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New Treasures: Confluence by Paul McAuley

New Treasures: Confluence by Paul McAuley

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Confluence Paul McAuley-smallI’ve found a number of online sellers offering brand new copies of recent British SF and fantasy books very inexpensively (essentially, at remainder prices), and I’ve been taking advantage of them. My most recent purchases include Paul McAuley’s In the Mouth of the Whale (the third volume in his far-future series The Quiet War), and the massive omnibus volume Confluence, which contains his complete trilogy. And I do mean massive — just take a look at the thing (click the image at right for a more lifesize version). At 935 pages, it proudly stands all on its own on my end table (and darn near tips it over).

Paul McAuley was an early columnist for Black Gate (his fantasy review column On the Edge appeared in our early print issues). The omnibus volume contains three complete novels, all originally published in hardcover in the US by Avon EOS:

Child of the River (1997)
Ancients of Days (1998)
Shrine of Stars (1999)

Here’s the description:

Confluence — a long, narrow, artificial world, half fertile river valley, half crater-strewn desert. A world beyond the end of human history, served by countless machines, inhabited by 10,000 bloodlines who worship their absent creators, riven by a vast war against heretics.

This is the home of Yama, found as an infant in a white boat on the world’s Great River, raised by an obscure bureaucrat in an obscure town in the middle of a ruined necropolis, destined to become a clerk — until the discovery of his singular ancestry. For Yama appears to be the last remaining scion of the Builders, closest of all races to the revered architects of Confluence, able to awaken and control the secret machineries of the world.

Pursued by enemies who want to make use of his powers, Yama voyages down the length of the world to search for answers to the mysteries of his origin, and to discover if he is to be the saviour of his world, or its nemesis.

Confluence was published by Gollancz in August 2015. It is 935 pages, priced at £16.99 in trade paperback and $15.99 for the digital edition. I bought my copy from Media Universe for $12.14 plus $3.99 shipping (and In the Mouth of the Whale from the same vendor for $2.95). Copies of both are still available.

Mighty Pirate Kingdoms, Weather Wizards, and Quarrelsome Ghosts: Sarah Avery’s The Imlen Brat

Mighty Pirate Kingdoms, Weather Wizards, and Quarrelsome Ghosts: Sarah Avery’s The Imlen Brat

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The Imlen Brat-small

To me, The Imlen Brat will always be the story that got away.

After I bought “The War of the Wheat Berry Year” from Sarah Avery (it appeared in Black Gate 15), I begged her to send me something new. She responded in spectacular fashion, with a dynamite novella called “The Imlen Bastard.” It was a marvelous tale of mighty pirate kingdoms, weather wizards, quarrelsome ghosts, secret magics, and deadly court intrigue, all seen through the eyes of an adopted daughter in an enemy royal house. I told Sarah I wanted to buy it, and happily set the wheels in motion to publish it.

Alas, it was not to be. BG 15 was our final issue, and I was forced to return all the fiction I was holding for future issues — including “The Imlen Bastard.” Scarcely three years later, Sarah won the Mythopoeic Award for her first book, Tales from Rugosa Coven, and the world finally began to realize that Sarah was  a major new talent. Her successful Kickstarter to self-publish the novella wrapped up late last year (see her blog post about it all, “Kickstarting a Belated Black Gate Story: The Imlen Bastard“), and the book, now known as The Imlen Brat, is inching closer to release. Last month Sarah shared the gorgeous final cover design (above), saying:

This morning the book designers sent me a proof of the cover design, and it looks like just the kind of book I’d pick up if I saw it on the bookstore shelf… As a thank-you for email list subscribers, I’m offering a free short story ebook, a spin-off about Stisele, the heroine of The Imlen Brat. For at least the next three years, this story will be available only to my list subscribers.

The Imlen Brat will be released later this summer. The cover art is by Kate Baylay, and the cover was designed by designforwriters.com. Click on the image above for a bigger version, and subscribe to Sarah’s e-mail list here to get the free 9,000-word story, “The Enemy in Snowmelt Season.”

The Return of Dabir and Asim

The Return of Dabir and Asim

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the-desert-of-souls UK-smallHoward Andrew Jones sent me a letter in the very early days of Black Gate. It was articulate and delightful, and I remember it well. He welcomed the magazine to the fold, speaking enthusiastically about our focus on classic adventure fantasy. He also included a story featuring two characters of his own creation, Dabir and Asim, sleuths and adventurers who strode the crowded streets and dark ways of ninth century Arabia, facing dark sorcery and ancient evils, armed only with their wits and cold steel.

Dabir and Asim had many adventures together. I bought two of those tales for Black Gate — “Sight of Vengeance” (BG 10), and “Whispers from the Stone,” (BG 12) — and they became some of the most popular stories we ever published. Dabir and Asim appeared in two novels, The Desert of Souls and Bones of the Old Ones, one collection, The Waters of Eternity, and many other places (such as the awesome Kaiju Rising: Age of Monsters anthology), before Howard turned his talents to other worthy endeavors. But you can’t keep great characters down for long, and on his blog yesterday Howard announced the return of Dabir and Asim in a brand new tale — and hinted at further adventures in the works.

For the first time this year I’ve sold a short story. I’m delighted to relay that the upcoming Skelos magazine will be carrying a never-before-published Dabir and Asim story in its second issue! You can see magazine details here and there is, briefly, still time to get in on its kickstarter.

I still fully plan to finish writing at least one more Dabir and Asim novel. If I can actually maintain the pace with this current set of drafts, I hope to find time to create a new Dabir and Asim every other year or so and market it as an e-book.

Welcome back, lads! You were missed.

Read our own coverage of the exciting launch of Skelos here, and Howard’s complete announcement on his blog.

Read the Best of Matthew David Surridge in Once Only Imagined: Collected Reviews, Vol II

Read the Best of Matthew David Surridge in Once Only Imagined: Collected Reviews, Vol II

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Once Only Imagined Matthew David Surridge-smallMatthew David Surridge is Black Gate‘s most successful blogger, both in terms of critical and popular success (his post “A Detailed Explanation,” on why he declined a Hugo nomination last year, is the most popular article in our history). He’s also one of our most prolific, with 270 articles to his credit, and he’s had more reprinted than anyone else on our staff. Of course, that’s mostly due to last year’s Reading Strange Matters, which collected 24 of his posts, chiefly focusing on 21st Century writers.

Reading Strange Matters was successful enough to encourage his publishers to produce a second volume, Once Only Imagined, released last week. It collects another 30 articles, with a slightly different focus than last year’s book. Matthew is our sure-footed guide to the true origins of modern fantasy, tracing them through the twisted maze of late 20th Century publishing to the nearly-forgotten fantasy masters of the era. Here’s Matthew, from his introduction.

My first collection of essays about fantasy fiction, Reading Strange Matters, looked at books from the twenty-first century. This second one moves back in time, to the second half of the twentieth… There was a revival of sword-and-sorcery adventure fiction at about this time, relatively short novels focused on plot, action, and violence. And Ballantine Books reprinted several pre-Tolkien fantasies under the editorship of writer and fan Lin Carter. But many of the fantasy novels published in the 1960s and 1970s had a veneer of science fiction about them — their setting explained as another planet (as in the case of Andre Norton’s Witch World and Anne McCaffrey’s Dragonriders of Pern series), or their magic explained as pseudo-scientific psionic powers (as in Katherine Kurtz’ Deryni series).

1977 is usually cited as the year when everything changed, with the publication of Terry Brooks’ The Sword of Shannara and Stephen R. Donaldson’s Lord Foul’s Bane ushering in a new age of commercial fantasy fiction. This ignores several important predecessors, I feel, not only Norton, McCaffrey, and Kurtz, but also Patricia McKillip, whose The Riddle-Master of Hed came out in 1976. I think the form that eventually developed for commercial fantasy was shaped in part by these books… Writers like Raymond Feist and David and Leigh Eddings (the first few of whose books were published under David Eddings’ name alone) soon had popular series as well…

Still, it’d be wrong to think of the fantasy genre of the 1980s as populated entirely by Tolkien knock-offs. Some writers were trying to do new things, and some idiosyncratic books were published as the genre developed. Writers like Glen Cook, with his Black Company series, challenged the new conventions with gritty stories set in a pseudo-medieval world but told in a very modern tone.

Matthew’s knowledge of fantasy is breathtaking, and his deep insights into the evolution of the genre — and many of its greatest and most neglected works — are profoundly illuminating. At $3 for the digital edition, it’s the best purchase you’ll make all year.

…

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A Downed Pilot, a Mad Duke, and a Riddle in the Grove of Monsters: A Green and Ancient Light by Frederic S. Durbin

A Downed Pilot, a Mad Duke, and a Riddle in the Grove of Monsters: A Green and Ancient Light by Frederic S. Durbin

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A Green and Ancient Light Frederic S. Durbin-small

To my left, dwarf iris. To my right, lilacs. All around me, sunlight. Because truly, the only appropriate location to write a review of Frederic S. Durbin’s latest novel, A Green and Ancient Light, is in a garden with a blue sky above and a wisteria-tinged wind teasing by.

OK, OK. A sacred wood would also be suitable… but they are harder to find in Iowa. What’s not hard to find in Iowa? Cornfields. Which is where I procured my copy of A Green and Ancient Light, after it was shot there by a trebuchet. The book smelled of clouds after I ripped the package open. If you doubt me, I have a notice typed by Durbin himself on a 1935 L.C. Smith 8 to prove it.

Do I squeal now or later? How about always. I LOVE THIS BOOK. It left me breathless. I didn’t want to move after I finished it. Moving meant breaking a beautiful moment. Moving meant stepping out of the sublime. Moving meant letting go of a village that I wanted to live in. A Green and Ancient Light is SO GOOD.

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Future Treasures: A Green and Ancient Light by Frederic S. Durbin

Future Treasures: A Green and Ancient Light by Frederic S. Durbin

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A Green and Ancient Light-smallFred Durbin is one of the most gifted fantasists at work today, and a new Durbin novel is a major event. Set in a world similar to our own, during a war that parallels World War II, A Green and Ancient Light is the tale of a boy sent to stay with his grandmother, until the crash of an enemy plane disrupts his idyllic summer and leads him to discover a riddle in the sacred grove of ruins behind his grandmother’s house.

As planes darken the sky and cities burn in the ravages of war, a boy is sent away to the safety of an idyllic fishing village far from the front, to stay with the grandmother he does not know. But their tranquility is shattered by the crash of a bullet-riddled enemy plane that brings the war — and someone else — to their doorstep. Grandmother’s mysterious friend, Mr. Girandole, who is far more than he seems, has appeared out of the night to ask Grandmother for help in doing the unthinkable.

In the forest near Grandmother’s cottage lies a long-abandoned garden of fantastic statues, a grove of monsters, where sunlight sets the leaves aglow and the movement at the corner of your eye may just be fairy magic. Hidden within is a riddle that has lain unsolved for centuries — a riddle that contains the only solution to their impossible problem. To solve it will require courage, sacrifice, and friendship with the most unlikely allies.

Fred is also the author of The Star Shard and Dragonfly. His story “World’s End” appeared in Black Gate 15. Patty Templeton interviewed Fred for us after the publication of The Star Shard, and Nick Ozment teamed with him to explore the magic of Halloween in Oz and Frederic S. Durbin Discuss Hallowe’en Monsters. We did a Cover Reveal for A Green and Ancient Light in November, including Fred’s thoughts on the art.

A Green and Ancient Light will be published by Saga Press on June 7, 2016. It is 300 pages, priced at $24.99 in hardcover and $7.99 for the digital edition.

New Treasures: Shadow’s Blade, Book III of the Case Files of Justis Fearsson by David B. Coe

New Treasures: Shadow’s Blade, Book III of the Case Files of Justis Fearsson by David B. Coe

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Spell Blind David B Coe-small His Father's Eyes David B Coe-small Shadow's Blade David B Coe-small

David B. Coe’s adventure fantasy “Night of Two Moons” was one of the most popular tales in Black Gate 4. Over the last two decades he’s had a stellar career in fantasy — his LonTobyn trilogy and five-book Winds of the Forelands established him as a leading voice in adventure fantasy; and under the name D.B. Jackson he also writes the Thieftaker Chronicles, a historical urban fantasy for Tor. Shadow’s Blade, the third volume in The Case Files of Justis Fearsson, a contemporary urban fantasy featuring a hardboiled, magic-using private detective, was released by Baen last week.

Justis Fearsson is a weremyste and a private detective. He wields potent magic, but every month, on the full moon, he loses his mind. His battles with insanity have already cost him his job as a cop; he can’t afford to let them interfere with his latest case.

Phoenix has become ground zero in a magical war, and an army of werecreatures, blood sorcerers, and necromancers has made Jay its number one target. When he is hired to track down a woman who has gone missing with her two young children, he has a hunch that the dark ones are to blame. But then he’s also brought in by the police to help with a murder investigation, and all the evidence implicates this same woman. Soon he is caught up in a deadly race to find not only the young family, but also an ancient weapon that could prove decisive in the looming conflict. Can he keep himself alive long enough to reach the woman and her kids before his enemies do? And can he claim the weapon before the people he loves, and the world he knows, are lost in a storm of flame, blood, and darkest sorcery?

We cover the second volume in the series, His Father’s Eyes, here. David is a sometime blogger for Black Gate; his most recent article series for us discussed last year’s Hugo Award controversy.

Shadow’s Blade was published by Baen on May 3, 2016. It is 320 pages, priced at $26 in hardcover, and $9.99 for the digital edition. The cover is by Alan Pollock. Read a sample chapter at David’s website.

Goth Chick News: Is There Anything Creepier Than a Doll? Let’s Help John Find Out…

Goth Chick News: Is There Anything Creepier Than a Doll? Let’s Help John Find Out…

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Ann the Haunted Doll

Alright yes – clowns are probably creepier.

But this little gem will probably give you the willies just the same.

The channel, Destination America (home to John Zaffis’s possessed-object show Haunted Collector) and The Lineup (a website dedicated to “murder and mayhem”) have teamed up to provide you the opportunity to be a ghost voyeur 24/7 until midnight on May 10th.

So here’s the deal.

Once upon a time back in the early 1900’s there was this little 13-year-old girl named Ann, who was being treated for tuberculosis at Waverly Hills Sanatorium, in Louisville, KY. Now Waverly Hills comes with a whole lot of its own paranormal baggage to begin with since during the time it was in full operation, the idea of a “rest-cure” for patients in a place like this was in actuality a certain death sentence. The building currently holds the title of “one of the most haunted places on earth” and hosts an endless stream of paranormal investigations and television crews.

But back to little Ann…

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The Series Series: Guile by Constance Cooper

The Series Series: Guile by Constance Cooper

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Guille with Constance CooperGuile begins with the girl, but here we must begin with the town.

First, posit a dream-logic variation on Louisiana, a region of lovely old towns sinking inexorably into swamp, linked along their river by villages of stilted cabins. People here live by their river, inevitably — subsistence fishing is the most common livelihood — but the river can’t be trusted. Not just because it floods, but because of the mysteries it carries from dangerous lands upstream.

Because this is a dream-logic Louisiana, the pollution the river carries is not a thousand miles of industrial effluent, but the residual magic of a civilization that collapsed long ago. It’s a pervasive, contaminating magic, full of advantages for those who understand it — but it also breaks down the dividing lines between humans, beasts, and objects. People cope poorly when such boundaries get blurred, so even though the effort to police them is futile, policing them nonetheless is one of the principal priorities of this world’s customs. The heroine’s high town relatives are what you might get if H.P. Lovecraft and his prissy Providence aunts had made their respectable home just a mile from a slumful of Deep Ones.

The river might make a tool so intent on the task it was cast for that anyone who touches it can do nothing else. It might warp the bodies of divers who gather old artifacts to sell, webbing their fingers and gilling their throats. Animals who narrowly avoid drowning in the river emerge in a new kind of danger, endowed with human intelligence and speech, to the sometimes violent horror of actual humans. And minds contaminated by the magic can detect the magic, come to recognize its forms and functions, and use it where they find it, while those who’ve kept clean remain magic-blind.

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New Treasures: Exile by Martin Owton

New Treasures: Exile by Martin Owton

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Exile Martin Owton-smallMartin Owton’s stories for Black Gate include the funny and suspenseful contemporary fantasy “A Touch of Crystal” (co-written with Gaie Sebold), in BG 9, and “The Mist Beyond the Circle,” in which a band of desperate men pursue the slave traders who stole their families, across cold barrows where a dread thing sleeps (BG 14).

So I was very inrigued to see his debut novel Exile arrive last month. Exile is described as a fast-moving tightly-plotted fantasy adventure story with a strong thread of romance, and it’s the first volume of The Nandor Tales. Here’s the full description.

Aron of Darien, raised in exile after his homeland is conquered by a treacherous warlord, makes his way in the world on the strength of his wits and skill with a sword. Both are sorely tested when he is impressed into the service of the Earl of Nandor to rescue his heir from captivity in the fortress of Sarazan. The rescue goes awry. Aron and his companions are betrayed and must flee for their lives. Pursued by steel and magic, they find new friends and old enemies on the road that leads, after many turns, to the city of the High King. There Aron must face his father’s murderer before risking everything in a fight to the death with the deadliest swordsman in the kingdom.

The cover boasts a terrific quote from no less an illustrious personage than BG author and occasional blogger Peadar Ó Guilín, author of The Inferior and the upcoming The Call:

A wonderful story of intrigue, romance and duels, brushed, here and there, by the fingers of a goddess.

Exile was published by Phantasia/Tickety Boo Press on April 15, 2016. It is 303 pages, priced at just $2.99 for the digital version. Black Gate says check it out.