Black Gate

Sean McLachlan, our Wednesday afternoon blogger, is primarily known around our offices as the guy with the enviable travel budget. His recent travelogues have taken him to Roman ruins in Spain, Wallingord Castle in England, a volcanic island in the Canary Islands, the National Archaeological Museum in Madrid, a writing retreat in Tangier, Morocco, and even more exotic places.

But Sean is also a prolific author. A former archaeologist, he is now a full-time writer who specializes in history, travel, and fiction. He won the 2013 Society of American Travel Writers Award for his Iraq reportage, and his historical fantasy novella “The Quintessence of Absence” appeared in Black Gate. He currently has several series on the go, including Toxic World, a post-apocalyptic science fiction adventure, and the Trench Raiders action series set in World War One. And his contemporary thriller, The Last Hotel Room, will be released later this month.

But my current favorite is his Civil War horror series House Divided, which so far consists of two novels: A Fine Likeness and The River of Desperation. Here’s what Sean told me when I asked him about the origin of the series.

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M. Harold Page is Black Gate‘s Thursday afternoon blogger, and one of our most consistently popular contributors. He’s also a noted fantasy novelist in his own right, author of The Sword is Mightier, Blood in the Streets, Marshal Versus the Assassins, and his popular book on writing, Storyteller Tools. But his magnum opus is his five-volume series Swords vs Tanks. I’ve made a couple of efforts at writing a synopsis, and ultimately I think it’s best to let the author explain it himself. Here’s Mr Page:

What did I care about? What did I like? Swords, apparently, and tanks.

It was more than that. I’m fascinated by the medieval mentality, and by — at the other end of history — the emergence of modernity in the 1900s-1930s. Why not, I thought, bang the rocks together? Great idea!

Well it was a great idea. I set out to pen a Baen-style military yarn with time travelling communists clashing with magic-enabled knights… The end result was too short and the story had grown in the telling — shifting from Military to Heroic Fantasy (or was it, Heroic Steampunk?) while exploring themes about Medievalism versus Modernism… I realized that the editors were right: it was too fast paced by modern standards. What I’d written was not really a modern 100 thousand word Fantasy novel. Instead, it was three or four 1970s-style short novels making up a series like the old Michael Morcock yarns I grew up on.

Now, I could have taken each novella and expanded it into a Big Fat Fantasy. However, it worked rather well as an old school series. Doorstop tomes were an artefact of the practicalities of publishing back in the 1980s anyway. There was no literary reason to expand. Why the hell not just chop it up and release it in its natural form? And that, dear reader, is what I did.

Read the complete article, ‘Swords Versus Tanks — What “10 Years in the Making” Means,’ here. Swords Versus Tanks was published by Warrior Metal Tales; all five volumes are now available in digital format for $2.99 each. Click the images above for bigger versions.