Browsed by
Category: Art

Collecting Lovecraft, Part III: The Arkham Hardcovers

Collecting Lovecraft, Part III: The Arkham Hardcovers

The Dunwich Horror and Others Lee Brown Coye 1963-small At the Mountains of Madness Arkham House Lee Brown Coye 1964-small Dagon and Other Macabre Tales Lee Brown Coye 1965-small The Horror in the Museum and Other Revisions 1970-small

[Click any of the images for bigger versions.]

In Part I of this series, I looked at the Ballantine paperbacks edited by August Derleth and published by arrangement with Arkham House in the early 70s. In Part II, we examined the Lancer and Ballantine paperbacks of the late 60s and early 70s. In Part III, I want to showcase the volumes that most serious Lovecraft collectors start with — the Arkham House collected works, published in three volumes: The Dunwich Horror and Others, At the Mountains of Madness and Other Novels, and Dagon and Other Macabre Tales, plus a collection of Lovecraft’s revisions, those tales he re-wrote for various clients to make them acceptable for Weird Tales, The Horror in the Museum and Other Revisions.

Now I want to start off by saying that, while these four books are some of the most important in 20th Century Horror — and, indeed, they form the cornerstone of any serious horror collection — they still represent a pretty hinky way to gather Lovecraft’s fiction. Why? The Dunwich Horror is subtitled “The Best of H.P. Lovecraft.” At the Mountains of Madness collects his longer tales (At the Mountains of Madness, The Case of Charles Dexter Ward, The Dream-Quest of Unknown Kadath, as well as the rest of the Randolph Carter stories.) Which leaves Dagon with the unofficial subtitle, All the Stuff That’s Not Lovecraft’s Best. Seems a strange way to assemble a third volume, that’s all I’m saying.

Read More Read More

Vintage Treasures: Madouc by Jack Vance

Vintage Treasures: Madouc by Jack Vance

Madouc Jack Vance Ace Books-small

I’ve spent some time recently talking about some of Jack Vance’s most popular series, including The Dying Earth and Planet of Adventure. But the book that introduced me to Vance was the third volume of his high fantasy Lyonesse trilogy, Madouc, originally published in hardcover by Underwood Miller in 1989, and reprinted in trade paperback by Ace Books with a gorgeous Sanjulian cover in 1990 (above, click for bigger version).

It’s usually tough to come to a fantasy trilogy with the third volume, but Vance made it easy. In fact, I was only dimly aware that it was part of a series as I read it. What I most remember about Madouc was that it was funny, gripping, vivid, and unlike anything else I’d ever read. Vance took subject matter wholly familiar to every modern fantasy reader — the Land of Faerie — and made it fresh and new.

Madouc won the World Fantasy Award for Best Novel in 1990, beating out some pretty stiff competition, including Carrion Comfort by Dan Simmons, Soldier of Arete by Gene Wolfe, and The Stress of Her Regard by Tim Powers. My friend Rodger Turner, with whom I founded SF Site a few years later, was a Judge that year, and I remember asking him about it shortly after I finished reading Carrion Comfort, which I was convinced would be the hands-down winner. “The process took… compromises,” Rodger deadpanned.

Read More Read More

One Picture = One Thousand Words . . .?

One Picture = One Thousand Words . . .?

Huff price 1About a month ago Gabe Dybing wrote an excellent post in which he, among other things, praised my Dhulyn and Parno Novels (thanks again, Gabe). I obviously don’t quarrel with anything he had to say, but there was one observation that made me raise my eyebrows, and that was his take on the cover art. The whole post is worth reading (not just the part about my books) but what Dying has to say about my covers is important not just for me, but for any of us involved in the writing and reading of books. Looking at the art from the sales perspective, what it is about the cover that encourages a reader to buy a book, Dybing has two caveats. First, he feels the characters are too “posed,” in that they’re “battle-ready” when nothing is in fact happening. Second, he objects to the photo-realism, since it could restrain the readers in imagining the characters for themselves. As it happens, he feels the artist, Steve Stone, did capture Dhulyn pretty well, except for her skin colour, and her “wolf smile.”

Huff PriceInteresting bit about that. The artist chose his models from modeling/acting agency photos to match the physical descriptions I’d provided to my editor/publisher, Sheila Gilbert at DAW. It wasn’t until the models arrived for the session that Stone realized the woman was black. I know, it does make you wonder what the photos were like, but that’s not a question I can answer. The situation was explained to her, and apparently the model/actress didn’t mind being depicted as a woman from a race noted for the pallor of their skin and the redness of their hair.

As for the wolf’s smile, you don’t really want to see that. Ever. Trust me.

On the whole, I think I’ve been very lucky with my cover art, but before I go on I have to confess a couple of things. First, I have almost no visual memory (except for faces), and don’t really respond to visual cues. Off the top of my head, I couldn’t describe to you the cover of any book, not even the ones I’ve read over and over. Okay, I can recognize the Tenniel drawings from Alice in Wonderland, the original art from the Chronicles of Narnia, and the Dali illustrations from a recent edition of Don Quijote, but there I’m thinking about the artists, not the books. And even there I’m pretty sure I couldn’t tell you what was on the covers.

Read More Read More

The Omnibus Volumes of H. Beam Piper

The Omnibus Volumes of H. Beam Piper

The Complete Fuzzy The Complete Paratime-small

H. Beam Piper is one of my favorite Twentieth Century writers. He died a few months after I was born, on November 4, 1964, but his books are still in print today in handsome omnibus collections from his long-time publisher, Ace Books.  And if you’re willing to hunt for a few vintage paperbacks (and why wouldn’t you?), you can also find some terrific collections of his earlier novels and stories.

Let’s start with the classic series for which Piper is most remembered today: The Fuzzy novels (also published as The Fuzzy Papers), collected in the omnibus volume The Complete Fuzzy. An enduring favorite among Golden Age SF fans, the series began with Little Fuzzy (1962) and The Other Human Race (1964; also called Fuzzy Sapiens), and continued in Fuzzies and Other People, which was found among Piper’s papers and published two decades after his death, in 1984.

The Fuzzy novels have inspired several writers to pen new adventures featuring the titular aliens, notably William Tuning, Ardath Mayhar, Wolfgang Diehr, and most recently John Scalzi, who published Fuzzy Nation in 2011.

Read More Read More

Vintage Treasures: The Monarchies of God by Paul Kearney

Vintage Treasures: The Monarchies of God by Paul Kearney

Hawkwood's Voyage The Heretic Kings The Iron Wars

Paul Kearney’s first novel was The Way to Babylon (1992), followed quickly by A Different Kingdom (1993) and Riding the Unicorn (1994). With his fourth novel, Hawkwood’s Voyage (1995), he began an extremely ambitious story cycle that eventually ran to five volumes and over 1,600 pages: The Monarchies of God.

The Monarchies of God was originally published in the UK by Gollancz, with each volume released as it was written. In the US, however, publisher Ace Books tried an unusual experiment. They waited until the series was virtually complete, publishing the first volume here in the US in February 2002, and subsequent books one per month, in March, April, and May. The final volume was released in January 2003, virtually simultaneous with its UK release.

I have to assume the experiment was not a success, as the books went out of print rather quickly, and Ace has shown no particular appetite to repeat it since.

Read More Read More

Vintage Treasures: The Dubric Bryerly Mysteries by Tamara Siler Jones

Vintage Treasures: The Dubric Bryerly Mysteries by Tamara Siler Jones

Ghosts in the Snow-small Threads of Malice-small Valley of the Soul-small

There’s really nothing quite like Tamara Siler Jones’ Dubric Bryerly Mysteries out there today.

They were a fascinating mix of fantasy, forensics, and crime thriller involving the head of security at Castle Faldorrah, Dubric Byerly, who is cursed to be haunted by the ghosts of those whose deaths demand justice. Three volumes were published: Ghost in the Snow (2004), Threads of Malice (2005), and Valley of the Soul (2006), all by Bantam Spectra. Ghost won the Compton Crook Award, given out at Balticon every year for Best First Novel. All three have great covers by Les Edwards.

Read More Read More

Vintage Treasures: The Starbridge Chronicles by Paul Park

Vintage Treasures: The Starbridge Chronicles by Paul Park

Soldiers of Paradise-small Sugar Rain-small The Cult of Loving Kindness

Paul Park is one of the most acclaimed writers working in American fantasy. His four-volume A Princess of Roumania series (A Princess of Roumania, The Tourmaline, The White Tyger, and The Hidden World), set in a parallel world where magic works, has been nominated for the World Fantasy, Tiptree, Locus, and Sidewise awards, and his short fiction has been nominated for both the Nebula and World Fantasy Awards. Under his own name and the name Paulina Claiborne he has published fiction set in the Forgotten Realms, including the 2012 novel The Rose of Sarifal.

But Park’s first three novels, Soldiers of Paradise (1987), Sugar Rain (1989), and The Cult of Loving Kindness (1991), jointly known as The Starbridge Chronicles, are nearly forgotten today — and in fact have been out of print for over 20 years. But they were widely praised when they first appeared. Soldiers of Paradise was nominated for the Clarke Award, and Kim Stanley Robinson called it “A superb novel — vivid, harsh, mysterious.” Asimov’s SF magazine said “I was hooked… a real trip to someplace else that is really Someplace Else.”

Read More Read More

Vintage Treasures: The Ghatti Tales of Gayle Greeno

Vintage Treasures: The Ghatti Tales of Gayle Greeno

Sunderlies Seeking-small The Farthest Seeking

When I was running SF Site in the late 90s, I got hundreds of review books every year. Many appealed to me, though I had time to read almost none, and instead assigned them to our freelance reviewers. (Isn’t that always the way? You can have plenty of books, or you can have plenty of time, but you can never have both.)

Anyway, in the intervening 15+ years, I’ve long since forgotten most of the delightful volumes that passed through my hands. Yesterday I was in my basement — excuse me, the Cave of Wonders — making room for recent arrivals, packing up nearly a thousand old review copies to store in the attic, when I came across my dust-covered copy of Sunderlies Seeking, the first novel in Ghatten’s Gambit, a two-volume fantasy series published by DAW in 1998 and 2000.

I did remember Sunderlies Seeking. Even after 17 years, I recalled Mark Hess’s great cover and the evocative description on the back, promising a tale of adventure in a land of “convicts, rebels, and the unwanted refuse of society.” Not to mention a pair of friendly cats on the cover, helping sail a ship into the harbor. I’d never heard of author Gayle Greeno before Sunderlies Seeking crossed my desk in 1998, but after it did I sought out her other novels with great interest.

Read More Read More

Relaunched Weirdbook Scores a Stephen Fabian Cover

Relaunched Weirdbook Scores a Stephen Fabian Cover

Weirdbook 31-smallEarlier this month I was very pleased to report that one of the greatest of all weird fiction magazines, W. Paul Ganley’s Weirdbook, is relaunching, with David A. Riley as Senior Editor and Publisher, and Douglas Draa, former Online Editor for Weird Tales, as Managing Editor and Fiction editor.

Last week on his blog David Riley revealed the cover for the upcoming Weirdbook 31, with art by none other than the great Stephen Fabian (at right; click for bigger version).

We are very pleased to be able to reveal the cover for issue 31, the first of the new Weirdbooks. It’s the work of Stephen Fabian, whose art often featured on earlier copies of the magazine.

Indeed, Fabian’s cover art was a hallmark of the original Weirdbook, and I’m thrilled to see that David and Doug have managed to secure him for issue 31. I’m certain it will make old-timers like me feel right at home.

You can see more of Fabian’s artwork in our detailed look at Stephen E. Fabian’s Ladies & Legends last year, and read more about Weirdbook (including their recent call for book reviewers) at David’s blog. They expect to have issue 31, the first issue of the relaunched magazine, available by the end of August this year.

Vintage Treasures: Not Without Sorcery by Theodore Sturgeon

Vintage Treasures: Not Without Sorcery by Theodore Sturgeon

Not Without Sorcery 1961-small Not Without Sorcery-small

Theodore Sturgeon’s first short story collection was Without Sorcery, a handsome hardcover published in 1948 with an introduction by Ray Bradbury. As you can imagine, it’s a tough book to find these days, even for collectors.

The paperback edition, released 13 long years later, dropped five stories and the introduction, and was re-titled Not Without Sorcery. It became Sturgeon’s tenth collection and was released in two editions, from Ballantine (in 1961, with a rather drab cover by an unknown artist) and Del Rey (in 1975, with a far more interesting cover from artist Darrell K. Sweet.) 1975 was the last time the book saw a mass market edition; it remained out of print for 35 years, until Kessinger Publishing did a facsimile reprint edition in 2010.

Sturgeon was a Campbell writer through and through, and all eight stories in Not Without Sorcery appeared in the two pulp magazines John W. Campbell edited: Astounding Science Fiction, and its sister magazine Unknown Worlds. The stories were published over a two-year period, 1939-1941. I’ve assembled some of the original covers below, because I can never resist an excuse to showcase pulp magazines.

Read More Read More