead his people into the Land Beyond the Sun.

The Testament of Tall Eagle is the epic saga of The People, as told in the words of their greatest hero.

John’s short fiction has appeared in Shattered Shields, Year’s Best Weird Fiction, Volume One, The Way of the Wizard, and other fine places. His recent articles for Black Gate include a look at Darrell Schweitzer’s upcoming Cthulhu Mythos anthology That Is Not Dead, an interview with GnomeSaga author Kenny Soward, and a peek behind the scenes at his first collection, The Revelations of Zang.

The Testament of Tall Eagle will be released by Ragnarok Publications this June. The cover is by Alex Raspad.

New Treasures: Shadow Study by Maria V. Snyder

New Treasures: Shadow Study by Maria V. Snyder

Shadow Study Jacket-small

Maria V. Snyder’s first short story, “The Wizard’s Daily Horoscope,” appeared in Black Gate 11 in 2007. We published ”Cursing the Weather” in Black Gate 15, and it quickly became one of the most acclaimed stories in what was to be the final issue of the magazine. Here’s what Keith West said about it on his blog Adventures Fantastic:

Nysa… is probably as far from the sterotypical warrior woman as you can get. She’s a young girl working in a tavern, trying to earn enough money to buy the medicine needed to keep her dying mother alive. Then a weather wizard moves in across the street…  I wouldn’t have considered this one to really fit the theme of warrior woman. In spite of that, I think I enjoyed it the most. I’m going to be checking out more of Ms. Snyder’s work.

Keith wasn’t the only one to seek out Maria’s work. Her first novel, Poison Study, won the Compton Crook Award in 2006, and the third in the series, Fire Study, hit The New York Times bestseller list in 2008.

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Book Tour Tips for (Self-Published) Authors

Book Tour Tips for (Self-Published) Authors

book tourMy adventure begins sixteen tons of sundowns ago… maybe say, November-ish, when the Clarendon Hills Public Library in Illinois asked me to be a featured reader at their No-Shush Salon. They wanted an author for early 2015. My first response (which I thankfully didn’t send) was no. Grateful that they thought of me, but no way. Who can afford to travel 5 hours one-way for one reading?

And then, THEN! In a cosmic crapshoot of hell yeah, another Chicago reading series, Tuesday Funk, contacted me. They wanted me for a reading several days after No-Shush.

When the universe shimmies at you, you wink back. I said yes to both.

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New Treasures: The Dhulyn and Parno Novels: Volume One by Violette Malan

New Treasures: The Dhulyn and Parno Novels: Volume One by Violette Malan

The Dhulyn and Parno NovelsWhen Amazon created a mobile Kindle app a few years ago, the very first book I bought and downloaded to my mobile phone was The Sleeping God, the first Dhulyn and Parno novel by Violette Malan, our Friday blogger here at Black Gate. It proved a marvelous diversion during slow moments while I was working the floor of the NACHA banking conference in 2013.

I’ve wanted to read the other books in the series ever since, and now DAW is making that easy with a pair of omnibus volumes collecting all four novels. The first, The Dhulyn and Parno Novels: Volume One, containing The Sleeping God and The Soldier King, was released last week.

Dhulyn Wolfshead and Parno Lionsmane are members of the Mercenary Guild, veterans of numerous battles and missions, and masters of martial arts. But more than that, Dhulyn and Parno are Partners, a Mercenary bond that can only be broken by death. And though one’s past is supposed to be irrelevant to a Mercenary Brother, who they’d been might make the difference between success and failure in their missions.

As far as she knows, Dhulyn is the last of her tribe, the sole survivor of a terrible massacre when she was a young child. Sold into slavery and rescued by a pirate, Dhulyn has learned the hardest lessons life has to teach. What she has not learned is to master her Visions, glimpses of the future.

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Who Should Be Writing the Cthulhu Mythos Today? Announcing the Winners of Weirder Shadows Over Innsmouth

Who Should Be Writing the Cthulhu Mythos Today? Announcing the Winners of Weirder Shadows Over Innsmouth

Weirder Shadows Over Innsmouth-small2Three weeks ago we invited Black Gate readers to win a copy of the new Lovecraft-inspired anthology Weirder Shadows Over Innsmouth, by suggesting who should be writing Lovecraftian horror today.

To make it challenging, all entries had to be a single sentence.

We received a near-record number of entries for this contest, too many to print here. But I’ve selected 20 of the more interesting, and reproduced them below.

Two winners were randomly drawn from a list of all qualified entries, and those two lucky readers will both receive a copy of Stephen Jones’s new horror anthology Weirder Shadows Over Innsmouth, on sale now in trade paperback and digital formats from Titan Books.

First up is Jeffery Helms:

The writer I would most like to see write a Lovecraftian horror story today is Scott Snyder, whose comic work has elements of history, folklore, myths, and horror.

That’s certainly a fascinating choice. Scott Snyder’s work on American Vampire and Batman has garnered a lot of attention, and I’d like to see what he could do in Lovecraft’s back yard, too.

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The World of New Publishing Models: Serialized Self-Published Novellas by Traditionally Published Authors: Nigh, by Marie Bilodeau

The World of New Publishing Models: Serialized Self-Published Novellas by Traditionally Published Authors: Nigh, by Marie Bilodeau

Nigh Marie Bilodeau-smallI wanted to talk to Marie Bilodeau, a multi-Aurora-nominated Ottawa-area author about her new novel, Nigh. It is an apocalypse story, a magical one, which is an original twist, but it’s also taking an old-school/new-school leaf in that Marie decided to serialize the novel as several novellas and self-publish them. So I sat virtually with Marie and the disjointed conversation that follows is the best one out of twenty-six takes…

So what’s fun about Nigh?

FAERIEPOCALYPSE!

Stop! That’s not even a real word! God, let’s start again. Take twenty-five….

No! Keep typing! It is a word! That’s what fun. I’ve taken all the old scary faerie stories and thought about what would happen if the veil between our world and theirs suddenly collapsed. It’s not pretty. It’s definitely dark fantasy that could also be considered horror.

Plus, since I’m a professional storyteller, I’m also going to be performing a set of traditional faerie stories, woven in with some bits of Nigh, as bonus-can’t-read-this-on-the-page material. No, but seriously: FAERIEPOCALYPSE!

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