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Images of Captain Scott’s Final Expedition

Images of Captain Scott’s Final Expedition

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Herbert George Ponting - the Terra Nova held up in the Pack

One of Ponting’s iconic images from the expedition is the Terra Nova stuck in ice.
The crew had to cut away the ice immediately around the ship every day so that
it wouldn’t crush the ship, a fate suffered by several other Polar expeditions.

When I’m in London I love to catch the shows at the big galleries, but I also like to check out the auction houses. Although I can’t afford to buy anything, places like Christie’s, Sotheby’s, and Bonhams often have free exhibitions of great art that, because it’s in private hands, you’ve never seen before and will probably never see again.

They sometimes have more traditional exhibitions of art that isn’t for sale. One such show this season is Visions of the Great White South at Bonhams. This brings together photography and paintings made on Captain Robert Falcon Scott’s ill-fated Terra Nova expedition to Antarctica from 1910 to 1913. While Scott and his forward team made it to the South Pole, they were narrowly beaten by Roald Amundsen and his Norwegian team. As they tried to return to base camp, the men were caught in a blizzard and Scott and the entire forward team perished.

While the expedition could be considered a failure, it accomplished some important scientific research as well as some magnificent artistic achievements. With the expedition were two artists. Dr. Edward Wilson was a physician, naturalist, and painter who sadly died with Scott. Herbert Ponting was a photographer. Both made some gripping images of the Antarctic that form the centerpieces of the show.

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Learning the Uncanny Arts: The Secrets of the Uncanny Magazine Covers

Learning the Uncanny Arts: The Secrets of the Uncanny Magazine Covers

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Uncanny_Issue_Four_Cover-smaller Uncanny Magazine May June 2016-smaller

One of the things we’ve learned here at Uncanny Magazine is that people really like our covers. Which is awesome. It means our evil plans :ahem: I mean, our specific vision of what we want for the magazine is working! This is why many of the backer levels of our currently running Uncanny Magazine Year Three Kickstarter include postcards or prints of our art.

For example, Tran Nguyen’s “Traveling to a Distant Day” won a Spectrum 23 Gold Award and is a finalist for a 2016 Chesley Award for Best Cover Illustration. Galen Dara’s “Bubbles and Blast Off” was super popular on Twitter, to the point where people demanded prints. We worked with Galen to make them happen in our Uncanny Magazine store. (There may be something even cooler going on with the Kickstarter in relation to that. Stay tuned.)

Black Gate thought it would be interesting for us to explain how we select our Uncanny Magazine covers.

So, without further ado…

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Roman Lusitania Opens at the Museo Arqueológico Nacional, Madrid

Roman Lusitania Opens at the Museo Arqueológico Nacional, Madrid

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Statue of a Lusitani warrior, 1st century AD.
Note the torc and arm bands, indicating high rank

It’s the start of the summer exhibition season here in Madrid, and the National Archaeological Museum is offering a free exhibition called Lusitania Romana, about the Roman province that took up much of what is now western Spain and Portugal.

The province got its name from the native Lusitani, who were either a Celtiberian people or an older ethnic group culturally influenced by the Celts, depending on which historian you read. The Romans fought these people from from 155 to 139 BC, eventually defeating them. The Lusitani continued a guerrilla war for another century.

When the province was created in 27 BC, the capital was set as Emerita Augusta, now the modern city of Mérida in Spain, which still retains some fascinating Roman ruins including a well-preserved theater, plus an excellent museum. With pacification came acculturation, and soon the region had several sizeable cities with all the usual Roman public works, and the countryside had numerous villas with some fine mosaics that have survived to this day.

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Lovecraft’s Dreamlands Via Graphic Novel: Charles Cutting’s Kadath

Lovecraft’s Dreamlands Via Graphic Novel: Charles Cutting’s Kadath

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However, unlike Bill Haley, Lovecraft still owns his genre
However, unlike Bill Haley, Lovecraft still owns his genre
It's like the lovechild of Brighton Pavilion and Portmeirion as raised by Michael Moorcock
It’s like the lovechild of Brighton Pavilion and Portmeirion as raised by Michael Moorcock

HP Lovecraft is a bit like Bill Haley; he arguably created his own genre, but few people now consume his work for simple pleasure.

Just as modern people typically discover Rock and Roll through [your favourite band here], they come to the Cthulhu Mythos through Charles Stross’s Laundry Files(*), through the madness of the Cthulhu Fluxx cardgame, or through the roleplaying game Call of Cthulhu.

Kids…? Well my daughter (8) has a plush Cthulhu who spends most of his time in the naughty corner for trying to eat the faces of the other toys.

Nobody, typically, just happens to pick up an HP Lovecraft book. If they do, they probably bounce. Let’s just say that speculative fiction has produced better stylists and that “of his time” is proving to be less and less able to explain away his racism.

However, unlike Bill Haley, Lovecraft still owns his genre. He pretty much nailed Cosmic Horror, and though we have chipped off racist carbuncles, all the tropes still bear his mason’s mark.

This means that Lovecraft’s Mythos serves the the same function in the Geek community as the Classical world served amongst educated Victorians. They would remark on somebody being “Hector-like”, we joke that our  pasta bake “turned into a Shoggoth”.

This creates the interesting problem that the our shared subculture leans heavily on a set of texts that are increasingly unreadable for both literary and ethical reasons!

The answer, of course, is to retell the stories in other media, which is where books like Charles Cutting’s graphic novel Kadath come in.

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Vintage Treasures: The Sky Children by Donald Olson

Vintage Treasures: The Sky Children by Donald Olson

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The-Sky-Children-Donald-Olson-small The-Sky-Children-Donald-Olson-back-small

I don’t know a lot about Donald Olson, but IMDB tells me The Sky Children was his only novel. He did publish three short stories, in Alfred Hitchcock’s Mystery Magazine and The Twilight Zone Magazine, between 1973 and 1981, but that’s about it.

But Mr. Olson isn’t really the most intriguing thing about The Sky Children. That would be the moody and effective cover, by an uncredited artist who also produced many covers for Avon in the mid-70s, including several anthologies like Roger Elwood’s Demon Kind, and others. A little investigation has not produced an immediate answer to this riddle, so I thought I’d post it here and see if anyone can help.

The Sky Children was published by Avon Books in 1975. It is 144 pages, priced at $1.25. The cover artist is uncredited. I bought an unread copy online last month for under $1.

The Arms and Armor Collection of the Museo Cerralbo, Madrid

The Arms and Armor Collection of the Museo Cerralbo, Madrid

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The armory doubled as the reception room. The first thing visitors see
is the Marquis’ coat of arms flanked by these two fine suits of armor.

Madrid is filled with museums. While most visitors see the “Golden Triangle” of art museums consisting of El Prado, La Reina Sofia, and El Museo Thyssen-Bornemisza, there are dozens of other museums, some big, some small, that are well worth a look.

One is the Museo Cerralbo, the former mansion of the Marquis de Cerralbo. Enrique de Aguilera y Gamboa (1845-1922), 17th Marquis of Cerralbo, was an avid collector of art and antiquities and stuffed his grandiose city home with his purchases. The Marquis did more than simply collect, he was also an active archaeologist and did much to advance the study of prehistory in Spain. Of greatest interest to Black Gate readers is the impressive collection of medieval and Renaissance arms and armor.

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Cuenca: A Clifftop Medieval Town in Spain

Cuenca: A Clifftop Medieval Town in Spain

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One of the famous “hanging houses” of Cuenca

An hour’s train ride from Madrid is a small medieval town that’s often overlooked by international visitors. Cuenca has been an important town since the 8th century and has heaps of historic sights as well as natural beauty.

Located in rough hills and on a spur between the deep valleys of the Júcar and Huécar rivers, it’s a naturally defensible position and was fortified by the conquering Moors in 714. There is little remaining from the Islamic era because after it was conquered in 1177 by King Alfonso VIII, the city was extensively remodeled by him and several later monarchs.

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A Tale of Two Covers: Ellen Kushner on Basilisk

A Tale of Two Covers: Ellen Kushner on Basilisk

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Basilisk Ellen Kushner-small Basilisk Ellen Kushner 1984-small

August 1980

May 1984

Last month I was delighted to find a brand new copy of Ellen Kushner’s first anthology Basilisk on eBay for the criminally low price of $1.50 — less than cover price! The copy I found was the original 1980 edition (above left), with the gorgeous Rowena cover. In fact, it wasn’t until I started researching it that I discovered it was re-issued in 1984, with a brand new cover by Stephen Hickman (above right).

Well, here was a curious mystery. Why would Ace Books, no newbie to fantasy publishing, replace such a colorful and effective cover? Nothing against Hickman’s cover — which, in fact, I think is tremendously effective — but it’s hard to compete with a life-and-death knife fight between a beautiful desert princess and a buck-naked green guy. And let’s face it, if you have to have a topless princess and a naked green guy on your cover, Rowena is the artist to put them there.

Maybe 1980 was a little too early to introduce naked green butt to mass market? Maybe Basilisk was intended as the first in a series, and when that didn’t happen, Ace thought Hickman’s cover more suited to a one-off anthology? Obviously, there’s a story here. And the person to tell that story is Ellen Kushner. I reached out to her last week with a few questions, and was very pleased to get a lengthy (and very entertaining!) response. Rather than edit it to fit a shorter article, I decided to reproduce the entire thing here. Ladies and gentlemen, the marvelous Ellen Kushner.

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