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The Very Opposite of a First Contact Novel: On Whetsday by Mark Sumner

The Very Opposite of a First Contact Novel: On Whetsday by Mark Sumner

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Mark Sumner produced some of the most acclaimed fiction ever published in Black Gate. The Internet Review of Science Fiction called his story “Leather Doll” (from BG 7) “Absolutely riveting…. A masterpiece of contemporary science fiction,” and Tangent Online called his serialized novel The Naturalist (in BG 10, 11, and 13) “Absorbing and thoroughly enjoyable… it recalls the “lost world” tales of H. Rider Haggard and Sir Arthur Conan Doyle… Fraught with danger and excitement, and full of the mystery and color of a grand adventure.”

His newest book is On Whetsday, a far-future tale of a planet where the last remaining humans live in peaceful co-existence with an enigmatic alien race. Sharon Shinn calls it “The very opposite of a first contact novel… but just as exciting.” It was originally serialized at Daily Kos, where Mark has been a writer for several years. Here’s the enticing first paragraph.

On Whetsday, Denny danced at the spaceport. It was a good place to dance, if you didn’t mind the heat that boiled off the acres of asphalt or the noise of the rising shuttles. You could meet a dozen races in single morning: lithe little skynx, scarlet klickiks, and sluggish chugs with their curtains of eyes brushing the ground. Most of the passing visitors had never seen a human, and fewer still understood what Denny was doing. Dancing was a rare thing among the races of the galaxy. But they understood enough to toss shiny credit chips or small bits of scrip into the box by his feet. They understood begging. Begging was universal.

You can read the complete first chapter at Daily Kos here.

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Romeo and Juliet with Undead, an Underworld, and a Juliet Who Kicks Butt: Bright Smoke, Cold Fire by Rosamund Hodge

Romeo and Juliet with Undead, an Underworld, and a Juliet Who Kicks Butt: Bright Smoke, Cold Fire by Rosamund Hodge

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bright-smoke-cold-fire-smallWhen I published her story “Apotheosis” in the final issue of Black Gate, Rosamund Hodge was a brand new writer, with only three published stories under her belt. Now she’s an acclaimed fantasy novelist, with two YA novels, Cruel Beauty and Crimson Bound to her credit, and a highly anticipated new book. Can I pick ’em, or what?

Bright Smoke, Cold Fire was released in hardcover from Balzer + Bray in September; it is the opening novel in a duology based on Romeo and Juliet (with necromancers). School Library Journal writes: “Hodge creates a world ravaged by the Ruining, a fog that killed the living and allowed the dead to walk… [with] magic, an underworld, and a Juliet who kicks butt.”

When the mysterious fog of the Ruining crept over the world, the living died and the dead rose. Only the walled city of Viyara was left untouched.

The heirs of the city’s most powerful — and warring — families, Mahyanai Romeo and Juliet Catresou, share a love deeper than duty, honor, even life itself. But the magic laid on the Juliet at birth compels her to punish the enemies of her clan — and Romeo has just killed her cousin Tybalt. Which means he must die.

Paris Catresou has always wanted to serve his family by guarding the Juliet. But when his ward tries to escape her fate, magic goes terribly wrong — killing her and leaving Paris bound to Romeo. If he wants to discover the truth of what happened, Paris must delve deep into the city, ally with his worst enemy… and perhaps turn against his own clan.

Mahyanai Runajo only wants to protect her city — but she’s the only one who believes it’s in peril. In her desperate hunt for information, she accidentally pulls Juliet from the mouth of death—and finds herself bound to the bitter, angry girl. Runajo quickly discovers Juliet might be the one person who can help her recover the secret to saving Viyara.

Both pairs will find friendship where they least expect it. Both will find that Viyara holds more secrets and dangers than anyone ever expected. And outside the walls, death is waiting…

Bright Smoke, Cold Fire was published by Balzer + Bray on September 27, 2016. It is 448 pages, priced at $17.99 in hardcover and $9.99 for the digital version. See all our coverage of the latest released from Black Gate writers here.

Announcing the Winners of The Imlen Brat by Sarah Avery

Announcing the Winners of The Imlen Brat by Sarah Avery

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Woo hoo! We have winners!

Two weeks ago we invited you to enter a contest to win a copy of Sarah Avery’s brilliant new novella The Imlen Brat, a tale of mighty pirate kingdoms, weather wizards, quarrelsome ghosts, curses, and secret magics. To enter, all you had to do was send us an e-mail with a one-sentence review of your favorite fantasy novella.

We have two copies to give away. Our lucky winners were selected from the pool of eligible entries by the most reliable method known to modern science: D&D dice.

Our first winner is Phil Hansen, who writes about a World Fantasy Award nominee from 1990.

My favorite fantasy novella is Jonathan Carroll’s Black Cocktail, which starts off whimsical and descends into terror — unique and unlike anything else I’ve read.

Black Cocktail was published by Legend/Century and St. Martin’s Press in 1990. The cover is by Dave McKean.

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Last Chance to Win a Copy of Sarah Avery’s The Imlen Brat

Last Chance to Win a Copy of Sarah Avery’s The Imlen Brat

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Ten days ago we announced a contest to give away two copies of Sarah Avery’s new book The Imlet Brat. Sarah has been a blogger at Black Gate since the days when our server was a coal-powered gear box in Howard Andrew Jones’ barn, and we were writing breathless articles about hot new writers Robert E. Howard and H.P. Lovecraft. Sarah is also the author of “The War of the Wheat Berry Year” (from BG 15) and the acclaimed novella collection Tales from Rugosa Coven, which won the Mythopoeic Award in 2015.

There’s still an opportunity to win one of these beautiful books, but time is running out. To enter, just send an e-mail to john@blackgate.com with the subject “The Imlen Brat,” and a one-sentence review of your favorite fantasy novella.[In honor of Sarah’s legacy as one of our most popular writers, we’ll also gladly accept a one-sentence review of your favorite story from Black Gate magazine — including any of the tales in our Black Gate Online Fiction library.]

That’s all it takes! Two winners will be drawn at random from all qualifying entries, and we’ll reprint the winning entries when we announce the winners. All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Not valid where prohibited by law, or anywhere postage for a trade paperback is more than, like, 10 bucks. Eat your vegetables.

The Imlen Brat was published by Point Quay Press on October 30, 2016. It is 70 pages, priced at $9.99 in trade paperback and $2.99 for the digital edition. The cover is by Kate Baylay. Copies are available at Amazon and other fine outlets. See more details here.

Prime Books Reveals the Contents of The Year’s Best Science Fiction and Fantasy: 2017, edited by Rich Horton

Prime Books Reveals the Contents of The Year’s Best Science Fiction and Fantasy: 2017, edited by Rich Horton

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the-years-best-science-fiction-and-fantasy-2017-smallYesterday Prime Book publisher Sean Wallace announced the Table of Contents for the ninth (ninth!) volume of Rich Horton’s Year’s Best Science Fiction and Fantasy, one of the very best of the Year’s Best volumes. Rich said this about it:

I am excited as I am every year to be able to publicly share the contents of my Best of the Year anthology. Thrilled to share the riches of our field — honored that so many wonderful writers allow me to publish their stories.

The book will be available next summer from Prime Books. And without further ado, here’s the compete TOC, sorted alphabetically by original venue.

“Seven Ways of Looking at the Sun-Worshippers of Yul-Katan” by Maggie Clark, Analog
“All that Robot Shit” by Rich Larson, Asimov’s
“Project Empathy” by Dominica Phetteplace, Asimov’s
“Lazy Dog Out” by Suzanne Palmer, Asimov’s
“The Visitor from Taured” by Ian R. MacLeod, Asimov’s
“Openness” by Alexander Weinstein, Beloit Fiction Journal
“In Skander, for a Boy” by Chaz Brenchley, Beneath Ceaseless Skies
“Laws of Night and Silk” by Seth Dickinson, Beneath Ceaseless Skies
“Blood Grains Speak Through Memories” by Jason Sanford, Beneath Ceaseless Skies
“Rager in Space” by Charlie Jane Anders, Bridging Infinity
“Ozymandias” by Karin Lowachee, Bridging Infinity

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At Long Last, the World Begins to Appreciate Claire Suzanne Elizabeth Cooney

At Long Last, the World Begins to Appreciate Claire Suzanne Elizabeth Cooney

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Claire Cooney, who writes under the name CSE Cooney, was Black Gate‘s first website editor, and we published two of her short stories, “Godmother Lizard” and “Life on the Sun,” as part of our Black Gate Online Fiction library. I was sitting next to Claire three weeks ago when she won the World Fantasy Award for her groundbreaking debut collection Bone Swans, and I watched in pleasant surprise as the crowd around us exploded in cheers. It seems that, at long last, the world is starting to appreciate what those of us in the BG community have long known: CSE Cooney is one of the genre’s most gifted writers.

Today The Westerly Sun published a fine feature on Claire, titled “World award is no fantasy for Westerly author Claire Cooney.” Here’s a snippet.

“I had no expectation of winning so I didn’t prepare any comments,” said Cooney, whose stories take readers on fantastical journeys through reimagined fairy tales and myths. “I just sat there saying ‘No way’ … until my friends started screaming.”

Cooney describes her writing as secondary world fantasy, similar in genre to the work of J.R.R. Tolkien and C.S. Lewis. Her writing features flying carpets, strange clowns and pied pipers, she said, with strong female characters and people who turn into things. “Swords and sorcery,” said the writer who has been influenced by such fairy tales as the The Pied Piper and Rumpelstilskin…

The World Fantasy Award is one of the three big awards given in her fantasy genre, and Cooney faced stiff competition in a category that included a Pulitzer Prize finalist and two career retrospectives from well-established international writers.

Read the complete article, written by Nancy Burns-Fusaro, here, and read the Nebula-nominated title story “The Bone Swans of Amandale” online here.

Seeking Solace

Seeking Solace

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howard-zebras-smallWhen assembling the first round of Black Gate bloggers one of the few rules I laid down was that we keep our personal politics and religion out of our posts. John and I both wanted to create a safe and welcoming space where people of all stripes could come together to discuss the genres we love.

Over the last week I’ve never found that admonition more of a challenge. You see, I’ve been grieving. Not for any one person’s loss, or even because the side I backed lost, but because it feels to me that an ideal has vanished. That ideal may not have been flawless, but I shudder at the manner in which the leading proponent of a replacement movement conducts himself. And for the first time in my life I’m not just disheartened by an election result contrary to my own wishes, I’m a little frightened.

I believe I’m in the letter of my own law still because I’m not here to proselytize. The preceding paragraph is solely for context so you’ll understand what it is that’s upset me. If, like me, the depth of your own grief and your anger and fear surprise you, you’ve probably been wondering how to cope. I wish I could give you a good answer. I can tell you that one of the things I’ve done is distract myself with the genres I love. The other was to create some art. That is one (and not the only) way I mean to act.

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Win a Copy of Sarah Avery’s The Imlen Brat

Win a Copy of Sarah Avery’s The Imlen Brat

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In early October I received a bundle from Sarah Avery. Inside were several copies of her beautiful new novella The Imlen Brat — a story I’d dearly wanted to publish in Black Gate, but was unable to before the print version of the magazine died.

It was enormously satisfying to finally see this book out in the world, and to hold a copy in my hands. And what a book! The gorgeous cover by Kate Baylay, and the delightful design and back cover blurb by Rich Horton, almost made it worth the wait (almost). And on top of it all, the dedication page touched my cold publisher’s heart.

To the whole Black Gate crew — writers, readers, artists, editors, all of you. You will always be this story’s first home.

Tucked in with the bundle was a note from Sarah, who generously offered two additional copies as to give away to Black Gate‘s readers. And that’s exactly what we’re here to do today.

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New Treasures: The Gates of Hell by Michael Livingston

New Treasures: The Gates of Hell by Michael Livingston

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the-gates-of-hell-michael-livingston-smallMichael Livingston’s stories for Black Gate made him a favorite among our readers, so I was looking forward to seeing how the wider world would react to him with the publication of his first novel, The Shards of Heaven, a historical fantasy that reveals the hidden magic behind the history we know. I was not disappointed. Library Journal called it “Top-noth,” and bestselling writer Bernard Cornwell called it “A brilliant debut.” And Sam Reader at the B&N SF Blog gave it this rave review:

The Shards of Heaven is breathtaking in scope. With the first volume of a planned series intertwining Roman history and myth with Judeo-Christian mythology, Michael Livingston has created something truly epic… He uses real events and characters as the backbone for a truly inventive epic fantasy like novel, a massive undertaking that launches a tremendously ambitious series.

The Gates of Hell is second volume in the series; it’s available in hardcover from Tor on Tuesday.

Alexandria has fallen, and with it the great kingdom of Egypt. Cleopatra is dead. Her children are paraded through the streets in chains wrought of their mother’s golden treasures, and within a year all but one of them will be dead. Only her young daughter, Cleopatra Selene, survives to continue her quest for vengeance against Rome and its emperor, Augustus Caesar.

To show his strength, Augustus Caesar will go to war against the Cantabrians in northern Spain, and it isn’t long before he calls on Juba of Numidia, his adopted half-brother and the man whom Selene has been made to marry — but whom she has grown to love. The young couple journey to the Cantabrian frontier, where they learn that Caesar wants Juba so he can use the Trident of Poseidon to destroy his enemies. Perfidy and treachery abound. Juba’s love of Selene will cost him dearly in the epic fight, and the choices made may change the very fabric of the known world.

Michael Livingston’s most recent blog post for us was his 2015 article on the challenges of writing longer fiction.

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Sarah Avery on “The War of the Wheat Berry Year”

Sarah Avery on “The War of the Wheat Berry Year”

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Sarah Avery’s story “The War of the Wheat Berry Year” first appeared in the Black Gate 15, our last print issue. Since then, Sarah has had a stellar career — winning the 2015 Mythopoeic Award for her novel Tales from Rugosa Coven, editing an anthology with David Sklar, and successfully Kickstarting The Imlen Brat, a novella featuring the heroine of “War of the Wheat Berry Year,” when she was a child adopted into a perilous royal court. Now Great Jones Street has reprinted a revised version of “The War of the Wheat Berry Year.” Here’s Sarah.

In 2003, I wrote a fantasy short story about.. a turncoat. I gave her many of the attributes we see so often — an army of followers who are Other to her, a homeland with blatant unresolved injustices, an offstage villain who is suitably repellent. But I gave her a few other things, too, that the usual turncoats don’t have.

She faces someone she loves on the battlefield. Someone she owes, who has done her lifesaving kindnesses she can never forget or repay. He’s angry, and his anger has its reasons. Quite apart from her betrayal of their nation, she has betrayed him, humiliated him, endangered him, put him in the position of having to make choices he finds unbearable. Worst of all, she has put him in the position of having to kill her or to die trying…

A few years later, “The War of the Wheat Berry Year” was my first professional sale. I sold the story to John O’Neill at Black Gate  —  he put me through three rounds of revisions for clarity, and I’ll always be grateful for his patience. In 2009, when the magazine was about to transition from print to online publication, my story appeared in the last print issue. Some things about the first published version of the story hold up pretty well, well enough that Great Jones Street picked it up for reprint this year.

Read Sarah’s complete article on the reasons for her revisions, “Conscientious Turncoats, Or Why I Stopped the Virtual Presses on “The War of the Wheat Berry Year,” at Great Jones Street.