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Epic Black Gate Trailer of AWESOMENESS!

Epic Black Gate Trailer of AWESOMENESS!

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Claire: How do we do this, O’Neill? I’m still new at this website editing.

John: Just type everything I say, Cooney.  First, we wanna hype Magill and Sam.

Claire: Easy!

John: Wow, you type fast. This can’t be too long. We’ve got to get right to it.

Claire: Okay. So, dear Black Gate readers, look at this cool thing my friends Magill Foote and Sam Rahn did. It’s so 21st Century. And it makes Black Gate look so cool. Not that it needed any help. And now we just post it? Beneath the cut?

John: No, no, no. It’s gotta be right here!  Do it now!

Art Evolution 6: Tony DiTerlizzi

Art Evolution 6: Tony DiTerlizzi

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Art Evolution continues, this week’s image coming from a member of the later days of TSR. The character is yet another in a shared project representing a single figure created in many famed RPG artists most recognizable style. The project began here.

So I now had five, the newest of which was an ‘L5R Lyssa’. Half my list down and seemingly half to go, assuming I could flesh out my article with other greats I’d fantasized about since I wore parachute pants.

planes-254Sitting back, I took stock of all my memories on gaming, tried to picture the art that moved me the most, and I came onto some really profound names like, Larry Elmore, Jeff Easley, Tony DiTerlizzi, Wayne Reynolds, Todd Lockwood and Erol Otus just to name a few. Yeah, this was getting very real very fast.

These people were more than RP artists — they were industries unto themselves. Wayne Reynolds doesn’t take personal commissions, Jeff Easley’s email isn’t exactly public knowledge, and Tony had transformed from TSR ‘pit’ artist to award winning and New York Times best-selling children’s author and illustrator.

What these artists brought to anything they were involved in was profound legitimacy, something I had very little of at this point. Still, I needed something binding, something tangible to offer up to these artists. I was a writer with no credits to my name, but I could still list myself as a ‘freelance’. That was a truth, and it is always better to provide honesty than fiction, especially when dealing with an established and intelligent clientele.

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Art Evolution 5: Cristina Dornaus McAllister

Art Evolution 5: Cristina Dornaus McAllister

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In my ongoing Art Evolution series, I explained my plan to collect ten of the greatest fantasy role-playing artists of all time for a shared project. They were to illustrate a single character in their most recognizable style. So far, the list has included Jeff Laubenstein, Eric Vedder, Jeff Dee, and David Deitrick with this week adding the first female name to our list of esteemed artists.

crane-254The ‘Space: 1889 Lyssa’ was in the bank, and by the this time I was seeing there was a kind of universal key involved in the process. I needed a perfect combination of money, sincere flattery, and being as genuinely personable as email allows to sway this pool of talent. Artists are a funny lot, as are writers for that matter, and I’d begun to get the hang of corresponding with them. I’d also started a rather fine collection of art and the more I got, the more I understood that I needed a venue for what I was trying to accomplish. Still, my project was in its infancy, and I figured as long as I was making progress with my list of favorites, why not ride it out and worry about the details later.

Looking over the latest images, I came to the conclusion that David, like Jeff, was a gem in my eye but had moved out of the industry’s limelight a decade ago. Although popular and recognizable in his day, the RP art world had moved on. It was something I noted a great deal in my list, and as a person with deep feelings toward the work these men and women created, it was a tough pill to swallow.

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Art Evolution 4: David Deitrick

Art Evolution 4: David Deitrick

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In my ongoing Art Evolution series, I explained my plan to collect ten of the greatest fantasy role-playing artists of all time for a shared project. They were to illustrate a single character in their most recognizable style. So far, the list has included Jeff Laubenstein, Eric Vedder, and Jeff Dee, with this week adding again to that prestigious list.

a-doomsday-254Three down, and I now had a “1st Edition D&D Lyssa”, but I’d only scratched the surface of my goal and all the artists I’d collected so far weren’t cold calls. These were people I’d already worked with, friends and partners, and the list that remained loomed much larger than this current success. I kept asking myself, ‘do you want this for you, or do you want it for something greater?’

I chewed on that as I read through an old Dragon magazine one afternoon in late August [a pastime I strongly suggest doing once a month to anyone still role-playing]. While reading, I stumbled on a beautiful advertisement for the Traveller RPG.

I recognized the art as something I’d loved in my teens, but had no idea who drew it. Going to my bookshelves I pulled down a copy of FASA’s House Davion supplement for Battletech and managed to put a name to a style… David Deitrick.

I remembered him from a hundred different pictures that had shaped my role-playing life in the late eighties. Everything about his work screamed military, and that style lent so well to the science-fiction bent of the companies he helped characterize.

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Art Evolution 3: Jeff Dee

Art Evolution 3: Jeff Dee

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t1-254

In the first installment of this series, I explained my plan to collect ten of the greatest fantasy role-playing artists for a shared project to illustrate a single character in their best known style. For that one I chose Earthdawn and Shadowrun artist Jeff Laubenstein.

And now the Art Evolution blog series continues into Week 3, after last week’s contribution from Exalted artist Eric Vedder.

OK, so two down and I had an ‘Exalted Lyssa‘. As pleasing as that was, I still needed more ammunition before I started blind solicitations.

In another stroke of ‘luck’ I was already a horrible failure as a writer. As such, I’d spent time marketing a wretched book I’d written in 2006 that I’d worked with Jeff Dee on some illustrations for.

To me, Dee was a must for the article, all of his work at TSR a kind of Holy Grail of RP art.

My imagination still wonders if the zombie on the cover of T1: The Village of Hommlet has grappled or bit the unfortunate warrior pictured there.

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Art Evolution 2: Eric Vedder

Art Evolution 2: Eric Vedder

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exalted

Last week I kicked off the Art Evolution blog series, explaining my plan to collect ten of the greatest fantasy role-playing artists for a shared project to illustrate a single character in their best known style. For my first installment I chose Earthdawn and Shadowrun artist Jeff Laubenstein.

With Jeff Laubenstein and a ‘Shadowrun Lyssa‘ in the fold, I took stock of my list and imagined how I would gain other universally recognizable names. I determined that each name carried a ‘weight’, a kind of industry standard validity recognizable to other artists.

Remember, I was working this alone, without a single writing credit to my name, so I had to find legitimacy where I could. Understanding that, and without a previously established friendship with the lion’s share of these artists, I needed a greater combined ‘weight’ of already contracted artists to approach the next heavier weighted contributor on my list.

At this point I only had a single artist signed so I went back into the few art connections I’d made during my time trying to market my other writings. Like most struggling writers in their publishing infancy, I believed there might be a shortcut or magic bullet to getting published. J.K. Rowling couldn’t buy bread before Harry Potter, but she went out and purchased a lovely red transparent folder to place her Potter manuscript in before she sent it to a perspective publisher.

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Art Evolution 1: Jeff Laubenstein

Art Evolution 1: Jeff Laubenstein

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a2-slavers2I’m a gamer, a lifer, someone who at the age of thirty-nine doesn’t get to roll dice like it did at nineteen, but I still take a week’s vacation every year to hang out with High School friends and revisit campaigns where characters have been on paper long enough to legally drink in the U.S.

My love for fantasy role-playing goes back to middle school. There, I was introduced to Dungeon’s & Dragons, but it wasn’t just the concept that inspired my love affair, it was the art. The first piece of fantasy role-playing art I ever saw was the module A2: Secrets of the Slavers Stockade.

I stared at it for a full hour in History class; flipped through the pages trying to figure out why the cover wasn’t stapled on, and went home convinced this was something I had to get involved in.

Enter the Sears Christmas catalogue and TSR’s D&D Basic Edition red boxed set. Once I saw Larry Elmore’s red dragon and seemingly endless treasure trove, I convinced my mother to order it and began a journey lasting nearly thirty years.

I still buy gaming supplements for art alone, collecting entire genres and systems knowing full well I will never have the time to play them. If you put a great cover on it there’s a good chance I’ll buy, and I devour new talent almost as fast as I’ll snap up a collector’s piece from the seventies or eighties on eBay.

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Art of the Genre: Boot Hill‘s Ballots & Bullets: The 80’s Magic of TSR

Art of the Genre: Boot Hill‘s Ballots & Bullets: The 80’s Magic of TSR

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bullets-and-ballots1As I was walking the hallowed halls of the Indianapolis Convention Center during this year’s GenCon, I managed to uncover a handful of truly wonderful relics. Perhaps the greatest of these [although I contend that L3 Deep Dwarven Delve by Len Lakofka with Wayne Reynolds art in 1st Edition format is still in the running] was this masterpiece from TSR’s defunct Wild West game Boot Hill.

Now you may be asking “Boot Hill, really?”, and indeed I would be saying the same thing — if I hadn’t made it a personal quest to uncover many secrets about early TSR artists and their antics in the legendary ‘pit.’ So we have BH3 Ballots & Bullets by David James Ritchie, which by no means defines the game or genre, and yet played out in the cover is a true stroke of genius. Here, in muted color, we are once again reminded as fans of the fantastic comedy of artist Jim Holloway.

The four men featured here are all that truly matters about BH3, as right to left we are shown TSR Art Director (and cover artist for such classics as B2 Keep on the Borderlands and D1-2 Descent into the Depths of the Earth) Jim Roslof, a very Jimmy Stewart looking Jeff Easley; the gambler himself, Jim Holloway, and all the way to the left on horseback, the crazy old coot Larry Elmore (click on the image at left for a larger version).

Yes, that’s them, the entire TSR ‘pit’ crew circa 1981. Looking at this cover it seemed as though I had a snapshot of that time period, but this was even better. Having these artists, all in their youth, portrayed by the hand of one of their own made this purchase perhaps the greatest in my collection.

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Spectrum 16: Now Fortified with Black Gate!

Spectrum 16: Now Fortified with Black Gate!

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spectrum16spectrum-16b1Spectrum 16, edited by Cathy and Arnie Fenner, was published this month by Underwood Books.

I’ve been a fan of these books since the first, way back in 1994.  There are a lot of Best of… anthologies gathering the most acclaimed short fiction each year but, until Arnie and Cathy thought of it, no anthologies collecting the finest art. It was a stroke of genius, and that first volume was a hit. They’ve been at it ever since.

The books are full color and include lush layouts covering Advertising, Books, Comics, Concept Art, Sculpture, Editorial, Institutional, Unpublished — and even a lengthy Year in Review.  Spectrum 16 weighs in at 264 pages, and is just $39.95 for the hardcover (I bought mine for $26.37 from  Amazon.com). This year the Grand Master is Richard Corben.

Browsing these books is marvelous. Top-notch science fiction and fantasy often sets my imagination soaring, but not in the way that really great artwork can. The editors collect an astonishing array of diverse images from hundreds of gifted artists — pictures that are humorous, baffling, erotic, beautiful, disturbing, breath-taking, and everything in between. Depending on what your imagination is like, these books can be more diverting than a Stephen King novel.

This year is a special treat because the editors have seen fit to include Malcolm McClinton’s cover to Black Gate 13  in the Editorial section — in all its wrap-around glory. “Gladiatrix” was Malcolm’s first cover for Black Gate, and the first wrap-around image we’ve published since BG 3. It’s a knockout piece, and the response from readers was universally positive.

It’s a proud moment for us.  I’d like to congratulate Malcolm for being included — and also for a fabulous cover.